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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6EB3 it is the complementary color #B4914C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6EB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6EB3 shade: #506EAE, #6180C1, #7292D4, #83A4E7 and #94B6FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6EB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6EB3 shade: #4B6EB3, #3A5CA0, #294A8D, #18387A and #072667

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6EB3 shade: #4B6EB3, #4B52B3, #604BB3, #7C4BB3 and #984BB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6EB3 shade: #4B6EB3, #4B52B3 and #4B4BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6EB3 shade matches the following richer shades: #4B6EB3, #3667C8, #2160DD and #0D5AF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6EB3 shade: #4B6EB3, #5F759F, #747B8A, #898275 and #9D8961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6EB3 shade: #4BA7B3, #4B8BB3, #4B6FB3, #4B53B3 and #5E4BB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6EB3 shade: #324A79, #3F5C96, #4B6EB3, #6885BF and #859DCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6EB3 shade: #4B6EB3, #A44BB3 and #99B34B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6EB3 shade: #4B6EB3, #B34B6F and #6FB34B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6EB3 shade: #4B6EB3, #A44BB3, #B38F4B and #5AB34B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6EB3 shade: #4B6EB3, #B34BA4, #B38F4B and #4BB35A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

Complementary color

CMYK 0 / 19 / 58 / 29

HEX #B4914C

RGB 180 145 76

HSL 39.81, 0.41%, 0.5%

LAB 62.06, 4.91, 41.09

 

CMYK 54 / 37 / 0 / 32

HEX #506EAE

RGB 80 110 174

HSL 220.85, 0.37%, 0.5%

LAB 46.86, 8.11, -37.49

 

CMYK 50 / 34 / 0 / 24

HEX #6180C1

RGB 97 128 193

HSL 220.63, 0.44%, 0.57%

LAB 53.85, 7.21, -37.39

 

CMYK 46 / 31 / 0 / 17

HEX #7292D4

RGB 114 146 212

HSL 220.41, 0.53%, 0.64%

LAB 60.68, 6.47, -37.33

 

CMYK 43 / 29 / 0 / 9

HEX #83A4E7

RGB 131 164 231

HSL 220.2, 0.68%, 0.71%

LAB 67.39, 5.85, -37.31

 

CMYK 41 / 27 / 0 / 2

HEX #94B6FA

RGB 148 182 250

HSL 220, 0.91%, 0.78%

LAB 73.97, 5.33, -37.33

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 64 / 43 / 0 / 37

HEX #3A5CA0

RGB 58 92 160

HSL 220, 0.47%, 0.43%

LAB 39.73, 10.02, -40.61

 

CMYK 71 / 48 / 0 / 45

HEX #294A8D

RGB 41 74 141

HSL 220.2, 0.55%, 0.36%

LAB 32.46, 11.78, -40.8

 

CMYK 80 / 54 / 0 / 52

HEX #18387A

RGB 24 56 122

HSL 220.41, 0.67%, 0.29%

LAB 25.04, 14.18, -40.98

 

CMYK 93 / 63 / 0 / 60

HEX #072667

RGB 7 38 103

HSL 220.63, 0.87%, 0.22%

LAB 17.51, 17.5, -41.03

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 58 / 54 / 0 / 30

HEX #4B52B3

RGB 75 82 179

HSL 235.96, 0.41%, 0.5%

LAB 39.22, 26.41, -52.65

 

CMYK 46 / 58 / 0 / 30

HEX #604BB3

RGB 96 75 179

HSL 252.12, 0.41%, 0.5%

LAB 39.2, 35.12, -52.6

 

CMYK 31 / 58 / 0 / 30

HEX #7C4BB3

RGB 124 75 179

HSL 268.27, 0.41%, 0.5%

LAB 42.11, 41.7, -47.76

 

CMYK 15 / 58 / 0 / 30

HEX #984BB3

RGB 152 75 179

HSL 284.42, 0.41%, 0.5%

LAB 45.58, 48.83, -42.01

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 58 / 54 / 0 / 30

HEX #4B52B3

RGB 75 82 179

HSL 235.96, 0.41%, 0.5%

LAB 39.22, 26.41, -52.65

 

CMYK 58 / 58 / 0 / 30

HEX #4B4BB3

RGB 75 75 179

HSL 240, 0.41%, 0.5%

LAB 37.45, 30.84, -55.51

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 73 / 49 / 0 / 22

HEX #3667C8

RGB 54 103 200

HSL 219.86, 0.57%, 0.5%

LAB 45.16, 16.98, -55.35

 

CMYK 85 / 57 / 0 / 13

HEX #2160DD

RGB 33 96 221

HSL 219.89, 0.74%, 0.5%

LAB 44.1, 27.33, -69.11

 

