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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6A80 it is the complementary color #B4957F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6A80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6A80 shade: #506A7B, #617C8E, #728EA1, #83A0B4 and #94B2C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6A80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6A80 shade: #4B6A80, #3A586D, #29465A, #183447 and #072234

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6A80 shade: #4B6A80, #4B5C80, #4B4D80, #574B80 and #654B80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6A80 shade: #4B6A80, #4B5C80, #4B4D80 and #4B4B80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6A80 shade matches the following richer shades: #4B6A80, #3A6D91, #2A70A1, #1972B2 and #0975C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6A80 shade: #4B6A80, #5B6770, #6C645F, #7C624F and #8D5F3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6A80 shade: #4B8079, #4B7980, #4B6B80, #4B5D80 and #4B4F80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6A80 shade: #2C3F4C, #3C5466, #4B6A80, #5A809A and #7294AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6A80 shade: #4B6A80, #6B4B80 and #80804B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6A80 shade: #4B6A80, #804B6B and #6B804B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6A80 shade: #4B6A80, #6B4B80, #80604B and #60804B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6A80 shade: #4B6A80, #7B4B80, #80604B and #50804B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

Complementary color

CMYK 0 / 17 / 29 / 29

HEX #B4957F

RGB 180 149 127

HSL 24.91, 0.26%, 0.6%

LAB 63.94, 8.26, 15.96

 

CMYK 35 / 14 / 0 / 52

HEX #506A7B

RGB 80 106 123

HSL 203.72, 0.21%, 0.4%

LAB 43.42, -5.05, -12.54

 

CMYK 32 / 13 / 0 / 44

HEX #617C8E

RGB 97 124 142

HSL 204, 0.19%, 0.47%

LAB 50.58, -5.17, -12.91

 

CMYK 29 / 12 / 0 / 37

HEX #728EA1

RGB 114 142 161

HSL 204.26, 0.2%, 0.54%

LAB 57.56, -5.27, -13.28

 

CMYK 27 / 11 / 0 / 29

HEX #83A0B4

RGB 131 160 180

HSL 204.49, 0.25%, 0.61%

LAB 64.37, -5.36, -13.65

 

CMYK 26 / 11 / 0 / 22

HEX #94B2C7

RGB 148 178 199

HSL 204.71, 0.31%, 0.68%

LAB 71.05, -5.45, -14.03

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 47 / 19 / 0 / 57

HEX #3A586D

RGB 58 88 109

HSL 204.71, 0.31%, 0.33%

LAB 35.95, -4.85, -15.48

 

CMYK 54 / 22 / 0 / 65

HEX #29465A

RGB 41 70 90

HSL 204.49, 0.37%, 0.26%

LAB 28.35, -4.46, -15.22

 

CMYK 66 / 27 / 0 / 72

HEX #183447

RGB 24 52 71

HSL 204.26, 0.49%, 0.19%

LAB 20.46, -3.81, -14.97

 

CMYK 87 / 35 / 0 / 80

HEX #072234

RGB 7 34 52

HSL 204, 0.76%, 0.12%

LAB 12.2, -2.62, -14.72

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 41 / 28 / 0 / 50

HEX #4B5C80

RGB 75 92 128

HSL 220.75, 0.26%, 0.4%

LAB 39.09, 3.42, -22.26

 

CMYK 41 / 40 / 0 / 50

HEX #4B4D80

RGB 75 77 128

HSL 237.74, 0.26%, 0.4%

LAB 34.73, 13, -29.07

 

CMYK 32 / 41 / 0 / 50

HEX #574B80

RGB 87 75 128

HSL 253.58, 0.26%, 0.4%

LAB 35.24, 17.87, -28.2

 

CMYK 21 / 41 / 0 / 50

HEX #654B80

RGB 101 75 128

HSL 269.43, 0.26%, 0.4%

LAB 36.66, 22.29, -25.86

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 41 / 28 / 0 / 50

HEX #4B5C80

RGB 75 92 128

HSL 220.75, 0.26%, 0.4%

LAB 39.09, 3.42, -22.26

 

CMYK 41 / 40 / 0 / 50

HEX #4B4D80

RGB 75 77 128

HSL 237.74, 0.26%, 0.4%

LAB 34.73, 13, -29.07

 

CMYK 41 / 41 / 0 / 50

HEX #4B4B80

RGB 75 75 128

HSL 240, 0.26%, 0.4%

LAB 34.16, 14.3, -29.96

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 60 / 25 / 0 / 43

HEX #3A6D91

RGB 58 109 145

HSL 204.83, 0.43%, 0.4%

LAB 44.06, -5.81, -24.85

 

CMYK 74 / 30 / 0 / 37

HEX #2A70A1

RGB 42 112 161

HSL 204.71, 0.59%, 0.4%

LAB 45.16, -4.79, -32.66

 

CMYK 86 / 36 / 0 / 30

HEX #1972B2

RGB 25 114 178

HSL 205.1, 0.75%, 0.4%

LAB 46.25, -1.44, -40.91

 

