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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BDB45 it is the complementary color #B424BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BDB45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BDB45 shade: #50DB40, #61ED53, #72FF66, #83FF79 and #94FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BDB45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BDB45 shade: #4BDB45, #3AC932, #29B71F, #18A50C and #079300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BDB45 shade: #48DB42, #71DB42, #9ADB42, #C4DB42 and #DBC842

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BDB45 shade: #48DB42, #42DB65, #42DB8E, #42DBB7 and #42D5DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BDB45 shade matches the following richer shades: #48DB42 and #37ED30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BDB45 shade: #48DB42, #59C854, #6AB666, #7AA478 and #8B928B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BDB45 shade: #9BDB42, #72DB42, #4ADB42, #42DB63 and #42DB8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BDB45 shade: #26AA20, #2DCD27, #48DB42, #6AE165 and #8BE887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BDB45 shade: #4BDB45, #42C4DB and #DB4287

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BDB45 shade: #4BDB45, #424ADB and #DB424A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BDB45 shade: #4BDB45, #42C4DB, #D342DB and #DB5942

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BDB45 shade: #4BDB45, #4296DB, #D342DB and #DB8742

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 68 / 14

HEX #4BDB45

RGB 75 219 69

HSL 117.6, 0.68%, 0.56%

LAB 77.63, -65.79, 59.92

 

Complementary color

CMYK 3 / 81 / 0 / 27

HEX #B424BA

RGB 180 36 186

HSL 297.6, 0.68%, 0.44%

LAB 44.96, 71.2, -46.87

 

CMYK 63 / 0 / 71 / 14

HEX #50DB40

RGB 80 219 64

HSL 113.81, 0.68%, 0.55%

LAB 77.72, -65.19, 61.93

 

CMYK 59 / 0 / 65 / 7

HEX #61ED53

RGB 97 237 83

HSL 114.55, 0.81%, 0.63%

LAB 83.83, -65.95, 61.25

 

CMYK 55 / 0 / 60 / 0

HEX #72FF66

RGB 114 255 102

HSL 115.29, 1%, 0.7%

LAB 89.89, -66.42, 60.3

 

CMYK 49 / 0 / 53 / 0

HEX #83FF79

RGB 131 255 121

HSL 115.52, 1%, 0.74%

LAB 90.65, -59.97, 52.98

 

CMYK 42 / 0 / 45 / 0

HEX #94FF8C

RGB 148 255 140

HSL 115.83, 1%, 0.77%

LAB 91.55, -52.81, 45.35

 

CMYK 66 / 0 / 68 / 14

HEX #4BDB45

RGB 75 219 69

HSL 117.6, 0.68%, 0.56%

LAB 77.63, -65.79, 59.92

 

CMYK 71 / 0 / 75 / 21

HEX #3AC932

RGB 58 201 50

HSL 116.82, 0.6%, 0.49%

LAB 71.49, -64.6, 60.38

 

CMYK 78 / 0 / 83 / 28

HEX #29B71F

RGB 41 183 31

HSL 116.05, 0.71%, 0.42%

LAB 65.31, -62.83, 60.11

 

CMYK 85 / 0 / 93 / 35

HEX #18A50C

RGB 24 165 12

HSL 115.29, 0.86%, 0.35%

LAB 59.1, -60.27, 58.57

 

CMYK 95 / 0 / 100 / 42

HEX #079300

RGB 7 147 0

HSL 117.14, 1%, 0.29%

LAB 52.85, -56.71, 55.23

 

CMYK 67 / 0 / 70 / 14

HEX #48DB42

RGB 72 219 66

HSL 117.65, 0.68%, 0.56%

LAB 77.54, -66.63, 60.94

 

CMYK 48 / 0 / 70 / 14

HEX #71DB42

RGB 113 219 66

HSL 101.57, 0.68%, 0.56%

LAB 78.79, -56.72, 62.63

 

