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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6BA1 it is the complementary color #B4945E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6BA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6BA1 shade: #506B9C, #617DAF, #728FC2, #83A1D5 and #94B3E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6BA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6BA1 shade: #4B6BA1, #3A598E, #29477B, #183568 and #072355

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6BA1 shade: #4B6A9F, #4B539F, #594B9F, #6F4B9F and #864B9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6BA1 shade: #4B6A9F, #4B539F and #4B4B9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6BA1 shade matches the following richer shades: #4B6A9F, #3865B2, #2560C5 and #125BD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6BA1 shade: #4B6A9F, #5E6F8C, #717479, #847966 and #967D53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6BA1 shade: #4B989F, #4B819F, #4B6B9F, #4B549F and #574B9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6BA1 shade: #304567, #3D5783, #4B6A9F, #5F7FB4 and #7B95C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6BA1 shade: #4B6BA1, #904B9F and #8D9F4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6BA1 shade: #4B6BA1, #9F4B6B and #6B9F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6BA1 shade: #4B6BA1, #904B9F, #9F7F4B and #5A9F4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6BA1 shade: #4B6BA1, #9F4B95, #9F7F4B and #4B9F54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 34 / 0 / 37

HEX #4B6BA1

RGB 75 107 161

HSL 217.67, 0.36%, 0.46%

LAB 45.06, 4.54, -32.72

 

Complementary color

CMYK 0 / 18 / 48 / 29

HEX #B4945E

RGB 180 148 94

HSL 37.67, 0.36%, 0.54%

LAB 63.09, 4.88, 32.95

 

CMYK 49 / 31 / 0 / 39

HEX #506B9C

RGB 80 107 156

HSL 218.68, 0.32%, 0.46%

LAB 45.11, 4.17, -29.66

 

CMYK 45 / 29 / 0 / 31

HEX #617DAF

RGB 97 125 175

HSL 218.46, 0.33%, 0.53%

LAB 52.18, 3.53, -29.66

 

CMYK 41 / 26 / 0 / 24

HEX #728FC2

RGB 114 143 194

HSL 218.25, 0.4%, 0.6%

LAB 59.08, 3.01, -29.71

 

CMYK 38 / 24 / 0 / 16

HEX #83A1D5

RGB 131 161 213

HSL 218.05, 0.49%, 0.67%

LAB 65.84, 2.57, -29.79

 

CMYK 36 / 23 / 0 / 9

HEX #94B3E8

RGB 148 179 232

HSL 217.86, 0.65%, 0.75%

LAB 72.47, 2.2, -29.9

 

CMYK 53 / 34 / 0 / 37

HEX #4B6BA1

RGB 75 107 161

HSL 217.67, 0.36%, 0.46%

LAB 45.06, 4.54, -32.72

 

CMYK 59 / 37 / 0 / 44

HEX #3A598E

RGB 58 89 142

HSL 217.86, 0.42%, 0.39%

LAB 37.84, 5.55, -32.8

 

CMYK 67 / 42 / 0 / 52

HEX #29477B

RGB 41 71 123

HSL 218.05, 0.5%, 0.32%

LAB 30.42, 6.9, -32.93

 

CMYK 77 / 49 / 0 / 59

HEX #183568

RGB 24 53 104

HSL 218.25, 0.63%, 0.25%

LAB 22.79, 8.84, -33.09

 

CMYK 92 / 59 / 0 / 67

HEX #072355

RGB 7 35 85

HSL 218.46, 0.85%, 0.18%

LAB 14.97, 11.72, -33.2

 

CMYK 53 / 33 / 0 / 38

HEX #4B6A9F

RGB 75 106 159

HSL 217.86, 0.36%, 0.46%

LAB 44.67, 4.51, -32.15

 

CMYK 53 / 48 / 0 / 38

HEX #4B539F

RGB 75 83 159

HSL 234.29, 0.36%, 0.46%

LAB 38.17, 19.08, -42.44

 

