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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BAD2E it is the complementary color #B452D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BAD2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BAD2E shade: #50AD29, #61BF3C, #72D14F, #83E362 and #94F575

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BAD2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BAD2E shade: #4BAD2E, #3A9B1B, #298908, #187700 and #076500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BAD2E shade: #4BAD2E, #6DAD2E, #8FAD2E, #ADA82E and #AD862E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BAD2E shade: #4BAD2E, #2EAD33, #2EAD55, #2EAD77 and #2EAD9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BAD2E shade matches the following richer shades: #4BAD2E, #41BE1C and #37D00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BAD2E shade: #4BAD2E, #549B3F, #5E8951, #687863 and #716675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BAD2E shade: #8FAD2E, #6DAD2E, #4BAD2E, #2EAD32 and #2EAD54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BAD2E shade: #2E6C1C, #3C8C25, #4BAD2E, #5ACA39 and #76D35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BAD2E shade: #4BAD2E, #2EADA9 and #AD2E7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BAD2E shade: #4BAD2E, #2E4BAD and #AD2E4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BAD2E shade: #4BAD2E, #2EADA9, #8F2EAD and #AD2E32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BAD2E shade: #4BAD2E, #2E8BAD, #8F2EAD and #AD4F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

Complementary color

CMYK 14 / 61 / 0 / 18

HEX #B452D1

RGB 180 82 209

HSL 286.3, 0.58%, 0.57%

LAB 52.22, 58.6, -48.58

 

CMYK 54 / 0 / 76 / 32

HEX #50AD29

RGB 80 173 41

HSL 102.27, 0.62%, 0.42%

LAB 63.14, -50.55, 55.41

 

CMYK 49 / 0 / 69 / 25

HEX #61BF3C

RGB 97 191 60

HSL 103.05, 0.52%, 0.49%

LAB 69.56, -51.13, 55.12

 

CMYK 45 / 0 / 62 / 18

HEX #72D14F

RGB 114 209 79

HSL 103.85, 0.59%, 0.56%

LAB 75.91, -51.44, 54.36

 

CMYK 42 / 0 / 57 / 11

HEX #83E362

RGB 131 227 98

HSL 104.65, 0.7%, 0.64%

LAB 82.19, -51.57, 53.36

 

CMYK 40 / 0 / 52 / 4

HEX #94F575

RGB 148 245 117

HSL 105.47, 0.86%, 0.71%

LAB 88.39, -51.59, 52.26

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 63 / 0 / 83 / 39

HEX #3A9B1B

RGB 58 155 27

HSL 105.47, 0.7%, 0.36%

LAB 56.51, -50.6, 53.25

 

CMYK 70 / 0 / 94 / 46

HEX #298908

RGB 41 137 8

HSL 104.65, 0.89%, 0.28%

LAB 49.95, -49, 51.64

 

CMYK 80 / 0 / 100 / 53

HEX #187700

RGB 24 119 0

HSL 107.9, 1%, 0.23%

LAB 43.34, -46.47, 47.7

 

CMYK 93 / 0 / 100 / 60

HEX #076500

RGB 7 101 0

HSL 115.84, 1%, 0.2%

LAB 36.65, -42.9, 42.26

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 37 / 0 / 73 / 32

HEX #6DAD2E

RGB 109 173 46

HSL 90.24, 0.58%, 0.43%

LAB 64.43, -40.89, 55.35

 

CMYK 17 / 0 / 73 / 32

HEX #8FAD2E

RGB 143 173 46

HSL 74.17, 0.58%, 0.43%

LAB 66.46, -27.71, 58.03

 

CMYK 0 / 3 / 73 / 32

HEX #ADA82E

RGB 173 168 46

HSL 57.64, 0.58%, 0.43%

LAB 67.34, -12.38, 59.68

 

CMYK 0 / 23 / 73 / 32

HEX #AD862E

RGB 173 134 46

HSL 41.57, 0.58%, 0.43%

LAB 58.16, 5.96, 50.74

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 73 / 0 / 71 / 32

HEX #2EAD33

RGB 46 173 51

HSL 122.36, 0.58%, 0.43%

LAB 62.26, -57.46, 50.54

 

CMYK 73 / 0 / 51 / 32

HEX #2EAD55

RGB 46 173 85

HSL 138.43, 0.58%, 0.43%

LAB 62.61, -53.26, 35.4

 

CMYK 73 / 0 / 31 / 32

HEX #2EAD77

RGB 46 173 119

HSL 154.49, 0.58%, 0.43%

LAB 63.18, -46.89, 18.15

 

CMYK 73 / 0 / 11 / 32

HEX #2EAD9A

RGB 46 173 154

HSL 171.02, 0.58%, 0.43%

LAB 64, -38.28, -0.04

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 66 / 0 / 85 / 25

HEX #41BE1C

RGB 65 190 28

HSL 106.3, 0.74%, 0.43%

LAB 68.05, -60.94, 63.5

 

