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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BC8F5 it is the complementary color #B4370A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BC8F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BC8F5 shade: #50C8F0, #61DAFF, #72ECFF, #83FEFF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BC8F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BC8F5 shade: #4BC8F5, #3AB6E2, #29A4CF, #1892BC and #0780A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BC8F5 shade: #4CC8F4, #4C9AF4, #4C6DF4, #594CF4 and #864CF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BC8F5 shade: #4CC8F4, #4C9AF4, #4C6DF4 and #4C4CF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BC8F5 shade matches the following richer shades: #4CC8F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BC8F5 shade: #4CC8F4, #5BC0E5, #6BB9D6, #7AB2C6 and #89ABB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BC8F5 shade: #4CF4C5, #4CF4F1, #4CCAF4, #4C9DF4 and #4C71F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BC8F5 shade: #0DA9E1, #25BCF2, #4CC8F4, #73D4F6 and #9AE0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BC8F5 shade: #4BC8F5, #984CF4 and #F4DB4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BC8F5 shade: #4BC8F5, #F44CCA and #CAF44C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BC8F5 shade: #4BC8F5, #984CF4, #F4764C and #A9F44C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BC8F5 shade: #4BC8F5, #CA4CF4, #F4764C and #76F44C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 18 / 0 / 4

HEX #4BC8F5

RGB 75 200 245

HSL 195.88, 0.89%, 0.63%

LAB 75.7, -20.44, -32.21

 

Complementary color

CMYK 0 / 69 / 94 / 29

HEX #B4370A

RGB 180 55 10

HSL 15.88, 0.89%, 0.37%

LAB 41.93, 48.88, 50.65

 

CMYK 67 / 17 / 0 / 6

HEX #50C8F0

RGB 80 200 240

HSL 195, 0.84%, 0.63%

LAB 75.64, -21.28, -29.6

 

CMYK 62 / 15 / 0 / 0

HEX #61DAFF

RGB 97 218 255

HSL 194.05, 1%, 0.69%

LAB 81.79, -23.18, -28.14

 

CMYK 55 / 7 / 0 / 0

HEX #72ECFF

RGB 114 236 255

HSL 188.09, 1%, 0.72%

LAB 87.38, -28.99, -19.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FEFF

RGB 131 254 255

HSL 180.48, 1%, 0.76%

LAB 92.98, -34.15, -11.12

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 69 / 18 / 0 / 4

HEX #4BC8F5

RGB 75 200 245

HSL 195.88, 0.89%, 0.63%

LAB 75.7, -20.44, -32.21

 

CMYK 74 / 19 / 0 / 11

HEX #3AB6E2

RGB 58 182 226

HSL 195.71, 0.74%, 0.56%

LAB 69.36, -19.37, -31.74

 

CMYK 80 / 21 / 0 / 19

HEX #29A4CF

RGB 41 164 207

HSL 195.54, 0.67%, 0.49%

LAB 62.95, -18.02, -31.22

 

CMYK 87 / 22 / 0 / 26

HEX #1892BC

RGB 24 146 188

HSL 195.37, 0.77%, 0.42%

LAB 56.47, -16.3, -30.62

 

CMYK 96 / 24 / 0 / 34

HEX #0780A9

RGB 7 128 169

HSL 195.19, 0.92%, 0.35%

LAB 49.92, -14.11, -29.94

 

CMYK 69 / 18 / 0 / 4

HEX #4CC8F4

RGB 76 200 244

HSL 195.71, 0.88%, 0.63%

LAB 75.69, -20.61, -31.69

 

CMYK 69 / 37 / 0 / 4

HEX #4C9AF4

RGB 76 154 244

HSL 212.14, 0.88%, 0.63%

LAB 62.66, 4.63, -52.06

 

CMYK 69 / 55 / 0 / 4

HEX #4C6DF4

RGB 76 109 244

HSL 228.21, 0.88%, 0.63%

LAB 50.69, 31.94, -71.27

 

CMYK 64 / 69 / 0 / 4

HEX #594CF4

RGB 89 76 244

HSL 244.64, 0.88%, 0.63%

LAB 43.98, 53.19, -82.2

 

CMYK 45 / 69 / 0 / 4

HEX #864CF4

RGB 134 76 244

HSL 260.71, 0.88%, 0.63%

LAB 47.97, 59.9, -75.52

 

CMYK 69 / 18 / 0 / 4

HEX #4CC8F4

RGB 76 200 244

HSL 195.71, 0.88%, 0.63%

LAB 75.69, -20.61, -31.69

 

CMYK 69 / 37 / 0 / 4

HEX #4C9AF4

RGB 76 154 244

HSL 212.14, 0.88%, 0.63%

LAB 62.66, 4.63, -52.06

 

CMYK 69 / 55 / 0 / 4

HEX #4C6DF4

RGB 76 109 244

HSL 228.21, 0.88%, 0.63%

LAB 50.69, 31.94, -71.27

 

CMYK 69 / 69 / 0 / 4

HEX #4C4CF4

RGB 76 76 244

HSL 240, 0.88%, 0.63%

LAB 43.12, 51.68, -83.65

 

CMYK 69 / 18 / 0 / 4

HEX #4CC8F4

RGB 76 200 244

HSL 195.71, 0.88%, 0.63%

LAB 75.69, -20.61, -31.69

 

CMYK 69 / 18 / 0 / 4

HEX #4CC8F4

RGB 76 200 244

HSL 195.71, 0.88%, 0.63%

LAB 75.69, -20.61, -31.69

 

