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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B02DE it is the complementary color #B4FD21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B02DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B02DE shade: #5002D9, #6114EC, #7226FF, #8338FF and #944AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B02DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B02DE shade: #4B02DE, #3A00CB, #2900B8, #1800A5 and #070092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B02DE shade: #4B02DE, #8602DE, #C102DE, #DE02BF and #DE0283

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B02DE shade: #4B02DE, #0F02DE and #0202DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B02DE shade matches the following richer shades: #4B02DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B02DE shade: #4B02DE, #5114CC, #5726B9, #5D38A7 and #634A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B02DE shade: #0231DE, #0D02DE, #4702DE, #8202DE and #BD02DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B02DE shade: #2F018C, #3D01B5, #4B02DE, #5C0DFC and #7735FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B02DE shade: #4B02DE, #DE026C and #14DE02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B02DE shade: #4B02DE, #DE4702 and #02DE47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B02DE shade: #4B02DE, #DE026C, #98DE02 and #02DE73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B02DE shade: #4B02DE, #DE022A, #98DE02 and #02DEB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

Complementary color

CMYK 29 / 0 / 87 / 1

HEX #B4FD21

RGB 180 253 33

HSL 79.91, 0.98%, 0.56%

LAB 91.71, -49.6, 84.68

 

CMYK 63 / 99 / 0 / 15

HEX #5002D9

RGB 80 2 217

HSL 261.77, 0.98%, 0.43%

LAB 31.25, 71.57, -87.89

 

CMYK 59 / 92 / 0 / 7

HEX #6114EC

RGB 97 20 236

HSL 261.39, 0.85%, 0.5%

LAB 36.17, 74.09, -90.55

 

CMYK 55 / 85 / 0 / 0

HEX #7226FF

RGB 114 38 255

HSL 261.01, 1%, 0.57%

LAB 41.51, 75.38, -92.37

 

CMYK 49 / 78 / 0 / 0

HEX #8338FF

RGB 131 56 255

HSL 262.61, 1%, 0.61%

LAB 45.46, 71.01, -85.79

 

CMYK 42 / 71 / 0 / 0

HEX #944AFF

RGB 148 74 255

HSL 264.53, 1%, 0.65%

LAB 49.99, 65.94, -78.29

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 71 / 100 / 0 / 20

HEX #3A00CB

RGB 58 0 203

HSL 257.14, 1%, 0.4%

LAB 27.33, 67.67, -86.34

 

CMYK 78 / 100 / 0 / 28

HEX #2900B8

RGB 41 0 184

HSL 253.37, 1%, 0.36%

LAB 23.45, 62.55, -81.63

 

CMYK 85 / 100 / 0 / 35

HEX #1800A5

RGB 24 0 165

HSL 248.73, 1%, 0.32%

LAB 19.68, 57.44, -76.49

 

CMYK 95 / 100 / 0 / 43

HEX #070092

RGB 7 0 146

HSL 242.88, 1%, 0.29%

LAB 16.11, 52.34, -70.8

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 40 / 99 / 0 / 13

HEX #8602DE

RGB 134 2 222

HSL 276, 0.98%, 0.44%

LAB 38.53, 76.72, -78.52

 

CMYK 13 / 99 / 0 / 13

HEX #C102DE

RGB 193 2 222

HSL 292.09, 0.98%, 0.44%

LAB 47.82, 83.96, -62.96

 

CMYK 0 / 99 / 14 / 13

HEX #DE02BF

RGB 222 2 191

HSL 308.45, 0.98%, 0.44%

LAB 51.08, 84.16, -39.61

 

CMYK 0 / 99 / 41 / 13

HEX #DE0283

RGB 222 2 131

HSL 324.82, 0.98%, 0.44%

LAB 48.53, 77.65, -7.84

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 93 / 99 / 0 / 13

HEX #0F02DE

RGB 15 2 222

HSL 243.55, 0.98%, 0.44%

LAB 27.9, 71.05, -96.47

 

CMYK 99 / 99 / 0 / 13

HEX #0202DE

RGB 2 2 222

HSL 240, 0.98%, 0.44%

LAB 27.66, 70.96, -96.88

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 60 / 90 / 0 / 20

HEX #5114CC

RGB 81 20 204

HSL 259.89, 0.82%, 0.44%

LAB 30.9, 65.27, -80.92

 

CMYK 53 / 79 / 0 / 27

HEX #5726B9

RGB 87 38 185

HSL 260, 0.66%, 0.44%

LAB 31.61, 54.88, -68.55

 

