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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BDBB9 it is the complementary color #B42446. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BDBB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BDBB9 shade: #50DBB4, #61EDC7, #72FFDA, #83FFED and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BDBB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BDBB9 shade: #4BDBB9, #3AC9A6, #29B793, #18A580 and #07936D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BDBB9 shade: #4CDBB9, #4CDB93, #4CDB6C, #52DB4C and #79DB4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BDBB9 shade: #4CDBB9, #4CD6DB, #4CB0DB, #4C89DB and #4C62DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BDBB9 shade matches the following richer shades: #4CDBB9, #3AECC2 and #29FECC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BDBB9 shade: #4CDBB9, #5DCAB0, #6EB8A7, #80A79E and #919695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BDBB9 shade: #4CDB6B, #4CDB91, #4CDBB7, #4CD9DB and #4CB2DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BDBB9 shade: #23B290, #29D4AC, #4CDBB9, #6EE2C7 and #91E9D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BDBB9 shade: #4BDBB9, #4C53DB and #DB7E4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BDBB9 shade: #4BDBB9, #B74CDB and #DBB74C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BDBB9 shade: #4BDBB9, #4C53DB, #DB4C70 and #DBD44C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BDBB9 shade: #4BDBB9, #704CDB, #DB4C70 and #B7DB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 16 / 14

HEX #4BDBB9

RGB 75 219 185

HSL 165.83, 0.67%, 0.58%

LAB 79.42, -46.25, 5.53

 

Complementary color

CMYK 0 / 80 / 61 / 29

HEX #B42446

RGB 180 36 70

HSL 345.83, 0.67%, 0.42%

LAB 40.26, 57.65, 17.21

 

CMYK 63 / 0 / 18 / 14

HEX #50DBB4

RGB 80 219 180

HSL 163.17, 0.66%, 0.59%

LAB 79.42, -46.62, 8.21

 

CMYK 59 / 0 / 16 / 7

HEX #61EDC7

RGB 97 237 199

HSL 163.71, 0.8%, 0.65%

LAB 85.62, -46.82, 7.14

 

CMYK 55 / 0 / 15 / 0

HEX #72FFDA

RGB 114 255 218

HSL 164.26, 1%, 0.72%

LAB 91.76, -46.92, 6.16

 

CMYK 49 / 0 / 7 / 0

HEX #83FFED

RGB 131 255 237

HSL 171.29, 1%, 0.76%

LAB 92.78, -38.98, -2.11

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 66 / 0 / 16 / 14

HEX #4BDBB9

RGB 75 219 185

HSL 165.83, 0.67%, 0.58%

LAB 79.42, -46.25, 5.53

 

CMYK 71 / 0 / 17 / 21

HEX #3AC9A6

RGB 58 201 166

HSL 165.31, 0.57%, 0.51%

LAB 73.17, -45.77, 6.68

 

CMYK 78 / 0 / 20 / 28

HEX #29B793

RGB 41 183 147

HSL 164.79, 0.63%, 0.44%

LAB 66.86, -45.06, 7.95

 

CMYK 85 / 0 / 22 / 35

HEX #18A580

RGB 24 165 128

HSL 164.26, 0.75%, 0.37%

LAB 60.48, -43.99, 9.37

 

CMYK 95 / 0 / 26 / 42

HEX #07936D

RGB 7 147 109

HSL 163.71, 0.91%, 0.3%

LAB 54.04, -42.45, 10.97

 

CMYK 65 / 0 / 16 / 14

HEX #4CDBB9

RGB 76 219 185

HSL 165.73, 0.67%, 0.58%

LAB 79.44, -46.09, 5.57

 

CMYK 65 / 0 / 33 / 14

HEX #4CDB93

RGB 76 219 147

HSL 149.79, 0.67%, 0.58%

LAB 78.64, -54.47, 24.47

 

CMYK 65 / 0 / 51 / 14

HEX #4CDB6C

RGB 76 219 108

HSL 133.43, 0.67%, 0.58%

LAB 78.04, -61.11, 43.31

 

