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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9DFC it is the complementary color #B46203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9DFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9DFC shade: #509DF7, #61AFFF, #72C1FF, #83D3FF and #94E5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9DFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9DFC shade: #4B9DFC, #3A8BE9, #2979D6, #1867C3 and #0755B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9DFC shade: #4A9CFC, #4A6CFC, #574AFC, #874AFC and #B74AFC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9DFC shade: #4A9CFC, #4A6CFC and #4A4AFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9DFC shade matches the following richer shades: #4A9CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9DFC shade: #4A9CFC, #599DED, #679EDE, #769FCF and #85A1C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9DFC shade: #4AFCFC, #4ACCFC, #4A9DFC, #4A6DFC and #564AFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9DFC shade: #0371F0, #2186FB, #4A9CFC, #72B2FC and #9BC8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9DFC shade: #4B9DFC, #CC4AFC and #E4FC4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9DFC shade: #4B9DFC, #FC4A9D and #9DFC4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9DFC shade: #4B9DFC, #CC4AFC, #FCA94A and #79FC4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9DFC shade: #4B9DFC, #FC4AF6, #FCA94A and #4AFC50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 38 / 0 / 1

HEX #4B9DFC

RGB 75 157 252

HSL 212.2, 0.97%, 0.64%

LAB 63.87, 5.49, -54.53

 

Complementary color

CMYK 0 / 46 / 98 / 29

HEX #B46203

RGB 180 98 3

HSL 32.2, 0.97%, 0.36%

LAB 50.03, 27.89, 57.59

 

CMYK 68 / 36 / 0 / 3

HEX #509DF7

RGB 80 157 247

HSL 212.34, 0.91%, 0.64%

LAB 63.78, 4.5, -51.92

 

CMYK 62 / 31 / 0 / 0

HEX #61AFFF

RGB 97 175 255

HSL 210.38, 1%, 0.69%

LAB 69.77, -0.35, -46.78

 

CMYK 55 / 24 / 0 / 0

HEX #72C1FF

RGB 114 193 255

HSL 206.38, 1%, 0.72%

LAB 75.41, -7.06, -37.91

 

CMYK 49 / 17 / 0 / 0

HEX #83D3FF

RGB 131 211 255

HSL 201.29, 1%, 0.76%

LAB 81.09, -12.98, -29.1

 

CMYK 42 / 10 / 0 / 0

HEX #94E5FF

RGB 148 229 255

HSL 194.58, 1%, 0.79%

LAB 86.78, -18.22, -20.37

 

CMYK 70 / 38 / 0 / 1

HEX #4B9DFC

RGB 75 157 252

HSL 212.2, 0.97%, 0.64%

LAB 63.87, 5.49, -54.53

 

CMYK 75 / 40 / 0 / 9

HEX #3A8BE9

RGB 58 139 233

HSL 212.23, 0.8%, 0.57%

LAB 57.32, 7.24, -54.52

 

CMYK 81 / 43 / 0 / 16

HEX #2979D6

RGB 41 121 214

HSL 212.25, 0.68%, 0.5%

LAB 50.69, 9.4, -54.48

 

CMYK 88 / 47 / 0 / 24

HEX #1867C3

RGB 24 103 195

HSL 212.28, 0.78%, 0.43%

LAB 44, 12.06, -54.39

 

CMYK 96 / 52 / 0 / 31

HEX #0755B0

RGB 7 85 176

HSL 212.31, 0.92%, 0.36%

LAB 37.26, 15.38, -54.17

 

CMYK 71 / 38 / 0 / 1

HEX #4A9CFC

RGB 74 156 252

HSL 212.36, 0.97%, 0.64%

LAB 63.56, 5.94, -55.02

 

CMYK 71 / 57 / 0 / 1

HEX #4A6CFC

RGB 74 108 252

HSL 228.54, 0.97%, 0.64%

LAB 50.93, 35.07, -75.34

 

CMYK 65 / 71 / 0 / 1

HEX #574AFC

RGB 87 74 252

HSL 244.38, 0.97%, 0.64%

LAB 44.16, 56.48, -86.39

 

CMYK 46 / 71 / 0 / 1

HEX #874AFC

RGB 135 74 252

HSL 260.56, 0.97%, 0.64%

LAB 48.36, 63.08, -79.35

 

CMYK 27 / 71 / 0 / 1

HEX #B74AFC

RGB 183 74 252

HSL 276.74, 0.97%, 0.64%

LAB 54.02, 71.47, -69.89

 

CMYK 71 / 38 / 0 / 1

HEX #4A9CFC

RGB 74 156 252

HSL 212.36, 0.97%, 0.64%

LAB 63.56, 5.94, -55.02

 

CMYK 71 / 57 / 0 / 1

HEX #4A6CFC

RGB 74 108 252

HSL 228.54, 0.97%, 0.64%

LAB 50.93, 35.07, -75.34

 

CMYK 71 / 71 / 0 / 1

HEX #4A4AFC

RGB 74 74 252

HSL 240, 0.97%, 0.64%

LAB 43.33, 55.12, -87.78

 

CMYK 71 / 38 / 0 / 1

HEX #4A9CFC

RGB 74 156 252

HSL 212.36, 0.97%, 0.64%

LAB 63.56, 5.94, -55.02

 

CMYK 71 / 38 / 0 / 1

HEX #4A9CFC

RGB 74 156 252

HSL 212.36, 0.97%, 0.64%

LAB 63.56, 5.94, -55.02

 

CMYK 62 / 34 / 0 / 7

HEX #599DED

RGB 89 157 237

HSL 212.43, 0.8%, 0.64%

LAB 63.63, 2.63, -46.64

 

