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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6EAE it is the complementary color #B49151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6EAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6EAE shade: #506EA9, #6180BC, #7292CF, #83A4E2 and #94B6F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6EAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6EAE shade: #4B6EAE, #3A5C9B, #294A88, #183875 and #072662

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6EAE shade: #4A6EAE, #4A53AE, #5D4AAE, #784AAE and #934AAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6EAE shade: #4A6EAE, #4A53AE and #4A4AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6EAE shade matches the following richer shades: #4A6EAE, #3668C3, #2262D7 and #0E5CEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6EAE shade: #4A6EAE, #5F749A, #737A86, #878072 and #9B865E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6EAE shade: #4AA4AE, #4A8AAE, #4A6FAE, #4A54AE and #5B4AAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6EAE shade: #324975, #3E5C92, #4A6EAE, #6584BD and #829BC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6EAE shade: #4B6EAE, #9E4AAE and #97AE4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6EAE shade: #4B6EAE, #AE4A6F and #6FAE4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6EAE shade: #4B6EAE, #9E4AAE, #AE8A4A and #5BAE4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6EAE shade: #4B6EAE, #AE4AA1, #AE8A4A and #4AAE58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 37 / 0 / 32

HEX #4B6EAE

RGB 75 110 174

HSL 218.79, 0.4%, 0.49%

LAB 46.58, 7, -37.95

 

Complementary color

CMYK 0 / 19 / 55 / 29

HEX #B49151

RGB 180 145 81

HSL 38.79, 0.4%, 0.51%

LAB 62.12, 5.32, 38.6

 

CMYK 53 / 35 / 0 / 34

HEX #506EA9

RGB 80 110 169

HSL 219.78, 0.36%, 0.49%

LAB 46.61, 6.48, -34.97

 

CMYK 48 / 32 / 0 / 26

HEX #6180BC

RGB 97 128 188

HSL 219.56, 0.4%, 0.56%

LAB 53.61, 5.67, -34.9

 

CMYK 45 / 29 / 0 / 19

HEX #7292CF

RGB 114 146 207

HSL 219.35, 0.49%, 0.63%

LAB 60.46, 5.01, -34.88

 

CMYK 42 / 27 / 0 / 11

HEX #83A4E2

RGB 131 164 226

HSL 219.16, 0.62%, 0.7%

LAB 67.18, 4.45, -34.89

 

CMYK 40 / 26 / 0 / 4

HEX #94B6F5

RGB 148 182 245

HSL 218.97, 0.83%, 0.77%

LAB 73.77, 3.98, -34.94

 

CMYK 57 / 37 / 0 / 32

HEX #4B6EAE

RGB 75 110 174

HSL 218.79, 0.4%, 0.49%

LAB 46.58, 7, -37.95

 

CMYK 63 / 41 / 0 / 39

HEX #3A5C9B

RGB 58 92 155

HSL 218.97, 0.46%, 0.42%

LAB 39.45, 8.23, -38.08

 

CMYK 70 / 46 / 0 / 47

HEX #294A88

RGB 41 74 136

HSL 219.16, 0.54%, 0.35%

LAB 32.14, 9.86, -38.25

 

CMYK 79 / 52 / 0 / 54

HEX #183875

RGB 24 56 117

HSL 219.35, 0.66%, 0.28%

LAB 24.66, 12.11, -38.42

 

CMYK 93 / 61 / 0 / 62

HEX #072662

RGB 7 38 98

HSL 219.56, 0.87%, 0.21%

LAB 17.05, 15.29, -38.49

 

CMYK 57 / 37 / 0 / 32

HEX #4A6EAE

RGB 74 110 174

HSL 218.4, 0.4%, 0.49%

LAB 46.53, 6.78, -38.03

 

CMYK 57 / 52 / 0 / 32

HEX #4A53AE

RGB 74 83 174

HSL 234.6, 0.4%, 0.49%

LAB 39.07, 23.88, -49.94

 