CMYK 44 / 53 / 0 / 38

HEX #594B9F

RGB 89 75 159

HSL 250, 0.36%, 0.46%

LAB 37.22, 27.5, -43.9

 

CMYK 30 / 53 / 0 / 38

HEX #6F4B9F

RGB 111 75 159

HSL 265.71, 0.36%, 0.46%

LAB 39.44, 33.22, -40.24

 

CMYK 16 / 53 / 0 / 38

HEX #864B9F

RGB 134 75 159

HSL 282.14, 0.36%, 0.46%

LAB 42.16, 39.63, -35.75

 

CMYK 53 / 33 / 0 / 38

HEX #4B6A9F

RGB 75 106 159

HSL 217.86, 0.36%, 0.46%

LAB 44.67, 4.51, -32.15

 

CMYK 53 / 48 / 0 / 38

HEX #4B539F

RGB 75 83 159

HSL 234.29, 0.36%, 0.46%

LAB 38.17, 19.08, -42.44

 

CMYK 53 / 53 / 0 / 38

HEX #4B4B9F

RGB 75 75 159

HSL 240, 0.36%, 0.46%

LAB 36.04, 24.22, -45.86

 

CMYK 53 / 33 / 0 / 38

HEX #4B6A9F

RGB 75 106 159

HSL 217.86, 0.36%, 0.46%

LAB 44.67, 4.51, -32.15

 

CMYK 69 / 43 / 0 / 30

HEX #3865B2

RGB 56 101 178

HSL 217.87, 0.52%, 0.46%

LAB 43.3, 10.44, -45.55

 

CMYK 81 / 51 / 0 / 23

HEX #2560C5

RGB 37 96 197

HSL 217.88, 0.68%, 0.46%

LAB 42.45, 18.42, -58.03

 

CMYK 92 / 58 / 0 / 15

HEX #125BD8

RGB 18 91 216

HSL 217.88, 0.85%, 0.46%

LAB 42.11, 27.82, -69.53

 

CMYK 53 / 33 / 0 / 38

HEX #4B6A9F

RGB 75 106 159

HSL 217.86, 0.36%, 0.46%

LAB 44.67, 4.51, -32.15

 

CMYK 33 / 21 / 0 / 45

HEX #5E6F8C

RGB 94 111 140

HSL 217.83, 0.2%, 0.46%

LAB 46.5, 1, -17.95

 

CMYK 7 / 4 / 0 / 53

HEX #717479

RGB 113 116 121

HSL 217.5, 0.03%, 0.46%

LAB 48.74, -0.08, -3.15

 

CMYK 0 / 8 / 23 / 48

HEX #847966

RGB 132 121 102

HSL 38, 0.13%, 0.46%

LAB 51.31, 0.93, 11.96

 

CMYK 0 / 17 / 45 / 41

HEX #967D53

RGB 150 125 83

HSL 37.61, 0.29%, 0.46%

LAB 53.79, 3.71, 26.46

 

CMYK 53 / 4 / 0 / 38

HEX #4B989F

RGB 75 152 159

HSL 185, 0.36%, 0.46%

LAB 58.47, -21.67, -10.96

 

CMYK 53 / 19 / 0 / 38

HEX #4B819F

RGB 75 129 159

HSL 201.43, 0.36%, 0.46%

LAB 51.5, -9.16, -21.55

 

CMYK 53 / 33 / 0 / 38

HEX #4B6B9F

RGB 75 107 159

HSL 217.14, 0.36%, 0.46%

LAB 44.96, 3.89, -31.69

 

CMYK 53 / 47 / 0 / 38

HEX #4B549F

RGB 75 84 159

HSL 233.57, 0.36%, 0.46%

LAB 38.45, 18.43, -42.01

 

CMYK 45 / 53 / 0 / 38

HEX #574B9F

RGB 87 75 159

HSL 248.57, 0.36%, 0.46%

LAB 37.04, 27.01, -44.2

 

