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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B1EEA it is the complementary color #B4E115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B1EEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B1EEA shade: #501EE5, #6130F8, #7242FF, #8354FF and #9466FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B1EEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B1EEA shade: #4B1EEA, #3A0CD7, #2900C4, #1800B1 and #07009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B1EEA shade: #4B1FEA, #821FEA, #B91FEA, #EA1FE4 and #EA1FAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B1EEA shade: #4B1FEA and #1F1FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B1EEA shade matches the following richer shades: #4B1FEA and #400BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B1EEA shade: #4B1FEA, #5632D6, #6146C2, #6D5AAE and #786E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B1EEA shade: #1F5FEA, #1F29EA, #4B1FEA, #811FEA and #B71FEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B1EEA shade: #300FA7, #3C13CC, #4B1FEA, #6A44ED and #886AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B1EEA shade: #4B1EEA, #EA1F95 and #44EA1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B1EEA shade: #4B1EEA, #EA4B1F and #1FEA4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B1EEA shade: #4B1EEA, #EA1F95, #BEEA1F and #1FEA73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B1EEA shade: #4B1EEA, #EA1F58, #BEEA1F and #1FEAB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 87 / 0 / 8

HEX #4B1EEA

RGB 75 30 234

HSL 253.24, 0.83%, 0.52%

LAB 34.73, 69.61, -91.86

 

Complementary color

CMYK 20 / 0 / 91 / 12

HEX #B4E115

RGB 180 225 21

HSL 73.24, 0.83%, 0.48%

LAB 83.76, -37.77, 80.09

 

CMYK 65 / 87 / 0 / 10

HEX #501EE5

RGB 80 30 229

HSL 255.08, 0.79%, 0.51%

LAB 34.58, 68.66, -89.25

 

CMYK 61 / 81 / 0 / 3

HEX #6130F8

RGB 97 48 248

HSL 254.7, 0.93%, 0.58%

LAB 40.3, 68.59, -90.49

 

CMYK 55 / 74 / 0 / 0

HEX #7242FF

RGB 114 66 255

HSL 255.24, 1%, 0.63%

LAB 45.21, 64.59, -86.26

 

CMYK 49 / 67 / 0 / 0

HEX #8354FF

RGB 131 84 255

HSL 256.49, 1%, 0.66%

LAB 49.96, 58.3, -78.42

 

CMYK 42 / 60 / 0 / 0

HEX #9466FF

RGB 148 102 255

HSL 258.04, 1%, 0.7%

LAB 55.09, 52, -70.01

 

CMYK 68 / 87 / 0 / 8

HEX #4B1EEA

RGB 75 30 234

HSL 253.24, 0.83%, 0.52%

LAB 34.73, 69.61, -91.86

 

CMYK 73 / 94 / 0 / 16

HEX #3A0CD7

RGB 58 12 215

HSL 253.6, 0.89%, 0.45%

LAB 29.59, 68.46, -89.56

 

CMYK 79 / 100 / 0 / 23

HEX #2900C4

RGB 41 0 196

HSL 252.55, 1%, 0.38%

LAB 25.13, 65.48, -85.93

 

CMYK 86 / 100 / 0 / 31

HEX #1800B1

RGB 24 0 177

HSL 248.14, 1%, 0.35%

LAB 21.46, 60.46, -80.77

 

CMYK 96 / 100 / 0 / 38

HEX #07009E

RGB 7 0 158

HSL 242.66, 1%, 0.31%

LAB 17.98, 55.44, -75.08

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 44 / 87 / 0 / 8

HEX #821FEA

RGB 130 31 234

HSL 269.26, 0.83%, 0.52%

LAB 40.68, 74.1, -81.84

 

CMYK 21 / 87 / 0 / 8

HEX #B91FEA

RGB 185 31 234

HSL 285.52, 0.83%, 0.52%

LAB 48.55, 81.32, -68.65

 

CMYK 0 / 87 / 3 / 8

HEX #EA1FE4

RGB 234 31 228

HSL 301.77, 0.83%, 0.52%

LAB 56.16, 88.3, -52.6

 

CMYK 0 / 87 / 26 / 8

HEX #EA1FAD

RGB 234 31 173

HSL 318.03, 0.83%, 0.52%

LAB 53.48, 81.24, -25.18

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 87 / 87 / 0 / 8

HEX #1F1FEA

RGB 31 31 234

HSL 240, 0.83%, 0.52%

LAB 32.28, 67.42, -96.01

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 75 / 96 / 0 / 1

HEX #400BFD

RGB 64 11 253

HSL 253.14, 0.98%, 0.52%

LAB 34.85, 78.05, -102.44

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 60 / 77 / 0 / 16

HEX #5632D6

RGB 86 50 214

HSL 253.17, 0.67%, 0.52%

LAB 36.2, 57.33, -77.94

 

CMYK 50 / 64 / 0 / 24

HEX #6146C2

RGB 97 70 194

HSL 253.06, 0.5%, 0.52%

LAB 39.27, 42.69, -61.28

 