CMYK 63 / 0 / 65 / 14

HEX #52DB4C

RGB 82 219 76

HSL 117.48, 0.67%, 0.58%

LAB 77.86, -63.71, 57.46

 

CMYK 45 / 0 / 65 / 14

HEX #79DB4C

RGB 121 219 76

HSL 101.12, 0.67%, 0.58%

LAB 79.18, -53.54, 59.28

 

CMYK 65 / 0 / 16 / 14

HEX #4CDBB9

RGB 76 219 185

HSL 165.73, 0.67%, 0.58%

LAB 79.44, -46.09, 5.57

 

CMYK 65 / 2 / 0 / 14

HEX #4CD6DB

RGB 76 214 219

HSL 182.1, 0.67%, 0.58%

LAB 78.89, -34.91, -13.4

 

CMYK 65 / 20 / 0 / 14

HEX #4CB0DB

RGB 76 176 219

HSL 198.04, 0.67%, 0.58%

LAB 67.8, -15.96, -30.28

 

CMYK 65 / 37 / 0 / 14

HEX #4C89DB

RGB 76 137 219

HSL 214.41, 0.67%, 0.58%

LAB 56.63, 6.08, -47.77

 

CMYK 65 / 55 / 0 / 14

HEX #4C62DB

RGB 76 98 219

HSL 230.77, 0.67%, 0.58%

LAB 46.16, 30.13, -64.56

 

CMYK 65 / 0 / 16 / 14

HEX #4CDBB9

RGB 76 219 185

HSL 165.73, 0.67%, 0.58%

LAB 79.44, -46.09, 5.57

 

CMYK 75 / 0 / 18 / 7

HEX #3AECC2

RGB 58 236 194

HSL 165.84, 0.82%, 0.58%

LAB 84.37, -53.39, 7.86

 

CMYK 84 / 0 / 20 / 0

HEX #29FECC

RGB 41 254 204

HSL 165.92, 0.99%, 0.58%

LAB 89.73, -59.62, 10.29

 

CMYK 65 / 0 / 16 / 14

HEX #4CDBB9

RGB 76 219 185

HSL 165.73, 0.67%, 0.58%

LAB 79.44, -46.09, 5.57

 

CMYK 54 / 0 / 13 / 21

HEX #5DCAB0

RGB 93 202 176

HSL 165.69, 0.51%, 0.58%

LAB 74.64, -37.59, 3.51

 

CMYK 40 / 0 / 9 / 28

HEX #6EB8A7

RGB 110 184 167

HSL 166.22, 0.34%, 0.58%

LAB 69.74, -27.1, 1.39

 

CMYK 23 / 0 / 5 / 35

HEX #80A79E

RGB 128 167 158

HSL 166.15, 0.18%, 0.58%

LAB 65.51, -15.15, 0.32

 

CMYK 3 / 0 / 1 / 41

HEX #919695

RGB 145 150 149

HSL 168, 0.02%, 0.58%

LAB 61.66, -2, -0.11

 

CMYK 65 / 0 / 51 / 14

HEX #4CDB6B

RGB 76 219 107

HSL 133.01, 0.67%, 0.58%

LAB 78.03, -61.25, 43.78

 

CMYK 65 / 0 / 34 / 14

HEX #4CDB91

RGB 76 219 145

HSL 148.95, 0.67%, 0.58%

LAB 78.6, -54.86, 25.46

 

CMYK 65 / 0 / 16 / 14

HEX #4CDBB7

RGB 76 219 183

HSL 164.9, 0.67%, 0.58%

LAB 79.4, -46.57, 6.57

 

CMYK 65 / 1 / 0 / 14

HEX #4CD9DB

RGB 76 217 219

HSL 180.84, 0.67%, 0.58%

LAB 79.77, -36.31, -12.09

 

CMYK 65 / 19 / 0 / 14

HEX #4CB2DB

RGB 76 178 219

HSL 197.2, 0.67%, 0.58%

LAB 68.38, -17.02, -29.38

 

