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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B7EBD it is the complementary color #B48142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B7EBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B7EBD shade: #507EB8, #6190CB, #72A2DE, #83B4F1 and #94C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B7EBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B7EBD shade: #4B7EBD, #3A6CAA, #295A97, #184884 and #073671

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B7EBD shade: #4C7EBC, #4C60BC, #564CBC, #754CBC and #934CBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B7EBD shade: #4C7EBC, #4C60BC and #4C4CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B7EBD shade matches the following richer shades: #4C7EBC, #387CD0, #247AE4 and #1078F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B7EBD shade: #4C7EBC, #6080A9, #738295, #878481 and #9B876D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B7EBD shade: #4CBBBC, #4C9CBC, #4C7EBC, #4C60BC and #554CBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B7EBD shade: #315685, #3C6AA3, #4C7EBC, #6A94C8 and #88A9D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B7EBD shade: #4B7EBD, #A04CBC and #ACBC4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B7EBD shade: #4B7EBD, #BC4C7E and #7EBC4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B7EBD shade: #4B7EBD, #A04CBC, #BC8A4C and #68BC4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B7EBD shade: #4B7EBD, #BC4CB7, #BC8A4C and #4CBC51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 33 / 0 / 26

HEX #4B7EBD

RGB 75 126 189

HSL 213.16, 0.46%, 0.52%

LAB 51.94, 2.29, -38.17

 

Complementary color

CMYK 0 / 28 / 63 / 29

HEX #B48142

RGB 180 129 66

HSL 33.16, 0.46%, 0.48%

LAB 57.84, 13.03, 41.25

 

CMYK 57 / 32 / 0 / 28

HEX #507EB8

RGB 80 126 184

HSL 213.46, 0.42%, 0.52%

LAB 51.94, 1.67, -35.3

 

CMYK 52 / 29 / 0 / 20

HEX #6190CB

RGB 97 144 203

HSL 213.4, 0.5%, 0.59%

LAB 58.79, 0.88, -35.31

 

CMYK 49 / 27 / 0 / 13

HEX #72A2DE

RGB 114 162 222

HSL 213.33, 0.62%, 0.66%

LAB 65.51, 0.25, -35.36

 

CMYK 46 / 25 / 0 / 5

HEX #83B4F1

RGB 131 180 241

HSL 213.27, 0.8%, 0.73%

LAB 72.11, -0.27, -35.43

 

CMYK 42 / 22 / 0 / 0

HEX #94C6FF

RGB 148 198 255

HSL 211.96, 1%, 0.79%

LAB 78.41, -2.07, -33.15

 

CMYK 60 / 33 / 0 / 26

HEX #4B7EBD

RGB 75 126 189

HSL 213.16, 0.46%, 0.52%

LAB 51.94, 2.29, -38.17

 

CMYK 66 / 36 / 0 / 33

HEX #3A6CAA

RGB 58 108 170

HSL 213.21, 0.49%, 0.45%

LAB 44.98, 3.48, -38.19

 

CMYK 73 / 40 / 0 / 41

HEX #295A97

RGB 41 90 151

HSL 213.27, 0.57%, 0.38%

LAB 37.87, 5.05, -38.23

 

CMYK 82 / 45 / 0 / 48

HEX #184884

RGB 24 72 132

HSL 213.33, 0.69%, 0.31%

LAB 30.63, 7.18, -38.24

 

CMYK 94 / 52 / 0 / 56

HEX #073671

RGB 7 54 113

HSL 213.4, 0.88%, 0.24%

LAB 23.26, 10.15, -38.16

 

CMYK 60 / 33 / 0 / 26

HEX #4C7EBC

RGB 76 126 188

HSL 213.21, 0.46%, 0.52%

LAB 51.94, 2.15, -37.6

 

CMYK 60 / 49 / 0 / 26

HEX #4C60BC

RGB 76 96 188

HSL 229.29, 0.46%, 0.52%

LAB 43.56, 20.75, -50.93

 

