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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B633F it is the complementary color #B49CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B633F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B633F shade: #50633A, #61754D, #728760, #839973 and #94AB86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B633F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B633F shade: #4B633F, #3A512C, #293F19, #182D06 and #071B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B633F shade: #4B633F, #55633F, #5E633F, #635E3F and #63543F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B633F shade: #4B633F, #41633F, #3F6347, #3F6350 and #3F635A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B633F shade matches the following richer shades: #4B633F, #477032, #427D25, #3E8B18 and #3A980A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B633F shade: #4B633F, #50564C, #54495A, #583B67 and #5D2E74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B633F shade: #5E633F, #55633F, #4B633F, #42633F and #3F6346

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B633F shade: #25311F, #384A2F, #4B633F, #5E7C4F and #71955F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B633F shade: #4B633F, #3F635E and #633F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B633F shade: #4B633F, #3F4B63 and #633F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B633F shade: #4B633F, #3F635E, #573F63 and #633F44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B633F shade: #4B633F, #3F5D63, #573F63 and #63453F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

Complementary color

CMYK 6 / 19 / 0 / 25

HEX #B49CC0

RGB 180 156 192

HSL 280, 0.22%, 0.68%

LAB 67.49, 15.52, -15.28

 

CMYK 19 / 0 / 41 / 61

HEX #50633A

RGB 80 99 58

HSL 87.8, 0.26%, 0.31%

LAB 39.47, -15.2, 20.98

 

CMYK 17 / 0 / 34 / 54

HEX #61754D

RGB 97 117 77

HSL 90, 0.21%, 0.38%

LAB 46.71, -15.15, 19.71

 

CMYK 16 / 0 / 29 / 47

HEX #728760

RGB 114 135 96

HSL 92.31, 0.17%, 0.45%

LAB 53.76, -15.09, 18.54

 

CMYK 14 / 0 / 25 / 40

HEX #839973

RGB 131 153 115

HSL 94.74, 0.16%, 0.53%

LAB 60.65, -15.02, 17.46

 

CMYK 13 / 0 / 22 / 33

HEX #94AB86

RGB 148 171 134

HSL 97.3, 0.18%, 0.6%

LAB 67.38, -14.95, 16.45

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 28 / 0 / 46 / 68

HEX #3A512C

RGB 58 81 44

HSL 97.3, 0.3%, 0.25%

LAB 31.73, -16.63, 18.97

 

CMYK 35 / 0 / 60 / 75

HEX #293F19

RGB 41 63 25

HSL 94.74, 0.43%, 0.17%

LAB 23.99, -16.71, 20.38

 

CMYK 47 / 0 / 87 / 82

HEX #182D06

RGB 24 45 6

HSL 92.31, 0.76%, 0.1%

LAB 15.92, -16.57, 20.25

 

CMYK 74 / 0 / 100 / 89

HEX #071B00

RGB 7 27 0

HSL 104.44, 1%, 0.05%

LAB 7.49, -12.63, 10.98

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 14 / 0 / 36 / 61

HEX #55633F

RGB 85 99 63

HSL 83.33, 0.22%, 0.32%

LAB 39.94, -12.33, 18.73

 

CMYK 5 / 0 / 36 / 61

HEX #5E633F

RGB 94 99 63

HSL 68.33, 0.22%, 0.32%

LAB 40.67, -8.44, 19.84

 

CMYK 0 / 5 / 36 / 61

HEX #635E3F

RGB 99 94 63

HSL 51.67, 0.22%, 0.32%

LAB 39.61, -3.29, 18.52

 

CMYK 0 / 15 / 36 / 61

HEX #63543F

RGB 99 84 63

HSL 35, 0.22%, 0.32%

LAB 36.65, 2.73, 14.58

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 34 / 0 / 36 / 61

HEX #41633F

RGB 65 99 63

HSL 116.67, 0.22%, 0.32%

LAB 38.56, -20.35, 16.66

 

CMYK 36 / 0 / 28 / 61

HEX #3F6347

RGB 63 99 71

HSL 133.33, 0.22%, 0.32%

LAB 38.61, -19.53, 11.91

 

CMYK 36 / 0 / 19 / 61

HEX #3F6350

RGB 63 99 80

HSL 148.33, 0.22%, 0.32%

LAB 38.83, -17.58, 6.74

 

CMYK 36 / 0 / 9 / 61

HEX #3F635A

RGB 63 99 90

HSL 165, 0.22%, 0.32%

LAB 39.1, -15.17, 1.01

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 37 / 0 / 55 / 56

HEX #477032

RGB 71 112 50

HSL 99.68, 0.38%, 0.32%

LAB 43, -26.68, 29.7

 

CMYK 47 / 0 / 70 / 51

HEX #427D25

RGB 66 125 37

HSL 100.23, 0.54%, 0.32%

LAB 46.92, -35.84, 40.33

 

