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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B5C44 it is the complementary color #B4A3BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B5C44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B5C44 shade: #505C3F, #616E52, #728065, #839278 and #94A48B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B5C44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B5C44 shade: #4B5C44, #3A4A31, #29381E, #18260B and #071400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B5C44 shade: #4A5A43, #505A43, #565A43, #5A5843 and #5A5243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B5C44 shade: #4A5A43, #435A43, #435A49, #435A4F and #435A55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B5C44 shade matches the following richer shades: #4A5A43, #446736, #3F7429, #3A811C and #348E10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B5C44 shade: #4A5A43, #4F4E4F, #54415C, #5A3469 and #5F2776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B5C44 shade: #565A43, #505A43, #4A5A43, #435A43 and #435A48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B5C44 shade: #232B20, #364331, #4A5A43, #5D7254 and #708A66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B5C44 shade: #4B5C44, #435A58 and #5A4353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B5C44 shade: #4B5C44, #434A5A and #5A434A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B5C44 shade: #4B5C44, #435A58, #53435A and #5A4345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B5C44 shade: #4B5C44, #43565A, #53435A and #5A4743

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 26 / 64

HEX #4B5C44

RGB 75 92 68

HSL 102.5, 0.15%, 0.31%

LAB 37.05, -11.66, 11.71

 

Complementary color

CMYK 4 / 13 / 0 / 27

HEX #B4A3BB

RGB 180 163 187

HSL 282.5, 0.15%, 0.69%

LAB 69.1, 10.63, -10.08

 

CMYK 13 / 0 / 32 / 64

HEX #505C3F

RGB 80 92 63

HSL 84.83, 0.19%, 0.3%

LAB 37.33, -10.46, 15.2

 

CMYK 12 / 0 / 25 / 57

HEX #616E52

RGB 97 110 82

HSL 87.86, 0.15%, 0.38%

LAB 44.66, -10.45, 14.03

 

CMYK 11 / 0 / 21 / 50

HEX #728065

RGB 114 128 101

HSL 91.11, 0.12%, 0.45%

LAB 51.79, -10.43, 12.97

 

CMYK 10 / 0 / 18 / 43

HEX #839278

RGB 131 146 120

HSL 94.62, 0.11%, 0.52%

LAB 58.73, -10.41, 12

 

CMYK 10 / 0 / 15 / 36

HEX #94A48B

RGB 148 164 139

HSL 98.4, 0.12%, 0.59%

LAB 65.52, -10.4, 11.09

 

CMYK 18 / 0 / 26 / 64

HEX #4B5C44

RGB 75 92 68

HSL 102.5, 0.15%, 0.31%

LAB 37.05, -11.66, 11.71

 

CMYK 22 / 0 / 34 / 71

HEX #3A4A31

RGB 58 74 49

HSL 98.4, 0.2%, 0.24%

LAB 29.46, -11.8, 12.92

 

CMYK 27 / 0 / 46 / 78

HEX #29381E

RGB 41 56 30

HSL 94.62, 0.3%, 0.17%

LAB 21.56, -11.94, 14.3

 

CMYK 37 / 0 / 71 / 85

HEX #18260B

RGB 24 38 11

HSL 91.11, 0.55%, 0.1%

LAB 13.26, -11.99, 14.75

 

CMYK 65 / 0 / 100 / 92

HEX #071400

RGB 7 20 0

HSL 99, 1%, 0.04%

LAB 4.93, -7.4, 7.24

 

CMYK 18 / 0 / 26 / 65

HEX #4A5A43

RGB 74 90 67

HSL 101.74, 0.15%, 0.31%

LAB 36.32, -11.1, 11.3

 

CMYK 11 / 0 / 26 / 65

HEX #505A43

RGB 80 90 67

HSL 86.09, 0.15%, 0.31%

LAB 36.79, -8.61, 12.02

 

CMYK 4 / 0 / 26 / 65

HEX #565A43

RGB 86 90 67

HSL 70.43, 0.15%, 0.31%

LAB 37.29, -6.05, 12.79

 