CMYK 54 / 60 / 0 / 26

HEX #564CBC

RGB 86 76 188

HSL 245.36, 0.46%, 0.52%

LAB 39.2, 35.22, -57.92

 

CMYK 38 / 60 / 0 / 26

HEX #754CBC

RGB 117 76 188

HSL 261.96, 0.46%, 0.52%

LAB 42.13, 41.8, -53.05

 

CMYK 22 / 60 / 0 / 26

HEX #934CBC

RGB 147 76 188

HSL 278.04, 0.46%, 0.52%

LAB 45.64, 49, -47.23

 

CMYK 60 / 33 / 0 / 26

HEX #4C7EBC

RGB 76 126 188

HSL 213.21, 0.46%, 0.52%

LAB 51.94, 2.15, -37.6

 

CMYK 60 / 49 / 0 / 26

HEX #4C60BC

RGB 76 96 188

HSL 229.29, 0.46%, 0.52%

LAB 43.56, 20.75, -50.93

 

CMYK 60 / 60 / 0 / 26

HEX #4C4CBC

RGB 76 76 188

HSL 240, 0.46%, 0.52%

LAB 38.44, 33.38, -59.2

 

CMYK 60 / 33 / 0 / 26

HEX #4C7EBC

RGB 76 126 188

HSL 213.21, 0.46%, 0.52%

LAB 51.94, 2.15, -37.6

 

CMYK 73 / 40 / 0 / 18

HEX #387CD0

RGB 56 124 208

HSL 213.16, 0.62%, 0.52%

LAB 51.62, 7.03, -49.57

 

CMYK 84 / 46 / 0 / 11

HEX #247AE4

RGB 36 122 228

HSL 213.13, 0.78%, 0.52%

LAB 51.72, 13.66, -60.73

 

CMYK 94 / 52 / 0 / 3

HEX #1078F8

RGB 16 120 248

HSL 213.1, 0.94%, 0.52%

LAB 52.2, 21.52, -71.13

 

CMYK 60 / 33 / 0 / 26

HEX #4C7EBC

RGB 76 126 188

HSL 213.21, 0.46%, 0.52%

LAB 51.94, 2.15, -37.6

 

CMYK 43 / 24 / 0 / 34

HEX #6080A9

RGB 96 128 169

HSL 213.7, 0.3%, 0.52%

LAB 52.72, -0.28, -25.37

 

CMYK 23 / 13 / 0 / 42

HEX #738295

RGB 115 130 149

HSL 213.53, 0.14%, 0.52%

LAB 53.79, -1.09, -12.03

 

CMYK 0 / 2 / 4 / 47

HEX #878481

RGB 135 132 129

HSL 30, 0.02%, 0.52%

LAB 55.32, 0.55, 2.01

 

CMYK 0 / 13 / 30 / 39

HEX #9B876D

RGB 155 135 109

HSL 33.91, 0.19%, 0.52%

LAB 57.46, 3.46, 16.78

 

CMYK 60 / 1 / 0 / 26

HEX #4CBBBC

RGB 76 187 188

HSL 180.54, 0.46%, 0.52%

LAB 69.97, -30.78, -9.95

 

CMYK 60 / 17 / 0 / 26

HEX #4C9CBC

RGB 76 156 188

HSL 197.14, 0.46%, 0.52%

LAB 60.73, -14.95, -23.93

 

CMYK 60 / 33 / 0 / 26

HEX #4C7EBC

RGB 76 126 188

HSL 213.21, 0.46%, 0.52%

LAB 51.94, 2.15, -37.6

 

CMYK 60 / 49 / 0 / 26

HEX #4C60BC

RGB 76 96 188

HSL 229.29, 0.46%, 0.52%

LAB 43.56, 20.75, -50.93

 

CMYK 55 / 60 / 0 / 26

HEX #554CBC

RGB 85 76 188

HSL 244.82, 0.46%, 0.52%

LAB 39.12, 35.03, -58.05

 

