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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BA543 it is the complementary color #B45ABC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BA543. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BA543 shade: #50A53E, #61B751, #72C964, #83DB77 and #94ED8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BA543. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BA543 shade: #4BA543, #3A9330, #29811D, #186F0A and #075D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BA543 shade: #4AA242, #64A242, #7EA242, #98A242 and #A29342

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BA543 shade: #4AA242, #42A254, #42A26E, #42A288 and #42A2A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BA543 shade matches the following richer shades: #4AA242, #3AB52F, #2BC81D and #1BDA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BA543 shade: #4AA242, #599055, #697D67, #796B7A and #88588C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BA543 shade: #7DA242, #64A242, #4AA242, #42A254 and #42A26D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BA543 shade: #2F682A, #3D8536, #4AA242, #5DB955 and #79C572

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BA543 shade: #4BA543, #4297A2 and #A24271

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BA543 shade: #4BA543, #424AA2 and #A2424A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BA543 shade: #4BA543, #4297A2, #9A42A2 and #A24D42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BA543 shade: #4BA543, #427AA2, #9A42A2 and #A26A42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 59 / 35

HEX #4BA543

RGB 75 165 67

HSL 115.1, 0.42%, 0.45%

LAB 60.61, -46.49, 41.99

 

Complementary color

CMYK 4 / 52 / 0 / 26

HEX #B45ABC

RGB 180 90 188

HSL 295.1, 0.42%, 0.55%

LAB 52.56, 50.7, -35.99

 

CMYK 52 / 0 / 62 / 35

HEX #50A53E

RGB 80 165 62

HSL 109.51, 0.45%, 0.45%

LAB 60.75, -45.65, 44.51

 

CMYK 47 / 0 / 56 / 28

HEX #61B751

RGB 97 183 81

HSL 110.59, 0.41%, 0.52%

LAB 67.28, -45.82, 43.37

 

CMYK 43 / 0 / 50 / 21

HEX #72C964

RGB 114 201 100

HSL 111.68, 0.48%, 0.59%

LAB 73.72, -45.82, 42.15

 

CMYK 40 / 0 / 46 / 14

HEX #83DB77

RGB 131 219 119

HSL 112.8, 0.58%, 0.66%

LAB 80.08, -45.72, 40.91

 

CMYK 38 / 0 / 42 / 7

HEX #94ED8A

RGB 148 237 138

HSL 113.94, 0.73%, 0.74%

LAB 86.35, -45.56, 39.7

 

CMYK 55 / 0 / 59 / 35

HEX #4BA543

RGB 75 165 67

HSL 115.1, 0.42%, 0.45%

LAB 60.61, -46.49, 41.99

 

CMYK 61 / 0 / 67 / 42

HEX #3A9330

RGB 58 147 48

HSL 113.94, 0.51%, 0.38%

LAB 54.01, -46.05, 43.06

 

CMYK 68 / 0 / 78 / 49

HEX #29811D

RGB 41 129 29

HSL 112.8, 0.63%, 0.31%

LAB 47.31, -45.13, 43.65

 

CMYK 78 / 0 / 91 / 56

HEX #186F0A

RGB 24 111 10

HSL 111.68, 0.83%, 0.24%

LAB 40.55, -43.38, 43.02

 

CMYK 92 / 0 / 100 / 64

HEX #075D00

RGB 7 93 0

HSL 115.48, 1%, 0.18%

LAB 33.72, -40.36, 39.91

 

CMYK 54 / 0 / 59 / 36

HEX #4AA242

RGB 74 162 66

HSL 115, 0.42%, 0.45%

LAB 59.61, -45.69, 41.29

 

CMYK 38 / 0 / 59 / 36

HEX #64A242

RGB 100 162 66

HSL 98.75, 0.42%, 0.45%

LAB 60.73, -37.57, 42.88

 

CMYK 22 / 0 / 59 / 36

HEX #7EA242

RGB 126 162 66

HSL 82.5, 0.42%, 0.45%

LAB 62.23, -27.85, 44.98

 

