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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6585 it is the complementary color #B49A7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6585 shade: #506580, #617793, #7289A6, #839BB9 and #94ADCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6585 shade: #4B6585, #3A5372, #29415F, #182F4C and #071D39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6585 shade: #4B6585, #4B5585, #504B85, #604B85 and #704B85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6585 shade: #4B6585, #4B5585 and #4B4B85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6585 shade matches the following richer shades: #4B6585, #3A6396, #2962A7, #1860B8 and #075EC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6585 shade: #4B6585, #5C6774, #6D6963, #7E6A53 and #8E6C42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6585 shade: #4B8485, #4B7585, #4B6585, #4B5685 and #504B85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6585 shade: #2D3D51, #3C516B, #4B6585, #5A79A0 and #738EB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6585 shade: #4B6585, #774B85 and #7D854B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6585 shade: #4B6585, #854B65 and #65854B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6585 shade: #4B6585, #774B85, #856B4B and #59854B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6585 shade: #4B6585, #854B82, #856B4B and #4B854E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

Complementary color

CMYK 0 / 14 / 32 / 29

HEX #B49A7A

RGB 180 154 122

HSL 33.1, 0.28%, 0.59%

LAB 65.14, 4.83, 20.38

 

CMYK 38 / 21 / 0 / 50

HEX #506580

RGB 80 101 128

HSL 213.75, 0.23%, 0.41%

LAB 42.11, -0.63, -17.57

 

CMYK 34 / 19 / 0 / 42

HEX #617793

RGB 97 119 147

HSL 213.6, 0.2%, 0.48%

LAB 49.3, -0.92, -17.78

 

CMYK 31 / 17 / 0 / 35

HEX #7289A6

RGB 114 137 166

HSL 213.46, 0.23%, 0.55%

LAB 56.31, -1.15, -18.03

 

CMYK 29 / 16 / 0 / 27

HEX #839BB9

RGB 131 155 185

HSL 213.33, 0.28%, 0.62%

LAB 63.15, -1.36, -18.3

 

CMYK 27 / 15 / 0 / 20

HEX #94ADCC

RGB 148 173 204

HSL 213.21, 0.35%, 0.69%

LAB 69.85, -1.54, -18.59

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 49 / 27 / 0 / 55

HEX #3A5372

RGB 58 83 114

HSL 213.21, 0.33%, 0.34%

LAB 34.6, -0.13, -20.67

 

CMYK 57 / 32 / 0 / 63

HEX #29415F

RGB 41 65 95

HSL 213.33, 0.4%, 0.27%

LAB 26.96, 0.56, -20.61

 

CMYK 68 / 38 / 0 / 70

HEX #182F4C

RGB 24 47 76

HSL 213.46, 0.52%, 0.2%

LAB 19.01, 1.62, -20.61

 

CMYK 88 / 49 / 0 / 78

HEX #071D39

RGB 7 29 57

HSL 213.6, 0.78%, 0.13%

LAB 10.7, 3.43, -20.67

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 44 / 36 / 0 / 48

HEX #4B5585

RGB 75 85 133

HSL 229.66, 0.28%, 0.41%

LAB 37.27, 9.4, -28.14

 

CMYK 40 / 44 / 0 / 48

HEX #504B85

RGB 80 75 133

HSL 245.17, 0.28%, 0.41%

LAB 34.87, 17.25, -31.91

 

CMYK 28 / 44 / 0 / 48

HEX #604B85

RGB 96 75 133

HSL 261.72, 0.28%, 0.41%

LAB 36.39, 22.01, -29.4

 

CMYK 16 / 44 / 0 / 48

HEX #704B85

RGB 112 75 133

HSL 278.28, 0.28%, 0.41%

LAB 38.15, 27.05, -26.52

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 44 / 36 / 0 / 48

HEX #4B5585

RGB 75 85 133

HSL 229.66, 0.28%, 0.41%

LAB 37.27, 9.4, -28.14

 

CMYK 44 / 44 / 0 / 48

HEX #4B4B85

RGB 75 75 133

HSL 240, 0.28%, 0.41%

LAB 34.44, 15.85, -32.61

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 61 / 34 / 0 / 41

HEX #3A6396

RGB 58 99 150

HSL 213.26, 0.44%, 0.41%

LAB 41.26, 2.01, -32.23

 

CMYK 75 / 41 / 0 / 35

HEX #2962A7

RGB 41 98 167

HSL 212.86, 0.61%, 0.41%

LAB 41.21, 6.01, -42.45

 

CMYK 87 / 48 / 0 / 28

HEX #1860B8

RGB 24 96 184

HSL 213, 0.77%, 0.41%

LAB 41.25, 12.24, -52.41

 

