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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B632A it is the complementary color #B49CD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B632A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B632A shade: #506325, #617538, #72874B, #83995E and #94AB71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B632A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B632A shade: #4B632A, #3A5117, #293F04, #182D00 and #071B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B632A shade: #4B632A, #5B632A, #635D2A, #634D2A and #633E2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B632A shade: #4B632A, #3C632A, #2D632A, #2A6337 and #2A6347

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B632A shade matches the following richer shades: #4B632A, #4D6F1F, #4F7B13 and #518608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B632A shade: #4B632A, #4A5836, #484C41, #46414D and #443559

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B632A shade: #635D2A, #5B632A, #4C632A, #3C632A and #2D632A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B632A shade: #202A12, #35471E, #4B632A, #618037 and #779D43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B632A shade: #4B632A, #2A634E and #632A63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B632A shade: #4B632A, #2A4C63 and #632A4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B632A shade: #4B632A, #2A634E, #422A63 and #632A40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B632A shade: #4B632A, #2A635F, #422A63 and #632A2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

Complementary color

CMYK 15 / 27 / 0 / 16

HEX #B49CD5

RGB 180 156 213

HSL 265.26, 0.4%, 0.72%

LAB 68.23, 19.95, -25.8

 

CMYK 19 / 0 / 63 / 61

HEX #506325

RGB 80 99 37

HSL 78.39, 0.46%, 0.27%

LAB 39.18, -17.77, 32.15

 

CMYK 17 / 0 / 52 / 54

HEX #617538

RGB 97 117 56

HSL 79.67, 0.35%, 0.34%

LAB 46.38, -18, 30.98

 

CMYK 16 / 0 / 44 / 47

HEX #72874B

RGB 114 135 75

HSL 81, 0.29%, 0.41%

LAB 53.4, -18.12, 29.72

 

CMYK 14 / 0 / 39 / 40

HEX #83995E

RGB 131 153 94

HSL 82.37, 0.24%, 0.48%

LAB 60.26, -18.17, 28.48

 

CMYK 13 / 0 / 34 / 33

HEX #94AB71

RGB 148 171 113

HSL 83.79, 0.26%, 0.56%

LAB 66.99, -18.19, 27.3

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 28 / 0 / 72 / 68

HEX #3A5117

RGB 58 81 23

HSL 83.79, 0.56%, 0.2%

LAB 31.45, -19.19, 30.15

 

CMYK 35 / 0 / 94 / 75

HEX #293F04

RGB 41 63 4

HSL 82.37, 0.88%, 0.13%

LAB 23.79, -18.68, 30.28

 

CMYK 47 / 0 / 100 / 82

HEX #182D00

RGB 24 45 0

HSL 88, 1%, 0.09%

LAB 15.86, -17.27, 22.61

 

CMYK 74 / 0 / 100 / 89

HEX #071B00

RGB 7 27 0

HSL 104.44, 1%, 0.05%

LAB 7.49, -12.63, 10.98

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 8 / 0 / 58 / 61

HEX #5B632A

RGB 91 99 42

HSL 68.42, 0.4%, 0.28%

LAB 40.11, -12.31, 30.86

 

CMYK 0 / 6 / 58 / 61

HEX #635D2A

RGB 99 93 42

HSL 53.68, 0.4%, 0.28%

LAB 38.98, -5.13, 29.75

 

CMYK 0 / 22 / 58 / 61

HEX #634D2A

RGB 99 77 42

HSL 36.84, 0.4%, 0.28%

LAB 34.25, 4.51, 24.11

 

CMYK 0 / 37 / 58 / 61

HEX #633E2A

RGB 99 62 42

HSL 21.05, 0.4%, 0.28%

LAB 30.07, 13.82, 18.92

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 39 / 0 / 58 / 61

HEX #3C632A

RGB 60 99 42

HSL 101.05, 0.4%, 0.28%

LAB 37.93, -25.49, 27.77

 

CMYK 55 / 0 / 58 / 61

HEX #2D632A

RGB 45 99 42

HSL 116.84, 0.4%, 0.28%

LAB 37.2, -30.67, 26.73

 

CMYK 58 / 0 / 44 / 61

HEX #2A6337

RGB 42 99 55

HSL 133.68, 0.4%, 0.28%

LAB 37.28, -29.42, 19.48

 

CMYK 58 / 0 / 28 / 61

HEX #2A6347

RGB 42 99 71

HSL 150.53, 0.4%, 0.28%

LAB 37.61, -26.04, 10.37

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 31 / 0 / 72 / 56

HEX #4D6F1F

RGB 77 111 31

HSL 85.5, 0.56%, 0.28%

LAB 42.83, -25.75, 38.82

 

CMYK 36 / 0 / 85 / 52

HEX #4F7B13

RGB 79 123 19

HSL 85.38, 0.73%, 0.28%

LAB 46.81, -31.39, 47.02

 