CMYK 6 / 0 / 59 / 36

HEX #98A242

RGB 152 162 66

HSL 66.25, 0.42%, 0.45%

LAB 64.09, -17.12, 47.57

 

CMYK 0 / 9 / 59 / 36

HEX #A29342

RGB 162 147 66

HSL 50.63, 0.42%, 0.45%

LAB 60.73, -4.84, 44.05

 

CMYK 54 / 0 / 59 / 36

HEX #4AA242

RGB 74 162 66

HSL 115, 0.42%, 0.45%

LAB 59.61, -45.69, 41.29

 

CMYK 59 / 0 / 48 / 36

HEX #42A254

RGB 66 162 84

HSL 131.25, 0.42%, 0.45%

LAB 59.56, -45.27, 32.2

 

CMYK 59 / 0 / 32 / 36

HEX #42A26E

RGB 66 162 110

HSL 147.5, 0.42%, 0.45%

LAB 60, -40.56, 18.82

 

CMYK 59 / 0 / 16 / 36

HEX #42A288

RGB 66 162 136

HSL 163.75, 0.42%, 0.45%

LAB 60.58, -34.65, 5.14

 

CMYK 59 / 0 / 0 / 36

HEX #42A2A2

RGB 66 162 162

HSL 180, 0.42%, 0.45%

LAB 61.31, -27.71, -8.44

 

CMYK 54 / 0 / 59 / 36

HEX #4AA242

RGB 74 162 66

HSL 115, 0.42%, 0.45%

LAB 59.61, -45.69, 41.29

 

CMYK 68 / 0 / 74 / 29

HEX #3AB52F

RGB 58 181 47

HSL 115.07, 0.59%, 0.45%

LAB 65.08, -58.27, 55.03

 

CMYK 79 / 0 / 86 / 22

HEX #2BC81D

RGB 43 200 29

HSL 115.09, 0.75%, 0.45%

LAB 70.81, -67.78, 65.56

 

CMYK 88 / 0 / 95 / 15

HEX #1BDA0A

RGB 27 218 10

HSL 115.1, 0.91%, 0.45%

LAB 76.31, -75.09, 73.13

 

CMYK 54 / 0 / 59 / 36

HEX #4AA242

RGB 74 162 66

HSL 115, 0.42%, 0.45%

LAB 59.61, -45.69, 41.29

 

CMYK 38 / 0 / 41 / 44

HEX #599055

RGB 89 144 85

HSL 115.93, 0.26%, 0.45%

LAB 54.79, -30.59, 25.76

 

CMYK 16 / 0 / 18 / 51

HEX #697D67

RGB 105 125 103

HSL 114.55, 0.1%, 0.45%

LAB 50.27, -11.87, 9.59

 

CMYK 1 / 12 / 0 / 52

HEX #796B7A

RGB 121 107 122

HSL 296, 0.07%, 0.45%

LAB 46.96, 8.44, -6.31

 

CMYK 3 / 37 / 0 / 45

HEX #88588C

RGB 136 88 140

HSL 295.38, 0.23%, 0.45%

LAB 44.39, 28.84, -20.86

 

CMYK 23 / 0 / 59 / 36

HEX #7DA242

RGB 125 162 66

HSL 83.13, 0.42%, 0.45%

LAB 62.16, -28.25, 44.89

 

CMYK 38 / 0 / 59 / 36

HEX #64A242

RGB 100 162 66

HSL 98.75, 0.42%, 0.45%

LAB 60.73, -37.57, 42.88

 

CMYK 54 / 0 / 59 / 36

HEX #4AA242

RGB 74 162 66

HSL 115, 0.42%, 0.45%

LAB 59.61, -45.69, 41.29

 

CMYK 59 / 0 / 48 / 36

HEX #42A254

RGB 66 162 84

HSL 131.25, 0.42%, 0.45%

LAB 59.56, -45.27, 32.2

 

