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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B4D94 it is the complementary color #B4B26B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B4D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B4D94 shade: #504D8F, #615FA2, #7271B5, #8383C8 and #9495DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B4D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B4D94 shade: #4B4D94, #3A3B81, #29296E, #18175B and #070548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B4D94 shade: #4B4D95, #5D4B95, #714B95, #854B95 and #954B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B4D94 shade: #4B4D95 and #4B4B95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B4D94 shade matches the following richer shades: #4B4D95, #393CA7, #262AB9, #1419CB and #0208DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B4D94 shade: #4B4D95, #5D5E83, #6F6F70, #81805E and #93914C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B4D94 shade: #4B7595, #4B6195, #4B4D95, #5C4B95 and #704B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B4D94 shade: #2F305E, #3D3F79, #4B4D95, #5C5EAD and #7779BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B4D94 shade: #4B4D94, #954B88 and #6B954B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B4D94 shade: #4B4D94, #954B4D and #4D954B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B4D94 shade: #4B4D94, #954B88, #95924B and #4B9557

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B4D94 shade: #4B4D94, #954B72, #95924B and #4B956D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 48 / 0 / 42

HEX #4B4D94

RGB 75 77 148

HSL 238.36, 0.33%, 0.44%

LAB 35.87, 19.34, -39.49

 

Complementary color

CMYK 0 / 1 / 41 / 29

HEX #B4B26B

RGB 180 178 107

HSL 58.36, 0.33%, 0.56%

LAB 71.29, -9.85, 36.5

 

CMYK 44 / 46 / 0 / 44

HEX #504D8F

RGB 80 77 143

HSL 242.73, 0.3%, 0.43%

LAB 35.98, 19.03, -36.26

 

CMYK 40 / 41 / 0 / 36

HEX #615FA2

RGB 97 95 162

HSL 241.79, 0.26%, 0.5%

LAB 43.26, 17.98, -36.04

 

CMYK 37 / 38 / 0 / 29

HEX #7271B5

RGB 114 113 181

HSL 240.88, 0.31%, 0.58%

LAB 50.36, 17.11, -35.88

 

CMYK 35 / 35 / 0 / 22

HEX #8383C8

RGB 131 131 200

HSL 240, 0.39%, 0.65%

LAB 57.3, 16.37, -35.79

 

CMYK 32 / 32 / 0 / 14

HEX #9495DB

RGB 148 149 219

HSL 239.15, 0.5%, 0.72%

LAB 64.08, 15.72, -35.75

 

CMYK 49 / 48 / 0 / 42

HEX #4B4D94

RGB 75 77 148

HSL 238.36, 0.33%, 0.44%

LAB 35.87, 19.34, -39.49

 

CMYK 55 / 54 / 0 / 49

HEX #3A3B81

RGB 58 59 129

HSL 239.15, 0.38%, 0.37%

LAB 28.41, 20.82, -39.83

 

CMYK 63 / 63 / 0 / 57

HEX #29296E

RGB 41 41 110

HSL 240, 0.46%, 0.3%

LAB 20.76, 22.71, -40.2

 

CMYK 74 / 75 / 0 / 64

HEX #18175B

RGB 24 23 91

HSL 240.88, 0.6%, 0.22%

LAB 13, 25.11, -40.43

 

CMYK 90 / 93 / 0 / 72

HEX #070548

RGB 7 5 72

HSL 241.79, 0.87%, 0.15%

LAB 5.61, 26.76, -39.6

 

CMYK 50 / 48 / 0 / 42

HEX #4B4D95

RGB 75 77 149

HSL 238.38, 0.33%, 0.44%

LAB 35.93, 19.67, -40

 

CMYK 38 / 50 / 0 / 42

HEX #5D4B95

RGB 93 75 149

HSL 254.59, 0.33%, 0.44%

LAB 36.98, 25.59, -38.23

 

