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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B891F it is the complementary color #B476E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B891F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B891F shade: #50891A, #619B2D, #72AD40, #83BF53 and #94D166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B891F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B891F shade: #4B891F, #3A770C, #296500, #185300 and #074100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B891F shade: #4B891F, #67891F, #84891F, #89711F and #89541F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B891F shade: #4B891F, #2E891F, #1F892C, #1F8948 and #1F8965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B891F shade matches the following richer shades: #4B891F, #489611 and #46A403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B891F shade: #4B891F, #4D7B2C, #4F6D3A, #526047 and #545255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B891F shade: #83891F, #67891F, #4B891F, #2F891F and #1F892B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B891F shade: #26450F, #386717, #4B891F, #5DAA26 and #70CC2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B891F shade: #4B891F, #1F8972 and #891F75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B891F shade: #4B891F, #1F4B89 and #891F4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B891F shade: #4B891F, #1F8972, #5C1F89 and #891F36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B891F shade: #4B891F, #1F8089, #5C1F89 and #89271F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

Complementary color

CMYK 20 / 47 / 0 / 12

HEX #B476E0

RGB 180 118 224

HSL 275.09, 0.63%, 0.67%

LAB 59.93, 43.5, -44.85

 

CMYK 42 / 0 / 81 / 46

HEX #50891A

RGB 80 137 26

HSL 90.81, 0.68%, 0.32%

LAB 51.46, -36.93, 49.18

 

CMYK 37 / 0 / 71 / 39

HEX #619B2D

RGB 97 155 45

HSL 91.64, 0.55%, 0.39%

LAB 58.2, -37.43, 49.24

 

CMYK 34 / 0 / 63 / 32

HEX #72AD40

RGB 114 173 64

HSL 92.48, 0.46%, 0.46%

LAB 64.83, -37.7, 48.59

 

CMYK 31 / 0 / 57 / 25

HEX #83BF53

RGB 131 191 83

HSL 93.33, 0.46%, 0.54%

LAB 71.36, -37.82, 47.62

 

CMYK 29 / 0 / 51 / 18

HEX #94D166

RGB 148 209 102

HSL 94.21, 0.54%, 0.61%

LAB 77.79, -37.84, 46.52

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 51 / 0 / 90 / 53

HEX #3A770C

RGB 58 119 12

HSL 94.21, 0.82%, 0.26%

LAB 44.4, -37.58, 46.33

 

CMYK 59 / 0 / 100 / 60

HEX #296500

RGB 41 101 0

HSL 95.64, 1%, 0.2%

LAB 37.44, -36.17, 43.22

 

CMYK 71 / 0 / 100 / 67

HEX #185300

RGB 24 83 0

HSL 102.65, 1%, 0.16%

LAB 30.35, -33.93, 37.37

 

CMYK 89 / 0 / 100 / 75

HEX #074100

RGB 7 65 0

HSL 113.54, 1%, 0.13%

LAB 23.09, -30.95, 30.73

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 25 / 0 / 77 / 46

HEX #67891F

RGB 103 137 31

HSL 79.25, 0.63%, 0.33%

LAB 52.81, -27.69, 49.26

 

CMYK 4 / 0 / 77 / 46

HEX #84891F

RGB 132 137 31

HSL 62.83, 0.63%, 0.33%

LAB 54.96, -15.03, 52.05

 

CMYK 0 / 18 / 77 / 46

HEX #89711F

RGB 137 113 31

HSL 46.42, 0.63%, 0.33%

LAB 48.55, 0.54, 46.19

 

CMYK 0 / 39 / 77 / 46

HEX #89541F

RGB 137 84 31

HSL 30, 0.63%, 0.33%

LAB 40.83, 17.42, 38.65

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 66 / 0 / 77 / 46

HEX #2E891F

RGB 46 137 31

HSL 111.51, 0.63%, 0.33%

LAB 50.18, -46.73, 45.8

 

CMYK 77 / 0 / 68 / 46

HEX #1F892C

RGB 31 137 44

HSL 127.36, 0.63%, 0.33%

LAB 49.94, -48.43, 40.19

 

CMYK 77 / 0 / 47 / 46

HEX #1F8948

RGB 31 137 72

HSL 143.21, 0.63%, 0.33%

LAB 50.28, -44.39, 26.61

 

CMYK 77 / 0 / 26 / 46

HEX #1F8965

RGB 31 137 101

HSL 159.62, 0.63%, 0.33%

LAB 50.83, -38.21, 11.07

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 52 / 0 / 89 / 41

HEX #489611

RGB 72 150 17

HSL 95.19, 0.8%, 0.33%

LAB 55.31, -45.34, 54.87

 

