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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B6FBE it is the complementary color #B49041. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B6FBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B6FBE shade: #506FB9, #6181CC, #7293DF, #83A5F2 and #94B7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B6FBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B6FBE shade: #4B6FBE, #3A5DAB, #294B98, #183985 and #072772

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B6FBE shade: #4B6FBE, #4B50BE, #654BBE, #844BBE and #A34BBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B6FBE shade: #4B6FBE, #4B50BE and #4B4BBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B6FBE shade matches the following richer shades: #4B6FBE, #3767D1, #2360E5 and #0F58F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B6FBE shade: #4B6FBE, #5E76AA, #727D96, #868582 and #9A8C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B6FBE shade: #4BACBE, #4B8EBE, #4B6FBE, #4B50BE and #644BBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B6FBE shade: #304B86, #3B5CA4, #4B6FBE, #6987C9 and #879FD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B6FBE shade: #4B6FBE, #B04BBE and #9DBE4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B6FBE shade: #4B6FBE, #BE4B6F and #6FBE4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B6FBE shade: #4B6FBE, #B04BBE, #BE994B and #58BE4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B6FBE shade: #4B6FBE, #BE4BA9, #BE994B and #4BBE60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

Complementary color

CMYK 0 / 20 / 64 / 29

HEX #B49041

RGB 180 144 65

HSL 41.22, 0.47%, 0.48%

LAB 61.68, 4.65, 46.08

 

CMYK 57 / 40 / 0 / 27

HEX #506FB9

RGB 80 111 185

HSL 222.29, 0.43%, 0.52%

LAB 47.72, 11.13, -42.52

 

CMYK 52 / 37 / 0 / 20

HEX #6181CC

RGB 97 129 204

HSL 222.06, 0.51%, 0.59%

LAB 54.66, 10.05, -42.36

 

CMYK 49 / 34 / 0 / 13

HEX #7293DF

RGB 114 147 223

HSL 221.83, 0.63%, 0.66%

LAB 61.46, 9.16, -42.25

 

CMYK 46 / 32 / 0 / 5

HEX #83A5F2

RGB 131 165 242

HSL 221.62, 0.81%, 0.73%

LAB 68.13, 8.42, -42.17

 

CMYK 42 / 28 / 0 / 0

HEX #94B7FF

RGB 148 183 255

HSL 220.37, 1%, 0.79%

LAB 74.43, 6.14, -39.3

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 66 / 46 / 0 / 33

HEX #3A5DAB

RGB 58 93 171

HSL 221.42, 0.49%, 0.45%

LAB 40.68, 13.35, -45.62

 

CMYK 73 / 51 / 0 / 40

HEX #294B98

RGB 41 75 152

HSL 221.62, 0.58%, 0.38%

LAB 33.5, 15.36, -45.84

 

CMYK 82 / 57 / 0 / 48

HEX #183985

RGB 24 57 133

HSL 221.83, 0.69%, 0.31%

LAB 26.2, 18.01, -46.01

 

CMYK 94 / 66 / 0 / 55

HEX #072772

RGB 7 39 114

HSL 222.06, 0.88%, 0.24%

LAB 18.85, 21.52, -45.98

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 61 / 58 / 0 / 25

HEX #4B50BE

RGB 75 80 190

HSL 237.39, 0.47%, 0.52%

LAB 39.5, 31.37, -58.65

 

CMYK 47 / 61 / 0 / 25

HEX #654BBE

RGB 101 75 190

HSL 253.57, 0.47%, 0.52%

LAB 40.44, 39.42, -57.03

 

CMYK 31 / 61 / 0 / 25

HEX #844BBE

RGB 132 75 190

HSL 269.74, 0.47%, 0.52%

LAB 43.73, 46.35, -51.54

 

CMYK 14 / 61 / 0 / 25

HEX #A34BBE

RGB 163 75 190

HSL 285.91, 0.47%, 0.52%

LAB 47.67, 53.9, -45.02

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 61 / 58 / 0 / 25

HEX #4B50BE

RGB 75 80 190

HSL 237.39, 0.47%, 0.52%

LAB 39.5, 31.37, -58.65

 

CMYK 61 / 61 / 0 / 25

HEX #4B4BBE

RGB 75 75 190

HSL 240, 0.47%, 0.52%

LAB 38.28, 34.5, -60.63

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 74 / 51 / 0 / 18

HEX #3767D1

RGB 55 103 209

HSL 221.3, 0.63%, 0.52%

LAB 45.79, 20.43, -59.49

 

CMYK 85 / 58 / 0 / 10

HEX #2360E5

RGB 35 96 229

HSL 221.13, 0.79%, 0.52%

LAB 44.77, 30.5, -72.55

 

