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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AFCEB it is the complementary color #B50314. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AFCEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AFCEB shade: #4FFCE6, #60FFF9, #71FFFF, #82FFFF and #93FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AFCEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AFCEB shade: #4AFCEB, #39EAD8, #28D8C5, #17C6B2 and #06B49F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AFCEB shade: #4AFCEB, #4AFCBB, #4AFC8B, #4AFC5B and #69FC4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AFCEB shade: #4AFCEB, #4ADDFC, #4AADFC, #4A7DFC and #4A4DFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AFCEB shade matches the following richer shades: #4AFCEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AFCEB shade: #4AFCEB, #59EDDF, #67DED3, #76CFC7 and #85C0BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AFCEB shade: #4AFC8B, #4AFCBA, #4AFCEA, #4ADEFC and #4AAFFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AFCEB shade: #03F0D9, #21FBE6, #4AFCEB, #72FCEF and #9BFDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AFCEB shade: #4AFCEB, #5B4AFC and #FCA34A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AFCEB shade: #4AFCEB, #EA4AFC and #FCEA4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AFCEB shade: #4AFCEB, #5B4AFC, #FC4A5B and #EAFC4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AFCEB shade: #4AFCEB, #914AFC, #FC4A5B and #B5FC4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

Complementary color

CMYK 0 / 98 / 89 / 29

HEX #B50314

RGB 181 3 20

HSL 354.27, 0.97%, 0.36%

LAB 37.73, 61.84, 43.99

 

CMYK 69 / 0 / 9 / 1

HEX #4FFCE6

RGB 79 252 230

HSL 172.37, 0.97%, 0.65%

LAB 90.32, -48.51, -2.25

 

CMYK 62 / 0 / 2 / 0

HEX #60FFF9

RGB 96 255 249

HSL 177.74, 1%, 0.69%

LAB 92.06, -42.47, -9.5

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 76 / 0 / 8 / 8

HEX #39EAD8

RGB 57 234 216

HSL 173.9, 0.81%, 0.57%

LAB 84.32, -47.06, -3.79

 

CMYK 81 / 0 / 9 / 15

HEX #28D8C5

RGB 40 216 197

HSL 173.52, 0.69%, 0.5%

LAB 78.22, -46.03, -2.69

 

CMYK 88 / 0 / 10 / 22

HEX #17C6B2

RGB 23 198 178

HSL 173.14, 0.79%, 0.43%

LAB 72.08, -44.69, -1.46

 

CMYK 97 / 0 / 12 / 29

HEX #06B49F

RGB 6 180 159

HSL 172.76, 0.94%, 0.36%

LAB 65.89, -42.97, -0.11

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 71 / 0 / 26 / 1

HEX #4AFCBB

RGB 74 252 187

HSL 158.09, 0.97%, 0.64%

LAB 89.24, -59.33, 18.42

 

CMYK 71 / 0 / 45 / 1

HEX #4AFC8B

RGB 74 252 139

HSL 141.91, 0.97%, 0.64%

LAB 88.42, -68.36, 41.38

 

CMYK 71 / 0 / 64 / 1

HEX #4AFC5B

RGB 74 252 91

HSL 125.73, 0.97%, 0.64%

LAB 87.89, -74.59, 62.33

 

CMYK 58 / 0 / 71 / 1

HEX #69FC4A

RGB 105 252 74

HSL 109.55, 0.97%, 0.64%

LAB 88.5, -70, 69.64

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 71 / 12 / 0 / 1

HEX #4ADDFC

RGB 74 221 252

HSL 190.45, 0.97%, 0.64%

LAB 81.95, -28.9, -26.36

 

CMYK 71 / 31 / 0 / 1

HEX #4AADFC

RGB 74 173 252

HSL 206.63, 0.97%, 0.64%

LAB 68.29, -3.8, -47.53

 

CMYK 71 / 50 / 0 / 1

HEX #4A7DFC

RGB 74 125 252

HSL 222.81, 0.97%, 0.64%

LAB 55.23, 24.6, -68.37

 

CMYK 71 / 69 / 0 / 1

HEX #4A4DFC

RGB 74 77 252

HSL 238.99, 0.97%, 0.64%

LAB 43.93, 53.47, -86.8

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 62 / 0 / 6 / 7

HEX #59EDDF

RGB 89 237 223

HSL 174.32, 0.8%, 0.64%

LAB 86.02, -42.32, -4.9

 

CMYK 54 / 0 / 5 / 13

HEX #67DED3

RGB 103 222 211

HSL 174.45, 0.64%, 0.64%

LAB 81.75, -36.08, -4.81

 

