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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BC34E it is the complementary color #B43CB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BC34E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BC34E shade: #50C349, #61D55C, #72E76F, #83F982 and #94FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BC34E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BC34E shade: #4BC34E, #3AB13B, #299F28, #188D15 and #077B02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BC34E shade: #4BC34E, #68C34B, #88C34B, #A9C34B and #C3BC4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BC34E shade: #4BC34E, #4BC36E, #4BC38E, #4BC3AF and #4BB6C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BC34E shade matches the following richer shades: #4BC34E, #37D63B, #24E929 and #11FD16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BC34E shade: #4BC34E, #5EAF60, #729C73, #858885 and #987597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BC34E shade: #89C34B, #69C34B, #4BC34D, #4BC36D and #4BC38D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BC34E shade: #2E8C31, #39AB3C, #4BC34E, #6ACD6C and #89D78B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BC34E shade: #4BC34E, #4BA9C3 and #C34B79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BC34E shade: #4BC34E, #4D4BC3 and #C34D4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BC34E shade: #4BC34E, #4BA9C3, #C34BC1 and #C3654B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BC34E shade: #4BC34E, #4B85C3, #C34BC1 and #C3894B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

Complementary color

CMYK 0 / 67 / 2 / 29

HEX #B43CB1

RGB 180 60 177

HSL 301.5, 0.5%, 0.47%

LAB 47.12, 62.11, -38.15

 

CMYK 59 / 0 / 63 / 24

HEX #50C349

RGB 80 195 73

HSL 116.56, 0.5%, 0.53%

LAB 70.33, -55.96, 50.38

 

CMYK 54 / 0 / 57 / 16

HEX #61D55C

RGB 97 213 92

HSL 117.52, 0.59%, 0.6%

LAB 76.62, -56.33, 49.25

 

CMYK 51 / 0 / 52 / 9

HEX #72E76F

RGB 114 231 111

HSL 118.5, 0.71%, 0.67%

LAB 82.85, -56.49, 48.03

 

CMYK 47 / 0 / 48 / 2

HEX #83F982

RGB 131 249 130

HSL 119.5, 0.91%, 0.74%

LAB 89.01, -56.51, 46.78

 

CMYK 42 / 0 / 42 / 0

HEX #94FF95

RGB 148 255 149

HSL 120.56, 1%, 0.79%

LAB 91.68, -51.56, 41.16

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 67 / 0 / 67 / 31

HEX #3AB13B

RGB 58 177 59

HSL 120.5, 0.51%, 0.46%

LAB 63.88, -55.84, 49.09

 

CMYK 74 / 0 / 75 / 38

HEX #299F28

RGB 41 159 40

HSL 119.5, 0.6%, 0.39%

LAB 57.48, -54.61, 49.78

 

CMYK 83 / 0 / 85 / 45

HEX #188D15

RGB 24 141 21

HSL 118.5, 0.74%, 0.32%

LAB 51.03, -52.61, 49.62

 

CMYK 94 / 0 / 98 / 52

HEX #077B02

RGB 7 123 2

HSL 117.52, 0.97%, 0.25%

LAB 44.54, -49.57, 48.13

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 47 / 0 / 62 / 24

HEX #68C34B

RGB 104 195 75

HSL 105.5, 0.5%, 0.53%

LAB 71.2, -49.25, 50.72

 

CMYK 30 / 0 / 62 / 24

HEX #88C34B

RGB 136 195 75

HSL 89.5, 0.5%, 0.53%

LAB 72.74, -38.56, 52.86

 

CMYK 13 / 0 / 62 / 24

HEX #A9C34B

RGB 169 195 75

HSL 73, 0.5%, 0.53%

LAB 74.81, -25.85, 55.72

 

CMYK 0 / 4 / 62 / 24

HEX #C3BC4B

RGB 195 188 75

HSL 56.5, 0.5%, 0.53%

LAB 74.87, -11.59, 56.37

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 62 / 0 / 44 / 24

HEX #4BC36E

RGB 75 195 110

HSL 137.5, 0.5%, 0.53%

LAB 70.63, -52.06, 32.97

 

CMYK 62 / 0 / 27 / 24

HEX #4BC38E

RGB 75 195 142

HSL 153.5, 0.5%, 0.53%

LAB 71.2, -45.97, 16.89

 

CMYK 62 / 0 / 10 / 24

HEX #4BC3AF

RGB 75 195 175

HSL 170, 0.5%, 0.53%

LAB 71.97, -38.18, 0.12

 

CMYK 62 / 7 / 0 / 24

HEX #4BB6C3

RGB 75 182 195

HSL 186.5, 0.5%, 0.53%

LAB 68.67, -26.52, -15.75

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 74 / 0 / 72 / 16

HEX #37D63B

RGB 55 214 59

HSL 121.51, 0.66%, 0.53%

LAB 75.59, -68.5, 61.37

 

CMYK 85 / 0 / 82 / 9

HEX #24E929

RGB 36 233 41

HSL 121.52, 0.82%, 0.53%

LAB 81.19, -77.48, 72.07

 