CMYK 0 / 2 / 26 / 65

HEX #5A5843

RGB 90 88 67

HSL 54.78, 0.15%, 0.31%

LAB 37.04, -3.11, 12.5

 

CMYK 0 / 9 / 26 / 65

HEX #5A5243

RGB 90 82 67

HSL 39.13, 0.15%, 0.31%

LAB 35.23, 0.54, 10.01

HEX #5A5243

CMYK 18 / 0 / 26 / 65

HEX #4A5A43

RGB 74 90 67

HSL 101.74, 0.15%, 0.31%

LAB 36.32, -11.1, 11.3

 

CMYK 26 / 0 / 26 / 65

HEX #435A43

RGB 67 90 67

HSL 120, 0.15%, 0.31%

LAB 35.81, -13.9, 10.52

 

CMYK 26 / 0 / 19 / 65

HEX #435A49

RGB 67 90 73

HSL 135.65, 0.15%, 0.31%

LAB 35.96, -12.66, 7.02

 

CMYK 26 / 0 / 12 / 65

HEX #435A4F

RGB 67 90 79

HSL 151.3, 0.15%, 0.31%

LAB 36.12, -11.32, 3.52

 

CMYK 26 / 0 / 6 / 65

HEX #435A55

RGB 67 90 85

HSL 166.96, 0.15%, 0.31%

LAB 36.29, -9.89, 0.04

 

CMYK 18 / 0 / 26 / 65

HEX #4A5A43

RGB 74 90 67

HSL 101.74, 0.15%, 0.31%

LAB 36.32, -11.1, 11.3

 

CMYK 34 / 0 / 48 / 60

HEX #446736

RGB 68 103 54

HSL 102.86, 0.31%, 0.31%

LAB 39.91, -22.78, 23.67

 

CMYK 46 / 0 / 65 / 55

HEX #3F7429

RGB 63 116 41

HSL 102.4, 0.48%, 0.31%

LAB 43.81, -32.51, 35.09

 

CMYK 55 / 0 / 78 / 49

HEX #3A811C

RGB 58 129 28

HSL 102.18, 0.64%, 0.31%

LAB 47.86, -40.76, 44.73

 

CMYK 63 / 0 / 89 / 44

HEX #348E10

RGB 52 142 16

HSL 102.86, 0.8%, 0.31%

LAB 51.97, -47.95, 51.92

 

CMYK 18 / 0 / 26 / 65

HEX #4A5A43

RGB 74 90 67

HSL 101.74, 0.15%, 0.31%

LAB 36.32, -11.1, 11.3

 

CMYK 0 / 1 / 0 / 69

HEX #4F4E4F

RGB 79 78 79

HSL 300, 0.01%, 0.31%

LAB 33.3, 0.63, -0.45

 

CMYK 9 / 29 / 0 / 64

HEX #54415C

RGB 84 65 92

HSL 282.22, 0.17%, 0.31%

LAB 30.49, 13.85, -12.92

 

CMYK 14 / 50 / 0 / 59

HEX #5A3469

RGB 90 52 105

HSL 283.02, 0.34%, 0.31%

LAB 28.51, 27.21, -24.28

 

CMYK 19 / 67 / 0 / 54

HEX #5F2776

RGB 95 39 118

HSL 282.53, 0.5%, 0.31%

LAB 27.27, 38.93, -34.5

 

CMYK 4 / 0 / 26 / 65

HEX #565A43

RGB 86 90 67

HSL 70.43, 0.15%, 0.31%

LAB 37.29, -6.05, 12.79

 

CMYK 11 / 0 / 26 / 65

HEX #505A43

RGB 80 90 67

HSL 86.09, 0.15%, 0.31%

LAB 36.79, -8.61, 12.02

 

CMYK 18 / 0 / 26 / 65

HEX #4A5A43

RGB 74 90 67

HSL 101.74, 0.15%, 0.31%

LAB 36.32, -11.1, 11.3

 

CMYK 26 / 0 / 26 / 65

HEX #435A43

RGB 67 90 67

HSL 120, 0.15%, 0.31%

LAB 35.81, -13.9, 10.52

 