CMYK 95 / 63 / 0 / 5

HEX #0D5AF1

RGB 13 90 241

HSL 219.74, 0.9%, 0.5%

LAB 43.87, 37.83, -80.81

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 40 / 26 / 0 / 38

HEX #5F759F

RGB 95 117 159

HSL 219.38, 0.25%, 0.5%

LAB 49.08, 3.06, -25.18

 

CMYK 16 / 11 / 0 / 46

HEX #747B8A

RGB 116 123 138

HSL 220.91, 0.09%, 0.5%

LAB 51.51, 0.7, -9.03

 

CMYK 0 / 5 / 15 / 46

HEX #898275

RGB 137 130 117

HSL 39, 0.08%, 0.5%

LAB 54.62, 0.28, 7.98

 

CMYK 0 / 13 / 38 / 38

HEX #9D8961

RGB 157 137 97

HSL 40, 0.24%, 0.5%

LAB 57.96, 1.59, 24.24

 

CMYK 58 / 7 / 0 / 30

HEX #4BA7B3

RGB 75 167 179

HSL 186.92, 0.41%, 0.5%

LAB 63.66, -23.62, -14.43

 

CMYK 58 / 22 / 0 / 30

HEX #4B8BB3

RGB 75 139 179

HSL 203.08, 0.41%, 0.5%

LAB 55.29, -8.57, -27.22

 

CMYK 58 / 38 / 0 / 30

HEX #4B6FB3

RGB 75 111 179

HSL 219.23, 0.41%, 0.5%

LAB 47.13, 8.06, -39.99

 

CMYK 58 / 54 / 0 / 30

HEX #4B53B3

RGB 75 83 179

HSL 235.38, 0.41%, 0.5%

LAB 39.47, 25.77, -52.23

 

CMYK 47 / 58 / 0 / 30

HEX #5E4BB3

RGB 94 75 179

HSL 250.96, 0.41%, 0.5%

LAB 39.01, 34.68, -52.9

 

CMYK 59 / 39 / 0 / 53

HEX #324A79

RGB 50 74 121

HSL 219.72, 0.42%, 0.34%

LAB 31.71, 6.08, -29.61

 

CMYK 58 / 39 / 0 / 41

HEX #3F5C96

RGB 63 92 150

HSL 220, 0.41%, 0.42%

LAB 39.43, 7.51, -35.09

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 46 / 30 / 0 / 25

HEX #6885BF

RGB 104 133 191

HSL 220, 0.4%, 0.58%

LAB 55.56, 5.36, -33.53

 

CMYK 35 / 23 / 0 / 20

HEX #859DCC

RGB 133 157 204

HSL 219.72, 0.41%, 0.66%

LAB 64.53, 2.98, -26.8

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 8 / 58 / 0 / 30

HEX #A44BB3

RGB 164 75 179

HSL 291.35, 0.41%, 0.5%

LAB 47.21, 51.97, -39.33

 

CMYK 15 / 0 / 58 / 30

HEX #99B34B

RGB 153 179 75

HSL 75, 0.41%, 0.5%

LAB 69.13, -24.51, 49.11

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 0 / 58 / 38 / 30

HEX #B34B6F

RGB 179 75 111

HSL 339.23, 0.41%, 0.5%

LAB 46.66, 45.82, 0.73

 

CMYK 38 / 0 / 58 / 30

HEX #6FB34B

RGB 111 179 75

HSL 99.23, 0.41%, 0.5%

LAB 66.62, -40.32, 45.58

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 8 / 58 / 0 / 30

HEX #A44BB3

RGB 164 75 179

HSL 291.35, 0.41%, 0.5%

LAB 47.21, 51.97, -39.33

 

CMYK 0 / 20 / 58 / 30

HEX #B38F4B

RGB 179 143 75

HSL 39.23, 0.41%, 0.5%

LAB 61.43, 5.49, 40.82

 

CMYK 50 / 0 / 58 / 30

HEX #5AB34B

RGB 90 179 75

HSL 111.35, 0.41%, 0.5%

LAB 65.69, -46.95, 44.27

 

CMYK 58 / 39 / 0 / 30

HEX #4B6EB3

RGB 75 110 179

HSL 219.81, 0.41%, 0.5%

LAB 46.85, 8.68, -40.44

 

CMYK 0 / 58 / 8 / 30

HEX #B34BA4

RGB 179 75 164

HSL 308.65, 0.41%, 0.5%

LAB 48.63, 53.35, -28.13

 

CMYK 0 / 20 / 58 / 30

HEX #B38F4B

RGB 179 143 75

HSL 39.23, 0.41%, 0.5%

LAB 61.43, 5.49, 40.82

 

CMYK 58 / 0 / 50 / 30

HEX #4BB35A

RGB 75 179 90

HSL 128.65, 0.41%, 0.5%

LAB 65.34, -48.96, 36.42

 

Description

Color code: HEX #4B6EB3 | qconv.com Color code: HEX #4B6EB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 110 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 110 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 39 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 39% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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