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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B61B3 it is the complementary color #B49E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B61B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B61B3 shade: #5061AE, #6173C1, #7285D4, #8397E7 and #94A9FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B61B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B61B3 shade: #4B61B3, #3A4FA0, #293D8D, #182B7A and #071967

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B61B3 shade: #4B61B3, #514BB3, #6D4BB3, #894BB3 and #A54BB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B61B3 shade: #4B61B3 and #4B4BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B61B3 shade matches the following richer shades: #4B61B3, #3655C8, #2149DD and #0D3DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B61B3 shade: #4B61B3, #5F6D9F, #74798A, #898575 and #9D9061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B61B3 shade: #4B99B3, #4B7DB3, #4B61B3, #504BB3 and #6C4BB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B61B3 shade: #324179, #3F5196, #4B61B3, #687ABF and #8594CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B61B3 shade: #4B61B3, #B24BB3 and #8BB34B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B61B3 shade: #4B61B3, #B34B61 and #61B34B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B61B3 shade: #4B61B3, #B24BB3, #B39D4B and #4CB34B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B61B3 shade: #4B61B3, #B34B96, #B39D4B and #4BB368

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

Complementary color

CMYK 0 / 12 / 58 / 29

HEX #B49E4C

RGB 180 158 76

HSL 47.31, 0.41%, 0.5%

LAB 65.5, -2.17, 45.09

 

CMYK 54 / 44 / 0 / 32

HEX #5061AE

RGB 80 97 174

HSL 229.15, 0.37%, 0.5%

LAB 43.23, 16.24, -43.25

 

CMYK 50 / 40 / 0 / 24

HEX #6173C1

RGB 97 115 193

HSL 228.75, 0.44%, 0.57%

LAB 50.28, 15.07, -43.02

 

CMYK 46 / 37 / 0 / 17

HEX #7285D4

RGB 114 133 212

HSL 228.37, 0.53%, 0.64%

LAB 57.18, 14.11, -42.83

 

CMYK 43 / 35 / 0 / 9

HEX #8397E7

RGB 131 151 231

HSL 228, 0.68%, 0.71%

LAB 63.94, 13.3, -42.7

 

CMYK 41 / 32 / 0 / 2

HEX #94A9FA

RGB 148 169 250

HSL 227.65, 0.91%, 0.78%

LAB 70.58, 12.61, -42.62

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 64 / 51 / 0 / 37

HEX #3A4FA0

RGB 58 79 160

HSL 227.65, 0.47%, 0.43%

LAB 36.04, 18.5, -46.53

 

CMYK 71 / 57 / 0 / 45

HEX #293D8D

RGB 41 61 141

HSL 228, 0.55%, 0.36%

LAB 28.73, 20.63, -46.83

 

CMYK 80 / 65 / 0 / 52

HEX #182B7A

RGB 24 43 122

HSL 228.37, 0.67%, 0.29%

LAB 21.31, 23.4, -47.05

 

CMYK 93 / 76 / 0 / 60

HEX #071967

RGB 7 25 103

HSL 228.75, 0.87%, 0.22%

LAB 13.94, 26.88, -46.89

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 55 / 58 / 0 / 30

HEX #514BB3

RGB 81 75 179

HSL 243.46, 0.41%, 0.5%

LAB 37.91, 31.99, -54.75

 

CMYK 39 / 58 / 0 / 30

HEX #6D4BB3

RGB 109 75 179

HSL 259.62, 0.41%, 0.5%

LAB 40.47, 38.07, -50.48

 

CMYK 23 / 58 / 0 / 30

HEX #894BB3

RGB 137 75 179

HSL 275.77, 0.41%, 0.5%

LAB 43.66, 44.96, -45.19

 

CMYK 8 / 58 / 0 / 30

HEX #A54BB3

RGB 165 75 179

HSL 291.92, 0.41%, 0.5%

LAB 47.35, 52.23, -39.1

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 58 / 58 / 0 / 30

HEX #4B4BB3

RGB 75 75 179

HSL 240, 0.41%, 0.5%

LAB 37.45, 30.84, -55.51

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 73 / 58 / 0 / 22

HEX #3655C8

RGB 54 85 200

HSL 227.26, 0.57%, 0.5%

LAB 40.33, 28.56, -63.17

 

CMYK 85 / 67 / 0 / 13

HEX #2149DD

RGB 33 73 221

HSL 227.23, 0.74%, 0.5%

LAB 38.39, 41.98, -78.47

 

