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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BAB10 it is the complementary color #B454EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BAB10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BAB10 shade: #50AB0B, #61BD1E, #72CF31, #83E144 and #94F357

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BAB10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BAB10 shade: #4BAB10, #3A9900, #298700, #187500 and #076300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BAB10 shade: #4BAC10, #75AC10, #A0AC10, #AC8E10 and #AC6410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BAB10 shade: #4BAC10, #21AC10, #10AC28, #10AC53 and #10AC7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BAB10 shade matches the following richer shades: #4BAC10 and #48BB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BAB10 shade: #4BAC10, #4F9D1F, #528E2E, #567E3D and #5A6F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BAB10 shade: #9FAC10, #75AC10, #4CAC10, #22AC10 and #10AC27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BAB10 shade: #2A6109, #3B860C, #4BAC10, #5CD213 and #6FEA24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BAB10 shade: #4BAB10, #10AC8F and #AC108A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BAB10 shade: #4BAB10, #104CAC and #AC104C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BAB10 shade: #4BAB10, #10AC8F, #7010AC and #AC102C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BAB10 shade: #4BAB10, #109AAC, #7010AC and #AC2210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 91 / 33

HEX #4BAB10

RGB 75 171 16

HSL 97.16, 0.83%, 0.37%

LAB 62.22, -52.39, 61.01

 

Complementary color

CMYK 25 / 65 / 0 / 6

HEX #B454EF

RGB 180 84 239

HSL 277.16, 0.83%, 0.63%

LAB 54.32, 63.86, -62.18

 

CMYK 53 / 0 / 94 / 33

HEX #50AB0B

RGB 80 171 11

HSL 94.13, 0.88%, 0.36%

LAB 62.39, -51.1, 62

 

CMYK 49 / 0 / 84 / 26

HEX #61BD1E

RGB 97 189 30

HSL 94.72, 0.73%, 0.43%

LAB 68.77, -52.2, 64.07

 

CMYK 45 / 0 / 76 / 19

HEX #72CF31

RGB 114 207 49

HSL 95.32, 0.62%, 0.5%

LAB 75.09, -52.94, 64.81

 

CMYK 42 / 0 / 70 / 12

HEX #83E144

RGB 131 225 68

HSL 95.92, 0.72%, 0.57%

LAB 81.34, -53.42, 64.75

 

CMYK 39 / 0 / 64 / 5

HEX #94F357

RGB 148 243 87

HSL 96.54, 0.87%, 0.65%

LAB 87.53, -53.72, 64.21

 

CMYK 56 / 0 / 91 / 33

HEX #4BAB10

RGB 75 171 16

HSL 97.16, 0.83%, 0.37%

LAB 62.22, -52.39, 61.01

 

CMYK 62 / 0 / 100 / 40

HEX #3A9900

RGB 58 153 0

HSL 97.25, 1%, 0.3%

LAB 55.77, -50.83, 57.93

 

CMYK 70 / 0 / 100 / 47

HEX #298700

RGB 41 135 0

HSL 101.78, 1%, 0.26%

LAB 49.25, -48.58, 52.56

 

CMYK 79 / 0 / 100 / 54

HEX #187500

RGB 24 117 0

HSL 107.69, 1%, 0.23%

LAB 42.64, -45.81, 47.14

 

CMYK 93 / 0 / 100 / 61

HEX #076300

RGB 7 99 0

HSL 115.76, 1%, 0.19%

LAB 35.92, -42.27, 41.67

 

CMYK 56 / 0 / 91 / 33

HEX #4BAC10

RGB 75 172 16

HSL 97.31, 0.83%, 0.37%

LAB 62.54, -52.75, 61.28

 

CMYK 32 / 0 / 91 / 33

HEX #75AC10

RGB 117 172 16

HSL 81.15, 0.83%, 0.37%

LAB 64.42, -38.81, 63.61

 

