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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BBEEB it is the complementary color #B44114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BBEEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BBEEB shade: #50BEE6, #61D0F9, #72E2FF, #83F4FF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BBEEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BBEEB shade: #4BBEEB, #3AACD8, #299AC5, #1888B2 and #07769F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BBEEB shade: #4BBEEB, #4B93EB, #4B68EB, #5A4BEB and #854BEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BBEEB shade: #4BBEEB, #4B93EB, #4B68EB and #4B4BEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BBEEB shade matches the following richer shades: #4BBEEB and #3BC5FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BBEEB shade: #4BBEEB, #5CB7DB, #6CB0CA, #7CA9BA and #8CA2AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BBEEB shade: #4BEBC0, #4BEBEB, #4BC0EB, #4B96EB and #4B6BEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BBEEB shade: #169ACD, #26B0E6, #4BBEEB, #71CBEF and #96D9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BBEEB shade: #4BBEEB, #964BEB and #EBD54B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BBEEB shade: #4BBEEB, #EB4BC0 and #C0EB4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BBEEB shade: #4BBEEB, #964BEB, #EB764B and #A0EB4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BBEEB shade: #4BBEEB, #C54BEB, #EB764B and #71EB4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

Complementary color

CMYK 0 / 64 / 89 / 29

HEX #B44114

RGB 180 65 20

HSL 16.88, 0.8%, 0.39%

LAB 43.56, 44.78, 48.41

 

CMYK 65 / 17 / 0 / 10

HEX #50BEE6

RGB 80 190 230

HSL 196, 0.75%, 0.61%

LAB 72.39, -19.22, -29.2

 

CMYK 61 / 16 / 0 / 2

HEX #61D0F9

RGB 97 208 249

HSL 196.18, 0.93%, 0.68%

LAB 78.75, -19.9, -29.6

 

CMYK 55 / 11 / 0 / 0

HEX #72E2FF

RGB 114 226 255

HSL 192.34, 1%, 0.72%

LAB 84.58, -24.12, -23.83

 

CMYK 49 / 4 / 0 / 0

HEX #83F4FF

RGB 131 244 255

HSL 185.32, 1%, 0.76%

LAB 90.2, -29.43, -15.28

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 73 / 20 / 0 / 15

HEX #3AACD8

RGB 58 172 216

HSL 196.71, 0.67%, 0.54%

LAB 66.03, -17.39, -31.4

 

CMYK 79 / 22 / 0 / 23

HEX #299AC5

RGB 41 154 197

HSL 196.54, 0.66%, 0.47%

LAB 59.54, -16.07, -30.92

 

CMYK 87 / 24 / 0 / 30

HEX #1888B2

RGB 24 136 178

HSL 196.36, 0.76%, 0.4%

LAB 52.97, -14.37, -30.36

 

CMYK 96 / 26 / 0 / 38

HEX #07769F

RGB 7 118 159

HSL 196.18, 0.92%, 0.33%

LAB 46.32, -12.17, -29.71

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 68 / 37 / 0 / 8

HEX #4B93EB

RGB 75 147 235

HSL 213, 0.8%, 0.61%

LAB 60.21, 5.49, -50.99

 

CMYK 68 / 56 / 0 / 8

HEX #4B68EB

RGB 75 104 235

HSL 229.13, 0.8%, 0.61%

LAB 48.75, 31.78, -69.39

 

CMYK 62 / 68 / 0 / 8

HEX #5A4BEB

RGB 90 75 235

HSL 245.63, 0.8%, 0.61%

LAB 43.07, 51.12, -78.63

 

CMYK 43 / 68 / 0 / 8

HEX #854BEB

RGB 133 75 235

HSL 261.75, 0.8%, 0.61%

LAB 47, 57.89, -72.05

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 68 / 37 / 0 / 8

HEX #4B93EB

RGB 75 147 235

HSL 213, 0.8%, 0.61%

LAB 60.21, 5.49, -50.99

 

CMYK 68 / 56 / 0 / 8

HEX #4B68EB

RGB 75 104 235

HSL 229.13, 0.8%, 0.61%

LAB 48.75, 31.78, -69.39

 

CMYK 68 / 68 / 0 / 8

HEX #4B4BEB

RGB 75 75 235

HSL 240, 0.8%, 0.61%

LAB 42.04, 49.25, -80.36

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 76 / 22 / 0 / 2

HEX #3BC5FB

RGB 59 197 251

HSL 196.88, 0.96%, 0.61%

LAB 74.72, -18.89, -36.98

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 58 / 16 / 0 / 14

HEX #5CB7DB

RGB 92 183 219

HSL 197.01, 0.64%, 0.61%

LAB 70.36, -16.82, -26.3

 

