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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B3158 it is the complementary color #B4CEA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B3158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B3158 shade: #503153, #614366, #725579, #83678C and #94799F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B3158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B3158 shade: #4B3158, #3A1F45, #290D32, #18001F and #07000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B3158 shade: #4B3158, #553158, #583150, #583145 and #58313B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B3158 shade: #4B3158, #403158, #363158 and #313158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B3158 shade matches the following richer shades: #4B3158, #4E2663, #521B6E, #561079 and #5A0584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B3158 shade: #4B3158, #473C4C, #434741, #405236 and #3C5E2B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B3158 shade: #363158, #403158, #4B3158, #553158 and #583150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B3158 shade: #1E1323, #34223D, #4B3158, #614072 and #784F8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B3158 shade: #4B3158, #583136 and #31583B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B3158 shade: #4B3158, #584B31 and #31584B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B3158 shade: #4B3158, #583136, #3E5831 and #315852

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B3158 shade: #4B3158, #583731, #3E5831 and #315158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

Complementary color

CMYK 13 / 0 / 19 / 19

HEX #B4CEA7

RGB 180 206 167

HSL 100, 0.28%, 0.73%

LAB 79.97, -15.87, 16.53

 

CMYK 4 / 41 / 0 / 67

HEX #503153

RGB 80 49 83

HSL 294.71, 0.26%, 0.26%

LAB 25.34, 20.54, -15.01

 

CMYK 5 / 34 / 0 / 60

HEX #614366

RGB 97 67 102

HSL 291.43, 0.21%, 0.33%

LAB 32.95, 19.69, -15.4

 

CMYK 6 / 30 / 0 / 53

HEX #725579

RGB 114 85 121

HSL 288.33, 0.17%, 0.4%

LAB 40.34, 18.94, -15.76

 

CMYK 6 / 26 / 0 / 45

HEX #83678C

RGB 131 103 140

HSL 285.41, 0.15%, 0.48%

LAB 47.52, 18.27, -16.11

 

CMYK 7 / 24 / 0 / 38

HEX #94799F

RGB 148 121 159

HSL 282.63, 0.17%, 0.55%

LAB 54.53, 17.68, -16.45

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 16 / 55 / 0 / 73

HEX #3A1F45

RGB 58 31 69

HSL 282.63, 0.38%, 0.2%

LAB 17.03, 20.88, -18.74

 

CMYK 18 / 74 / 0 / 80

HEX #290D32

RGB 41 13 50

HSL 285.41, 0.59%, 0.12%

LAB 8.9, 21.7, -18.28

 

CMYK 23 / 100 / 0 / 88

HEX #18001F

RGB 24 0 31

HSL 286.45, 1%, 0.06%

LAB 2.65, 14.15, -13.79

 

CMYK 42 / 100 / 0 / 95

HEX #07000C

RGB 7 0 12

HSL 275, 1%, 0.02%

LAB 0.65, 3.52, -3.94

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 3 / 44 / 0 / 65

HEX #553158

RGB 85 49 88

HSL 295.38, 0.28%, 0.27%

LAB 26.25, 23.45, -16.83

 

CMYK 0 / 44 / 9 / 65

HEX #583150

RGB 88 49 80

HSL 312.31, 0.28%, 0.27%

LAB 26.3, 22.86, -11.45

 

CMYK 0 / 44 / 22 / 65

HEX #583145

RGB 88 49 69

HSL 329.23, 0.28%, 0.27%

LAB 25.87, 20.79, -4.81

 

CMYK 0 / 44 / 33 / 65

HEX #58313B

RGB 88 49 59

HSL 344.62, 0.28%, 0.27%

LAB 25.52, 19.13, 1.38

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 27 / 44 / 0 / 65

HEX #403158

RGB 64 49 88

HSL 263.08, 0.28%, 0.27%

LAB 23.64, 16.15, -21.1

 

CMYK 39 / 44 / 0 / 65

HEX #363158

RGB 54 49 88

HSL 247.69, 0.28%, 0.27%

LAB 22.6, 12.88, -22.81

 

CMYK 44 / 44 / 0 / 65

HEX #313158

RGB 49 49 88

HSL 240, 0.28%, 0.27%

LAB 22.14, 11.34, -23.57

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 21 / 62 / 0 / 61

HEX #4E2663

RGB 78 38 99

HSL 279.34, 0.45%, 0.27%

LAB 23.36, 30.39, -28.65

 

CMYK 25 / 75 / 0 / 57

HEX #521B6E

RGB 82 27 110

HSL 279.76, 0.61%, 0.27%

LAB 22.67, 39.74, -36.89

 

CMYK 29 / 87 / 0 / 53

HEX #561079

RGB 86 16 121

HSL 280, 0.77%, 0.27%

LAB 22.76, 47.16, -43.78

 

