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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B3841 it is the complementary color #B4C7BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B3841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B3841 shade: #50383C, #614A4F, #725C62, #836E75 and #948088

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B3841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B3841 shade: #4B3841, #3A262E, #29141B, #180208 and #070000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B3841 shade: #4C3841, #4C383C and #4C3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B3841 shade: #4C3841, #4C3847, #4B384C, #46384C and #41384C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B3841 shade matches the following richer shades: #4C3841, #562D41, #612240, #6C1840 and #770D3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B3841 shade: #4C3841, #414342, #364D42, #2C5843 and #216344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B3841 shade: #4B384C, #4C3847, #4C3841, #4C383C and #4C3938

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B3841 shade: #1C1518, #34262D, #4C3841, #634956 and #7B5B6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B3841 shade: #4B3841, #4C4638 and #38494C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B3841 shade: #4B3841, #414C38 and #38414C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B3841 shade: #4B3841, #4C4638, #384C42 and #383D4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B3841 shade: #4B3841, #4B4C38, #384C42 and #38384C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 13 / 71

HEX #4B3841

RGB 75 56 65

HSL 331.58, 0.15%, 0.26%

LAB 25.88, 10.14, -2.31

 

Complementary color

CMYK 10 / 0 / 5 / 22

HEX #B4C7BE

RGB 180 199 190

HSL 151.58, 0.15%, 0.74%

LAB 78.62, -8.17, 2.29

 

CMYK 0 / 30 / 25 / 69

HEX #50383C

RGB 80 56 60

HSL 350, 0.18%, 0.27%

LAB 26.33, 11.37, 1.75

 

CMYK 0 / 24 / 19 / 62

HEX #614A4F

RGB 97 74 79

HSL 346.96, 0.13%, 0.34%

LAB 33.99, 10.63, 0.78

 

CMYK 0 / 19 / 14 / 55

HEX #725C62

RGB 114 92 98

HSL 343.64, 0.11%, 0.4%

LAB 41.4, 10.03, -0.05

 

CMYK 0 / 16 / 11 / 49

HEX #836E75

RGB 131 110 117

HSL 340, 0.09%, 0.47%

LAB 48.59, 9.51, -0.8

 

CMYK 0 / 14 / 8 / 42

HEX #948088

RGB 148 128 136

HSL 336, 0.09%, 0.54%

LAB 55.6, 9.07, -1.5

 

CMYK 0 / 25 / 13 / 71

HEX #4B3841

RGB 75 56 65

HSL 331.58, 0.15%, 0.26%

LAB 25.88, 10.14, -2.31

 

CMYK 0 / 34 / 21 / 77

HEX #3A262E

RGB 58 38 46

HSL 336, 0.21%, 0.19%

LAB 17.84, 10.93, -1.45

 

CMYK 0 / 51 / 34 / 84

HEX #29141B

RGB 41 20 27

HSL 340, 0.34%, 0.12%

LAB 9.41, 11.94, -0.3

 

CMYK 0 / 92 / 67 / 91

HEX #180208

RGB 24 2 8

HSL 343.64, 0.85%, 0.05%

LAB 2.3, 8.18, 0.32

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 26 / 14 / 70

HEX #4C3841

RGB 76 56 65

HSL 333, 0.15%, 0.26%

LAB 26, 10.57, -2.12

 

CMYK 0 / 26 / 21 / 70

HEX #4C383C

RGB 76 56 60

HSL 348, 0.15%, 0.26%

LAB 25.84, 9.61, 0.96

 

CMYK 0 / 26 / 26 / 70

HEX #4C3838

RGB 76 56 56

HSL 0, 0.15%, 0.26%

LAB 25.71, 8.89, 3.45

 

CMYK 0 / 26 / 14 / 70

HEX #4C3841

RGB 76 56 65

HSL 333, 0.15%, 0.26%

LAB 26, 10.57, -2.12

 

CMYK 0 / 26 / 7 / 70

HEX #4C3847

RGB 76 56 71

HSL 315, 0.15%, 0.26%

LAB 26.22, 11.81, -5.78

 

CMYK 1 / 26 / 0 / 70

HEX #4B384C

RGB 75 56 76

HSL 297, 0.15%, 0.26%

LAB 26.29, 12.5, -8.98

HEX #4B384C

CMYK 8 / 26 / 0 / 70

HEX #46384C

RGB 70 56 76

HSL 282, 0.15%, 0.26%

LAB 25.72, 10.52, -9.9

HEX #46384C

CMYK 14 / 26 / 0 / 70

HEX #41384C

RGB 65 56 76

HSL 267, 0.15%, 0.26%

LAB 25.18, 8.57, -10.78

HEX #41384C

CMYK 0 / 26 / 14 / 70

HEX #4C3841

RGB 76 56 65

HSL 333, 0.15%, 0.26%

LAB 26, 10.57, -2.12

 

CMYK 0 / 48 / 24 / 66

HEX #562D41

RGB 86 45 65

HSL 330.73, 0.31%, 0.26%

LAB 24.44, 21.75, -4.28

 

CMYK 0 / 65 / 34 / 62

HEX #612240

RGB 97 34 64

HSL 331.43, 0.48%, 0.26%

LAB 23.85, 31.92, -4.28

 

CMYK 0 / 78 / 41 / 58

HEX #6C1840

RGB 108 24 64

HSL 331.43, 0.64%, 0.26%

LAB 24.36, 39.89, -3.31

 

CMYK 0 / 89 / 47 / 53

HEX #770D3F

RGB 119 13 63

HSL 331.7, 0.8%, 0.26%

LAB 25.47, 46.15, -0.73

 