CMYK 74 / 0 / 95 / 18

HEX #37D00A

RGB 55 208 10

HSL 106.36, 0.91%, 0.43%

LAB 73.51, -68.98, 70.98

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 46 / 0 / 59 / 39

HEX #549B3F

RGB 84 155 63

HSL 106.3, 0.42%, 0.43%

LAB 57.74, -40.19, 40.65

 

CMYK 31 / 0 / 41 / 46

HEX #5E8951

RGB 94 137 81

HSL 106.07, 0.26%, 0.43%

LAB 52.8, -26.08, 25.42

 

CMYK 13 / 0 / 18 / 53

HEX #687863

RGB 104 120 99

HSL 105.71, 0.1%, 0.43%

LAB 48.61, -10.23, 9.58

 

CMYK 3 / 13 / 0 / 54

HEX #716675

RGB 113 102 117

HSL 284, 0.07%, 0.43%

LAB 44.66, 7.37, -6.81

 

CMYK 17 / 0 / 73 / 32

HEX #8FAD2E

RGB 143 173 46

HSL 74.17, 0.58%, 0.43%

LAB 66.46, -27.71, 58.03

 

CMYK 37 / 0 / 73 / 32

HEX #6DAD2E

RGB 109 173 46

HSL 90.24, 0.58%, 0.43%

LAB 64.43, -40.89, 55.35

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 73 / 0 / 71 / 32

HEX #2EAD32

RGB 46 173 50

HSL 121.89, 0.58%, 0.43%

LAB 62.25, -57.55, 50.92

 

CMYK 73 / 0 / 51 / 32

HEX #2EAD54

RGB 46 173 84

HSL 137.95, 0.58%, 0.43%

LAB 62.6, -53.42, 35.88

 

CMYK 57 / 0 / 74 / 58

HEX #2E6C1C

RGB 46 108 28

HSL 106.5, 0.59%, 0.27%

LAB 40.23, -35.83, 36.92

 

CMYK 57 / 0 / 74 / 45

HEX #3C8C25

RGB 60 140 37

HSL 106.6, 0.58%, 0.35%

LAB 51.67, -43.83, 45.18

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 55 / 0 / 72 / 21

HEX #5ACA39

RGB 90 202 57

HSL 106.34, 0.58%, 0.51%

LAB 72.7, -57.44, 59.43

 

CMYK 44 / 0 / 57 / 17

HEX #76D35A

RGB 118 211 90

HSL 106.12, 0.58%, 0.59%

LAB 76.79, -49.91, 50.55

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 73 / 0 / 2 / 32

HEX #2EADA9

RGB 46 173 169

HSL 178.11, 0.58%, 0.43%

LAB 64.43, -34.06, -7.77

 

CMYK 0 / 73 / 27 / 32

HEX #AD2E7E

RGB 173 46 126

HSL 322.2, 0.58%, 0.43%

LAB 41.76, 57.93, -15.9

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 73 / 57 / 0 / 32

HEX #2E4BAD

RGB 46 75 173

HSL 226.3, 0.58%, 0.43%

LAB 35.26, 24.07, -55.58

 

CMYK 0 / 73 / 57 / 32

HEX #AD2E4B

RGB 173 46 75

HSL 346.3, 0.58%, 0.43%

LAB 40.16, 52.74, 13.69

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 73 / 0 / 2 / 32

HEX #2EADA9

RGB 46 173 169

HSL 178.11, 0.58%, 0.43%

LAB 64.43, -34.06, -7.77

 

CMYK 17 / 73 / 0 / 32

HEX #8F2EAD

RGB 143 46 173

HSL 285.83, 0.58%, 0.43%

LAB 39.26, 58.45, -48.65

 

CMYK 0 / 73 / 71 / 32

HEX #AD2E32

RGB 173 46 50

HSL 358.11, 0.58%, 0.43%

LAB 39.7, 51.19, 28.65

 

CMYK 57 / 0 / 73 / 32

HEX #4BAD2E

RGB 75 173 46

HSL 106.3, 0.58%, 0.43%

LAB 62.99, -51.57, 53.44

 

CMYK 73 / 20 / 0 / 32

HEX #2E8BAD

RGB 46 139 173

HSL 196.06, 0.58%, 0.43%

LAB 54.09, -15.52, -25.71

 

CMYK 17 / 73 / 0 / 32

HEX #8F2EAD

RGB 143 46 173

HSL 285.83, 0.58%, 0.43%

LAB 39.26, 58.45, -48.65

 

CMYK 0 / 54 / 73 / 32

HEX #AD4F2E

RGB 173 79 46

HSL 15.59, 0.58%, 0.43%

LAB 45.18, 36.24, 37.19

 

Description

Color code: HEX #4BAD2E | qconv.com Color code: HEX #4BAD2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 173 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 173 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 73% 32% C M Y K



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This color is used by at least one manufactures. Here you can see which:

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Link: http://www.conversionmax.com

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