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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B81C3 it is the complementary color #B47E3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B81C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B81C3 shade: #5081BE, #6193D1, #72A5E4, #83B7F7 and #94C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B81C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B81C3 shade: #4B81C3, #3A6FB0, #295D9D, #184B8A and #073977

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B81C3 shade: #4B81C3, #4B60C3, #554BC3, #764BC3 and #964BC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B81C3 shade: #4B81C3, #4B60C3 and #4B4BC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B81C3 shade matches the following richer shades: #4B81C3, #377FD6, #247DE9 and #117BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B81C3 shade: #4B81C3, #5E83AF, #72859C, #858688 and #988875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B81C3 shade: #4BC1C3, #4BA1C3, #4B81C3, #4B61C3 and #554BC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B81C3 shade: #2E598C, #396CAB, #4B81C3, #6A96CD and #89ACD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B81C3 shade: #4B81C3, #A54BC3 and #B1C34B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B81C3 shade: #4B81C3, #C34B81 and #81C34B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B81C3 shade: #4B81C3, #A54BC3, #C38D4B and #69C34B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B81C3 shade: #4B81C3, #C34BBD, #C38D4B and #4BC351

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

Complementary color

CMYK 0 / 30 / 67 / 29

HEX #B47E3C

RGB 180 126 60

HSL 33, 0.5%, 0.47%

LAB 57.03, 14.31, 43.34

 

CMYK 58 / 32 / 0 / 25

HEX #5081BE

RGB 80 129 190

HSL 213.27, 0.46%, 0.53%

LAB 53.08, 1.84, -36.93

 

CMYK 54 / 30 / 0 / 18

HEX #6193D1

RGB 97 147 209

HSL 213.21, 0.55%, 0.6%

LAB 59.9, 1.01, -36.94

 

CMYK 50 / 28 / 0 / 11

HEX #72A5E4

RGB 114 165 228

HSL 213.16, 0.68%, 0.67%

LAB 66.59, 0.33, -36.98

 

CMYK 47 / 26 / 0 / 3

HEX #83B7F7

RGB 131 183 247

HSL 213.1, 0.88%, 0.74%

LAB 73.16, -0.23, -37.04

 

CMYK 42 / 21 / 0 / 0

HEX #94C9FF

RGB 148 201 255

HSL 210.28, 1%, 0.79%

LAB 79.21, -3.68, -31.92

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 67 / 37 / 0 / 31

HEX #3A6FB0

RGB 58 111 176

HSL 213.05, 0.5%, 0.46%

LAB 46.18, 3.77, -39.8

 

CMYK 74 / 41 / 0 / 38

HEX #295D9D

RGB 41 93 157

HSL 213.1, 0.59%, 0.39%

LAB 39.13, 5.4, -39.83

 

CMYK 83 / 46 / 0 / 46

HEX #184B8A

RGB 24 75 138

HSL 213.16, 0.7%, 0.32%

LAB 31.95, 7.61, -39.82

 

CMYK 94 / 52 / 0 / 53

HEX #073977

RGB 7 57 119

HSL 213.21, 0.89%, 0.25%

LAB 24.65, 10.63, -39.73

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 62 / 51 / 0 / 24

HEX #4B60C3

RGB 75 96 195

HSL 229.5, 0.5%, 0.53%

LAB 43.95, 22.96, -54.37

 

CMYK 56 / 62 / 0 / 24

HEX #554BC3

RGB 85 75 195

HSL 245, 0.5%, 0.53%

LAB 39.42, 37.86, -61.67

 

CMYK 39 / 62 / 0 / 24

HEX #764BC3

RGB 118 75 195

HSL 261.5, 0.5%, 0.53%

LAB 42.5, 44.45, -56.53

 

CMYK 23 / 62 / 0 / 24

HEX #964BC3

RGB 150 75 195

HSL 277.5, 0.5%, 0.53%

LAB 46.25, 51.79, -50.29

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 62 / 51 / 0 / 24

HEX #4B60C3

RGB 75 96 195

HSL 229.5, 0.5%, 0.53%

LAB 43.95, 22.96, -54.37

 

CMYK 62 / 62 / 0 / 24

HEX #4B4BC3

RGB 75 75 195

HSL 240, 0.5%, 0.53%

LAB 38.67, 36.16, -62.92

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 74 / 41 / 0 / 16

HEX #377FD6

RGB 55 127 214

HSL 212.83, 0.66%, 0.53%

LAB 52.78, 7.25, -51.12

 

CMYK 85 / 46 / 0 / 9

HEX #247DE9

RGB 36 125 233

HSL 212.89, 0.82%, 0.53%

LAB 52.87, 13.69, -61.68

 