CMYK 59 / 0 / 33 / 36

HEX #42A26D

RGB 66 162 109

HSL 146.88, 0.42%, 0.45%

LAB 59.98, -40.76, 19.34

 

CMYK 55 / 0 / 60 / 59

HEX #2F682A

RGB 47 104 42

HSL 115.16, 0.42%, 0.29%

LAB 39.02, -32.27, 28.91

 

CMYK 54 / 0 / 59 / 48

HEX #3D8536

RGB 61 133 54

HSL 114.68, 0.42%, 0.37%

LAB 49.54, -38.99, 35.26

 

CMYK 54 / 0 / 59 / 36

HEX #4AA242

RGB 74 162 66

HSL 115, 0.42%, 0.45%

LAB 59.61, -45.69, 41.29

 

CMYK 50 / 0 / 54 / 27

HEX #5DB955

RGB 93 185 85

HSL 115.2, 0.42%, 0.53%

LAB 67.78, -47.31, 42.02

 

CMYK 39 / 0 / 42 / 23

HEX #79C572

RGB 121 197 114

HSL 114.94, 0.42%, 0.61%

LAB 73.03, -40, 34.36

 

CMYK 55 / 0 / 59 / 35

HEX #4BA543

RGB 75 165 67

HSL 115.1, 0.42%, 0.45%

LAB 60.61, -46.49, 41.99

 

CMYK 59 / 7 / 0 / 36

HEX #4297A2

RGB 66 151 162

HSL 186.88, 0.42%, 0.45%

LAB 57.94, -22.14, -13.49

 

CMYK 0 / 59 / 30 / 36

HEX #A24271

RGB 162 66 113

HSL 330.63, 0.42%, 0.45%

LAB 42.41, 44.76, -7.07

 

CMYK 55 / 0 / 59 / 35

HEX #4BA543

RGB 75 165 67

HSL 115.1, 0.42%, 0.45%

LAB 60.61, -46.49, 41.99

 

CMYK 59 / 54 / 0 / 36

HEX #424AA2

RGB 66 74 162

HSL 235, 0.42%, 0.45%

LAB 35.33, 24, -48.85

 

CMYK 0 / 59 / 54 / 36

HEX #A2424A

RGB 162 66 74

HSL 355, 0.42%, 0.45%

LAB 41.33, 40.47, 15.59

 

CMYK 55 / 0 / 59 / 35

HEX #4BA543

RGB 75 165 67

HSL 115.1, 0.42%, 0.45%

LAB 60.61, -46.49, 41.99

 

CMYK 59 / 7 / 0 / 36

HEX #4297A2

RGB 66 151 162

HSL 186.88, 0.42%, 0.45%

LAB 57.94, -22.14, -13.49

 

CMYK 5 / 59 / 0 / 36

HEX #9A42A2

RGB 154 66 162

HSL 295, 0.42%, 0.45%

LAB 43.32, 50.34, -35.52

 

CMYK 0 / 52 / 59 / 36

HEX #A24D42

RGB 162 77 66

HSL 6.88, 0.42%, 0.45%

LAB 43.33, 34.21, 23.1

 

CMYK 55 / 0 / 59 / 35

HEX #4BA543

RGB 75 165 67

HSL 115.1, 0.42%, 0.45%

LAB 60.61, -46.49, 41.99

 

CMYK 59 / 25 / 0 / 36

HEX #427AA2

RGB 66 122 162

HSL 205, 0.42%, 0.45%

LAB 49.11, -6.16, -27.01

 

CMYK 5 / 59 / 0 / 36

HEX #9A42A2

RGB 154 66 162

HSL 295, 0.42%, 0.45%

LAB 43.32, 50.34, -35.52

 

CMYK 0 / 35 / 59 / 36

HEX #A26A42

RGB 162 106 66

HSL 25, 0.42%, 0.45%

LAB 49.96, 18.15, 31.4

 

Description

Color code: HEX #4BA543 | qconv.com Color code: HEX #4BA543 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 165 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 165 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 59 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 59% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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