CMYK 32 / 96 / 0 / 48

HEX #5A0584

RGB 90 5 132

HSL 280.16, 0.93%, 0.27%

LAB 23.5, 52.77, -49.52

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 7 / 21 / 0 / 70

HEX #473C4C

RGB 71 60 76

HSL 281.25, 0.12%, 0.27%

LAB 27, 8.28, -7.96

 

CMYK 6 / 0 / 8 / 72

HEX #434741

RGB 67 71 65

HSL 100, 0.04%, 0.27%

LAB 29.62, -2.97, 3.04

 

CMYK 22 / 0 / 34 / 68

HEX #405236

RGB 64 82 54

HSL 98.57, 0.21%, 0.27%

LAB 32.68, -13.01, 14.22

 

CMYK 36 / 0 / 54 / 63

HEX #3C5E2B

RGB 60 94 43

HSL 100, 0.37%, 0.27%

LAB 36.25, -22.86, 25.21

 

CMYK 39 / 44 / 0 / 65

HEX #363158

RGB 54 49 88

HSL 247.69, 0.28%, 0.27%

LAB 22.6, 12.88, -22.81

 

CMYK 27 / 44 / 0 / 65

HEX #403158

RGB 64 49 88

HSL 263.08, 0.28%, 0.27%

LAB 23.64, 16.15, -21.1

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 3 / 44 / 0 / 65

HEX #553158

RGB 85 49 88

HSL 295.38, 0.28%, 0.27%

LAB 26.25, 23.45, -16.83

 

CMYK 0 / 44 / 9 / 65

HEX #583150

RGB 88 49 80

HSL 312.31, 0.28%, 0.27%

LAB 26.3, 22.86, -11.45

 

CMYK 14 / 46 / 0 / 86

HEX #1E1323

RGB 30 19 35

HSL 281.25, 0.3%, 0.11%

LAB 7.8, 9.55, -8.96

 

CMYK 15 / 44 / 0 / 76

HEX #34223D

RGB 52 34 61

HSL 280, 0.28%, 0.19%

LAB 16.56, 14.65, -13.99

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 15 / 44 / 0 / 55

HEX #614072

RGB 97 64 114

HSL 279.6, 0.28%, 0.35%

LAB 32.75, 24.33, -23.29

 

CMYK 14 / 44 / 0 / 45

HEX #784F8C

RGB 120 79 140

HSL 280.33, 0.28%, 0.43%

LAB 40.37, 28.85, -27.23

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 0 / 44 / 39 / 65

HEX #583136

RGB 88 49 54

HSL 352.31, 0.28%, 0.27%

LAB 25.37, 18.38, 4.51

 

CMYK 44 / 0 / 33 / 65

HEX #31583B

RGB 49 88 59

HSL 135.38, 0.28%, 0.27%

LAB 33.87, -21.05, 12.6

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 0 / 15 / 44 / 65

HEX #584B31

RGB 88 75 49

HSL 40, 0.28%, 0.27%

LAB 32.54, 1.29, 17.51

 

CMYK 44 / 0 / 15 / 65

HEX #31584B

RGB 49 88 75

HSL 160, 0.28%, 0.27%

LAB 34.27, -17.32, 3.23

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 0 / 44 / 39 / 65

HEX #583136

RGB 88 49 54

HSL 352.31, 0.28%, 0.27%

LAB 25.37, 18.38, 4.51

 

CMYK 30 / 0 / 44 / 65

HEX #3E5831

RGB 62 88 49

HSL 100, 0.28%, 0.27%

LAB 34.45, -18.02, 19.53

 

CMYK 44 / 0 / 7 / 65

HEX #315852

RGB 49 88 82

HSL 170.77, 0.28%, 0.27%

LAB 34.48, -15.46, -0.86

 

CMYK 15 / 44 / 0 / 65

HEX #4B3158

RGB 75 49 88

HSL 280, 0.28%, 0.27%

LAB 24.94, 19.93, -18.97

 

CMYK 0 / 38 / 44 / 65

HEX #583731

RGB 88 55 49

HSL 9.23, 0.28%, 0.27%

LAB 26.82, 13.92, 9.85

 

CMYK 30 / 0 / 44 / 65

HEX #3E5831

RGB 62 88 49

HSL 100, 0.28%, 0.27%

LAB 34.45, -18.02, 19.53

 

CMYK 44 / 8 / 0 / 65

HEX #315158

RGB 49 81 88

HSL 190.77, 0.28%, 0.27%

LAB 32.35, -9.66, -7.81

 

Description

Color code: HEX #4B3158 | qconv.com Color code: HEX #4B3158 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 49 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 49 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 44 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 44% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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