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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B9FCC it is the complementary color #B46033. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B9FCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B9FCC shade: #509FC7, #61B1DA, #72C3ED, #83D5FF and #94E7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B9FCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B9FCC shade: #4B9FCC, #3A8DB9, #297BA6, #186993 and #075780

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B9FCC shade: #4B9FCC, #4B7DCC, #4B5ACC, #604BCC and #824BCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B9FCC shade: #4B9FCC, #4B7DCC, #4B5ACC and #4B4BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B9FCC shade matches the following richer shades: #4B9FCC, #39A5DF and #26AAF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B9FCC shade: #4B9FCC, #5E9AB9, #7194A7, #838E94 and #968982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B9FCC shade: #4BCCB2, #4BC3CC, #4BA1CC, #4B7FCC and #4B5DCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B9FCC shade: #2B739A, #348BBA, #4B9FCC, #6CB0D5 and #8CC1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B9FCC shade: #4B9FCC, #904BCC and #CCC34B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B9FCC shade: #4B9FCC, #CC4BA1 and #A1CC4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B9FCC shade: #4B9FCC, #904BCC, #CC764B and #87CC4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B9FCC shade: #4B9FCC, #B74BCC, #CC764B and #61CC4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

Complementary color

CMYK 0 / 47 / 72 / 29

HEX #B46033

RGB 180 96 51

HSL 20.93, 0.56%, 0.45%

LAB 49.87, 30.36, 39.99

 

CMYK 60 / 20 / 0 / 22

HEX #509FC7

RGB 80 159 199

HSL 200.17, 0.52%, 0.55%

LAB 62.19, -12.39, -27.85

 

CMYK 56 / 19 / 0 / 15

HEX #61B1DA

RGB 97 177 218

HSL 200.33, 0.62%, 0.62%

LAB 68.79, -12.95, -28.15

 

CMYK 52 / 18 / 0 / 7

HEX #72C3ED

RGB 114 195 237

HSL 200.49, 0.77%, 0.69%

LAB 75.28, -13.39, -28.44

 

CMYK 49 / 16 / 0 / 0

HEX #83D5FF

RGB 131 213 255

HSL 200.32, 1%, 0.76%

LAB 81.64, -14.01, -28.25

 

CMYK 42 / 9 / 0 / 0

HEX #94E7FF

RGB 148 231 255

HSL 193.46, 1%, 0.79%

LAB 87.32, -19.23, -19.54

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 69 / 24 / 0 / 27

HEX #3A8DB9

RGB 58 141 185

HSL 200.79, 0.52%, 0.48%

LAB 55.53, -10.81, -30.31

 

CMYK 75 / 26 / 0 / 35

HEX #297BA6

RGB 41 123 166

HSL 200.64, 0.6%, 0.41%

LAB 48.75, -9.61, -29.97

 

CMYK 84 / 29 / 0 / 42

HEX #186993

RGB 24 105 147

HSL 200.49, 0.72%, 0.34%

LAB 41.85, -7.97, -29.58

 

CMYK 95 / 32 / 0 / 50

HEX #075780

RGB 7 87 128

HSL 200.33, 0.9%, 0.26%

LAB 34.84, -5.72, -29.09

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 63 / 39 / 0 / 20

HEX #4B7DCC

RGB 75 125 204

HSL 216.74, 0.56%, 0.55%

LAB 52.42, 7.99, -45.97

 

CMYK 63 / 56 / 0 / 20

HEX #4B5ACC

RGB 75 90 204

HSL 233.02, 0.56%, 0.55%

LAB 43.02, 29.84, -61.07

 

CMYK 53 / 63 / 0 / 20

HEX #604BCC

RGB 96 75 204

HSL 249.77, 0.56%, 0.55%

LAB 41.02, 42.61, -64.24

 

CMYK 36 / 63 / 0 / 20

HEX #824BCC

RGB 130 75 204

HSL 265.58, 0.56%, 0.55%

LAB 44.43, 49.38, -58.55

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 63 / 39 / 0 / 20

HEX #4B7DCC

RGB 75 125 204

HSL 216.74, 0.56%, 0.55%

LAB 52.42, 7.99, -45.97

 

CMYK 63 / 56 / 0 / 20

HEX #4B5ACC

RGB 75 90 204

HSL 233.02, 0.56%, 0.55%

LAB 43.02, 29.84, -61.07

 

CMYK 63 / 63 / 0 / 20

HEX #4B4BCC

RGB 75 75 204

HSL 240, 0.56%, 0.55%

LAB 39.39, 39.13, -66.97

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 74 / 26 / 0 / 13

HEX #39A5DF

RGB 57 165 223

HSL 200.96, 0.72%, 0.55%

LAB 64.25, -11.39, -38.04

 