CMYK 60 / 16 / 0 / 10

HEX #5BC0E5

RGB 91 192 229

HSL 196.09, 0.73%, 0.63%

LAB 73.27, -18.71, -27.27

 

CMYK 50 / 14 / 0 / 16

HEX #6BB9D6

RGB 107 185 214

HSL 196.26, 0.57%, 0.63%

LAB 71.34, -16.2, -22.02

 

CMYK 38 / 10 / 0 / 22

HEX #7AB2C6

RGB 122 178 198

HSL 195.79, 0.4%, 0.63%

LAB 69.51, -13.15, -15.95

 

CMYK 25 / 7 / 0 / 28

HEX #89ABB7

RGB 137 171 183

HSL 195.65, 0.24%, 0.63%

LAB 67.92, -8.79, -9.97

 

CMYK 69 / 0 / 19 / 4

HEX #4CF4C5

RGB 76 244 197

HSL 163.21, 0.88%, 0.63%

LAB 87.13, -53.64, 10.28

 

CMYK 69 / 0 / 1 / 4

HEX #4CF4F1

RGB 76 244 241

HSL 178.93, 0.88%, 0.63%

LAB 88.25, -42.51, -11.05

 

CMYK 69 / 17 / 0 / 4

HEX #4CCAF4

RGB 76 202 244

HSL 195, 0.88%, 0.63%

LAB 76.26, -21.63, -30.81

 

CMYK 69 / 36 / 0 / 4

HEX #4C9DF4

RGB 76 157 244

HSL 211.07, 0.88%, 0.63%

LAB 63.49, 2.88, -50.74

 

CMYK 69 / 54 / 0 / 4

HEX #4C71F4

RGB 76 113 244

HSL 226.79, 0.88%, 0.63%

LAB 51.7, 29.47, -69.64

 

CMYK 94 / 25 / 0 / 12

HEX #0DA9E1

RGB 13 169 225

HSL 195.85, 0.89%, 0.47%

LAB 64.88, -16.15, -38.2

 

CMYK 85 / 22 / 0 / 5

HEX #25BCF2

RGB 37 188 242

HSL 195.8, 0.89%, 0.55%

LAB 71.4, -19.11, -37.31

 

CMYK 69 / 18 / 0 / 4

HEX #4CC8F4

RGB 76 200 244

HSL 195.71, 0.88%, 0.63%

LAB 75.69, -20.61, -31.69

 

CMYK 53 / 14 / 0 / 4

HEX #73D4F6

RGB 115 212 246

HSL 195.57, 0.88%, 0.71%

LAB 80.4, -19.42, -25.43

 

CMYK 38 / 10 / 0 / 2

HEX #9AE0F9

RGB 154 224 249

HSL 195.79, 0.89%, 0.79%

LAB 85.51, -15.72, -19.09

 

CMYK 69 / 18 / 0 / 4

HEX #4BC8F5

RGB 75 200 245

HSL 195.88, 0.89%, 0.63%

LAB 75.7, -20.44, -32.21

 

CMYK 38 / 69 / 0 / 4

HEX #984CF4

RGB 152 76 244

HSL 267.14, 0.88%, 0.63%

LAB 49.95, 63.07, -72.21

 

CMYK 0 / 10 / 69 / 4

HEX #F4DB4C

RGB 244 219 76

HSL 51.07, 0.88%, 0.63%

LAB 87.2, -6.72, 70.11

 

CMYK 69 / 18 / 0 / 4

HEX #4BC8F5

RGB 75 200 245

HSL 195.88, 0.89%, 0.63%

LAB 75.7, -20.44, -32.21

 

CMYK 0 / 69 / 17 / 4

HEX #F44CCA

RGB 244 76 202

HSL 315, 0.88%, 0.63%

LAB 60.49, 75.43, -30.95

 

CMYK 17 / 0 / 69 / 4

HEX #CAF44C

RGB 202 244 76

HSL 75, 0.88%, 0.63%

LAB 90.68, -35.7, 72.58

 

CMYK 69 / 18 / 0 / 4

HEX #4BC8F5

RGB 75 200 245

HSL 195.88, 0.89%, 0.63%

LAB 75.7, -20.44, -32.21

 

CMYK 38 / 69 / 0 / 4

HEX #984CF4

RGB 152 76 244

HSL 267.14, 0.88%, 0.63%

LAB 49.95, 63.07, -72.21

 

CMYK 0 / 52 / 69 / 4

HEX #F4764C

RGB 244 118 76

HSL 15, 0.88%, 0.63%

LAB 63.93, 45.45, 45.3

 

CMYK 31 / 0 / 69 / 4

HEX #A9F44C

RGB 169 244 76

HSL 86.79, 0.88%, 0.63%

LAB 88.76, -47.88, 70.01

 

CMYK 69 / 18 / 0 / 4

HEX #4BC8F5

RGB 75 200 245

HSL 195.88, 0.89%, 0.63%

LAB 75.7, -20.44, -32.21

 

CMYK 17 / 69 / 0 / 4

HEX #CA4CF4

RGB 202 76 244

HSL 285, 0.88%, 0.63%

LAB 56.34, 72.81, -61.56

 

CMYK 0 / 52 / 69 / 4

HEX #F4764C

RGB 244 118 76

HSL 15, 0.88%, 0.63%

LAB 63.93, 45.45, 45.3

 

CMYK 52 / 0 / 69 / 4

HEX #76F44C

RGB 118 244 76

HSL 105, 0.88%, 0.63%

LAB 86.54, -63.81, 67.02

 

Description

Color code: HEX #4BC8F5 | qconv.com Color code: HEX #4BC8F5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 200 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 200 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 18 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 18% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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