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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B596C it is the complementary color #B4A693. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B596C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B596C shade: #505967, #616B7A, #727D8D, #838FA0 and #94A1B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B596C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B596C shade: #4B596C, #3A4759, #293546, #182333 and #071120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B596C shade: #4B596C, #4B506C, #4F4B6C, #574B6C and #604B6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B596C shade: #4B596C, #4B506C and #4B4B6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B596C shade matches the following richer shades: #4B596C, #3C577B, #2D548A, #1E5298 and #0F50A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B596C shade: #4B596C, #5A5B5D, #685D4E, #77603F and #866230

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B596C shade: #4B6B6C, #4B626C, #4B596C, #4B506C and #4E4B6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B596C shade: #29313B, #3A4553, #4B596C, #5C6D84 and #6F819B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B596C shade: #4B596C, #644B6C and #666C4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B596C shade: #4B596C, #6C4B59 and #596C4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B596C shade: #4B596C, #644B6C, #6C5E4B and #526C4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B596C shade: #4B596C, #6C4B6A, #6C5E4B and #4B6C4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

Complementary color

CMYK 0 / 8 / 18 / 29

HEX #B4A693

RGB 180 166 147

HSL 34.55, 0.18%, 0.64%

LAB 68.81, 1.89, 11.67

 

CMYK 22 / 14 / 0 / 60

HEX #505967

RGB 80 89 103

HSL 216.52, 0.13%, 0.36%

LAB 37.53, -0.11, -9.21

 

CMYK 20 / 12 / 0 / 52

HEX #616B7A

RGB 97 107 122

HSL 216, 0.11%, 0.43%

LAB 44.89, -0.29, -9.62

 

CMYK 19 / 11 / 0 / 45

HEX #727D8D

RGB 114 125 141

HSL 215.56, 0.11%, 0.5%

LAB 52.03, -0.45, -10.03

 

CMYK 18 / 11 / 0 / 37

HEX #838FA0

RGB 131 143 160

HSL 215.17, 0.13%, 0.57%

LAB 58.98, -0.6, -10.44

 

CMYK 17 / 10 / 0 / 30

HEX #94A1B3

RGB 148 161 179

HSL 214.84, 0.17%, 0.64%

LAB 65.78, -0.74, -10.86

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 35 / 20 / 0 / 65

HEX #3A4759

RGB 58 71 89

HSL 214.84, 0.21%, 0.29%

LAB 29.73, -0.25, -12.36

 

CMYK 41 / 24 / 0 / 73

HEX #293546

RGB 41 53 70

HSL 215.17, 0.26%, 0.22%

LAB 21.8, 0.08, -12.14

 

CMYK 53 / 31 / 0 / 80

HEX #182333

RGB 24 35 51

HSL 215.56, 0.36%, 0.15%

LAB 13.44, 0.57, -12

 

CMYK 78 / 47 / 0 / 87

HEX #071120

RGB 7 17 32

HSL 216, 0.64%, 0.08%

LAB 4.97, 1.05, -11.18

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 31 / 26 / 0 / 58

HEX #4B506C

RGB 75 80 108

HSL 230.91, 0.18%, 0.36%

LAB 34.63, 5.15, -16.78

 

CMYK 27 / 31 / 0 / 58

HEX #4F4B6C

RGB 79 75 108

HSL 247.27, 0.18%, 0.36%

LAB 33.51, 9.71, -18.48

 

CMYK 19 / 31 / 0 / 58

HEX #574B6C

RGB 87 75 108

HSL 261.82, 0.18%, 0.36%

LAB 34.28, 12.48, -17.24

 

CMYK 11 / 31 / 0 / 58

HEX #604B6C

RGB 96 75 108

HSL 278.18, 0.18%, 0.36%

LAB 35.21, 15.7, -15.73

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 31 / 26 / 0 / 58

HEX #4B506C

RGB 75 80 108

HSL 230.91, 0.18%, 0.36%

LAB 34.63, 5.15, -16.78

 

CMYK 31 / 31 / 0 / 58

HEX #4B4B6C

RGB 75 75 108

HSL 240, 0.18%, 0.36%

LAB 33.16, 8.36, -19.06

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 51 / 29 / 0 / 52

HEX #3C577B

RGB 60 87 123

HSL 214.29, 0.34%, 0.36%

LAB 36.38, 0.82, -23.47

 

CMYK 67 / 39 / 0 / 46

HEX #2D548A

RGB 45 84 138

HSL 214.84, 0.51%, 0.36%

LAB 35.47, 4.7, -34.16

 

CMYK 80 / 46 / 0 / 40

HEX #1E5298

RGB 30 82 152

HSL 214.43, 0.67%, 0.36%

LAB 35.16, 9.23, -43.19

 