CMYK 53 / 33 / 0 / 60

HEX #304567

RGB 48 69 103

HSL 217.09, 0.36%, 0.3%

LAB 29.07, 2.54, -22.42

 

CMYK 53 / 34 / 0 / 49

HEX #3D5783

RGB 61 87 131

HSL 217.71, 0.36%, 0.38%

LAB 36.83, 3.74, -27.67

 

CMYK 53 / 33 / 0 / 38

HEX #4B6A9F

RGB 75 106 159

HSL 217.86, 0.36%, 0.46%

LAB 44.67, 4.51, -32.15

 

CMYK 47 / 29 / 0 / 29

HEX #5F7FB4

RGB 95 127 180

HSL 217.41, 0.36%, 0.54%

LAB 52.85, 3.33, -31.51

 

CMYK 36 / 23 / 0 / 24

HEX #7B95C1

RGB 123 149 193

HSL 217.71, 0.36%, 0.62%

LAB 61.27, 1.77, -25.72

 

CMYK 53 / 34 / 0 / 37

HEX #4B6BA1

RGB 75 107 161

HSL 217.67, 0.36%, 0.46%

LAB 45.06, 4.54, -32.72

 

CMYK 9 / 53 / 0 / 38

HEX #904B9F

RGB 144 75 159

HSL 289.29, 0.36%, 0.46%

LAB 43.46, 42.48, -33.62

 

CMYK 11 / 0 / 53 / 38

HEX #8D9F4B

RGB 141 159 75

HSL 72.86, 0.36%, 0.46%

LAB 62.48, -19.41, 41.23

 

CMYK 53 / 34 / 0 / 37

HEX #4B6BA1

RGB 75 107 161

HSL 217.67, 0.36%, 0.46%

LAB 45.06, 4.54, -32.72

 

CMYK 0 / 53 / 33 / 38

HEX #9F4B6B

RGB 159 75 107

HSL 337.14, 0.36%, 0.46%

LAB 43.46, 38.46, -1.88

 

CMYK 33 / 0 / 53 / 38

HEX #6B9F4B

RGB 107 159 75

HSL 97.14, 0.36%, 0.46%

LAB 60.28, -32.71, 38.07

 

CMYK 53 / 34 / 0 / 37

HEX #4B6BA1

RGB 75 107 161

HSL 217.67, 0.36%, 0.46%

LAB 45.06, 4.54, -32.72

 

CMYK 9 / 53 / 0 / 38

HEX #904B9F

RGB 144 75 159

HSL 289.29, 0.36%, 0.46%

LAB 43.46, 42.48, -33.62

 

CMYK 0 / 20 / 53 / 38

HEX #9F7F4B

RGB 159 127 75

HSL 37.14, 0.36%, 0.46%

LAB 55.13, 5.69, 32.75

 

CMYK 43 / 0 / 53 / 38

HEX #5A9F4B

RGB 90 159 75

HSL 109.29, 0.36%, 0.46%

LAB 59.41, -38.54, 36.83

 

CMYK 53 / 34 / 0 / 37

HEX #4B6BA1

RGB 75 107 161

HSL 217.67, 0.36%, 0.46%

LAB 45.06, 4.54, -32.72

 

CMYK 0 / 53 / 6 / 38

HEX #9F4B95

RGB 159 75 149

HSL 307.14, 0.36%, 0.46%

LAB 45.04, 44.98, -25

 

CMYK 0 / 20 / 53 / 38

HEX #9F7F4B

RGB 159 127 75

HSL 37.14, 0.36%, 0.46%

LAB 55.13, 5.69, 32.75

 

CMYK 53 / 0 / 47 / 38

HEX #4B9F54

RGB 75 159 84

HSL 126.43, 0.36%, 0.46%

LAB 58.91, -41.73, 31.45

 

Description

Color code: HEX #4B6BA1 | qconv.com Color code: HEX #4B6BA1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 107 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 107 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 34 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 34% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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