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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BB89E it is the complementary color #B44761. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BB89E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BB89E shade: #50B899, #61CAAC, #72DCBF, #83EED2 and #94FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BB89E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BB89E shade: #4BB89E, #3AA68B, #299478, #188265 and #077052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BB89E shade: #4CB79E, #4CB781, #4CB764, #51B74C and #6EB74C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BB89E shade: #4CB79E, #4CB4B7, #4C97B7, #4C7AB7 and #4C5DB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BB89E shade matches the following richer shades: #4CB79E, #38CBA8, #23E0B3 and #0FF4BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BB89E shade: #4CB79E, #60A393, #748F89, #887B7E and #9D6673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BB89E shade: #4CB763, #4CB780, #4CB79C, #4CB5B7 and #4C99B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BB89E shade: #327E6C, #3E9C86, #4CB79E, #69C3AE and #87CFBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BB89E shade: #4BB89E, #4C51B7 and #B7714C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BB89E shade: #4BB89E, #9C4CB7 and #B79C4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BB89E shade: #4BB89E, #4C51B7, #B74C67 and #B7B24C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BB89E shade: #4BB89E, #674CB7, #B74C67 and #9CB74C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 14 / 28

HEX #4BB89E

RGB 75 184 158

HSL 165.69, 0.43%, 0.51%

LAB 68.2, -37.47, 3.93

 

Complementary color

CMYK 0 / 61 / 46 / 29

HEX #B44761

RGB 180 71 97

HSL 345.69, 0.43%, 0.49%

LAB 45.73, 46.53, 7.97

 

CMYK 57 / 0 / 17 / 28

HEX #50B899

RGB 80 184 153

HSL 162.12, 0.42%, 0.52%

LAB 68.23, -37.67, 6.74

 

CMYK 52 / 0 / 15 / 21

HEX #61CAAC

RGB 97 202 172

HSL 162.86, 0.5%, 0.59%

LAB 74.67, -37.66, 5.74

 

CMYK 48 / 0 / 13 / 14

HEX #72DCBF

RGB 114 220 191

HSL 163.58, 0.6%, 0.65%

LAB 81.03, -37.59, 4.82

 

CMYK 45 / 0 / 12 / 7

HEX #83EED2

RGB 131 238 210

HSL 164.3, 0.76%, 0.72%

LAB 87.3, -37.47, 3.96

 

CMYK 42 / 0 / 10 / 0

HEX #94FFE5

RGB 148 255 229

HSL 165.42, 1%, 0.79%

LAB 93.22, -36.88, 2.75

 

CMYK 59 / 0 / 14 / 28

HEX #4BB89E

RGB 75 184 158

HSL 165.69, 0.43%, 0.51%

LAB 68.2, -37.47, 3.93

 

CMYK 65 / 0 / 16 / 35

HEX #3AA68B

RGB 58 166 139

HSL 165, 0.48%, 0.44%

LAB 61.69, -37.25, 5.01

 

CMYK 72 / 0 / 19 / 42

HEX #299478

RGB 41 148 120

HSL 164.3, 0.57%, 0.37%

LAB 55.08, -36.81, 6.22

 

CMYK 82 / 0 / 22 / 49

HEX #188265

RGB 24 130 101

HSL 163.58, 0.69%, 0.3%

LAB 48.38, -36.03, 7.6

 

CMYK 94 / 0 / 27 / 56

HEX #077052

RGB 7 112 82

HSL 162.86, 0.88%, 0.23%

LAB 41.6, -34.73, 9.21

 

CMYK 58 / 0 / 14 / 28

HEX #4CB79E

RGB 76 183 158

HSL 165.98, 0.43%, 0.51%

LAB 67.93, -36.82, 3.54

 

CMYK 58 / 0 / 30 / 28

HEX #4CB781

RGB 76 183 129

HSL 149.72, 0.43%, 0.51%

LAB 67.27, -43.43, 18.46

 

CMYK 58 / 0 / 45 / 28

HEX #4CB764

RGB 76 183 100

HSL 133.46, 0.43%, 0.51%

LAB 66.77, -48.76, 33.14

 