CMYK 30 / 0 / 70 / 14

HEX #9ADB42

RGB 154 219 66

HSL 85.49, 0.68%, 0.56%

LAB 80.7, -43.23, 65.19

 

CMYK 11 / 0 / 70 / 14

HEX #C4DB42

RGB 196 219 66

HSL 69.02, 0.68%, 0.56%

LAB 83.33, -27.02, 68.69

 

CMYK 0 / 9 / 70 / 14

HEX #DBC842

RGB 219 200 66

HSL 52.55, 0.68%, 0.56%

LAB 80.05, -8.08, 66.04

 

CMYK 67 / 0 / 70 / 14

HEX #48DB42

RGB 72 219 66

HSL 117.65, 0.68%, 0.56%

LAB 77.54, -66.63, 60.94

 

CMYK 70 / 0 / 54 / 14

HEX #42DB65

RGB 66 219 101

HSL 133.73, 0.68%, 0.56%

LAB 77.73, -63.87, 46.21

 

CMYK 70 / 0 / 35 / 14

HEX #42DB8E

RGB 66 219 142

HSL 149.8, 0.68%, 0.56%

LAB 78.33, -57.1, 26.61

 

CMYK 70 / 0 / 16 / 14

HEX #42DBB7

RGB 66 219 183

HSL 165.88, 0.68%, 0.56%

LAB 79.18, -48.07, 6.23

 

CMYK 70 / 3 / 0 / 14

HEX #42D5DB

RGB 66 213 219

HSL 182.35, 0.68%, 0.56%

LAB 78.38, -35.82, -14.19

 

CMYK 67 / 0 / 70 / 14

HEX #48DB42

RGB 72 219 66

HSL 117.65, 0.68%, 0.56%

LAB 77.54, -66.63, 60.94

 

CMYK 77 / 0 / 80 / 7

HEX #37ED30

RGB 55 237 48

HSL 117.78, 0.84%, 0.56%

LAB 82.7, -76.16, 71.74

 

CMYK 67 / 0 / 70 / 14

HEX #48DB42

RGB 72 219 66

HSL 117.65, 0.68%, 0.56%

LAB 77.54, -66.63, 60.94

 

CMYK 56 / 0 / 58 / 22

HEX #59C854

RGB 89 200 84

HSL 117.41, 0.51%, 0.56%

LAB 72.28, -54.38, 47.76

 

CMYK 42 / 0 / 44 / 29

HEX #6AB666

RGB 106 182 102

HSL 117, 0.35%, 0.56%

LAB 67.64, -39.84, 33.46

 

CMYK 26 / 0 / 27 / 36

HEX #7AA478

RGB 122 164 120

HSL 117.27, 0.19%, 0.56%

LAB 63.38, -23.12, 18.35

 

CMYK 5 / 0 / 5 / 43

HEX #8B928B

RGB 139 146 139

HSL 120, 0.03%, 0.56%

LAB 59.81, -3.91, 2.82

 

CMYK 29 / 0 / 70 / 14

HEX #9BDB42

RGB 155 219 66

HSL 85.1, 0.68%, 0.56%

LAB 80.75, -42.87, 65.26

 

CMYK 48 / 0 / 70 / 14

HEX #72DB42

RGB 114 219 66

HSL 101.18, 0.68%, 0.56%

LAB 78.83, -56.43, 62.68

 

CMYK 66 / 0 / 70 / 14

HEX #4ADB42

RGB 74 219 66

HSL 116.86, 0.68%, 0.56%

LAB 77.59, -66.24, 61

 

CMYK 70 / 0 / 55 / 14

HEX #42DB63

RGB 66 219 99

HSL 132.94, 0.68%, 0.56%

LAB 77.71, -64.14, 47.11

 

CMYK 70 / 0 / 36 / 14

HEX #42DB8C

RGB 66 219 140

HSL 149.02, 0.68%, 0.56%

LAB 78.3, -57.48, 27.59

 

