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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AFF69 it is the complementary color #B50096. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AFF69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AFF69 shade: #4FFF64, #60FF77, #71FF8A, #82FF9D and #93FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AFF69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AFF69 shade: #4AFF69, #39ED56, #28DB43, #17C930 and #06B71D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AFF69 shade: #4CFF6B, #5EFF4C, #8EFF4C, #BEFF4C and #EEFF4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AFF69 shade: #4CFF6B, #4CFF9B, #4CFFCB, #4CFFFB and #4CD2FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AFF69 shade matches the following richer shades: #4CFF6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AFF69 shade: #4CFF6B, #5AF074, #69E27E, #77D387 and #86C591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AFF69 shade: #8DFF4C, #5EFF4C, #4CFF6A, #4CFF99 and #4CFFC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AFF69 shade: #00F82A, #23FF48, #4CFF6B, #75FF8D and #9FFFAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AFF69 shade: #4AFF69, #4CBDFF and #FF4C76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AFF69 shade: #4AFF69, #6A4CFF and #FF6A4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AFF69 shade: #4AFF69, #4CBDFF, #FF4CE1 and #FF8D4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AFF69 shade: #4AFF69, #4C88FF, #FF4CE1 and #FFC34C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

Complementary color

CMYK 0 / 100 / 17 / 29

HEX #B50096

RGB 181 0 150

HSL 310.28, 1%, 0.35%

LAB 41.26, 71.68, -31.25

 

CMYK 69 / 0 / 61 / 0

HEX #4FFF64

RGB 79 255 100

HSL 127.16, 1%, 0.65%

LAB 88.97, -73.8, 59.86

 

CMYK 62 / 0 / 53 / 0

HEX #60FF77

RGB 96 255 119

HSL 128.68, 1%, 0.69%

LAB 89.55, -68.43, 52.31

 

CMYK 56 / 0 / 46 / 0

HEX #71FF8A

RGB 113 255 138

HSL 130.56, 1%, 0.72%

LAB 90.26, -62.19, 44.41

 

CMYK 49 / 0 / 38 / 0

HEX #82FF9D

RGB 130 255 157

HSL 132.96, 1%, 0.75%

LAB 91.1, -55.19, 36.34

 

CMYK 42 / 0 / 31 / 0

HEX #93FFB0

RGB 147 255 176

HSL 136.11, 1%, 0.79%

LAB 92.07, -47.57, 28.26

 

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

CMYK 76 / 0 / 64 / 7

HEX #39ED56

RGB 57 237 86

HSL 129.67, 0.83%, 0.58%

LAB 82.97, -72.88, 58.84

 

CMYK 82 / 0 / 69 / 14

HEX #28DB43

RGB 40 219 67

HSL 129.05, 0.71%, 0.51%

LAB 76.99, -71.26, 59.82

 

CMYK 89 / 0 / 76 / 21

HEX #17C930

RGB 23 201 48

HSL 128.43, 0.79%, 0.44%

LAB 70.99, -69.01, 60.38

 

CMYK 97 / 0 / 84 / 28

HEX #06B71D

RGB 6 183 29

HSL 127.8, 0.94%, 0.37%

LAB 64.96, -65.98, 60.17

 

CMYK 70 / 0 / 58 / 0

HEX #4CFF6B

RGB 76 255 107

HSL 130.39, 1%, 0.65%

LAB 88.98, -73.49, 56.86

 

CMYK 63 / 0 / 70 / 0

HEX #5EFF4C

RGB 94 255 76

HSL 113.97, 1%, 0.65%

LAB 89.12, -73.24, 69.47

 

CMYK 44 / 0 / 70 / 0

HEX #8EFF4C

RGB 142 255 76

HSL 97.88, 1%, 0.65%

LAB 90.69, -61.07, 71.57

 

CMYK 25 / 0 / 70 / 0

HEX #BEFF4C

RGB 190 255 76

HSL 81.79, 1%, 0.65%

LAB 93.01, -45.04, 74.67

 

CMYK 7 / 0 / 70 / 0

HEX #EEFF4C

RGB 238 255 76

HSL 65.7, 1%, 0.65%

LAB 96.09, -26.66, 78.74

 

CMYK 70 / 0 / 58 / 0

HEX #4CFF6B

RGB 76 255 107

HSL 130.39, 1%, 0.65%

LAB 88.98, -73.49, 56.86

 

CMYK 70 / 0 / 39 / 0

HEX #4CFF9B

RGB 76 255 155

HSL 146.48, 1%, 0.65%

LAB 89.59, -66.43, 35.07

 

CMYK 70 / 0 / 20 / 0

HEX #4CFFCB

RGB 76 255 203

HSL 162.57, 1%, 0.65%

LAB 90.49, -56.68, 11.96

 

CMYK 70 / 0 / 2 / 0

HEX #4CFFFB

RGB 76 255 251

HSL 178.66, 1%, 0.65%

LAB 91.69, -44.65, -11.13

 

CMYK 70 / 18 / 0 / 0

HEX #4CD2FF

RGB 76 210 255

HSL 195.08, 1%, 0.65%

LAB 78.95, -22.27, -32.53

 

CMYK 70 / 0 / 58 / 0

HEX #4CFF6B

RGB 76 255 107

HSL 130.39, 1%, 0.65%

LAB 88.98, -73.49, 56.86

 