CMYK 26 / 0 / 20 / 65

HEX #435A48

RGB 67 90 72

HSL 133.04, 0.15%, 0.31%

LAB 35.93, -12.87, 7.6

 

CMYK 19 / 0 / 26 / 83

HEX #232B20

RGB 35 43 32

HSL 103.64, 0.15%, 0.15%

LAB 16.45, -6.16, 6.03

 

CMYK 19 / 0 / 27 / 74

HEX #364331

RGB 54 67 49

HSL 103.33, 0.16%, 0.23%

LAB 26.79, -9.34, 9.24

 

CMYK 18 / 0 / 26 / 65

HEX #4A5A43

RGB 74 90 67

HSL 101.74, 0.15%, 0.31%

LAB 36.32, -11.1, 11.3

 

CMYK 18 / 0 / 26 / 55

HEX #5D7254

RGB 93 114 84

HSL 102, 0.15%, 0.39%

LAB 45.64, -13.93, 14.14

 

CMYK 19 / 0 / 26 / 46

HEX #708A66

RGB 112 138 102

HSL 103.33, 0.15%, 0.47%

LAB 54.64, -16.45, 16.31

 

CMYK 18 / 0 / 26 / 64

HEX #4B5C44

RGB 75 92 68

HSL 102.5, 0.15%, 0.31%

LAB 37.05, -11.66, 11.71

 

CMYK 26 / 0 / 2 / 65

HEX #435A58

RGB 67 90 88

HSL 174.78, 0.15%, 0.31%

LAB 36.39, -9.15, -1.69

 

CMYK 0 / 26 / 8 / 65

HEX #5A4353

RGB 90 67 83

HSL 318.26, 0.15%, 0.31%

LAB 31.38, 12.93, -5.72

 

CMYK 18 / 0 / 26 / 64

HEX #4B5C44

RGB 75 92 68

HSL 102.5, 0.15%, 0.31%

LAB 37.05, -11.66, 11.71

 

CMYK 26 / 18 / 0 / 65

HEX #434A5A

RGB 67 74 90

HSL 221.74, 0.15%, 0.31%

LAB 31.41, 1.23, -10.38

 

CMYK 0 / 26 / 18 / 65

HEX #5A434A

RGB 90 67 74

HSL 341.74, 0.15%, 0.31%

LAB 31.07, 11.17, -0.37

 

CMYK 18 / 0 / 26 / 64

HEX #4B5C44

RGB 75 92 68

HSL 102.5, 0.15%, 0.31%

LAB 37.05, -11.66, 11.71

 

CMYK 26 / 0 / 2 / 65

HEX #435A58

RGB 67 90 88

HSL 174.78, 0.15%, 0.31%

LAB 36.39, -9.15, -1.69

 

CMYK 8 / 26 / 0 / 65

HEX #53435A

RGB 83 67 90

HSL 281.74, 0.15%, 0.31%

LAB 30.86, 11.72, -11.08

 

CMYK 0 / 26 / 23 / 65

HEX #5A4345

RGB 90 67 69

HSL 354.78, 0.15%, 0.31%

LAB 30.92, 10.27, 2.64

 

CMYK 18 / 0 / 26 / 64

HEX #4B5C44

RGB 75 92 68

HSL 102.5, 0.15%, 0.31%

LAB 37.05, -11.66, 11.71

 

CMYK 26 / 4 / 0 / 65

HEX #43565A

RGB 67 86 90

HSL 190.43, 0.15%, 0.31%

LAB 35.18, -6.24, -4.73

 

CMYK 8 / 26 / 0 / 65

HEX #53435A

RGB 83 67 90

HSL 281.74, 0.15%, 0.31%

LAB 30.86, 11.72, -11.08

 

CMYK 0 / 21 / 26 / 65

HEX #5A4743

RGB 90 71 67

HSL 10.43, 0.15%, 0.31%

LAB 32, 7.4, 5.47

 

Description

Color code: HEX #4B5C44 | qconv.com Color code: HEX #4B5C44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 92 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 92 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 26 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 26% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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