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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B0954 it is the complementary color #B4F6AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B0954. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B0954 shade: #50094F, #611B62, #722D75, #833F88 and #94519B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B0954. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B0954 shade: #4B0954, #3A0041, #29002E, #18001B and #070008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B0954 shade: #4A0853, #530847, #530833, #53081F and #53080B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B0954 shade: #4A0853, #360853, #220853, #0E0853 and #080853

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B0954 shade matches the following richer shades: #4A0853 and #4F015A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B0954 shade: #4A0853, #44104B, #3E1744, #391F3C and #332635

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B0954 shade: #210853, #350853, #490853, #530849 and #530835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B0954 shade: #070008, #28042D, #4A0853, #6B0C78 and #8C109D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B0954 shade: #4B0954, #530D08 and #08532B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B0954 shade: #4B0954, #534908 and #085349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B0954 shade: #4B0954, #530D08, #125308 and #084E53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B0954 shade: #4B0954, #532308, #125308 and #083753

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 89 / 0 / 67

HEX #4B0954

RGB 75 9 84

HSL 292.8, 0.81%, 0.18%

LAB 17.14, 39.37, -28.66

 

Complementary color

CMYK 27 / 0 / 30 / 4

HEX #B4F6AB

RGB 180 246 171

HSL 112.8, 0.81%, 0.82%

LAB 91.03, -34.52, 29.65

 

CMYK 0 / 89 / 1 / 69

HEX #50094F

RGB 80 9 79

HSL 300.85, 0.8%, 0.17%

LAB 17.76, 39.51, -24.21

 

CMYK 1 / 72 / 0 / 62

HEX #611B62

RGB 97 27 98

HSL 299.15, 0.57%, 0.25%

LAB 24.34, 40.81, -26.25

 

CMYK 3 / 62 / 0 / 54

HEX #722D75

RGB 114 45 117

HSL 297.5, 0.44%, 0.32%

LAB 31.2, 40.85, -27.45

 

CMYK 4 / 54 / 0 / 47

HEX #833F88

RGB 131 63 136

HSL 295.89, 0.37%, 0.39%

LAB 38.12, 40.35, -28.22

 

CMYK 5 / 48 / 0 / 39

HEX #94519B

RGB 148 81 155

HSL 294.32, 0.31%, 0.46%

LAB 45.01, 39.65, -28.76

 

CMYK 11 / 89 / 0 / 67

HEX #4B0954

RGB 75 9 84

HSL 292.8, 0.81%, 0.18%

LAB 17.14, 39.37, -28.66

 

CMYK 11 / 100 / 0 / 75

HEX #3A0041

RGB 58 0 65

HSL 293.54, 1%, 0.13%

LAB 11.14, 35.55, -25.32

 

CMYK 11 / 100 / 0 / 82

HEX #29002E

RGB 41 0 46

HSL 293.48, 1%, 0.09%

LAB 6.04, 27.79, -19.88

 

CMYK 11 / 100 / 0 / 89

HEX #18001B

RGB 24 0 27

HSL 293.33, 1%, 0.05%

LAB 2.47, 12.89, -10.85

 

CMYK 13 / 100 / 0 / 97

HEX #070008

RGB 7 0 8

HSL 292.5, 1%, 0.02%

LAB 0.57, 2.94, -2.38

 

CMYK 11 / 90 / 0 / 67

HEX #4A0853

RGB 74 8 83

HSL 292.8, 0.82%, 0.18%

LAB 16.77, 39.27, -28.59

 

CMYK 0 / 90 / 14 / 67

HEX #530847

RGB 83 8 71

HSL 309.6, 0.82%, 0.18%

LAB 17.77, 39.14, -18.66

 

CMYK 0 / 90 / 39 / 67

HEX #530833

RGB 83 8 51

HSL 325.6, 0.82%, 0.18%

LAB 16.76, 36.3, -6.15

 

CMYK 0 / 90 / 63 / 67

HEX #53081F

RGB 83 8 31

HSL 341.6, 0.82%, 0.18%

LAB 16.06, 34.28, 7.35

 

CMYK 0 / 90 / 87 / 67

HEX #53080B

RGB 83 8 11

HSL 357.6, 0.82%, 0.18%

LAB 15.68, 33.13, 19.68

 

CMYK 11 / 90 / 0 / 67

HEX #4A0853

RGB 74 8 83

HSL 292.8, 0.82%, 0.18%

LAB 16.77, 39.27, -28.59

 

CMYK 35 / 90 / 0 / 67

HEX #360853

RGB 54 8 83

HSL 276.8, 0.82%, 0.18%

LAB 13.12, 35.41, -34.66

 

CMYK 59 / 90 / 0 / 67

HEX #220853

RGB 34 8 83

HSL 260.8, 0.82%, 0.18%

LAB 10.09, 32.31, -39.75

 

CMYK 83 / 90 / 0 / 67

HEX #0E0853

RGB 14 8 83

HSL 244.8, 0.82%, 0.18%

LAB 8.05, 30.32, -43.19

 

CMYK 90 / 90 / 0 / 67

HEX #080853

RGB 8 8 83

HSL 240, 0.82%, 0.18%

LAB 7.68, 29.93, -43.83

 

CMYK 11 / 90 / 0 / 67

HEX #4A0853

RGB 74 8 83

HSL 292.8, 0.82%, 0.18%

LAB 16.77, 39.27, -28.59

 

CMYK 12 / 99 / 0 / 65

HEX #4F015A

RGB 79 1 90

HSL 292.58, 0.98%, 0.18%

LAB 17.56, 43.68, -31.98

 