CMYK 54 / 29 / 0 / 13

HEX #679EDE

RGB 103 158 222

HSL 212.27, 0.64%, 0.64%

LAB 63.84, 0.03, -37.99

 

CMYK 43 / 23 / 0 / 19

HEX #769FCF

RGB 118 159 207

HSL 212.36, 0.48%, 0.64%

LAB 64.28, -1.39, -28.93

 

CMYK 31 / 16 / 0 / 25

HEX #85A1C0

RGB 133 161 192

HSL 211.53, 0.32%, 0.64%

LAB 65.19, -2.35, -19.12

 

CMYK 71 / 0 / 0 / 1

HEX #4AFCFC

RGB 74 252 252

HSL 180, 0.97%, 0.64%

LAB 90.83, -43.29, -12.94

 

CMYK 71 / 19 / 0 / 1

HEX #4ACCFC

RGB 74 204 252

HSL 196.18, 0.97%, 0.64%

LAB 77.08, -20.42, -33.82

 

CMYK 71 / 38 / 0 / 1

HEX #4A9DFC

RGB 74 157 252

HSL 212.02, 0.97%, 0.64%

LAB 63.83, 5.35, -54.58

 

CMYK 71 / 57 / 0 / 1

HEX #4A6DFC

RGB 74 109 252

HSL 228.2, 0.97%, 0.64%

LAB 51.18, 34.45, -74.94

 

CMYK 66 / 71 / 0 / 1

HEX #564AFC

RGB 86 74 252

HSL 244.04, 0.97%, 0.64%

LAB 44.1, 56.37, -86.5

 

CMYK 99 / 53 / 0 / 6

HEX #0371F0

RGB 3 113 240

HSL 212.15, 0.98%, 0.48%

LAB 49.64, 22.52, -70.83

 

CMYK 87 / 47 / 0 / 2

HEX #2186FB

RGB 33 134 251

HSL 212.2, 0.96%, 0.56%

LAB 56.43, 14.73, -65.95

 

CMYK 71 / 38 / 0 / 1

HEX #4A9CFC

RGB 74 156 252

HSL 212.36, 0.97%, 0.64%

LAB 63.56, 5.94, -55.02

 

CMYK 55 / 29 / 0 / 1

HEX #72B2FC

RGB 114 178 252

HSL 212.17, 0.96%, 0.72%

LAB 71.18, 0.27, -42.9

 

CMYK 39 / 21 / 0 / 1

HEX #9BC8FD

RGB 155 200 253

HSL 212.45, 0.96%, 0.8%

LAB 79.25, -1.89, -30.75

 

CMYK 70 / 38 / 0 / 1

HEX #4B9DFC

RGB 75 157 252

HSL 212.2, 0.97%, 0.64%

LAB 63.87, 5.49, -54.53

 

CMYK 19 / 71 / 0 / 1

HEX #CC4AFC

RGB 204 74 252

HSL 283.82, 0.97%, 0.64%

LAB 56.84, 75.49, -65.19

 

CMYK 10 / 0 / 71 / 1

HEX #E4FC4A

RGB 228 252 74

HSL 68.09, 0.97%, 0.64%

LAB 94.57, -29.32, 77.7

 

CMYK 70 / 38 / 0 / 1

HEX #4B9DFC

RGB 75 157 252

HSL 212.2, 0.97%, 0.64%

LAB 63.87, 5.49, -54.53

 

CMYK 0 / 71 / 38 / 1

HEX #FC4A9D

RGB 252 74 157

HSL 332.02, 0.97%, 0.64%

LAB 59.91, 72.83, -5.78

 

CMYK 38 / 0 / 71 / 1

HEX #9DFC4A

RGB 157 252 74

HSL 92.02, 0.97%, 0.64%

LAB 90.45, -55.35, 72.24

 

CMYK 70 / 38 / 0 / 1

HEX #4B9DFC

RGB 75 157 252

HSL 212.2, 0.97%, 0.64%

LAB 63.87, 5.49, -54.53

 

CMYK 19 / 71 / 0 / 1

HEX #CC4AFC

RGB 204 74 252

HSL 283.82, 0.97%, 0.64%

LAB 56.84, 75.49, -65.19

 

CMYK 0 / 33 / 71 / 1

HEX #FCA94A

RGB 252 169 74

HSL 32.02, 0.97%, 0.64%

LAB 75.8, 22.39, 59.5

 

CMYK 52 / 0 / 71 / 1

HEX #79FC4A

RGB 121 252 74

HSL 104.16, 0.97%, 0.64%

LAB 89.01, -66.03, 70.31

 

CMYK 70 / 38 / 0 / 1

HEX #4B9DFC

RGB 75 157 252

HSL 212.2, 0.97%, 0.64%

LAB 63.87, 5.49, -54.53

 

CMYK 0 / 71 / 2 / 1

HEX #FC4AF6

RGB 252 74 246

HSL 302.02, 0.97%, 0.64%

LAB 63.55, 84.2, -50.75

 

CMYK 0 / 33 / 71 / 1

HEX #FCA94A

RGB 252 169 74

HSL 32.02, 0.97%, 0.64%

LAB 75.8, 22.39, 59.5

 

CMYK 71 / 0 / 68 / 1

HEX #4AFC50

RGB 74 252 80

HSL 122.02, 0.97%, 0.64%

LAB 87.8, -75.62, 66.51

 

Description

Color code: HEX #4B9DFC | qconv.com Color code: HEX #4B9DFC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 157 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 157 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 38 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 38% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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