CMYK 78 / 0 / 81 / 33

HEX #26AA20

RGB 38 170 32

HSL 117.39, 0.68%, 0.4%

LAB 61.02, -59.18, 55.83

 

CMYK 78 / 0 / 81 / 20

HEX #2DCD27

RGB 45 205 39

HSL 117.83, 0.68%, 0.48%

LAB 72.47, -68.51, 64.6

 

CMYK 67 / 0 / 70 / 14

HEX #48DB42

RGB 72 219 66

HSL 117.65, 0.68%, 0.56%

LAB 77.54, -66.63, 60.94

 

CMYK 53 / 0 / 55 / 12

HEX #6AE165

RGB 106 225 101

HSL 117.58, 0.67%, 0.64%

LAB 80.66, -57.5, 49.97

 

CMYK 40 / 0 / 42 / 9

HEX #8BE887

RGB 139 232 135

HSL 117.53, 0.68%, 0.72%

LAB 84.46, -46.58, 38.66

 

CMYK 66 / 0 / 68 / 14

HEX #4BDB45

RGB 75 219 69

HSL 117.6, 0.68%, 0.56%

LAB 77.63, -65.79, 59.92

 

CMYK 70 / 11 / 0 / 14

HEX #42C4DB

RGB 66 196 219

HSL 189.02, 0.68%, 0.56%

LAB 73.38, -27.67, -21.74

 

CMYK 0 / 70 / 38 / 14

HEX #DB4287

RGB 219 66 135

HSL 332.94, 0.68%, 0.56%

LAB 52.63, 64.4, -4.22

 

CMYK 66 / 0 / 68 / 14

HEX #4BDB45

RGB 75 219 69

HSL 117.6, 0.68%, 0.56%

LAB 77.63, -65.79, 59.92

 

CMYK 70 / 66 / 0 / 14

HEX #424ADB

RGB 66 74 219

HSL 236.86, 0.68%, 0.56%

LAB 39.87, 43.55, -74.85

 

CMYK 0 / 70 / 66 / 14

HEX #DB424A

RGB 219 66 74

HSL 356.86, 0.68%, 0.56%

LAB 51.21, 59.57, 30.32

 

CMYK 66 / 0 / 68 / 14

HEX #4BDB45

RGB 75 219 69

HSL 117.6, 0.68%, 0.56%

LAB 77.63, -65.79, 59.92

 

CMYK 70 / 11 / 0 / 14

HEX #42C4DB

RGB 66 196 219

HSL 189.02, 0.68%, 0.56%

LAB 73.38, -27.67, -21.74

 

CMYK 4 / 70 / 0 / 14

HEX #D342DB

RGB 211 66 219

HSL 296.86, 0.68%, 0.56%

LAB 54.93, 73.9, -49.7

 

CMYK 0 / 59 / 70 / 14

HEX #DB5942

RGB 219 89 66

HSL 9.02, 0.68%, 0.56%

LAB 54.66, 49.58, 38.98

 

CMYK 66 / 0 / 68 / 14

HEX #4BDB45

RGB 75 219 69

HSL 117.6, 0.68%, 0.56%

LAB 77.63, -65.79, 59.92

 

CMYK 70 / 32 / 0 / 14

HEX #4296DB

RGB 66 150 219

HSL 207.06, 0.68%, 0.56%

LAB 59.97, -3.12, -42.51

 

CMYK 4 / 70 / 0 / 14

HEX #D342DB

RGB 211 66 219

HSL 296.86, 0.68%, 0.56%

LAB 54.93, 73.9, -49.7

 

CMYK 0 / 38 / 70 / 14

HEX #DB8742

RGB 219 135 66

HSL 27.06, 0.68%, 0.56%

LAB 63.98, 26.35, 49.4

 

Description

Color code: HEX #4BDB45 | qconv.com Color code: HEX #4BDB45 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 219 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 219 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 68 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 68% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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