CMYK 11 / 90 / 0 / 67

HEX #4A0853

RGB 74 8 83

HSL 292.8, 0.82%, 0.18%

LAB 16.77, 39.27, -28.59

 

CMYK 9 / 79 / 0 / 71

HEX #44104B

RGB 68 16 75

HSL 292.88, 0.65%, 0.18%

LAB 16.04, 33.44, -24.34

 

CMYK 9 / 66 / 0 / 73

HEX #3E1744

RGB 62 23 68

HSL 292, 0.49%, 0.18%

LAB 15.77, 26.78, -20

 

CMYK 5 / 48 / 0 / 76

HEX #391F3C

RGB 57 31 60

HSL 293.79, 0.32%, 0.18%

LAB 16.39, 18.3, -13.5

 

CMYK 4 / 28 / 0 / 79

HEX #332635

RGB 51 38 53

HSL 292, 0.16%, 0.18%

LAB 17.21, 9.42, -7.39

 

CMYK 60 / 90 / 0 / 67

HEX #210853

RGB 33 8 83

HSL 260, 0.82%, 0.18%

LAB 9.97, 32.18, -39.97

 

CMYK 36 / 90 / 0 / 67

HEX #350853

RGB 53 8 83

HSL 276, 0.82%, 0.18%

LAB 12.95, 35.23, -34.95

 

CMYK 12 / 90 / 0 / 67

HEX #490853

RGB 73 8 83

HSL 292, 0.82%, 0.18%

LAB 16.58, 39.06, -28.91

 

CMYK 0 / 90 / 12 / 67

HEX #530849

RGB 83 8 73

HSL 308, 0.82%, 0.18%

LAB 17.89, 39.46, -19.85

 

CMYK 0 / 90 / 36 / 67

HEX #530835

RGB 83 8 53

HSL 324, 0.82%, 0.18%

LAB 16.84, 36.55, -7.44

 

CMYK 13 / 100 / 0 / 97

HEX #070008

RGB 7 0 8

HSL 292.5, 1%, 0.02%

LAB 0.57, 2.94, -2.38

 

CMYK 11 / 91 / 0 / 82

HEX #28042D

RGB 40 4 45

HSL 292.68, 0.84%, 0.1%

LAB 6.57, 25.05, -18.3

 

CMYK 11 / 90 / 0 / 67

HEX #4A0853

RGB 74 8 83

HSL 292.8, 0.82%, 0.18%

LAB 16.77, 39.27, -28.59

 

CMYK 11 / 90 / 0 / 53

HEX #6B0C78

RGB 107 12 120

HSL 292.78, 0.82%, 0.26%

LAB 25.99, 51.72, -37.73

 

CMYK 11 / 90 / 0 / 38

HEX #8C109D

RGB 140 16 157

HSL 292.77, 0.82%, 0.34%

LAB 34.76, 63.38, -46.3

 

CMYK 11 / 89 / 0 / 67

HEX #4B0954

RGB 75 9 84

HSL 292.8, 0.81%, 0.18%

LAB 17.14, 39.37, -28.66

 

CMYK 0 / 84 / 90 / 67

HEX #530D08

RGB 83 13 8

HSL 4, 0.82%, 0.18%

LAB 16.23, 31.38, 21.6

 

CMYK 90 / 0 / 48 / 67

HEX #08532B

RGB 8 83 43

HSL 148, 0.82%, 0.18%

LAB 30.43, -31.76, 17.5

 

CMYK 11 / 89 / 0 / 67

HEX #4B0954

RGB 75 9 84

HSL 292.8, 0.81%, 0.18%

LAB 17.14, 39.37, -28.66

 

CMYK 0 / 12 / 90 / 67

HEX #534908

RGB 83 73 8

HSL 52, 0.82%, 0.18%

LAB 30.93, -3.27, 36.51

 

CMYK 90 / 0 / 12 / 67

HEX #085349

RGB 8 83 73

HSL 172, 0.82%, 0.18%

LAB 31.16, -23.79, -0.19

 

CMYK 11 / 89 / 0 / 67

HEX #4B0954

RGB 75 9 84

HSL 292.8, 0.81%, 0.18%

LAB 17.14, 39.37, -28.66

 

CMYK 0 / 84 / 90 / 67

HEX #530D08

RGB 83 13 8

HSL 4, 0.82%, 0.18%

LAB 16.23, 31.38, 21.6

 

CMYK 78 / 0 / 90 / 67

HEX #125308

RGB 18 83 8

HSL 112, 0.82%, 0.18%

LAB 30.24, -34.77, 34.32

 

CMYK 90 / 6 / 0 / 67

HEX #084E53

RGB 8 78 83

HSL 184, 0.82%, 0.18%

LAB 29.73, -17.75, -8.72

 

CMYK 11 / 89 / 0 / 67

HEX #4B0954

RGB 75 9 84

HSL 292.8, 0.81%, 0.18%

LAB 17.14, 39.37, -28.66

 

CMYK 0 / 58 / 90 / 67

HEX #532308

RGB 83 35 8

HSL 21.6, 0.82%, 0.18%

LAB 20.28, 20.57, 26.41

 

CMYK 78 / 0 / 90 / 67

HEX #125308

RGB 18 83 8

HSL 112, 0.82%, 0.18%

LAB 30.24, -34.77, 34.32

 

CMYK 90 / 34 / 0 / 67

HEX #083753

RGB 8 55 83

HSL 202.4, 0.82%, 0.18%

LAB 21.61, -3.62, -21.24

 

Description

Color code: HEX #4B0954 | qconv.com Color code: HEX #4B0954 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 9 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 9 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 89 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 89% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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