CMYK 70 / 0 / 58 / 0

HEX #4CFF6B

RGB 76 255 107

HSL 130.39, 1%, 0.65%

LAB 88.98, -73.49, 56.86

 

CMYK 63 / 0 / 52 / 6

HEX #5AF074

RGB 90 240 116

HSL 130.4, 0.83%, 0.65%

LAB 84.87, -64.75, 47.98

 

CMYK 54 / 0 / 44 / 11

HEX #69E27E

RGB 105 226 126

HSL 130.41, 0.68%, 0.65%

LAB 81.24, -54.74, 38.72

 

CMYK 44 / 0 / 36 / 17

HEX #77D387

RGB 119 211 135

HSL 130.43, 0.51%, 0.65%

LAB 77.44, -43.42, 29.31

 

CMYK 32 / 0 / 26 / 23

HEX #86C591

RGB 134 197 145

HSL 130.48, 0.35%, 0.65%

LAB 74.22, -30.8, 19.82

 

CMYK 45 / 0 / 70 / 0

HEX #8DFF4C

RGB 141 255 76

HSL 98.21, 1%, 0.65%

LAB 90.64, -61.37, 71.52

 

CMYK 63 / 0 / 70 / 0

HEX #5EFF4C

RGB 94 255 76

HSL 113.97, 1%, 0.65%

LAB 89.12, -73.24, 69.47

 

CMYK 70 / 0 / 58 / 0

HEX #4CFF6A

RGB 76 255 106

HSL 130.06, 1%, 0.65%

LAB 88.97, -73.61, 57.28

 

CMYK 70 / 0 / 40 / 0

HEX #4CFF99

RGB 76 255 153

HSL 145.81, 1%, 0.65%

LAB 89.56, -66.78, 36.02

 

CMYK 70 / 0 / 21 / 0

HEX #4CFFC9

RGB 76 255 201

HSL 161.9, 1%, 0.65%

LAB 90.45, -57.14, 12.93

 

CMYK 100 / 0 / 83 / 3

HEX #00F82A

RGB 0 248 42

HSL 130.16, 1%, 0.49%

LAB 85.66, -83.29, 75.81

 

CMYK 86 / 0 / 72 / 0

HEX #23FF48

RGB 35 255 72

HSL 130.09, 1%, 0.57%

LAB 88.13, -81.74, 69.55

 

CMYK 70 / 0 / 58 / 0

HEX #4CFF6B

RGB 76 255 107

HSL 130.39, 1%, 0.65%

LAB 88.98, -73.49, 56.86

 

CMYK 54 / 0 / 45 / 0

HEX #75FF8D

RGB 117 255 141

HSL 130.43, 1%, 0.73%

LAB 90.43, -60.82, 43.2

 

CMYK 38 / 0 / 31 / 0

HEX #9FFFAF

RGB 159 255 175

HSL 130, 1%, 0.81%

LAB 92.57, -44.37, 29.53

 

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

CMYK 70 / 26 / 0 / 0

HEX #4CBDFF

RGB 76 189 255

HSL 202.12, 1%, 0.65%

LAB 72.99, -11.32, -41.78

 

CMYK 0 / 70 / 54 / 0

HEX #FF4C76

RGB 255 76 118

HSL 345.92, 1%, 0.65%

LAB 59.65, 69.57, 16.72

 

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

CMYK 58 / 70 / 0 / 0

HEX #6A4CFF

RGB 106 76 255

HSL 250.06, 1%, 0.65%

LAB 46.25, 58.65, -84.58

 

CMYK 0 / 58 / 70 / 0

HEX #FF6A4C

RGB 255 106 76

HSL 10.06, 1%, 0.65%

LAB 63.42, 55.02, 45.16

 

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

CMYK 70 / 26 / 0 / 0

HEX #4CBDFF

RGB 76 189 255

HSL 202.12, 1%, 0.65%

LAB 72.99, -11.32, -41.78

 

CMYK 0 / 70 / 12 / 0

HEX #FF4CE1

RGB 255 76 225

HSL 310.06, 1%, 0.65%

LAB 63.23, 81.15, -39.52

 

CMYK 0 / 45 / 70 / 0

HEX #FF8D4C

RGB 255 141 76

HSL 21.79, 1%, 0.65%

LAB 70.06, 38.18, 52.55

 

CMYK 71 / 0 / 59 / 0

HEX #4AFF69

RGB 74 255 105

HSL 130.28, 1%, 0.65%

LAB 88.92, -74.04, 57.65

 

CMYK 70 / 47 / 0 / 0

HEX #4C88FF

RGB 76 136 255

HSL 219.89, 1%, 0.65%

LAB 58.38, 19.19, -64.94

 

CMYK 0 / 70 / 12 / 0

HEX #FF4CE1

RGB 255 76 225

HSL 310.06, 1%, 0.65%

LAB 63.23, 81.15, -39.52

 

CMYK 0 / 24 / 70 / 0

HEX #FFC34C

RGB 255 195 76

HSL 39.89, 1%, 0.65%

LAB 82.28, 10.16, 65.46

 

Description

Color code: HEX #4AFF69 | qconv.com Color code: HEX #4AFF69 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 255 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 255 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 59 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 59% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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