CMYK 44 / 66 / 0 / 35

HEX #5D38A7

RGB 93 56 167

HSL 260, 0.5%, 0.44%

LAB 33.87, 42.02, -54.1

 

CMYK 34 / 50 / 0 / 42

HEX #634A95

RGB 99 74 149

HSL 260, 0.34%, 0.44%

LAB 37.34, 27.85, -37.64

 

CMYK 99 / 78 / 0 / 13

HEX #0231DE

RGB 2 49 222

HSL 227.18, 0.98%, 0.44%

LAB 32.88, 55.28, -88.17

 

CMYK 94 / 99 / 0 / 13

HEX #0D02DE

RGB 13 2 222

HSL 243, 0.98%, 0.44%

LAB 27.85, 71.03, -96.55

 

CMYK 68 / 99 / 0 / 13

HEX #4702DE

RGB 71 2 222

HSL 258.82, 0.98%, 0.44%

LAB 31.01, 72.31, -91.19

 

CMYK 41 / 99 / 0 / 13

HEX #8202DE

RGB 130 2 222

HSL 274.91, 0.98%, 0.44%

LAB 37.96, 76.33, -79.48

 

CMYK 15 / 99 / 0 / 13

HEX #BD02DE

RGB 189 2 222

HSL 291, 0.98%, 0.44%

LAB 47.15, 83.4, -64.07

 

CMYK 66 / 99 / 0 / 45

HEX #2F018C

RGB 47 1 140

HSL 259.86, 0.99%, 0.28%

LAB 18.01, 51.58, -63.81

 

CMYK 66 / 99 / 0 / 29

HEX #3D01B5

RGB 61 1 181

HSL 260, 0.99%, 0.36%

LAB 24.8, 62.35, -77.54

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 63 / 95 / 0 / 1

HEX #5C0DFC

RGB 92 13 252

HSL 259.83, 0.98%, 0.52%

LAB 37.1, 78.72, -98.06

 

CMYK 53 / 79 / 0 / 1

HEX #7735FC

RGB 119 53 252

HSL 259.9, 0.97%, 0.6%

LAB 43.5, 69.97, -87.38

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 0 / 99 / 51 / 13

HEX #DE026C

RGB 222 2 108

HSL 331.09, 0.98%, 0.44%

LAB 47.82, 75.8, 5.23

 

CMYK 91 / 0 / 99 / 13

HEX #14DE02

RGB 20 222 2

HSL 115.09, 0.98%, 0.44%

LAB 77.52, -76.77, 74.84

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 0 / 68 / 99 / 13

HEX #DE4702

RGB 222 71 2

HSL 18.82, 0.98%, 0.44%

LAB 51.88, 56.64, 62.41

 

CMYK 99 / 0 / 68 / 13

HEX #02DE47

RGB 2 222 71

HSL 138.82, 0.98%, 0.44%

LAB 77.7, -74.06, 58.96

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 0 / 99 / 51 / 13

HEX #DE026C

RGB 222 2 108

HSL 331.09, 0.98%, 0.44%

LAB 47.82, 75.8, 5.23

 

CMYK 32 / 0 / 99 / 13

HEX #98DE02

RGB 152 222 2

HSL 79.09, 0.98%, 0.44%

LAB 81.25, -47.37, 79.37

 

CMYK 99 / 0 / 48 / 13

HEX #02DE73

RGB 2 222 115

HSL 150.82, 0.98%, 0.44%

LAB 78.17, -68.35, 39.88

 

CMYK 66 / 99 / 0 / 13

HEX #4B02DE

RGB 75 2 222

HSL 259.91, 0.98%, 0.44%

LAB 31.38, 72.48, -90.58

 

CMYK 0 / 99 / 81 / 13

HEX #DE022A

RGB 222 2 42

HSL 349.09, 0.98%, 0.44%

LAB 46.63, 72.59, 43.69

 

CMYK 32 / 0 / 99 / 13

HEX #98DE02

RGB 152 222 2

HSL 79.09, 0.98%, 0.44%

LAB 81.25, -47.37, 79.37

 

CMYK 99 / 0 / 18 / 13

HEX #02DEB5

RGB 2 222 181

HSL 168.82, 0.98%, 0.44%

LAB 79.38, -54.5, 7.49

 

Description

Color code: HEX #4B02DE | qconv.com Color code: HEX #4B02DE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 2 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 2 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 99 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 99% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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