CMYK 95 / 40 / 0 / 24

HEX #0975C2

RGB 9 117 194

HSL 204.97, 0.91%, 0.4%

LAB 47.85, 2.08, -47.64

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 19 / 8 / 0 / 56

HEX #5B6770

RGB 91 103 112

HSL 205.71, 0.1%, 0.4%

LAB 42.91, -2.45, -6.6

HEX #5B6770

CMYK 0 / 7 / 12 / 58

HEX #6C645F

RGB 108 100 95

HSL 23.08, 0.06%, 0.4%

LAB 42.96, 2.21, 3.97

HEX #6C645F

CMYK 0 / 21 / 36 / 51

HEX #7C624F

RGB 124 98 79

HSL 25.33, 0.22%, 0.4%

LAB 43.63, 7.6, 14.81

HEX #7C624F

CMYK 0 / 33 / 56 / 45

HEX #8D5F3E

RGB 141 95 62

HSL 25.06, 0.39%, 0.4%

LAB 44.51, 14.94, 26.34

HEX #8D5F3E

CMYK 41 / 0 / 5 / 50

HEX #4B8079

RGB 75 128 121

HSL 172.08, 0.26%, 0.4%

LAB 49.88, -19.44, -1.76

 

CMYK 41 / 5 / 0 / 50

HEX #4B7980

RGB 75 121 128

HSL 187.92, 0.26%, 0.4%

LAB 47.92, -13.76, -8.79

 

CMYK 41 / 16 / 0 / 50

HEX #4B6B80

RGB 75 107 128

HSL 203.77, 0.26%, 0.4%

LAB 43.61, -5.72, -15.3

 

CMYK 41 / 27 / 0 / 50

HEX #4B5D80

RGB 75 93 128

HSL 219.62, 0.26%, 0.4%

LAB 39.38, 2.8, -21.8

 

CMYK 41 / 38 / 0 / 50

HEX #4B4F80

RGB 75 79 128

HSL 235.47, 0.26%, 0.4%

LAB 35.29, 11.71, -28.18

 

CMYK 42 / 17 / 0 / 70

HEX #2C3F4C

RGB 44 63 76

HSL 204.38, 0.27%, 0.24%

LAB 25.6, -3.66, -10.3

 

CMYK 41 / 18 / 0 / 60

HEX #3C5466

RGB 60 84 102

HSL 205.71, 0.26%, 0.32%

LAB 34.52, -3.95, -13.29

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 42 / 17 / 0 / 40

HEX #5A809A

RGB 90 128 154

HSL 204.38, 0.26%, 0.48%

LAB 51.78, -6.24, -18.14

 

CMYK 34 / 14 / 0 / 33

HEX #7294AC

RGB 114 148 172

HSL 204.83, 0.26%, 0.56%

LAB 59.65, -5.82, -16.38

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 16 / 41 / 0 / 50

HEX #6B4B80

RGB 107 75 128

HSL 276.23, 0.26%, 0.4%

LAB 37.33, 24.24, -24.77

 

CMYK 0 / 0 / 41 / 50

HEX #80804B

RGB 128 128 75

HSL 60, 0.26%, 0.4%

LAB 52.44, -8.44, 28.74

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 0 / 41 / 16 / 50

HEX #804B6B

RGB 128 75 107

HSL 323.77, 0.26%, 0.4%

LAB 39.04, 27.26, -8.92

 

CMYK 16 / 0 / 41 / 50

HEX #6B804B

RGB 107 128 75

HSL 83.77, 0.26%, 0.4%

LAB 50.77, -17.29, 26.28

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 16 / 41 / 0 / 50

HEX #6B4B80

RGB 107 75 128

HSL 276.23, 0.26%, 0.4%

LAB 37.33, 24.24, -24.77

 

CMYK 0 / 25 / 41 / 50

HEX #80604B

RGB 128 96 75

HSL 23.77, 0.26%, 0.4%

LAB 43.45, 10.01, 17.03

 

CMYK 25 / 0 / 41 / 50

HEX #60804B

RGB 96 128 75

HSL 96.23, 0.26%, 0.4%

LAB 50.02, -21.68, 25.16

 

CMYK 41 / 17 / 0 / 50

HEX #4B6A80

RGB 75 106 128

HSL 204.91, 0.26%, 0.4%

LAB 43.3, -5.12, -15.77

 

CMYK 4 / 41 / 0 / 50

HEX #7B4B80

RGB 123 75 128

HSL 294.34, 0.26%, 0.4%

LAB 39.24, 29.54, -21.64

 

CMYK 0 / 25 / 41 / 50

HEX #80604B

RGB 128 96 75

HSL 23.77, 0.26%, 0.4%

LAB 43.45, 10.01, 17.03

 

CMYK 38 / 0 / 41 / 50

HEX #50804B

RGB 80 128 75

HSL 114.34, 0.26%, 0.4%

LAB 49.07, -27.59, 23.75

 

Description

Color code: HEX #4B6A80 | qconv.com Color code: HEX #4B6A80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 106 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 106 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 17 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 17% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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