CMYK 37 / 48 / 0 / 32

HEX #6D5AAE

RGB 109 90 174

HSL 253.57, 0.34%, 0.52%

LAB 43.68, 27.75, -42.39

 

CMYK 22 / 29 / 0 / 40

HEX #786E9A

RGB 120 110 154

HSL 253.64, 0.18%, 0.52%

LAB 48.86, 13.59, -22.43

 

CMYK 87 / 59 / 0 / 8

HEX #1F5FEA

RGB 31 95 234

HSL 221.08, 0.83%, 0.52%

LAB 44.82, 32.77, -75.3

 

CMYK 87 / 82 / 0 / 8

HEX #1F29EA

RGB 31 41 234

HSL 237.04, 0.83%, 0.52%

LAB 33.6, 63.48, -93.82

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 45 / 87 / 0 / 8

HEX #811FEA

RGB 129 31 234

HSL 268.97, 0.83%, 0.52%

LAB 40.55, 73.99, -82.05

 

CMYK 22 / 87 / 0 / 8

HEX #B71FEA

RGB 183 31 234

HSL 284.93, 0.83%, 0.52%

LAB 48.24, 81.02, -69.16

 

CMYK 71 / 91 / 0 / 35

HEX #300FA7

RGB 48 15 167

HSL 253.03, 0.84%, 0.36%

LAB 22.86, 54.9, -72.37

 

CMYK 71 / 91 / 0 / 20

HEX #3C13CC

RGB 60 19 204

HSL 253.3, 0.83%, 0.44%

LAB 28.87, 64.2, -84.36

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 55 / 71 / 0 / 7

HEX #6A44ED

RGB 106 68 237

HSL 253.49, 0.82%, 0.6%

LAB 43.23, 57.61, -79.44

 

CMYK 44 / 56 / 0 / 5

HEX #886AF1

RGB 136 106 241

HSL 253.33, 0.83%, 0.68%

LAB 53.91, 43.5, -64.19

 

CMYK 68 / 87 / 0 / 8

HEX #4B1EEA

RGB 75 30 234

HSL 253.24, 0.83%, 0.52%

LAB 34.73, 69.61, -91.86

 

CMYK 0 / 87 / 36 / 8

HEX #EA1F95

RGB 234 31 149

HSL 325.12, 0.83%, 0.52%

LAB 52.56, 78.72, -12.4

 

CMYK 71 / 0 / 87 / 8

HEX #44EA1F

RGB 68 234 31

HSL 109.06, 0.83%, 0.52%

LAB 81.93, -74.09, 75.08

 

CMYK 68 / 87 / 0 / 8

HEX #4B1EEA

RGB 75 30 234

HSL 253.24, 0.83%, 0.52%

LAB 34.73, 69.61, -91.86

 

CMYK 0 / 68 / 87 / 8

HEX #EA4B1F

RGB 234 75 31

HSL 13, 0.83%, 0.52%

LAB 54.68, 59.41, 56.92

 

CMYK 87 / 0 / 68 / 8

HEX #1FEA4B

RGB 31 234 75

HSL 133, 0.83%, 0.52%

LAB 81.64, -75.76, 61.68

 

CMYK 68 / 87 / 0 / 8

HEX #4B1EEA

RGB 75 30 234

HSL 253.24, 0.83%, 0.52%

LAB 34.73, 69.61, -91.86

 

CMYK 0 / 87 / 36 / 8

HEX #EA1F95

RGB 234 31 149

HSL 325.12, 0.83%, 0.52%

LAB 52.56, 78.72, -12.4

 

CMYK 19 / 0 / 87 / 8

HEX #BEEA1F

RGB 190 234 31

HSL 73, 0.83%, 0.52%

LAB 86.94, -37.67, 81.32

 

CMYK 87 / 0 / 51 / 8

HEX #1FEA73

RGB 31 234 115

HSL 144.83, 0.83%, 0.52%

LAB 82.04, -70.88, 44.75

 

CMYK 68 / 87 / 0 / 8

HEX #4B1EEA

RGB 75 30 234

HSL 253.24, 0.83%, 0.52%

LAB 34.73, 69.61, -91.86

 

CMYK 0 / 87 / 62 / 8

HEX #EA1F58

RGB 234 31 88

HSL 343.15, 0.83%, 0.52%

LAB 50.89, 74.04, 22.11

 

CMYK 19 / 0 / 87 / 8

HEX #BEEA1F

RGB 190 234 31

HSL 73, 0.83%, 0.52%

LAB 86.94, -37.67, 81.32

 

CMYK 87 / 0 / 25 / 8

HEX #1FEAB0

RGB 31 234 176

HSL 162.86, 0.83%, 0.52%

LAB 83.06, -59.2, 15.37

 

Description

Color code: HEX #4B1EEA | qconv.com Color code: HEX #4B1EEA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 30 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 30 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 87 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 87% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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