CMYK 56 / 0 / 58 / 28

HEX #51B74C

RGB 81 183 76

HSL 117.2, 0.43%, 0.51%

LAB 66.63, -50.87, 44.81

 

CMYK 40 / 0 / 58 / 28

HEX #6EB74C

RGB 110 183 76

HSL 100.93, 0.43%, 0.51%

LAB 67.8, -42.28, 46.47

 

CMYK 58 / 0 / 14 / 28

HEX #4CB79E

RGB 76 183 158

HSL 165.98, 0.43%, 0.51%

LAB 67.93, -36.82, 3.54

 

CMYK 58 / 2 / 0 / 28

HEX #4CB4B7

RGB 76 180 183

HSL 181.68, 0.43%, 0.51%

LAB 67.72, -28.78, -10.55

 

CMYK 58 / 17 / 0 / 28

HEX #4C97B7

RGB 76 151 183

HSL 197.94, 0.43%, 0.51%

LAB 59.06, -13.78, -23.69

 

CMYK 58 / 33 / 0 / 28

HEX #4C7AB7

RGB 76 122 183

HSL 214.21, 0.43%, 0.51%

LAB 50.54, 2.89, -36.93

 

CMYK 58 / 49 / 0 / 28

HEX #4C5DB7

RGB 76 93 183

HSL 230.47, 0.43%, 0.51%

LAB 42.44, 20.95, -49.81

 

CMYK 58 / 0 / 14 / 28

HEX #4CB79E

RGB 76 183 158

HSL 165.98, 0.43%, 0.51%

LAB 67.93, -36.82, 3.54

 

CMYK 72 / 0 / 17 / 20

HEX #38CBA8

RGB 56 203 168

HSL 165.71, 0.59%, 0.51%

LAB 73.79, -46.39, 6.49

 

CMYK 84 / 0 / 20 / 12

HEX #23E0B3

RGB 35 224 179

HSL 165.71, 0.75%, 0.51%

LAB 80.14, -54.35, 9.66

 

CMYK 94 / 0 / 23 / 4

HEX #0FF4BD

RGB 15 244 189

HSL 165.59, 0.91%, 0.51%

LAB 86.24, -60.68, 13.08

 

CMYK 58 / 0 / 14 / 28

HEX #4CB79E

RGB 76 183 158

HSL 165.98, 0.43%, 0.51%

LAB 67.93, -36.82, 3.54

 

CMYK 41 / 0 / 10 / 36

HEX #60A393

RGB 96 163 147

HSL 165.67, 0.27%, 0.51%

LAB 62.33, -25.2, 1.63

 

CMYK 19 / 0 / 4 / 44

HEX #748F89

RGB 116 143 137

HSL 166.67, 0.11%, 0.51%

LAB 57.23, -10.83, 0.02

 

CMYK 0 / 10 / 7 / 47

HEX #887B7E

RGB 136 123 126

HSL 346.15, 0.05%, 0.51%

LAB 52.85, 5.53, 0.17

 

CMYK 0 / 35 / 27 / 38

HEX #9D6673

RGB 157 102 115

HSL 345.82, 0.22%, 0.51%

LAB 49.39, 24, 1.9

 

CMYK 58 / 0 / 46 / 28

HEX #4CB763

RGB 76 183 99

HSL 132.9, 0.43%, 0.51%

LAB 66.75, -48.92, 33.64

 

CMYK 58 / 0 / 30 / 28

HEX #4CB780

RGB 76 183 128

HSL 149.16, 0.43%, 0.51%

LAB 67.25, -43.64, 18.97

 

CMYK 58 / 0 / 15 / 28

HEX #4CB79C

RGB 76 183 156

HSL 164.86, 0.43%, 0.51%

LAB 67.88, -37.31, 4.57

 

CMYK 58 / 1 / 0 / 28

HEX #4CB5B7

RGB 76 181 183

HSL 181.12, 0.43%, 0.51%

LAB 68.02, -29.27, -10.11

 