CMYK 93 / 0 / 91 / 1

HEX #11FD16

RGB 17 253 22

HSL 121.27, 0.98%, 0.53%

LAB 87.21, -84.77, 80.79

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 46 / 0 / 45 / 31

HEX #5EAF60

RGB 94 175 96

HSL 121.48, 0.34%, 0.53%

LAB 64.87, -41.32, 32.92

 

CMYK 27 / 0 / 26 / 39

HEX #729C73

RGB 114 156 115

HSL 121.43, 0.18%, 0.53%

LAB 60.42, -22.76, 16.97

 

CMYK 2 / 0 / 2 / 47

HEX #858885

RGB 133 136 133

HSL 120, 0.01%, 0.53%

LAB 56.38, -1.7, 1.21

 

CMYK 0 / 23 / 1 / 40

HEX #987597

RGB 152 117 151

HSL 301.71, 0.15%, 0.53%

LAB 53.63, 19.77, -13.11

 

CMYK 30 / 0 / 62 / 24

HEX #89C34B

RGB 137 195 75

HSL 89, 0.5%, 0.53%

LAB 72.8, -38.2, 52.94

 

CMYK 46 / 0 / 62 / 24

HEX #69C34B

RGB 105 195 75

HSL 105, 0.5%, 0.53%

LAB 71.24, -48.95, 50.77

 

CMYK 62 / 0 / 61 / 24

HEX #4BC34D

RGB 75 195 77

HSL 121, 0.5%, 0.53%

LAB 70.22, -56.68, 48.45

 

CMYK 62 / 0 / 44 / 24

HEX #4BC36D

RGB 75 195 109

HSL 137, 0.5%, 0.53%

LAB 70.62, -52.23, 33.46

 

CMYK 62 / 0 / 28 / 24

HEX #4BC38D

RGB 75 195 141

HSL 153, 0.5%, 0.53%

LAB 71.18, -46.18, 17.4

 

CMYK 67 / 0 / 65 / 45

HEX #2E8C31

RGB 46 140 49

HSL 121.91, 0.51%, 0.36%

LAB 51.33, -46.14, 39.57

 

CMYK 67 / 0 / 65 / 33

HEX #39AB3C

RGB 57 171 60

HSL 121.58, 0.5%, 0.45%

LAB 61.93, -53.83, 46.51

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 48 / 0 / 47 / 20

HEX #6ACD6C

RGB 106 205 108

HSL 121.21, 0.5%, 0.61%

LAB 74.7, -48.72, 39.37

 

CMYK 36 / 0 / 35 / 16

HEX #89D78B

RGB 137 215 139

HSL 121.54, 0.49%, 0.69%

LAB 79.49, -39.17, 30.13

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 62 / 13 / 0 / 24

HEX #4BA9C3

RGB 75 169 195

HSL 193, 0.5%, 0.53%

LAB 64.81, -19.89, -21.61

 

CMYK 0 / 62 / 38 / 24

HEX #C34B79

RGB 195 75 121

HSL 337, 0.5%, 0.53%

LAB 49.51, 52.17, -0.86

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 61 / 62 / 0 / 24

HEX #4D4BC3

RGB 77 75 195

HSL 241, 0.5%, 0.53%

LAB 38.81, 36.48, -62.68

 

CMYK 0 / 61 / 62 / 24

HEX #C34D4B

RGB 195 77 75

HSL 1, 0.5%, 0.53%

LAB 48.78, 47.12, 25.8

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 62 / 13 / 0 / 24

HEX #4BA9C3

RGB 75 169 195

HSL 193, 0.5%, 0.53%

LAB 64.81, -19.89, -21.61

 

CMYK 0 / 62 / 1 / 24

HEX #C34BC1

RGB 195 75 193

HSL 301, 0.5%, 0.53%

LAB 52.38, 62.43, -39.01

 

CMYK 0 / 48 / 62 / 24

HEX #C3654B

RGB 195 101 75

HSL 13, 0.5%, 0.53%

LAB 53.4, 35.23, 31.61

 

CMYK 62 / 0 / 60 / 24

HEX #4BC34E

RGB 75 195 78

HSL 121.5, 0.5%, 0.53%

LAB 70.23, -56.56, 48.01

 

CMYK 62 / 32 / 0 / 24

HEX #4B85C3

RGB 75 133 195

HSL 211, 0.5%, 0.53%

LAB 54.25, 0.14, -37.97

 

CMYK 0 / 62 / 1 / 24

HEX #C34BC1

RGB 195 75 193

HSL 301, 0.5%, 0.53%

LAB 52.38, 62.43, -39.01

 

CMYK 0 / 30 / 62 / 24

HEX #C3894B

RGB 195 137 75

HSL 31, 0.5%, 0.53%

LAB 61.66, 15.71, 41.53

 

Description

Color code: HEX #4BC34E | qconv.com Color code: HEX #4BC34E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 195 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 195 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 60 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 60% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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