CMYK 47 / 57 / 0 / 32

HEX #5D4AAE

RGB 93 74 174

HSL 251.4, 0.4%, 0.49%

LAB 38.34, 33.57, -51.03

 

CMYK 31 / 57 / 0 / 32

HEX #784AAE

RGB 120 74 174

HSL 267.6, 0.4%, 0.49%

LAB 41.13, 39.99, -46.4

 

CMYK 16 / 57 / 0 / 32

HEX #934AAE

RGB 147 74 174

HSL 283.8, 0.4%, 0.49%

LAB 44.46, 46.97, -40.9

 

CMYK 57 / 37 / 0 / 32

HEX #4A6EAE

RGB 74 110 174

HSL 218.4, 0.4%, 0.49%

LAB 46.53, 6.78, -38.03

 

CMYK 57 / 52 / 0 / 32

HEX #4A53AE

RGB 74 83 174

HSL 234.6, 0.4%, 0.49%

LAB 39.07, 23.88, -49.94

 

CMYK 57 / 57 / 0 / 32

HEX #4A4AAE

RGB 74 74 174

HSL 240, 0.4%, 0.49%

LAB 36.76, 29.62, -53.67

 

CMYK 57 / 37 / 0 / 32

HEX #4A6EAE

RGB 74 110 174

HSL 218.4, 0.4%, 0.49%

LAB 46.53, 6.78, -38.03

 

CMYK 72 / 47 / 0 / 24

HEX #3668C3

RGB 54 104 195

HSL 218.72, 0.57%, 0.49%

LAB 45.12, 14.48, -52.54

 

CMYK 84 / 54 / 0 / 16

HEX #2262D7

RGB 34 98 215

HSL 218.78, 0.73%, 0.49%

LAB 44.21, 23.81, -65.52

 

CMYK 94 / 61 / 0 / 8

HEX #0E5CEB

RGB 14 92 235

HSL 218.82, 0.89%, 0.49%

LAB 43.87, 34.33, -77.44

 

CMYK 57 / 37 / 0 / 32

HEX #4A6EAE

RGB 74 110 174

HSL 218.4, 0.4%, 0.49%

LAB 46.53, 6.78, -38.03

 

CMYK 38 / 25 / 0 / 40

HEX #5F749A

RGB 95 116 154

HSL 218.64, 0.24%, 0.49%

LAB 48.58, 2.22, -23.02

 

CMYK 14 / 9 / 0 / 47

HEX #737A86

RGB 115 122 134

HSL 217.89, 0.08%, 0.49%

LAB 51.02, 0.02, -7.42

 

CMYK 0 / 5 / 16 / 47

HEX #878072

RGB 135 128 114

HSL 40, 0.08%, 0.49%

LAB 53.82, 0.12, 8.55

 

CMYK 0 / 14 / 39 / 39

HEX #9B865E

RGB 155 134 94

HSL 39.34, 0.24%, 0.49%

LAB 56.91, 2.05, 24.48

 

CMYK 57 / 6 / 0 / 32

HEX #4AA4AE

RGB 74 164 174

HSL 186, 0.4%, 0.49%

LAB 62.56, -23.74, -13.29

 

CMYK 57 / 21 / 0 / 32

HEX #4A8AAE

RGB 74 138 174

HSL 201.6, 0.4%, 0.49%

LAB 54.75, -9.8, -25.2

 

CMYK 57 / 36 / 0 / 32

HEX #4A6FAE

RGB 74 111 174

HSL 217.8, 0.4%, 0.49%

LAB 46.82, 6.16, -37.58

 

CMYK 57 / 52 / 0 / 32

HEX #4A54AE

RGB 74 84 174

HSL 234, 0.4%, 0.49%

LAB 39.33, 23.24, -49.52

 

CMYK 48 / 57 / 0 / 32

HEX #5B4AAE

RGB 91 74 174

HSL 250.2, 0.4%, 0.49%

LAB 38.16, 33.12, -51.34

 