CMYK 94 / 65 / 0 / 2

HEX #0F58F9

RGB 15 88 249

HSL 221.28, 0.95%, 0.52%

LAB 44.12, 42.11, -84.88

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 45 / 31 / 0 / 33

HEX #5E76AA

RGB 94 118 170

HSL 221.05, 0.31%, 0.52%

LAB 49.78, 5.43, -30.51

 

CMYK 24 / 17 / 0 / 41

HEX #727D96

RGB 114 125 150

HSL 221.67, 0.15%, 0.52%

LAB 52.34, 1.73, -14.81

 

CMYK 0 / 1 / 3 / 47

HEX #868582

RGB 134 133 130

HSL 45, 0.02%, 0.52%

LAB 55.54, -0.21, 1.74

 

CMYK 0 / 9 / 29 / 40

HEX #9A8C6E

RGB 154 140 110

HSL 40.91, 0.18%, 0.52%

LAB 58.74, 0.39, 17.96

 

CMYK 61 / 9 / 0 / 25

HEX #4BACBE

RGB 75 172 190

HSL 189.39, 0.47%, 0.52%

LAB 65.53, -22.94, -17.74

 

CMYK 61 / 25 / 0 / 25

HEX #4B8EBE

RGB 75 142 190

HSL 205.04, 0.47%, 0.52%

LAB 56.64, -6.74, -31.39

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 61 / 58 / 0 / 25

HEX #4B50BE

RGB 75 80 190

HSL 237.39, 0.47%, 0.52%

LAB 39.5, 31.37, -58.65

 

CMYK 47 / 61 / 0 / 25

HEX #644BBE

RGB 100 75 190

HSL 253.04, 0.47%, 0.52%

LAB 40.34, 39.22, -57.18

 

CMYK 64 / 44 / 0 / 47

HEX #304B86

RGB 48 75 134

HSL 221.16, 0.47%, 0.36%

LAB 32.66, 9.73, -36.16

 

CMYK 64 / 44 / 0 / 36

HEX #3B5CA4

RGB 59 92 164

HSL 221.14, 0.47%, 0.44%

LAB 40.02, 11.65, -42.53

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 48 / 33 / 0 / 21

HEX #6987C9

RGB 105 135 201

HSL 221.25, 0.47%, 0.6%

LAB 56.63, 7.43, -37.53

 

CMYK 36 / 25 / 0 / 17

HEX #879FD3

RGB 135 159 211

HSL 221.05, 0.46%, 0.68%

LAB 65.48, 4.26, -29.23

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 7 / 61 / 0 / 25

HEX #B04BBE

RGB 176 75 190

HSL 292.7, 0.47%, 0.52%

LAB 49.47, 57.14, -42.05

 

CMYK 17 / 0 / 61 / 25

HEX #9DBE4B

RGB 157 190 75

HSL 77.22, 0.47%, 0.52%

LAB 72.56, -28.24, 53.03

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 0 / 61 / 42 / 25

HEX #BE4B6F

RGB 190 75 111

HSL 341.22, 0.47%, 0.52%

LAB 48.42, 49.47, 3.5

 

CMYK 42 / 0 / 61 / 25

HEX #6FBE4B

RGB 111 190 75

HSL 101.22, 0.47%, 0.52%

LAB 69.98, -45.02, 49.42

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 7 / 61 / 0 / 25

HEX #B04BBE

RGB 176 75 190

HSL 292.7, 0.47%, 0.52%

LAB 49.47, 57.14, -42.05

 

CMYK 0 / 19 / 61 / 25

HEX #BE994B

RGB 190 153 75

HSL 40.7, 0.47%, 0.52%

LAB 65.15, 4.79, 45.44

 

CMYK 54 / 0 / 61 / 25

HEX #58BE4B

RGB 88 190 75

HSL 113.22, 0.47%, 0.52%

LAB 69.05, -51.84, 48.12

 

CMYK 61 / 42 / 0 / 25

HEX #4B6FBE

RGB 75 111 190

HSL 221.22, 0.47%, 0.52%

LAB 47.73, 11.8, -45.42

 

CMYK 0 / 61 / 11 / 25

HEX #BE4BA9

RGB 190 75 169

HSL 310.96, 0.47%, 0.52%

LAB 50.5, 57.2, -28.03

 

CMYK 0 / 19 / 61 / 25

HEX #BE994B

RGB 190 153 75

HSL 40.7, 0.47%, 0.52%

LAB 65.15, 4.79, 45.44

 

CMYK 61 / 0 / 49 / 25

HEX #4BBE60

RGB 75 190 96

HSL 130.96, 0.47%, 0.52%

LAB 68.87, -52.34, 37.82

 

Description

Color code: HEX #4B6FBE | qconv.com Color code: HEX #4B6FBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 111 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 111 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 42 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 42% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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