CMYK 24 / 50 / 0 / 42

HEX #714B95

RGB 113 75 149

HSL 270.81, 0.33%, 0.44%

LAB 39.09, 31.23, -34.75

 

CMYK 11 / 50 / 0 / 42

HEX #854B95

RGB 133 75 149

HSL 287.03, 0.33%, 0.44%

LAB 41.51, 37.16, -30.77

 

CMYK 0 / 50 / 3 / 42

HEX #954B91

RGB 149 75 145

HSL 303.24, 0.33%, 0.44%

LAB 43.46, 41.22, -25.17

 

CMYK 50 / 48 / 0 / 42

HEX #4B4D95

RGB 75 77 149

HSL 238.38, 0.33%, 0.44%

LAB 35.93, 19.67, -40

 

CMYK 50 / 50 / 0 / 42

HEX #4B4B95

RGB 75 75 149

HSL 240, 0.33%, 0.44%

LAB 35.4, 20.96, -40.86

 

CMYK 50 / 48 / 0 / 42

HEX #4B4D95

RGB 75 77 149

HSL 238.38, 0.33%, 0.44%

LAB 35.93, 19.67, -40

 

CMYK 66 / 64 / 0 / 35

HEX #393CA7

RGB 57 60 167

HSL 238.36, 0.49%, 0.44%

LAB 31.56, 33.22, -58

 

CMYK 79 / 77 / 0 / 27

HEX #262AB9

RGB 38 42 185

HSL 238.37, 0.66%, 0.44%

LAB 28.3, 48.07, -74.15

 

CMYK 90 / 88 / 0 / 20

HEX #1419CB

RGB 20 25 203

HSL 238.36, 0.82%, 0.44%

LAB 27.17, 60.6, -86.65

 

CMYK 99 / 96 / 0 / 13

HEX #0208DD

RGB 2 8 221

HSL 238.36, 0.98%, 0.44%

LAB 27.86, 69.62, -95.96

 

CMYK 50 / 48 / 0 / 42

HEX #4B4D95

RGB 75 77 149

HSL 238.38, 0.33%, 0.44%

LAB 35.93, 19.67, -40

 

CMYK 29 / 28 / 0 / 49

HEX #5D5E83

RGB 93 94 131

HSL 238.42, 0.17%, 0.44%

LAB 41.17, 8.61, -20.75

 

CMYK 1 / 1 / 0 / 56

HEX #6F6F70

RGB 111 111 112

HSL 240, 0%, 0.44%

LAB 46.87, 0.21, -0.56

 

CMYK 0 / 1 / 27 / 49

HEX #81805E

RGB 129 128 94

HSL 58.29, 0.16%, 0.44%

LAB 52.85, -5.5, 18.65

 

CMYK 0 / 1 / 48 / 42

HEX #93914C

RGB 147 145 76

HSL 58.31, 0.32%, 0.44%

LAB 58.95, -9.42, 36.63

 

CMYK 50 / 21 / 0 / 42

HEX #4B7595

RGB 75 117 149

HSL 205.95, 0.33%, 0.44%

LAB 47.48, -5.31, -21.87

 

CMYK 50 / 35 / 0 / 42

HEX #4B6195

RGB 75 97 149

HSL 222.16, 0.33%, 0.44%

LAB 41.56, 6.87, -31.09

 

CMYK 50 / 48 / 0 / 42

HEX #4B4D95

RGB 75 77 149

HSL 238.38, 0.33%, 0.44%

LAB 35.93, 19.67, -40

 

CMYK 38 / 50 / 0 / 42

HEX #5C4B95

RGB 92 75 149

HSL 253.78, 0.33%, 0.44%

LAB 36.89, 25.32, -38.39

 

CMYK 25 / 50 / 0 / 42

HEX #704B95

RGB 112 75 149

HSL 270, 0.33%, 0.44%

LAB 38.98, 30.94, -34.94

 