CMYK 57 / 38 / 0 / 54

HEX #324975

RGB 50 73 117

HSL 219.4, 0.4%, 0.33%

LAB 31.18, 5.31, -27.94

 

CMYK 58 / 37 / 0 / 43

HEX #3E5C92

RGB 62 92 146

HSL 218.57, 0.4%, 0.41%

LAB 39.16, 5.91, -33.11

 

CMYK 57 / 37 / 0 / 32

HEX #4A6EAE

RGB 74 110 174

HSL 218.4, 0.4%, 0.49%

LAB 46.53, 6.78, -38.03

 

CMYK 47 / 30 / 0 / 26

HEX #6584BD

RGB 101 132 189

HSL 218.86, 0.4%, 0.57%

LAB 55.01, 4.59, -33.26

 

CMYK 35 / 23 / 0 / 21

HEX #829BC9

RGB 130 155 201

HSL 218.87, 0.4%, 0.65%

LAB 63.68, 2.47, -26.46

 

CMYK 57 / 37 / 0 / 32

HEX #4B6EAE

RGB 75 110 174

HSL 218.79, 0.4%, 0.49%

LAB 46.58, 7, -37.95

 

CMYK 9 / 57 / 0 / 32

HEX #9E4AAE

RGB 158 74 174

HSL 290.4, 0.4%, 0.49%

LAB 45.94, 49.89, -38.46

 

CMYK 13 / 0 / 57 / 32

HEX #97AE4A

RGB 151 174 74

HSL 73.8, 0.4%, 0.49%

LAB 67.54, -22.94, 47.74

 

CMYK 57 / 37 / 0 / 32

HEX #4B6EAE

RGB 75 110 174

HSL 218.79, 0.4%, 0.49%

LAB 46.58, 7, -37.95

 

CMYK 0 / 57 / 36 / 32

HEX #AE4A6F

RGB 174 74 111

HSL 337.8, 0.4%, 0.49%

LAB 45.69, 44.63, -0.78

 

CMYK 36 / 0 / 57 / 32

HEX #6FAE4A

RGB 111 174 74

HSL 97.8, 0.4%, 0.49%

LAB 65.08, -38.22, 44.27

 

CMYK 57 / 37 / 0 / 32

HEX #4B6EAE

RGB 75 110 174

HSL 218.79, 0.4%, 0.49%

LAB 46.58, 7, -37.95

 

CMYK 9 / 57 / 0 / 32

HEX #9E4AAE

RGB 158 74 174

HSL 290.4, 0.4%, 0.49%

LAB 45.94, 49.89, -38.46

 

CMYK 0 / 21 / 57 / 32

HEX #AE8A4A

RGB 174 138 74

HSL 38.4, 0.4%, 0.49%

LAB 59.59, 6, 39.04

 

CMYK 48 / 0 / 57 / 32

HEX #5BAE4A

RGB 91 174 74

HSL 109.8, 0.4%, 0.49%

LAB 64.15, -44.73, 42.96

 

CMYK 57 / 37 / 0 / 32

HEX #4B6EAE

RGB 75 110 174

HSL 218.79, 0.4%, 0.49%

LAB 46.58, 7, -37.95

 

CMYK 0 / 57 / 7 / 32

HEX #AE4AA1

RGB 174 74 161

HSL 307.8, 0.4%, 0.49%

LAB 47.58, 51.9, -28.04

 

CMYK 0 / 21 / 57 / 32

HEX #AE8A4A

RGB 174 138 74

HSL 38.4, 0.4%, 0.49%

LAB 59.59, 6, 39.04

 

CMYK 57 / 0 / 49 / 32

HEX #4AAE58

RGB 74 174 88

HSL 128.4, 0.4%, 0.49%

LAB 63.7, -47.52, 35.39

 

Description

Color code: HEX #4B6EAE | qconv.com Color code: HEX #4B6EAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 110 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 110 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 37 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 37% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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