CMYK 47 / 13 / 0 / 21

HEX #6CB0CA

RGB 108 176 202

HSL 196.6, 0.47%, 0.61%

LAB 68.39, -14.58, -19.92

 

CMYK 33 / 9 / 0 / 27

HEX #7CA9BA

RGB 124 169 186

HSL 196.45, 0.31%, 0.61%

LAB 66.68, -10.85, -13.57

 

CMYK 18 / 5 / 0 / 33

HEX #8CA2AA

RGB 140 162 170

HSL 196, 0.15%, 0.61%

LAB 65.21, -5.92, -6.73

 

CMYK 68 / 0 / 18 / 8

HEX #4BEBC0

RGB 75 235 192

HSL 163.88, 0.8%, 0.61%

LAB 84.34, -51.28, 8.9

 

CMYK 68 / 0 / 0 / 8

HEX #4BEBEB

RGB 75 235 235

HSL 180, 0.8%, 0.61%

LAB 85.46, -40.24, -12.07

 

CMYK 68 / 18 / 0 / 8

HEX #4BC0EB

RGB 75 192 235

HSL 196.13, 0.8%, 0.61%

LAB 73.02, -19.46, -30.95

 

CMYK 68 / 36 / 0 / 8

HEX #4B96EB

RGB 75 150 235

HSL 211.88, 0.8%, 0.61%

LAB 61.05, 3.73, -49.66

 

CMYK 68 / 54 / 0 / 8

HEX #4B6BEB

RGB 75 107 235

HSL 228, 0.8%, 0.61%

LAB 49.51, 29.92, -68.17

 

CMYK 89 / 25 / 0 / 20

HEX #169ACD

RGB 22 154 205

HSL 196.72, 0.81%, 0.45%

LAB 59.61, -14.74, -35.32

 

CMYK 83 / 23 / 0 / 10

HEX #26B0E6

RGB 38 176 230

HSL 196.88, 0.79%, 0.53%

LAB 67.41, -16.81, -36.98

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 53 / 15 / 0 / 6

HEX #71CBEF

RGB 113 203 239

HSL 197.14, 0.8%, 0.69%

LAB 77.55, -17.2, -26.04

 

CMYK 38 / 11 / 0 / 5

HEX #96D9F3

RGB 150 217 243

HSL 196.77, 0.79%, 0.77%

LAB 83.22, -14.67, -19.4

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 36 / 68 / 0 / 8

HEX #964BEB

RGB 150 75 235

HSL 268.13, 0.8%, 0.61%

LAB 48.9, 61.02, -68.87

 

CMYK 0 / 9 / 68 / 8

HEX #EBD54B

RGB 235 213 75

HSL 51.75, 0.8%, 0.61%

LAB 84.87, -7.49, 67.89

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 0 / 68 / 18 / 8

HEX #EB4BC0

RGB 235 75 192

HSL 316.13, 0.8%, 0.61%

LAB 58.51, 72.23, -28.41

 

CMYK 18 / 0 / 68 / 8

HEX #C0EB4B

RGB 192 235 75

HSL 76.13, 0.8%, 0.61%

LAB 87.55, -35.52, 69.57

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 36 / 68 / 0 / 8

HEX #964BEB

RGB 150 75 235

HSL 268.13, 0.8%, 0.61%

LAB 48.9, 61.02, -68.87

 

CMYK 0 / 50 / 68 / 8

HEX #EB764B

RGB 235 118 75

HSL 16.13, 0.8%, 0.61%

LAB 62.61, 42.01, 43.97

 

CMYK 32 / 0 / 68 / 8

HEX #A0EB4B

RGB 160 235 75

HSL 88.13, 0.8%, 0.61%

LAB 85.7, -47.32, 67.09

 

CMYK 68 / 19 / 0 / 8

HEX #4BBEEB

RGB 75 190 235

HSL 196.88, 0.8%, 0.61%

LAB 72.44, -18.42, -31.84

 

CMYK 16 / 68 / 0 / 8

HEX #C54BEB

RGB 197 75 235

HSL 285.75, 0.8%, 0.61%

LAB 54.97, 70.46, -58.77

 

CMYK 0 / 50 / 68 / 8

HEX #EB764B

RGB 235 118 75

HSL 16.13, 0.8%, 0.61%

LAB 62.61, 42.01, 43.97

 

CMYK 52 / 0 / 68 / 8

HEX #71EB4B

RGB 113 235 75

HSL 105.75, 0.8%, 0.61%

LAB 83.67, -61.96, 64.34

 

Description

Color code: HEX #4BBEEB | qconv.com Color code: HEX #4BBEEB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 190 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 190 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 19 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 19% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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