CMYK 58 / 16 / 0 / 28

HEX #4C99B7

RGB 76 153 183

HSL 196.82, 0.43%, 0.51%

LAB 59.65, -14.87, -22.77

 

CMYK 60 / 0 / 14 / 51

HEX #327E6C

RGB 50 126 108

HSL 165.79, 0.43%, 0.35%

LAB 47.86, -28.07, 2.82

 

CMYK 60 / 0 / 14 / 39

HEX #3E9C86

RGB 62 156 134

HSL 165.96, 0.43%, 0.43%

LAB 58.53, -33.17, 3.29

 

CMYK 58 / 0 / 14 / 28

HEX #4CB79E

RGB 76 183 158

HSL 165.98, 0.43%, 0.51%

LAB 67.93, -36.82, 3.54

 

CMYK 46 / 0 / 11 / 24

HEX #69C3AE

RGB 105 195 174

HSL 166, 0.43%, 0.59%

LAB 72.95, -32.06, 2.2

 

CMYK 35 / 0 / 8 / 19

HEX #87CFBE

RGB 135 207 190

HSL 165.83, 0.43%, 0.67%

LAB 78.17, -26.27, 1.31

 

CMYK 59 / 0 / 14 / 28

HEX #4BB89E

RGB 75 184 158

HSL 165.69, 0.43%, 0.51%

LAB 68.2, -37.47, 3.93

 

CMYK 58 / 56 / 0 / 28

HEX #4C51B7

RGB 76 81 183

HSL 237.2, 0.43%, 0.51%

LAB 39.31, 28.58, -54.85

 

CMYK 0 / 38 / 58 / 28

HEX #B7714C

RGB 183 113 76

HSL 20.75, 0.43%, 0.51%

LAB 54.45, 23.96, 31.98

 

CMYK 59 / 0 / 14 / 28

HEX #4BB89E

RGB 75 184 158

HSL 165.69, 0.43%, 0.51%

LAB 68.2, -37.47, 3.93

 

CMYK 15 / 58 / 0 / 28

HEX #9C4CB7

RGB 156 76 183

HSL 284.86, 0.43%, 0.51%

LAB 46.52, 50.2, -42.83

 

CMYK 0 / 15 / 58 / 28

HEX #B79C4C

RGB 183 156 76

HSL 44.86, 0.43%, 0.51%

LAB 65.25, 0.21, 44.88

 

CMYK 59 / 0 / 14 / 28

HEX #4BB89E

RGB 75 184 158

HSL 165.69, 0.43%, 0.51%

LAB 68.2, -37.47, 3.93

 

CMYK 58 / 56 / 0 / 28

HEX #4C51B7

RGB 76 81 183

HSL 237.2, 0.43%, 0.51%

LAB 39.31, 28.58, -54.85

 

CMYK 0 / 58 / 44 / 28

HEX #B74C67

RGB 183 76 103

HSL 344.86, 0.43%, 0.51%

LAB 47.26, 45.82, 6.54

 

CMYK 0 / 3 / 58 / 28

HEX #B7B24C

RGB 183 178 76

HSL 57.2, 0.43%, 0.51%

LAB 71.17, -11.45, 51.58

 

CMYK 59 / 0 / 14 / 28

HEX #4BB89E

RGB 75 184 158

HSL 165.69, 0.43%, 0.51%

LAB 68.2, -37.47, 3.93

 

CMYK 44 / 58 / 0 / 28

HEX #674CB7

RGB 103 76 183

HSL 255.14, 0.43%, 0.51%

LAB 40.36, 37.24, -53.04

 

CMYK 0 / 58 / 44 / 28

HEX #B74C67

RGB 183 76 103

HSL 344.86, 0.43%, 0.51%

LAB 47.26, 45.82, 6.54

 

CMYK 15 / 0 / 58 / 28

HEX #9CB74C

RGB 156 183 76

HSL 75.14, 0.43%, 0.51%

LAB 70.49, -25.17, 50.26

 

Description

Color code: HEX #4BB89E | qconv.com Color code: HEX #4BB89E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 184 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 184 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 14 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 14% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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