CMYK 40 / 0 / 94 / 47

HEX #518608

RGB 81 134 8

HSL 85.24, 0.89%, 0.28%

LAB 50.47, -35.95, 52.69

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 16 / 0 / 39 / 65

HEX #4A5836

RGB 74 88 54

HSL 84.71, 0.24%, 0.28%

LAB 35.4, -12.19, 17.97

 

CMYK 5 / 0 / 14 / 70

HEX #484C41

RGB 72 76 65

HSL 81.82, 0.08%, 0.28%

LAB 31.64, -3.96, 5.99

 

CMYK 9 / 16 / 0 / 70

HEX #46414D

RGB 70 65 77

HSL 265, 0.08%, 0.28%

LAB 28.43, 4.84, -6.47

 

CMYK 24 / 40 / 0 / 65

HEX #443559

RGB 68 53 89

HSL 265, 0.25%, 0.28%

LAB 25.25, 15.13, -19.21

 

CMYK 0 / 6 / 58 / 61

HEX #635D2A

RGB 99 93 42

HSL 53.68, 0.4%, 0.28%

LAB 38.98, -5.13, 29.75

 

CMYK 8 / 0 / 58 / 61

HEX #5B632A

RGB 91 99 42

HSL 68.42, 0.4%, 0.28%

LAB 40.11, -12.31, 30.86

 

CMYK 23 / 0 / 58 / 61

HEX #4C632A

RGB 76 99 42

HSL 84.21, 0.4%, 0.28%

LAB 38.95, -19, 29.22

 

CMYK 39 / 0 / 58 / 61

HEX #3C632A

RGB 60 99 42

HSL 101.05, 0.4%, 0.28%

LAB 37.93, -25.49, 27.77

 

CMYK 55 / 0 / 58 / 61

HEX #2D632A

RGB 45 99 42

HSL 116.84, 0.4%, 0.28%

LAB 37.2, -30.67, 26.73

 

CMYK 24 / 0 / 57 / 84

HEX #202A12

RGB 32 42 18

HSL 85, 0.4%, 0.12%

LAB 15.52, -9.55, 14.19

 

CMYK 25 / 0 / 58 / 72

HEX #35471E

RGB 53 71 30

HSL 86.34, 0.41%, 0.2%

LAB 27.73, -15.21, 22.16

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 24 / 0 / 57 / 50

HEX #618037

RGB 97 128 55

HSL 85.48, 0.4%, 0.36%

LAB 49.8, -23.81, 35.55

 

CMYK 24 / 0 / 57 / 38

HEX #779D43

RGB 119 157 67

HSL 85.33, 0.4%, 0.44%

LAB 60.29, -28.1, 42.17

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 58 / 0 / 21 / 61

HEX #2A634E

RGB 42 99 78

HSL 157.89, 0.4%, 0.28%

LAB 37.78, -24.33, 6.34

 

CMYK 0 / 58 / 0 / 61

HEX #632A63

RGB 99 42 99

HSL 300, 0.4%, 0.28%

LAB 27.32, 34.43, -22.19

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 58 / 23 / 0 / 61

HEX #2A4C63

RGB 42 76 99

HSL 204.21, 0.4%, 0.28%

LAB 30.79, -4.92, -17.22

 

CMYK 0 / 58 / 23 / 61

HEX #632A4C

RGB 99 42 76

HSL 324.21, 0.4%, 0.28%

LAB 26.25, 30.23, -8.73

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 58 / 0 / 21 / 61

HEX #2A634E

RGB 42 99 78

HSL 157.89, 0.4%, 0.28%

LAB 37.78, -24.33, 6.34

 

CMYK 33 / 58 / 0 / 61

HEX #422A63

RGB 66 42 99

HSL 265.26, 0.4%, 0.28%

LAB 22.71, 24.51, -29.79

 

CMYK 0 / 58 / 35 / 61

HEX #632A40

RGB 99 42 64

HSL 336.84, 0.4%, 0.28%

LAB 25.8, 28.4, -1.37

 

CMYK 24 / 0 / 58 / 61

HEX #4B632A

RGB 75 99 42

HSL 85.26, 0.4%, 0.28%

LAB 38.88, -19.42, 29.12

 

CMYK 58 / 0 / 4 / 61

HEX #2A635F

RGB 42 99 95

HSL 175.79, 0.4%, 0.28%

LAB 38.27, -19.65, -3.39

 

CMYK 33 / 58 / 0 / 61

HEX #422A63

RGB 66 42 99

HSL 265.26, 0.4%, 0.28%

LAB 22.71, 24.51, -29.79

 

CMYK 0 / 58 / 53 / 61

HEX #632A2F

RGB 99 42 47

HSL 354.74, 0.4%, 0.28%

LAB 25.3, 26.3, 9.37

 

Description

Color code: HEX #4B632A | qconv.com Color code: HEX #4B632A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 99 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 99 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 58 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 58% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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