CMYK 7 / 0 / 91 / 33

HEX #A0AC10

RGB 160 172 16

HSL 64.62, 0.83%, 0.37%

LAB 67.29, -21.07, 67.12

 

CMYK 0 / 17 / 91 / 33

HEX #AC8E10

RGB 172 142 16

HSL 48.46, 0.83%, 0.37%

LAB 60.03, 0.08, 61.87

 

CMYK 0 / 42 / 91 / 33

HEX #AC6410

RGB 172 100 16

HSL 32.31, 0.83%, 0.37%

LAB 49.4, 23.52, 53.67

 

CMYK 56 / 0 / 91 / 33

HEX #4BAC10

RGB 75 172 16

HSL 97.31, 0.83%, 0.37%

LAB 62.54, -52.75, 61.28

 

CMYK 81 / 0 / 91 / 33

HEX #21AC10

RGB 33 172 16

HSL 113.46, 0.83%, 0.37%

LAB 61.54, -61.2, 60.03

 

CMYK 91 / 0 / 77 / 33

HEX #10AC28

RGB 16 172 40

HSL 129.23, 0.83%, 0.37%

LAB 61.45, -61.57, 53.63

 

CMYK 91 / 0 / 52 / 33

HEX #10AC53

RGB 16 172 83

HSL 145.77, 0.83%, 0.37%

LAB 61.86, -56.53, 35.38

 

CMYK 91 / 0 / 27 / 33

HEX #10AC7D

RGB 16 172 125

HSL 161.92, 0.83%, 0.37%

LAB 62.59, -48.1, 13.98

 

CMYK 56 / 0 / 91 / 33

HEX #4BAC10

RGB 75 172 16

HSL 97.31, 0.83%, 0.37%

LAB 62.54, -52.75, 61.28

 

CMYK 61 / 0 / 100 / 27

HEX #48BB00

RGB 72 187 0

HSL 96.9, 1%, 0.37%

LAB 67.22, -59.11, 67.16

 

CMYK 56 / 0 / 91 / 33

HEX #4BAC10

RGB 75 172 16

HSL 97.31, 0.83%, 0.37%

LAB 62.54, -52.75, 61.28

 

CMYK 50 / 0 / 80 / 38

HEX #4F9D1F

RGB 79 157 31

HSL 97.14, 0.67%, 0.37%

LAB 57.92, -45.27, 53.64

 

CMYK 42 / 0 / 68 / 44

HEX #528E2E

RGB 82 142 46

HSL 97.5, 0.51%, 0.37%

LAB 53.32, -36.97, 43.47

 

CMYK 32 / 0 / 52 / 51

HEX #567E3D

RGB 86 126 61

HSL 96.92, 0.35%, 0.37%

LAB 48.56, -26.45, 30.8

 

CMYK 19 / 0 / 31 / 56

HEX #5A6F4D

RGB 90 111 77

HSL 97.06, 0.18%, 0.37%

LAB 44.35, -14.68, 16.45

 

CMYK 8 / 0 / 91 / 33

HEX #9FAC10

RGB 159 172 16

HSL 65, 0.83%, 0.37%

LAB 67.21, -21.51, 67.03

 

CMYK 32 / 0 / 91 / 33

HEX #75AC10

RGB 117 172 16

HSL 81.15, 0.83%, 0.37%

LAB 64.42, -38.81, 63.61

 

CMYK 56 / 0 / 91 / 33

HEX #4CAC10

RGB 76 172 16

HSL 96.92, 0.83%, 0.37%

LAB 62.57, -52.48, 61.32

 

CMYK 80 / 0 / 91 / 33

HEX #22AC10

RGB 34 172 16

HSL 113.08, 0.83%, 0.37%

LAB 61.55, -61.07, 60.05

 

CMYK 91 / 0 / 77 / 33

HEX #10AC27

RGB 16 172 39

HSL 128.85, 0.83%, 0.37%

LAB 61.45, -61.64, 53.96

 