CMYK 91 / 52 / 0 / 35

HEX #0F50A7

RGB 15 80 167

HSL 214.34, 0.84%, 0.36%

LAB 35.26, 15.42, -52.06

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 3 / 2 / 0 / 64

HEX #5A5B5D

RGB 90 91 93

HSL 220, 0.02%, 0.36%

LAB 38.63, 0.04, -1.29

 

CMYK 0 / 11 / 25 / 59

HEX #685D4E

RGB 104 93 78

HSL 34.62, 0.14%, 0.36%

LAB 40.12, 1.77, 10.24

 

CMYK 0 / 19 / 47 / 53

HEX #77603F

RGB 119 96 63

HSL 35.36, 0.31%, 0.36%

LAB 42.23, 4.56, 22.32

 

CMYK 0 / 27 / 64 / 47

HEX #866230

RGB 134 98 48

HSL 34.88, 0.47%, 0.36%

LAB 44.26, 8.86, 33.61

 

CMYK 31 / 1 / 0 / 58

HEX #4B6B6C

RGB 75 107 108

HSL 181.82, 0.18%, 0.36%

LAB 42.9, -11.23, -4.29

 

CMYK 31 / 9 / 0 / 58

HEX #4B626C

RGB 75 98 108

HSL 198.18, 0.18%, 0.36%

LAB 40.1, -5.97, -8.47

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 31 / 26 / 0 / 58

HEX #4B506C

RGB 75 80 108

HSL 230.91, 0.18%, 0.36%

LAB 34.63, 5.15, -16.78

 

CMYK 28 / 31 / 0 / 58

HEX #4E4B6C

RGB 78 75 108

HSL 245.45, 0.18%, 0.36%

LAB 33.42, 9.37, -18.63

 

CMYK 31 / 17 / 0 / 77

HEX #29313B

RGB 41 49 59

HSL 213.33, 0.18%, 0.2%

LAB 19.98, -0.62, -7.45

 

CMYK 30 / 17 / 0 / 67

HEX #3A4553

RGB 58 69 83

HSL 213.6, 0.18%, 0.28%

LAB 28.85, -0.7, -9.83

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 30 / 17 / 0 / 48

HEX #5C6D84

RGB 92 109 132

HSL 214.5, 0.18%, 0.44%

LAB 45.47, -0.59, -14.77

 

CMYK 28 / 17 / 0 / 39

HEX #6F819B

RGB 111 129 155

HSL 215.45, 0.18%, 0.52%

LAB 53.43, -0.3, -16.08

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 7 / 31 / 0 / 58

HEX #644B6C

RGB 100 75 108

HSL 285.45, 0.18%, 0.36%

LAB 35.64, 17.15, -15.02

 

CMYK 6 / 0 / 31 / 58

HEX #666C4B

RGB 102 108 75

HSL 70.91, 0.18%, 0.36%

LAB 44.32, -8.37, 17.75

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 0 / 31 / 18 / 58

HEX #6C4B59

RGB 108 75 89

HSL 334.55, 0.18%, 0.36%

LAB 35.87, 16.36, -2.64

 

CMYK 18 / 0 / 31 / 58

HEX #596C4B

RGB 89 108 75

HSL 94.55, 0.18%, 0.36%

LAB 43.3, -13.77, 16.2

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 7 / 31 / 0 / 58

HEX #644B6C

RGB 100 75 108

HSL 285.45, 0.18%, 0.36%

LAB 35.64, 17.15, -15.02

 

CMYK 0 / 13 / 31 / 58

HEX #6C5E4B

RGB 108 94 75

HSL 34.55, 0.18%, 0.36%

LAB 40.74, 2.43, 12.98

 

CMYK 24 / 0 / 31 / 58

HEX #526C4B

RGB 82 108 75

HSL 107.27, 0.18%, 0.36%

LAB 42.8, -16.54, 15.45

 

CMYK 31 / 18 / 0 / 58

HEX #4B596C

RGB 75 89 108

HSL 214.55, 0.18%, 0.36%

LAB 37.34, -0.51, -12.64

 

CMYK 0 / 31 / 2 / 58

HEX #6C4B6A

RGB 108 75 106

HSL 303.64, 0.18%, 0.36%

LAB 36.48, 19.66, -12.41

 

CMYK 0 / 13 / 31 / 58

HEX #6C5E4B

RGB 108 94 75

HSL 34.55, 0.18%, 0.36%

LAB 40.74, 2.43, 12.98

 

CMYK 31 / 0 / 29 / 58

HEX #4B6C4D

RGB 75 108 77

HSL 123.64, 0.18%, 0.36%

LAB 42.39, -18.82, 13.63

 

Description

Color code: HEX #4B596C | qconv.com Color code: HEX #4B596C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 89 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 89 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 18 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 18% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - Home - SCAN COIN
Link: http://www.scancoin.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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