CMYK 93 / 51 / 0 / 1

HEX #117BFD

RGB 17 123 253

HSL 213.05, 0.98%, 0.53%

LAB 53.36, 21.58, -72.02

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 46 / 25 / 0 / 31

HEX #5E83AF

RGB 94 131 175

HSL 212.59, 0.34%, 0.53%

LAB 53.72, -0.79, -27.29

 

CMYK 27 / 15 / 0 / 39

HEX #72859C

RGB 114 133 156

HSL 212.86, 0.18%, 0.53%

LAB 54.82, -1.41, -14.54

 

CMYK 2 / 1 / 0 / 47

HEX #858688

RGB 133 134 136

HSL 220, 0.01%, 0.53%

LAB 55.9, 0.03, -1.21

 

CMYK 0 / 11 / 23 / 40

HEX #988875

RGB 152 136 117

HSL 32.57, 0.15%, 0.53%

LAB 57.62, 2.86, 12.41

 

CMYK 62 / 1 / 0 / 24

HEX #4BC1C3

RGB 75 193 195

HSL 181, 0.5%, 0.53%

LAB 71.94, -31.88, -10.84

 

CMYK 62 / 17 / 0 / 24

HEX #4BA1C3

RGB 75 161 195

HSL 197, 0.5%, 0.53%

LAB 62.44, -15.66, -25.23

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 62 / 50 / 0 / 24

HEX #4B61C3

RGB 75 97 195

HSL 229, 0.5%, 0.53%

LAB 44.21, 22.33, -53.94

 

CMYK 56 / 62 / 0 / 24

HEX #554BC3

RGB 85 75 195

HSL 245, 0.5%, 0.53%

LAB 39.42, 37.86, -61.67

 

CMYK 67 / 36 / 0 / 45

HEX #2E598C

RGB 46 89 140

HSL 212.55, 0.51%, 0.36%

LAB 37.15, 2.4, -32.71

 

CMYK 67 / 37 / 0 / 33

HEX #396CAB

RGB 57 108 171

HSL 213.16, 0.5%, 0.45%

LAB 44.99, 3.66, -38.77

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 48 / 27 / 0 / 20

HEX #6A96CD

RGB 106 150 205

HSL 213.33, 0.5%, 0.61%

LAB 61.03, 0.14, -32.9

 

CMYK 36 / 20 / 0 / 16

HEX #89ACD7

RGB 137 172 215

HSL 213.08, 0.49%, 0.69%

LAB 69.28, -1.39, -25.58

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 15 / 62 / 0 / 24

HEX #A54BC3

RGB 165 75 195

HSL 285, 0.5%, 0.53%

LAB 48.22, 55.4, -47.03

 

CMYK 9 / 0 / 62 / 24

HEX #B1C34B

RGB 177 195 75

HSL 69, 0.5%, 0.53%

LAB 75.38, -22.6, 56.51

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 0 / 62 / 34 / 24

HEX #C34B81

RGB 195 75 129

HSL 333, 0.5%, 0.53%

LAB 49.76, 53.09, -5.31

 

CMYK 34 / 0 / 62 / 24

HEX #81C34B

RGB 129 195 75

HSL 93, 0.5%, 0.53%

LAB 72.37, -41.07, 52.34

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 15 / 62 / 0 / 24

HEX #A54BC3

RGB 165 75 195

HSL 285, 0.5%, 0.53%

LAB 48.22, 55.4, -47.03

 

CMYK 0 / 28 / 62 / 24

HEX #C38D4B

RGB 195 141 75

HSL 33, 0.5%, 0.53%

LAB 62.64, 13.51, 42.68

 

CMYK 46 / 0 / 62 / 24

HEX #69C34B

RGB 105 195 75

HSL 105, 0.5%, 0.53%

LAB 71.24, -48.95, 50.77

 

CMYK 62 / 34 / 0 / 24

HEX #4B81C3

RGB 75 129 195

HSL 213, 0.5%, 0.53%

LAB 53.1, 2.51, -39.78

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBD

RGB 195 75 189

HSL 303, 0.5%, 0.53%

LAB 52.18, 61.76, -37.01

 

CMYK 0 / 28 / 62 / 24

HEX #C38D4B

RGB 195 141 75

HSL 33, 0.5%, 0.53%

LAB 62.64, 13.51, 42.68

 

CMYK 62 / 0 / 58 / 24

HEX #4BC351

RGB 75 195 81

HSL 123, 0.5%, 0.53%

LAB 70.26, -56.21, 46.68

 

Description

Color code: HEX #4B81C3 | qconv.com Color code: HEX #4B81C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 129 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 129 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 34 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 34% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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