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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B90A4 it is the complementary color #B46F5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B90A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B90A4 shade: #50909F, #61A2B2, #72B4C5, #83C6D8 and #94D8EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B90A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B90A4 shade: #4B90A4, #3A7E91, #296C7E, #185A6B and #074858

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B90A4 shade: #4B90A4, #4B78A4, #4B60A4, #4E4BA4 and #664BA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B90A4 shade: #4B90A4, #4B78A4, #4B60A4 and #4B4BA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B90A4 shade matches the following richer shades: #4B90A4, #389AB7, #24A5CA and #11B0DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B90A4 shade: #4B90A4, #5E8590, #727A7D, #85706A and #996556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B90A4 shade: #4BA488, #4BA49F, #4B90A4, #4B79A4 and #4B61A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B90A4 shade: #315E6B, #3E7787, #4B90A4, #62A3B6 and #7EB4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B90A4 shade: #4B90A4, #704BA4 and #A4934B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B90A4 shade: #4B90A4, #A44B90 and #90A44B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B90A4 shade: #4B90A4, #704BA4, #A45E4B and #7FA44B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B90A4 shade: #4B90A4, #8B4BA4, #A45E4B and #64A44B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

Complementary color

CMYK 0 / 38 / 49 / 29

HEX #B46F5B

RGB 180 111 91

HSL 13.48, 0.37%, 0.53%

LAB 53.84, 25.16, 22.65

 

CMYK 50 / 9 / 0 / 38

HEX #50909F

RGB 80 144 159

HSL 191.39, 0.33%, 0.47%

LAB 56.24, -16.3, -14.29

 

CMYK 46 / 9 / 0 / 30

HEX #61A2B2

RGB 97 162 178

HSL 191.85, 0.34%, 0.54%

LAB 63.01, -16.45, -14.77

 

CMYK 42 / 9 / 0 / 23

HEX #72B4C5

RGB 114 180 197

HSL 192.29, 0.42%, 0.61%

LAB 69.65, -16.55, -15.23

 

CMYK 39 / 8 / 0 / 15

HEX #83C6D8

RGB 131 198 216

HSL 192.71, 0.52%, 0.68%

LAB 76.17, -16.62, -15.67

 

CMYK 37 / 8 / 0 / 8

HEX #94D8EB

RGB 148 216 235

HSL 193.1, 0.69%, 0.75%

LAB 82.6, -16.67, -16.11

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 60 / 13 / 0 / 43

HEX #3A7E91

RGB 58 126 145

HSL 193.1, 0.43%, 0.4%

LAB 49.33, -15.57, -16.75

 

CMYK 67 / 14 / 0 / 51

HEX #296C7E

RGB 41 108 126

HSL 192.71, 0.51%, 0.33%

LAB 42.31, -14.97, -16.22

 

CMYK 78 / 16 / 0 / 58

HEX #185A6B

RGB 24 90 107

HSL 192.29, 0.63%, 0.26%

LAB 35.14, -14.02, -15.61

 

CMYK 92 / 18 / 0 / 65

HEX #074858

RGB 7 72 88

HSL 191.85, 0.85%, 0.19%

LAB 27.8, -12.51, -14.87

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 54 / 27 / 0 / 36

HEX #4B78A4

RGB 75 120 164

HSL 209.66, 0.37%, 0.47%

LAB 49.02, -2.35, -28.29

 

CMYK 54 / 41 / 0 / 36

HEX #4B60A4

RGB 75 96 164

HSL 225.84, 0.37%, 0.47%

LAB 42.06, 12.42, -39.22

 

CMYK 52 / 54 / 0 / 36

HEX #4E4BA4

RGB 78 75 164

HSL 242.02, 0.37%, 0.47%

LAB 36.62, 26.51, -47.93

 

CMYK 38 / 54 / 0 / 36

HEX #664BA4

RGB 102 75 164

HSL 258.2, 0.37%, 0.47%

LAB 38.79, 32.2, -44.32

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 54 / 27 / 0 / 36

HEX #4B78A4

RGB 75 120 164

HSL 209.66, 0.37%, 0.47%

LAB 49.02, -2.35, -28.29

 

CMYK 54 / 41 / 0 / 36

HEX #4B60A4

RGB 75 96 164

HSL 225.84, 0.37%, 0.47%

LAB 42.06, 12.42, -39.22

 

CMYK 54 / 54 / 0 / 36

HEX #4B4BA4

RGB 75 75 164

HSL 240, 0.37%, 0.47%

LAB 36.38, 25.87, -48.31

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 69 / 16 / 0 / 28

HEX #389AB7

RGB 56 154 183

HSL 193.7, 0.53%, 0.47%

LAB 59.32, -18.89, -23.34

 

CMYK 82 / 18 / 0 / 21

HEX #24A5CA

RGB 36 165 202

HSL 193.37, 0.7%, 0.47%

LAB 62.97, -20.69, -28.41

 