CMYK 43 / 0 / 4 / 19

HEX #76CFC7

RGB 118 207 199

HSL 174.61, 0.48%, 0.64%

LAB 77.64, -28.63, -4.39

 

CMYK 31 / 0 / 3 / 25

HEX #85C0BB

RGB 133 192 187

HSL 174.92, 0.32%, 0.64%

LAB 73.72, -20.04, -3.59

 

CMYK 71 / 0 / 45 / 1

HEX #4AFC8B

RGB 74 252 139

HSL 141.91, 0.97%, 0.64%

LAB 88.42, -68.36, 41.38

 

CMYK 71 / 0 / 26 / 1

HEX #4AFCBA

RGB 74 252 186

HSL 157.75, 0.97%, 0.64%

LAB 89.22, -59.54, 18.9

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEA

RGB 74 252 234

HSL 173.93, 0.97%, 0.64%

LAB 90.33, -48.11, -4.33

 

CMYK 71 / 12 / 0 / 1

HEX #4ADEFC

RGB 74 222 252

HSL 190.11, 0.97%, 0.64%

LAB 82.23, -29.39, -25.92

 

CMYK 71 / 31 / 0 / 1

HEX #4AAFFC

RGB 74 175 252

HSL 205.96, 0.97%, 0.64%

LAB 68.86, -4.92, -46.65

 

CMYK 99 / 0 / 10 / 6

HEX #03F0D9

RGB 3 240 217

HSL 174.18, 0.98%, 0.48%

LAB 85.68, -52.3, -2.37

 

CMYK 87 / 0 / 8 / 2

HEX #21FBE6

RGB 33 251 230

HSL 174.22, 0.96%, 0.56%

LAB 89.41, -52.32, -3.67

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 55 / 0 / 5 / 1

HEX #72FCEF

RGB 114 252 239

HSL 174.35, 0.96%, 0.72%

LAB 91.43, -40.6, -5.2

 

CMYK 39 / 0 / 4 / 1

HEX #9BFDF4

RGB 155 253 244

HSL 174.49, 0.96%, 0.8%

LAB 93.34, -30.85, -4.8

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 64 / 71 / 0 / 1

HEX #5B4AFC

RGB 91 74 252

HSL 245.73, 0.97%, 0.64%

LAB 44.45, 56.94, -85.91

 

CMYK 0 / 35 / 71 / 1

HEX #FCA34A

RGB 252 163 74

HSL 30, 0.97%, 0.64%

LAB 74.43, 25.53, 58.07

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 7 / 71 / 0 / 1

HEX #EA4AFC

RGB 234 74 252

HSL 293.93, 0.97%, 0.64%

LAB 61.15, 81.45, -58.05

 

CMYK 0 / 7 / 71 / 1

HEX #FCEA4A

RGB 252 234 74

HSL 53.93, 0.97%, 0.64%

LAB 91.7, -10.97, 75.53

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 64 / 71 / 0 / 1

HEX #5B4AFC

RGB 91 74 252

HSL 245.73, 0.97%, 0.64%

LAB 44.45, 56.94, -85.91

 

CMYK 0 / 71 / 64 / 1

HEX #FC4A5B

RGB 252 74 91

HSL 354.27, 0.97%, 0.64%

LAB 58.37, 67.65, 30.66

 

CMYK 7 / 0 / 71 / 1

HEX #EAFC4A

RGB 234 252 74

HSL 66.07, 0.97%, 0.64%

LAB 95, -26.94, 78.25

 

CMYK 71 / 0 / 7 / 1

HEX #4AFCEB

RGB 74 252 235

HSL 174.27, 0.97%, 0.64%

LAB 90.36, -47.85, -4.81

 

CMYK 42 / 71 / 0 / 1

HEX #914AFC

RGB 145 74 252

HSL 263.93, 0.97%, 0.64%

LAB 49.43, 64.71, -77.55

 

CMYK 0 / 71 / 64 / 1

HEX #FC4A5B

RGB 252 74 91

HSL 354.27, 0.97%, 0.64%

LAB 58.37, 67.65, 30.66

 

CMYK 28 / 0 / 71 / 1

HEX #B5FC4A

RGB 181 252 74

HSL 83.93, 0.97%, 0.64%

LAB 91.66, -47.13, 73.85

 

Description

Color code: HEX #4AFCEB | qconv.com Color code: HEX #4AFCEB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 252 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 252 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 7 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 7% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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