CMYK 57 / 0 / 98 / 36

HEX #46A403

RGB 70 164 3

HSL 95.03, 0.96%, 0.33%

LAB 59.76, -51.53, 60.82

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 37 / 0 / 64 / 52

HEX #4D7B2C

RGB 77 123 44

HSL 94.94, 0.47%, 0.33%

LAB 46.88, -30.36, 37.28

 

CMYK 28 / 0 / 47 / 57

HEX #4F6D3A

RGB 79 109 58

HSL 95.29, 0.31%, 0.33%

LAB 42.62, -20.98, 24.98

 

CMYK 15 / 0 / 26 / 62

HEX #526047

RGB 82 96 71

HSL 93.6, 0.15%, 0.33%

LAB 38.92, -10.54, 12.54

 

CMYK 1 / 4 / 0 / 67

HEX #545255

RGB 84 82 85

HSL 280, 0.02%, 0.33%

LAB 35.15, 1.46, -1.47

 

CMYK 4 / 0 / 77 / 46

HEX #83891F

RGB 131 137 31

HSL 63.4, 0.63%, 0.33%

LAB 54.88, -15.48, 51.94

 

CMYK 25 / 0 / 77 / 46

HEX #67891F

RGB 103 137 31

HSL 79.25, 0.63%, 0.33%

LAB 52.81, -27.69, 49.26

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 66 / 0 / 77 / 46

HEX #2F891F

RGB 47 137 31

HSL 110.94, 0.63%, 0.33%

LAB 50.21, -46.5, 45.84

 

CMYK 77 / 0 / 69 / 46

HEX #1F892B

RGB 31 137 43

HSL 126.79, 0.63%, 0.33%

LAB 49.93, -48.54, 40.62

 

CMYK 45 / 0 / 78 / 73

HEX #26450F

RGB 38 69 15

HSL 94.44, 0.64%, 0.16%

LAB 25.87, -22.22, 27.67

 

CMYK 46 / 0 / 78 / 60

HEX #386717

RGB 56 103 23

HSL 95.25, 0.63%, 0.25%

LAB 38.9, -30.77, 37.76

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 45 / 0 / 78 / 33

HEX #5DAA26

RGB 93 170 38

HSL 95, 0.63%, 0.41%

LAB 62.69, -45.61, 56.15

 

CMYK 45 / 0 / 77 / 20

HEX #70CC2E

RGB 112 204 46

HSL 94.94, 0.63%, 0.49%

LAB 74.08, -52.57, 64.75

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 77 / 0 / 17 / 46

HEX #1F8972

RGB 31 137 114

HSL 166.98, 0.63%, 0.33%

LAB 51.15, -34.84, 4.01

 

CMYK 0 / 77 / 15 / 46

HEX #891F75

RGB 137 31 117

HSL 311.32, 0.63%, 0.33%

LAB 33.1, 52.54, -24.2

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 77 / 45 / 0 / 46

HEX #1F4B89

RGB 31 75 137

HSL 215.09, 0.63%, 0.33%

LAB 32.1, 8.05, -38.95

 

CMYK 0 / 77 / 45 / 46

HEX #891F4B

RGB 137 31 75

HSL 335.09, 0.63%, 0.33%

LAB 31.36, 47.22, 0.28

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 77 / 0 / 17 / 46

HEX #1F8972

RGB 31 137 114

HSL 166.98, 0.63%, 0.33%

LAB 51.15, -34.84, 4.01

 

CMYK 33 / 77 / 0 / 46

HEX #5C1F89

RGB 92 31 137

HSL 274.53, 0.63%, 0.33%

LAB 26.91, 46.43, -47.08

 

CMYK 0 / 77 / 61 / 46

HEX #891F36

RGB 137 31 54

HSL 346.98, 0.63%, 0.33%

LAB 30.79, 45.4, 13.36

 

CMYK 45 / 0 / 77 / 46

HEX #4B891F

RGB 75 137 31

HSL 95.09, 0.63%, 0.33%

LAB 51.25, -38.39, 47.21

 

CMYK 77 / 7 / 0 / 46

HEX #1F8089

RGB 31 128 137

HSL 185.09, 0.63%, 0.33%

LAB 48.93, -23.58, -12.73

 

CMYK 33 / 77 / 0 / 46

HEX #5C1F89

RGB 92 31 137

HSL 274.53, 0.63%, 0.33%

LAB 26.91, 46.43, -47.08

 

CMYK 0 / 72 / 77 / 46

HEX #89271F

RGB 137 39 31

HSL 4.53, 0.63%, 0.33%

LAB 31.51, 41.02, 28.9

 

Description

Color code: HEX #4B891F | qconv.com Color code: HEX #4B891F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 137 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 137 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 77 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 77% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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