CMYK 80 / 0 / 19 / 30

HEX #23B290

RGB 35 178 144

HSL 165.73, 0.67%, 0.42%

LAB 65.13, -44.35, 7.12

 

CMYK 81 / 0 / 19 / 17

HEX #29D4AC

RGB 41 212 172

HSL 165.96, 0.68%, 0.5%

LAB 76.4, -50.78, 8.05

 

CMYK 65 / 0 / 16 / 14

HEX #4CDBB9

RGB 76 219 185

HSL 165.73, 0.67%, 0.58%

LAB 79.44, -46.09, 5.57

 

CMYK 51 / 0 / 12 / 11

HEX #6EE2C7

RGB 110 226 199

HSL 166.03, 0.67%, 0.66%

LAB 82.82, -39.36, 3.16

 

CMYK 38 / 0 / 9 / 9

HEX #91E9D4

RGB 145 233 212

HSL 165.68, 0.67%, 0.74%

LAB 86.53, -31.17, 1.86

 

CMYK 66 / 0 / 16 / 14

HEX #4BDBB9

RGB 75 219 185

HSL 165.83, 0.67%, 0.58%

LAB 79.42, -46.25, 5.53

 

CMYK 65 / 62 / 0 / 14

HEX #4C53DB

RGB 76 83 219

HSL 237.06, 0.67%, 0.58%

LAB 42.52, 39.4, -70.48

 

CMYK 0 / 42 / 65 / 14

HEX #DB7E4C

RGB 219 126 76

HSL 20.98, 0.67%, 0.58%

LAB 62.09, 31.69, 42.27

 

CMYK 66 / 0 / 16 / 14

HEX #4BDBB9

RGB 75 219 185

HSL 165.83, 0.67%, 0.58%

LAB 79.42, -46.25, 5.53

 

CMYK 16 / 65 / 0 / 14

HEX #B74CDB

RGB 183 76 219

HSL 284.9, 0.67%, 0.58%

LAB 52.23, 63.94, -54.24

 

CMYK 0 / 16 / 65 / 14

HEX #DBB74C

RGB 219 183 76

HSL 44.9, 0.67%, 0.58%

LAB 75.73, 1.26, 57.5

 

CMYK 66 / 0 / 16 / 14

HEX #4BDBB9

RGB 75 219 185

HSL 165.83, 0.67%, 0.58%

LAB 79.42, -46.25, 5.53

 

CMYK 65 / 62 / 0 / 14

HEX #4C53DB

RGB 76 83 219

HSL 237.06, 0.67%, 0.58%

LAB 42.52, 39.4, -70.48

 

CMYK 0 / 65 / 49 / 14

HEX #DB4C70

RGB 219 76 112

HSL 344.9, 0.67%, 0.58%

LAB 53.38, 58.37, 10.62

 

CMYK 0 / 3 / 65 / 14

HEX #DBD44C

RGB 219 212 76

HSL 57.06, 0.67%, 0.58%

LAB 83.27, -13.61, 65.43

 

CMYK 66 / 0 / 16 / 14

HEX #4BDBB9

RGB 75 219 185

HSL 165.83, 0.67%, 0.58%

LAB 79.42, -46.25, 5.53

 

CMYK 49 / 65 / 0 / 14

HEX #704CDB

RGB 112 76 219

HSL 255.1, 0.67%, 0.58%

LAB 43.84, 49.31, -68.2

 

CMYK 0 / 65 / 49 / 14

HEX #DB4C70

RGB 219 76 112

HSL 344.9, 0.67%, 0.58%

LAB 53.38, 58.37, 10.62

 

CMYK 16 / 0 / 65 / 14

HEX #B7DB4C

RGB 183 219 76

HSL 75.1, 0.67%, 0.58%

LAB 82.51, -31.6, 63.81

 

Description

Color code: HEX #4BDBB9 | qconv.com Color code: HEX #4BDBB9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 219 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 219 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 16 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 16% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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