CMYK 55 / 0 / 83 / 45

HEX #3E8B18

RGB 62 139 24

HSL 100.17, 0.71%, 0.32%

LAB 51.33, -43.75, 49.39

 

CMYK 62 / 0 / 93 / 40

HEX #3A980A

RGB 58 152 10

HSL 99.72, 0.88%, 0.32%

LAB 55.46, -50.22, 56.1

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 7 / 0 / 12 / 66

HEX #50564C

RGB 80 86 76

HSL 96, 0.06%, 0.32%

LAB 35.76, -4.52, 5.01

 

CMYK 7 / 19 / 0 / 65

HEX #54495A

RGB 84 73 90

HSL 278.82, 0.1%, 0.32%

LAB 32.67, 8.26, -8.32

 

CMYK 15 / 43 / 0 / 60

HEX #583B67

RGB 88 59 103

HSL 279.55, 0.27%, 0.32%

LAB 29.87, 21.75, -20.9

 

CMYK 20 / 60 / 0 / 55

HEX #5D2E74

RGB 93 46 116

HSL 280.29, 0.43%, 0.32%

LAB 28.23, 34.22, -31.73

 

CMYK 5 / 0 / 36 / 61

HEX #5E633F

RGB 94 99 63

HSL 68.33, 0.22%, 0.32%

LAB 40.67, -8.44, 19.84

 

CMYK 14 / 0 / 36 / 61

HEX #55633F

RGB 85 99 63

HSL 83.33, 0.22%, 0.32%

LAB 39.94, -12.33, 18.73

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 33 / 0 / 36 / 61

HEX #42633F

RGB 66 99 63

HSL 115, 0.22%, 0.32%

LAB 38.62, -19.98, 16.75

 

CMYK 36 / 0 / 29 / 61

HEX #3F6346

RGB 63 99 70

HSL 131.67, 0.22%, 0.32%

LAB 38.59, -19.73, 12.49

 

CMYK 24 / 0 / 37 / 81

HEX #25311F

RGB 37 49 31

HSL 100, 0.23%, 0.16%

LAB 18.75, -9.3, 9.89

 

CMYK 24 / 0 / 36 / 71

HEX #384A2F

RGB 56 74 47

HSL 100, 0.22%, 0.24%

LAB 29.27, -13.01, 13.89

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 24 / 0 / 36 / 51

HEX #5E7C4F

RGB 94 124 79

HSL 100, 0.22%, 0.4%

LAB 48.71, -19.76, 21.18

 

CMYK 24 / 0 / 36 / 42

HEX #71955F

RGB 113 149 95

HSL 100, 0.22%, 0.48%

LAB 57.88, -22.92, 24.59

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 36 / 0 / 5 / 61

HEX #3F635E

RGB 63 99 94

HSL 171.67, 0.22%, 0.32%

LAB 39.22, -14.15, -1.27

 

CMYK 0 / 36 / 10 / 61

HEX #633F59

RGB 99 63 89

HSL 316.67, 0.22%, 0.32%

LAB 31.64, 20.2, -9.07

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 36 / 24 / 0 / 61

HEX #3F4B63

RGB 63 75 99

HSL 220, 0.22%, 0.32%

LAB 31.78, 1.79, -15.57

 

CMYK 0 / 36 / 24 / 61

HEX #633F4B

RGB 99 63 75

HSL 340, 0.22%, 0.32%

LAB 31.15, 17.64, -0.77

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 36 / 0 / 5 / 61

HEX #3F635E

RGB 63 99 94

HSL 171.67, 0.22%, 0.32%

LAB 39.22, -14.15, -1.27

 

CMYK 12 / 36 / 0 / 61

HEX #573F63

RGB 87 63 99

HSL 280, 0.22%, 0.32%

LAB 30.6, 17.91, -17.21

 

CMYK 0 / 36 / 31 / 61

HEX #633F44

RGB 99 63 68

HSL 351.67, 0.22%, 0.32%

LAB 30.94, 16.5, 3.46

 

CMYK 24 / 0 / 36 / 61

HEX #4B633F

RGB 75 99 63

HSL 100, 0.22%, 0.32%

LAB 39.2, -16.47, 17.63

 

CMYK 36 / 6 / 0 / 61

HEX #3F5D63

RGB 63 93 99

HSL 190, 0.22%, 0.32%

LAB 37.46, -9.33, -6.97

 

CMYK 12 / 36 / 0 / 61

HEX #573F63

RGB 87 63 99

HSL 280, 0.22%, 0.32%

LAB 30.6, 17.91, -17.21

 

CMYK 0 / 30 / 36 / 61

HEX #63453F

RGB 99 69 63

HSL 10, 0.22%, 0.32%

LAB 32.41, 12.01, 8.76

 

Description

Color code: HEX #4B633F | qconv.com Color code: HEX #4B633F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 99 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 99 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 36 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 36% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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