CMYK 95 / 75 / 0 / 5

HEX #0D3DF1

RGB 13 61 241

HSL 227.37, 0.9%, 0.5%

LAB 37.43, 55.27, -91.43

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 40 / 31 / 0 / 38

HEX #5F6D9F

RGB 95 109 159

HSL 226.88, 0.25%, 0.5%

LAB 46.81, 7.89, -28.71

 

CMYK 16 / 12 / 0 / 46

HEX #74798A

RGB 116 121 138

HSL 226.36, 0.09%, 0.5%

LAB 50.95, 1.87, -9.87

 

CMYK 0 / 3 / 15 / 46

HEX #898575

RGB 137 133 117

HSL 48, 0.08%, 0.5%

LAB 55.46, -1.42, 9.16

 

CMYK 0 / 8 / 38 / 38

HEX #9D9061

RGB 157 144 97

HSL 47, 0.24%, 0.5%

LAB 59.87, -2.3, 26.75

 

CMYK 58 / 15 / 0 / 30

HEX #4B99B3

RGB 75 153 179

HSL 195, 0.41%, 0.5%

LAB 59.46, -16.3, -20.8

 

CMYK 58 / 30 / 0 / 30

HEX #4B7DB3

RGB 75 125 179

HSL 211.15, 0.41%, 0.5%

LAB 51.17, -0.44, -33.63

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 55 / 58 / 0 / 30

HEX #504BB3

RGB 80 75 179

HSL 242.88, 0.41%, 0.5%

LAB 37.83, 31.79, -54.88

 

CMYK 40 / 58 / 0 / 30

HEX #6C4BB3

RGB 108 75 179

HSL 259.04, 0.41%, 0.5%

LAB 40.37, 37.84, -50.65

 

CMYK 59 / 46 / 0 / 53

HEX #324179

RGB 50 65 121

HSL 227.32, 0.42%, 0.34%

LAB 29, 12.12, -33.91

 

CMYK 58 / 46 / 0 / 41

HEX #3F5196

RGB 63 81 150

HSL 227.59, 0.41%, 0.42%

LAB 36.26, 14.64, -40.13

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 46 / 36 / 0 / 25

HEX #687ABF

RGB 104 122 191

HSL 227.59, 0.4%, 0.58%

LAB 52.54, 11.92, -38.27

 

CMYK 35 / 27 / 0 / 20

HEX #8594CC

RGB 133 148 204

HSL 227.32, 0.41%, 0.66%

LAB 62.11, 8.11, -30.55

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 1 / 58 / 0 / 30

HEX #B24BB3

RGB 178 75 179

HSL 299.42, 0.41%, 0.5%

LAB 49.19, 55.65, -36.07

 

CMYK 22 / 0 / 58 / 30

HEX #8BB34B

RGB 139 179 75

HSL 83.08, 0.41%, 0.5%

LAB 68.2, -30.07, 47.81

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 0 / 58 / 46 / 30

HEX #B34B61

RGB 179 75 97

HSL 347.31, 0.41%, 0.5%

LAB 46.28, 44.3, 8.72

 

CMYK 46 / 0 / 58 / 30

HEX #61B34B

RGB 97 179 75

HSL 107.31, 0.41%, 0.5%

LAB 65.97, -44.86, 44.67

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 1 / 58 / 0 / 30

HEX #B24BB3

RGB 178 75 179

HSL 299.42, 0.41%, 0.5%

LAB 49.19, 55.65, -36.07

 

CMYK 0 / 12 / 58 / 30

HEX #B39D4B

RGB 179 157 75

HSL 47.31, 0.41%, 0.5%

LAB 65.13, -2.14, 45.12

 

CMYK 58 / 0 / 58 / 30

HEX #4CB34B

RGB 76 179 75

HSL 119.42, 0.41%, 0.5%

LAB 65.19, -50.73, 43.56

 

CMYK 58 / 46 / 0 / 30

HEX #4B61B3

RGB 75 97 179

HSL 227.31, 0.41%, 0.5%

LAB 43.21, 16.85, -46.23

 

CMYK 0 / 58 / 16 / 30

HEX #B34B96

RGB 179 75 150

HSL 316.73, 0.41%, 0.5%

LAB 48.03, 51.11, -20.75

 

CMYK 0 / 12 / 58 / 30

HEX #B39D4B

RGB 179 157 75

HSL 47.31, 0.41%, 0.5%

LAB 65.13, -2.14, 45.12

 

CMYK 58 / 0 / 42 / 30

HEX #4BB368

RGB 75 179 104

HSL 136.73, 0.41%, 0.5%

LAB 65.54, -46.73, 29.48

 

Description

Color code: HEX #4B61B3 | qconv.com Color code: HEX #4B61B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 97 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 97 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 46 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 46% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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