CMYK 97 / 53 / 0 / 21

HEX #075EC9

RGB 7 94 201

HSL 213.09, 0.93%, 0.41%

LAB 41.64, 19.54, -61.68

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 21 / 11 / 0 / 55

HEX #5C6774

RGB 92 103 116

HSL 212.5, 0.12%, 0.41%

LAB 43.12, -1.12, -8.69

 

CMYK 0 / 4 / 9 / 57

HEX #6D6963

RGB 109 105 99

HSL 36, 0.05%, 0.41%

LAB 44.6, 0.39, 3.92

 

CMYK 0 / 16 / 34 / 51

HEX #7E6A53

RGB 126 106 83

HSL 32.09, 0.21%, 0.41%

LAB 46.13, 4.29, 15.87

 

CMYK 0 / 24 / 54 / 44

HEX #8E6C42

RGB 142 108 66

HSL 33.16, 0.37%, 0.41%

LAB 48.09, 8.18, 28.57

 

CMYK 44 / 1 / 0 / 48

HEX #4B8485

RGB 75 132 133

HSL 181.03, 0.28%, 0.41%

LAB 51.49, -18.39, -6.4

 

CMYK 44 / 12 / 0 / 48

HEX #4B7585

RGB 75 117 133

HSL 196.55, 0.28%, 0.41%

LAB 46.86, -10.09, -13.35

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 44 / 35 / 0 / 48

HEX #4B5685

RGB 75 86 133

HSL 228.62, 0.28%, 0.41%

LAB 37.56, 8.76, -27.69

 

CMYK 40 / 44 / 0 / 48

HEX #504B85

RGB 80 75 133

HSL 245.17, 0.28%, 0.41%

LAB 34.87, 17.25, -31.91

 

CMYK 44 / 25 / 0 / 68

HEX #2D3D51

RGB 45 61 81

HSL 213.33, 0.29%, 0.25%

LAB 25.23, -0.43, -14.15

 

CMYK 44 / 24 / 0 / 58

HEX #3C516B

RGB 60 81 107

HSL 213.19, 0.28%, 0.33%

LAB 33.79, -0.53, -17.55

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 44 / 24 / 0 / 37

HEX #5A79A0

RGB 90 121 160

HSL 213.43, 0.28%, 0.49%

LAB 49.96, -0.42, -24.43

 

CMYK 35 / 19 / 0 / 31

HEX #738EB0

RGB 115 142 176

HSL 213.44, 0.28%, 0.57%

LAB 58.16, -1.08, -20.92

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 11 / 44 / 0 / 48

HEX #774B85

RGB 119 75 133

HSL 285.52, 0.28%, 0.41%

LAB 38.98, 29.3, -25.16

 

CMYK 6 / 0 / 44 / 48

HEX #7D854B

RGB 125 133 75

HSL 68.28, 0.28%, 0.41%

LAB 53.65, -12.46, 30.21

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 0 / 44 / 24 / 48

HEX #854B65

RGB 133 75 101

HSL 333.1, 0.28%, 0.41%

LAB 39.51, 28.13, -4.42

 

CMYK 24 / 0 / 44 / 48

HEX #65854B

RGB 101 133 75

HSL 93.1, 0.28%, 0.41%

LAB 51.89, -22.3, 27.63

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 11 / 44 / 0 / 48

HEX #774B85

RGB 119 75 133

HSL 285.52, 0.28%, 0.41%

LAB 38.98, 29.3, -25.16

 

CMYK 0 / 20 / 44 / 48

HEX #856B4B

RGB 133 107 75

HSL 33.1, 0.28%, 0.41%

LAB 46.99, 5.73, 21.82

 

CMYK 33 / 0 / 44 / 48

HEX #59854B

RGB 89 133 75

HSL 105.52, 0.28%, 0.41%

LAB 51.16, -26.83, 26.54

 

CMYK 44 / 24 / 0 / 48

HEX #4B6585

RGB 75 101 133

HSL 213.1, 0.28%, 0.41%

LAB 41.99, -0.62, -20.79

 

CMYK 0 / 44 / 2 / 48

HEX #854B82

RGB 133 75 130

HSL 303.1, 0.28%, 0.41%

LAB 40.62, 33.26, -20.63

 

CMYK 0 / 20 / 44 / 48

HEX #856B4B

RGB 133 107 75

HSL 33.1, 0.28%, 0.41%

LAB 46.99, 5.73, 21.82

 

CMYK 44 / 0 / 41 / 48

HEX #4B854E

RGB 75 133 78

HSL 123.1, 0.28%, 0.41%

LAB 50.48, -31.16, 23.86

 

Description

Color code: HEX #4B6585 | qconv.com Color code: HEX #4B6585 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 101 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 101 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 24 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 24% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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