CMYK 84 / 29 / 0 / 5

HEX #26AAF1

RGB 38 170 241

HSL 200.99, 0.88%, 0.55%

LAB 66.15, -9.71, -44.97

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 49 / 17 / 0 / 27

HEX #5E9AB9

RGB 94 154 185

HSL 200.44, 0.39%, 0.55%

LAB 60.78, -10.88, -22.11

 

CMYK 32 / 11 / 0 / 35

HEX #7194A7

RGB 113 148 167

HSL 201.11, 0.23%, 0.55%

LAB 59.42, -7.4, -13.9

 

CMYK 11 / 4 / 0 / 42

HEX #838E94

RGB 131 142 148

HSL 201.18, 0.07%, 0.55%

LAB 58.33, -2.7, -4.55

 

CMYK 0 / 9 / 13 / 41

HEX #968982

RGB 150 137 130

HSL 21, 0.09%, 0.55%

LAB 58.02, 3.63, 5.51

 

CMYK 63 / 0 / 13 / 20

HEX #4BCCB2

RGB 75 204 178

HSL 167.91, 0.56%, 0.55%

LAB 74.76, -41.46, 2.54

 

CMYK 63 / 4 / 0 / 20

HEX #4BC3CC

RGB 75 195 204

HSL 184.19, 0.56%, 0.55%

LAB 72.82, -30.29, -14.43

 

CMYK 63 / 21 / 0 / 20

HEX #4BA1CC

RGB 75 161 204

HSL 200, 0.56%, 0.55%

LAB 62.8, -12.82, -29.71

 

CMYK 63 / 38 / 0 / 20

HEX #4B7FCC

RGB 75 127 204

HSL 215.81, 0.56%, 0.55%

LAB 52.99, 6.77, -45.08

 

CMYK 63 / 54 / 0 / 20

HEX #4B5DCC

RGB 75 93 204

HSL 231.63, 0.56%, 0.55%

LAB 43.78, 27.95, -59.84

 

CMYK 72 / 25 / 0 / 40

HEX #2B739A

RGB 43 115 154

HSL 201.08, 0.56%, 0.39%

LAB 45.78, -8.95, -27.56

 

CMYK 72 / 25 / 0 / 27

HEX #348BBA

RGB 52 139 186

HSL 201.04, 0.56%, 0.47%

LAB 54.8, -10.23, -32.03

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 49 / 17 / 0 / 16

HEX #6CB0D5

RGB 108 176 213

HSL 201.14, 0.56%, 0.63%

LAB 68.78, -11.48, -25.37

 

CMYK 37 / 13 / 0 / 13

HEX #8CC1DE

RGB 140 193 222

HSL 201.22, 0.55%, 0.71%

LAB 75.44, -10.11, -19.98

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 29 / 63 / 0 / 20

HEX #904BCC

RGB 144 75 204

HSL 272.09, 0.56%, 0.55%

LAB 46.07, 52.46, -55.82

 

CMYK 0 / 4 / 63 / 20

HEX #CCC34B

RGB 204 195 75

HSL 55.81, 0.56%, 0.55%

LAB 77.5, -11.37, 59.42

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 0 / 63 / 21 / 20

HEX #CC4BA1

RGB 204 75 161

HSL 320, 0.56%, 0.55%

LAB 52.33, 59.87, -20.32

 

CMYK 21 / 0 / 63 / 20

HEX #A1CC4B

RGB 161 204 75

HSL 80, 0.56%, 0.55%

LAB 76.84, -33.27, 57.77

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 29 / 63 / 0 / 20

HEX #904BCC

RGB 144 75 204

HSL 272.09, 0.56%, 0.55%

LAB 46.07, 52.46, -55.82

 

CMYK 0 / 42 / 63 / 20

HEX #CC764B

RGB 204 118 75

HSL 20, 0.56%, 0.55%

LAB 58.32, 29.82, 37.87

 

CMYK 34 / 0 / 63 / 20

HEX #87CC4B

RGB 135 204 75

HSL 92.09, 0.56%, 0.55%

LAB 75.35, -42.87, 55.72

 

CMYK 63 / 22 / 0 / 20

HEX #4B9FCC

RGB 75 159 204

HSL 200.93, 0.56%, 0.55%

LAB 62.21, -11.72, -30.62

 

CMYK 10 / 63 / 0 / 20

HEX #B74BCC

RGB 183 75 204

HSL 290.23, 0.56%, 0.55%

LAB 51.22, 61.48, -47.29

 

CMYK 0 / 42 / 63 / 20

HEX #CC764B

RGB 204 118 75

HSL 20, 0.56%, 0.55%

LAB 58.32, 29.82, 37.87

 

CMYK 52 / 0 / 63 / 20

HEX #61CC4B

RGB 97 204 75

HSL 109.77, 0.56%, 0.55%

LAB 73.7, -54.76, 53.43

 

Description

Color code: HEX #4B9FCC | qconv.com Color code: HEX #4B9FCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 159 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 159 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 22 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 22% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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