CMYK 63 / 35 / 0 / 48

HEX #315685

RGB 49 86 133

HSL 213.57, 0.46%, 0.36%

LAB 35.99, 2.35, -30.27

 

CMYK 63 / 35 / 0 / 36

HEX #3C6AA3

RGB 60 106 163

HSL 213.2, 0.46%, 0.44%

LAB 44.11, 2.61, -35.45

 

CMYK 60 / 33 / 0 / 26

HEX #4C7EBC

RGB 76 126 188

HSL 213.21, 0.46%, 0.52%

LAB 51.94, 2.15, -37.6

 

CMYK 47 / 26 / 0 / 22

HEX #6A94C8

RGB 106 148 200

HSL 213.19, 0.46%, 0.6%

LAB 60.26, -0.19, -31.3

 

CMYK 36 / 20 / 0 / 17

HEX #88A9D3

RGB 136 169 211

HSL 213.6, 0.46%, 0.68%

LAB 68.25, -1.06, -24.95

 

CMYK 60 / 33 / 0 / 26

HEX #4B7EBD

RGB 75 126 189

HSL 213.16, 0.46%, 0.52%

LAB 51.94, 2.29, -38.17

 

CMYK 15 / 60 / 0 / 26

HEX #A04CBC

RGB 160 76 188

HSL 285, 0.46%, 0.52%

LAB 47.33, 52.26, -44.43

 

CMYK 9 / 0 / 60 / 26

HEX #ACBC4C

RGB 172 188 76

HSL 68.57, 0.46%, 0.52%

LAB 73.06, -21.12, 53.43

 

CMYK 60 / 33 / 0 / 26

HEX #4B7EBD

RGB 75 126 189

HSL 213.16, 0.46%, 0.52%

LAB 51.94, 2.29, -38.17

 

CMYK 0 / 60 / 33 / 26

HEX #BC4C7E

RGB 188 76 126

HSL 333.21, 0.46%, 0.52%

LAB 48.72, 50.09, -5.17

 

CMYK 33 / 0 / 60 / 26

HEX #7EBC4C

RGB 126 188 76

HSL 93.21, 0.46%, 0.52%

LAB 70.12, -38.95, 49.34

 

CMYK 60 / 33 / 0 / 26

HEX #4B7EBD

RGB 75 126 189

HSL 213.16, 0.46%, 0.52%

LAB 51.94, 2.29, -38.17

 

CMYK 15 / 60 / 0 / 26

HEX #A04CBC

RGB 160 76 188

HSL 285, 0.46%, 0.52%

LAB 47.33, 52.26, -44.43

 

CMYK 0 / 27 / 60 / 26

HEX #BC8A4C

RGB 188 138 76

HSL 33.21, 0.46%, 0.52%

LAB 61.12, 12.23, 40.19

 

CMYK 45 / 0 / 60 / 26

HEX #68BC4C

RGB 104 188 76

HSL 105, 0.46%, 0.52%

LAB 69.06, -46.3, 47.85

 

CMYK 60 / 33 / 0 / 26

HEX #4B7EBD

RGB 75 126 189

HSL 213.16, 0.46%, 0.52%

LAB 51.94, 2.29, -38.17

 

CMYK 0 / 60 / 3 / 26

HEX #BC4CB7

RGB 188 76 183

HSL 302.68, 0.46%, 0.52%

LAB 51.01, 58.52, -35.44

 

CMYK 0 / 27 / 60 / 26

HEX #BC8A4C

RGB 188 138 76

HSL 33.21, 0.46%, 0.52%

LAB 61.12, 12.23, 40.19

 

CMYK 60 / 0 / 57 / 26

HEX #4CBC51

RGB 76 188 81

HSL 122.68, 0.46%, 0.52%

LAB 68.09, -53.4, 44.15

 

Description

Color code: HEX #4B7EBD | qconv.com Color code: HEX #4B7EBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 126 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 126 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 33 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 33% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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