CMYK 92 / 21 / 0 / 13

HEX #11B0DE

RGB 17 176 222

HSL 193.46, 0.86%, 0.47%

LAB 66.86, -20.77, -33.47

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 35 / 8 / 0 / 44

HEX #5E8590

RGB 94 133 144

HSL 193.2, 0.21%, 0.47%

LAB 53.13, -10.66, -10.25

 

CMYK 9 / 2 / 0 / 51

HEX #727A7D

RGB 114 122 125

HSL 196.36, 0.05%, 0.47%

LAB 50.66, -2.34, -2.67

 

CMYK 0 / 16 / 20 / 48

HEX #85706A

RGB 133 112 106

HSL 13.33, 0.11%, 0.47%

LAB 49.03, 7.21, 6.39

 

CMYK 0 / 34 / 44 / 40

HEX #996556

RGB 153 101 86

HSL 13.43, 0.28%, 0.47%

LAB 47.95, 19.12, 17.07

 

CMYK 54 / 0 / 17 / 36

HEX #4BA488

RGB 75 164 136

HSL 161.12, 0.37%, 0.47%

LAB 61.5, -33.62, 6.5

 

CMYK 54 / 0 / 3 / 36

HEX #4BA49F

RGB 75 164 159

HSL 176.63, 0.37%, 0.47%

LAB 62.13, -27.74, -5.51

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 54 / 26 / 0 / 36

HEX #4B79A4

RGB 75 121 164

HSL 208.99, 0.37%, 0.47%

LAB 49.31, -2.95, -27.83

 

CMYK 54 / 41 / 0 / 36

HEX #4B61A4

RGB 75 97 164

HSL 225.17, 0.37%, 0.47%

LAB 42.35, 11.79, -38.77

 

CMYK 54 / 12 / 0 / 58

HEX #315E6B

RGB 49 94 107

HSL 193.45, 0.37%, 0.31%

LAB 37.33, -11.47, -12.18

 

CMYK 54 / 12 / 0 / 47

HEX #3E7787

RGB 62 119 135

HSL 193.15, 0.37%, 0.39%

LAB 46.93, -13.93, -14.49

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 46 / 10 / 0 / 29

HEX #62A3B6

RGB 98 163 182

HSL 193.57, 0.37%, 0.55%

LAB 63.48, -15.63, -16.29

 

CMYK 35 / 8 / 0 / 24

HEX #7EB4C3

RGB 126 180 195

HSL 193.04, 0.37%, 0.63%

LAB 70.19, -13.89, -13.26

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 32 / 54 / 0 / 36

HEX #704BA4

RGB 112 75 164

HSL 264.94, 0.37%, 0.47%

LAB 39.84, 34.79, -42.57

 

CMYK 0 / 10 / 54 / 36

HEX #A4934B

RGB 164 147 75

HSL 48.54, 0.37%, 0.47%

LAB 61.02, -3.23, 39.97

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 0 / 54 / 12 / 36

HEX #A44B90

RGB 164 75 144

HSL 313.48, 0.37%, 0.47%

LAB 45.55, 45.64, -21.16

 

CMYK 12 / 0 / 54 / 36

HEX #90A44B

RGB 144 164 75

HSL 73.48, 0.37%, 0.47%

LAB 64.15, -20.71, 43.24

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 32 / 54 / 0 / 36

HEX #704BA4

RGB 112 75 164

HSL 264.94, 0.37%, 0.47%

LAB 39.84, 34.79, -42.57

 

CMYK 0 / 43 / 54 / 36

HEX #A45E4B

RGB 164 94 75

HSL 12.81, 0.37%, 0.47%

LAB 47.5, 26.54, 23.22

 

CMYK 23 / 0 / 54 / 36

HEX #7FA44B

RGB 127 164 75

HSL 84.94, 0.37%, 0.47%

LAB 62.99, -27.54, 41.58

 

CMYK 54 / 12 / 0 / 36

HEX #4B90A4

RGB 75 144 164

HSL 193.48, 0.37%, 0.47%

LAB 56.21, -15.97, -17.23

 

CMYK 15 / 54 / 0 / 36

HEX #8B4BA4

RGB 139 75 164

HSL 283.15, 0.37%, 0.47%

LAB 43.07, 42.13, -37.25

 

CMYK 0 / 43 / 54 / 36

HEX #A45E4B

RGB 164 94 75

HSL 12.81, 0.37%, 0.47%

LAB 47.5, 26.54, 23.22

 

CMYK 39 / 0 / 54 / 36

HEX #64A44B

RGB 100 164 75

HSL 103.15, 0.37%, 0.47%

LAB 61.45, -37.45, 39.39

 

Description

Color code: HEX #4B90A4 | qconv.com Color code: HEX #4B90A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 144 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 144 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 12 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 12% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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