CMYK 57 / 0 / 91 / 62

HEX #2A6109

RGB 42 97 9

HSL 97.5, 0.83%, 0.21%

LAB 36.1, -33.81, 39.56

 

CMYK 56 / 0 / 91 / 47

HEX #3B860C

RGB 59 134 12

HSL 96.89, 0.84%, 0.29%

LAB 49.5, -43.23, 50.74

 

CMYK 56 / 0 / 91 / 33

HEX #4BAC10

RGB 75 172 16

HSL 97.31, 0.83%, 0.37%

LAB 62.54, -52.75, 61.28

 

CMYK 56 / 0 / 91 / 18

HEX #5CD213

RGB 92 210 19

HSL 97.07, 0.83%, 0.45%

LAB 75.09, -61.6, 71.54

 

CMYK 53 / 0 / 85 / 8

HEX #6FEA24

RGB 111 234 36

HSL 97.27, 0.83%, 0.53%

LAB 83.1, -64.4, 75.53

 

CMYK 56 / 0 / 91 / 33

HEX #4BAB10

RGB 75 171 16

HSL 97.16, 0.83%, 0.37%

LAB 62.22, -52.39, 61.01

 

CMYK 91 / 0 / 17 / 33

HEX #10AC8F

RGB 16 172 143

HSL 168.85, 0.83%, 0.37%

LAB 63.01, -43.54, 4.6

 

CMYK 0 / 91 / 20 / 33

HEX #AC108A

RGB 172 16 138

HSL 313.08, 0.83%, 0.37%

LAB 39.54, 66.6, -26.73

 

CMYK 56 / 0 / 91 / 33

HEX #4BAB10

RGB 75 171 16

HSL 97.16, 0.83%, 0.37%

LAB 62.22, -52.39, 61.01

 

CMYK 91 / 56 / 0 / 33

HEX #104CAC

RGB 16 76 172

HSL 216.92, 0.83%, 0.37%

LAB 34.51, 20.22, -56.25

 

CMYK 0 / 91 / 56 / 33

HEX #AC104C

RGB 172 16 76

HSL 336.92, 0.83%, 0.37%

LAB 37.23, 60.34, 8.97

 

CMYK 56 / 0 / 91 / 33

HEX #4BAB10

RGB 75 171 16

HSL 97.16, 0.83%, 0.37%

LAB 62.22, -52.39, 61.01

 

CMYK 91 / 0 / 17 / 33

HEX #10AC8F

RGB 16 172 143

HSL 168.85, 0.83%, 0.37%

LAB 63.01, -43.54, 4.6

 

CMYK 35 / 91 / 0 / 33

HEX #7010AC

RGB 112 16 172

HSL 276.92, 0.83%, 0.37%

LAB 31.33, 61.99, -61.14

 

CMYK 0 / 91 / 74 / 33

HEX #AC102C

RGB 172 16 44

HSL 349.23, 0.83%, 0.37%

LAB 36.6, 58.56, 28.64

 

CMYK 56 / 0 / 91 / 33

HEX #4BAB10

RGB 75 171 16

HSL 97.16, 0.83%, 0.37%

LAB 62.22, -52.39, 61.01

 

CMYK 91 / 10 / 0 / 33

HEX #109AAC

RGB 16 154 172

HSL 186.92, 0.83%, 0.37%

LAB 58.23, -26.49, -18.84

 

CMYK 35 / 91 / 0 / 33

HEX #7010AC

RGB 112 16 172

HSL 276.92, 0.83%, 0.37%

LAB 31.33, 61.99, -61.14

 

CMYK 0 / 80 / 91 / 33

HEX #AC2210

RGB 172 34 16

HSL 6.92, 0.83%, 0.37%

LAB 37.76, 53.71, 44.96

 

Description

Color code: HEX #4BAB10 | qconv.com Color code: HEX #4BAB10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 171 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 171 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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