CMYK 0 / 26 / 14 / 70

HEX #4C3841

RGB 76 56 65

HSL 333, 0.15%, 0.26%

LAB 26, 10.57, -2.12

 

CMYK 3 / 0 / 1 / 74

HEX #414342

RGB 65 67 66

HSL 150, 0.02%, 0.26%

LAB 28.2, -1.06, 0.31

 

CMYK 30 / 0 / 14 / 70

HEX #364D42

RGB 54 77 66

HSL 151.3, 0.18%, 0.26%

LAB 30.61, -11.58, 3.68

 

CMYK 50 / 0 / 24 / 65

HEX #2C5843

RGB 44 88 67

HSL 151.36, 0.33%, 0.26%

LAB 33.82, -20.84, 7.54

 

CMYK 67 / 0 / 31 / 61

HEX #216344

RGB 33 99 68

HSL 151.82, 0.5%, 0.26%

LAB 37.23, -28.91, 11.62

 

CMYK 1 / 26 / 0 / 70

HEX #4B384C

RGB 75 56 76

HSL 297, 0.15%, 0.26%

LAB 26.29, 12.5, -8.98

HEX #4B384C

CMYK 0 / 26 / 7 / 70

HEX #4C3847

RGB 76 56 71

HSL 315, 0.15%, 0.26%

LAB 26.22, 11.81, -5.78

HEX #4C3847

CMYK 0 / 26 / 14 / 70

HEX #4C3841

RGB 76 56 65

HSL 333, 0.15%, 0.26%

LAB 26, 10.57, -2.12

HEX #4C3841

CMYK 0 / 26 / 21 / 70

HEX #4C383C

RGB 76 56 60

HSL 348, 0.15%, 0.26%

LAB 25.84, 9.61, 0.96

HEX #4C383C

CMYK 0 / 25 / 26 / 70

HEX #4C3938

RGB 76 57 56

HSL 3, 0.15%, 0.26%

LAB 26.01, 8.24, 3.86

HEX #4C3938

CMYK 0 / 25 / 14 / 89

HEX #1C1518

RGB 28 21 24

HSL 334.29, 0.14%, 0.1%

LAB 7.67, 4.22, -0.79

 

CMYK 0 / 27 / 13 / 80

HEX #34262D

RGB 52 38 45

HSL 330, 0.16%, 0.18%

LAB 17.02, 8.01, -2.05

 

CMYK 0 / 26 / 14 / 70

HEX #4C3841

RGB 76 56 65

HSL 333, 0.15%, 0.26%

LAB 26, 10.57, -2.12

 

CMYK 0 / 26 / 13 / 61

HEX #634956

RGB 99 73 86

HSL 330, 0.15%, 0.34%

LAB 34.17, 13.39, -3.38

 

CMYK 0 / 26 / 14 / 52

HEX #7B5B6A

RGB 123 91 106

HSL 331.88, 0.15%, 0.42%

LAB 42.36, 15.68, -3.42

 

CMYK 0 / 25 / 13 / 71

HEX #4B3841

RGB 75 56 65

HSL 331.58, 0.15%, 0.26%

LAB 25.88, 10.14, -2.31

 

CMYK 0 / 8 / 26 / 70

HEX #4C4638

RGB 76 70 56

HSL 42, 0.15%, 0.26%

LAB 29.92, -0.12, 9.37

 

CMYK 26 / 4 / 0 / 70

HEX #38494C

RGB 56 73 76

HSL 189, 0.15%, 0.26%

LAB 29.73, -5.88, -4

 

CMYK 0 / 25 / 13 / 71

HEX #4B3841

RGB 75 56 65

HSL 331.58, 0.15%, 0.26%

LAB 25.88, 10.14, -2.31

 

CMYK 14 / 0 / 26 / 70

HEX #414C38

RGB 65 76 56

HSL 93, 0.15%, 0.26%

LAB 30.83, -8.7, 10.47

 

CMYK 26 / 14 / 0 / 70

HEX #38414C

RGB 56 65 76

HSL 213, 0.15%, 0.26%

LAB 27.14, -0.8, -7.88

 

CMYK 0 / 25 / 13 / 71

HEX #4B3841

RGB 75 56 65

HSL 331.58, 0.15%, 0.26%

LAB 25.88, 10.14, -2.31

 

CMYK 0 / 8 / 26 / 70

HEX #4C4638

RGB 76 70 56

HSL 42, 0.15%, 0.26%

LAB 29.92, -0.12, 9.37

 

CMYK 26 / 0 / 13 / 70

HEX #384C42

RGB 56 76 66

HSL 150, 0.15%, 0.26%

LAB 30.41, -10.23, 3.42

 

CMYK 26 / 20 / 0 / 70

HEX #383D4C

RGB 56 61 76

HSL 225, 0.15%, 0.26%

LAB 25.86, 1.82, -9.81

 

CMYK 0 / 25 / 13 / 71

HEX #4B3841

RGB 75 56 65

HSL 331.58, 0.15%, 0.26%

LAB 25.88, 10.14, -2.31

 

CMYK 1 / 0 / 26 / 70

HEX #4B4C38

RGB 75 76 56

HSL 63, 0.15%, 0.26%

LAB 31.69, -4.3, 11.79

 

CMYK 26 / 0 / 13 / 70

HEX #384C42

RGB 56 76 66

HSL 150, 0.15%, 0.26%

LAB 30.41, -10.23, 3.42

 

CMYK 26 / 26 / 0 / 70

HEX #38384C

RGB 56 56 76

HSL 240, 0.15%, 0.26%

LAB 24.29, 5.17, -12.21

 

Description

Color code: HEX #4B3841 | qconv.com Color code: HEX #4B3841 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 56 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 56 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 13 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 13% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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