CMYK 50 / 49 / 0 / 63

HEX #2F305E

RGB 47 48 94

HSL 238.72, 0.33%, 0.28%

LAB 22.04, 13.5, -27.69

 

CMYK 50 / 48 / 0 / 53

HEX #3D3F79

RGB 61 63 121

HSL 238, 0.33%, 0.36%

LAB 29.23, 16.15, -33.5

 

CMYK 50 / 48 / 0 / 42

HEX #4B4D95

RGB 75 77 149

HSL 238.38, 0.33%, 0.44%

LAB 35.93, 19.67, -40

 

CMYK 47 / 46 / 0 / 32

HEX #5C5EAD

RGB 92 94 173

HSL 238.52, 0.33%, 0.52%

LAB 43.21, 20.63, -42.65

 

CMYK 36 / 35 / 0 / 27

HEX #7779BA

RGB 119 121 186

HSL 238.21, 0.33%, 0.6%

LAB 53.1, 15.1, -34.44

 

CMYK 49 / 48 / 0 / 42

HEX #4B4D94

RGB 75 77 148

HSL 238.36, 0.33%, 0.44%

LAB 35.87, 19.34, -39.49

 

CMYK 0 / 50 / 9 / 42

HEX #954B88

RGB 149 75 136

HSL 310.54, 0.33%, 0.44%

LAB 43.06, 39.58, -20.34

 

CMYK 28 / 0 / 50 / 42

HEX #6B954B

RGB 107 149 75

HSL 94.05, 0.33%, 0.44%

LAB 57.2, -27.96, 34.34

 

CMYK 49 / 48 / 0 / 42

HEX #4B4D94

RGB 75 77 148

HSL 238.36, 0.33%, 0.44%

LAB 35.87, 19.34, -39.49

 

CMYK 0 / 50 / 48 / 42

HEX #954B4D

RGB 149 75 77

HSL 358.38, 0.33%, 0.44%

LAB 41.15, 31.18, 13.15

 

CMYK 48 / 0 / 50 / 42

HEX #4D954B

RGB 77 149 75

HSL 118.38, 0.33%, 0.44%

LAB 55.67, -38.23, 32.1

 

CMYK 49 / 48 / 0 / 42

HEX #4B4D94

RGB 75 77 148

HSL 238.36, 0.33%, 0.44%

LAB 35.87, 19.34, -39.49

 

CMYK 0 / 50 / 9 / 42

HEX #954B88

RGB 149 75 136

HSL 310.54, 0.33%, 0.44%

LAB 43.06, 39.58, -20.34

 

CMYK 0 / 2 / 50 / 42

HEX #95924B

RGB 149 146 75

HSL 57.57, 0.33%, 0.44%

LAB 59.39, -9.19, 37.71

 

CMYK 50 / 0 / 42 / 42

HEX #4B9557

RGB 75 149 87

HSL 129.73, 0.33%, 0.44%

LAB 55.76, -36.93, 25.82

 

CMYK 49 / 48 / 0 / 42

HEX #4B4D94

RGB 75 77 148

HSL 238.36, 0.33%, 0.44%

LAB 35.87, 19.34, -39.49

 

CMYK 0 / 50 / 23 / 42

HEX #954B72

RGB 149 75 114

HSL 328.38, 0.33%, 0.44%

LAB 42.21, 35.95, -8.2

 

CMYK 0 / 2 / 50 / 42

HEX #95924B

RGB 149 146 75

HSL 57.57, 0.33%, 0.44%

LAB 59.39, -9.19, 37.71

 

CMYK 50 / 0 / 27 / 42

HEX #4B956D

RGB 75 149 109

HSL 147.57, 0.33%, 0.44%

LAB 56.18, -32.72, 14.17

 

Description

Color code: HEX #4B4D94 | qconv.com Color code: HEX #4B4D94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 77 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 77 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 48 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 48% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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