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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BDC3B it is the complementary color #B423C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BDC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BDC3B shade: #50DC36, #61EE49, #72FF5C, #83FF6F and #94FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BDC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BDC3B shade: #4BDC3B, #3ACA28, #29B815, #18A602 and #079400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BDC3B shade: #4BDC3B, #77DC3B, #A2DC3B, #CDDC3B and #DCBF3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BDC3B shade: #4BDC3B, #3BDC57, #3BDC82, #3BDCAD and #3BDCD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BDC3B shade matches the following richer shades: #4BDC3B and #3DEF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BDC3B shade: #4BDC3B, #5ACA4E, #69B761, #78A473 and #879286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BDC3B shade: #A1DC3B, #76DC3B, #4BDC3B, #3BDC56 and #3BDC81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BDC3B shade: #2BA81D, #34CB23, #4BDC3B, #6CE25E and #8CE882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BDC3B shade: #4BDC3B, #3BCCDC and #DC3B8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BDC3B shade: #4BDC3B, #3B4BDC and #DC3B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BDC3B shade: #4BDC3B, #3BCCDC, #CC3BDC and #DC4B3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BDC3B shade: #4BDC3B, #3B9CDC, #CC3BDC and #DC7C3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

Complementary color

CMYK 8 / 82 / 0 / 23

HEX #B423C4

RGB 180 35 196

HSL 294.04, 0.7%, 0.45%

LAB 45.48, 73.08, -51.86

 

CMYK 64 / 0 / 75 / 14

HEX #50DC36

RGB 80 220 54

HSL 110.6, 0.7%, 0.54%

LAB 77.97, -66.25, 65.62

 

CMYK 59 / 0 / 69 / 7

HEX #61EE49

RGB 97 238 73

HSL 111.27, 0.83%, 0.61%

LAB 84.05, -67.16, 65.33

 

CMYK 55 / 0 / 64 / 0

HEX #72FF5C

RGB 114 255 92

HSL 111.9, 1%, 0.68%

LAB 89.8, -67.4, 64.32

 

CMYK 49 / 0 / 56 / 0

HEX #83FF6F

RGB 131 255 111

HSL 111.67, 1%, 0.72%

LAB 90.55, -61.12, 57.33

 

CMYK 42 / 0 / 49 / 0

HEX #94FF82

RGB 148 255 130

HSL 111.36, 1%, 0.75%

LAB 91.43, -54.11, 49.92

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 71 / 0 / 80 / 21

HEX #3ACA28

RGB 58 202 40

HSL 113.33, 0.67%, 0.47%

LAB 71.75, -65.55, 63.73

 

CMYK 78 / 0 / 89 / 28

HEX #29B815

RGB 41 184 21

HSL 112.64, 0.8%, 0.4%

LAB 65.6, -63.57, 62.64

 

CMYK 86 / 0 / 99 / 35

HEX #18A602

RGB 24 166 2

HSL 111.95, 0.98%, 0.33%

LAB 59.41, -60.83, 60.25

 

CMYK 95 / 0 / 100 / 42

HEX #079400

RGB 7 148 0

HSL 117.16, 1%, 0.29%

LAB 53.19, -57, 55.5

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 46 / 0 / 73 / 14

HEX #77DC3B

RGB 119 220 59

HSL 97.64, 0.7%, 0.55%

LAB 79.28, -55.81, 65.69

 

CMYK 26 / 0 / 73 / 14

HEX #A2DC3B

RGB 162 220 59

HSL 81.61, 0.7%, 0.55%

LAB 81.39, -41.14, 68.47

 

CMYK 7 / 0 / 73 / 14

HEX #CDDC3B

RGB 205 220 59

HSL 65.59, 0.7%, 0.55%

LAB 84.22, -24.18, 72.16

 

CMYK 0 / 13 / 73 / 14

HEX #DCBF3B

RGB 220 191 59

HSL 49.19, 0.7%, 0.55%

LAB 77.75, -3.36, 66.43

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 73 / 0 / 60 / 14

HEX #3BDC57

RGB 59 220 87

HSL 130.43, 0.7%, 0.55%

LAB 77.76, -67.08, 52.55

 

CMYK 73 / 0 / 41 / 14

HEX #3BDC82

RGB 59 220 130

HSL 146.46, 0.7%, 0.55%

LAB 78.3, -60.73, 32.69

 

CMYK 73 / 0 / 21 / 14

HEX #3BDCAD

RGB 59 220 173

HSL 162.48, 0.7%, 0.55%

LAB 79.12, -51.82, 11.43

 

CMYK 73 / 0 / 1 / 14

HEX #3BDCD9

RGB 59 220 217

HSL 178.88, 0.7%, 0.55%

LAB 80.25, -40.42, -10.34

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 74 / 0 / 83 / 6

HEX #3DEF29

RGB 61 239 41

HSL 113.94, 0.86%, 0.55%

LAB 83.38, -76.27, 74.18

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 55 / 0 / 61 / 21

HEX #5ACA4E

RGB 90 202 78

HSL 114.19, 0.54%, 0.55%

LAB 72.87, -55.54, 51.14

 

CMYK 43 / 0 / 47 / 28

HEX #69B761

RGB 105 183 97

HSL 114.42, 0.37%, 0.55%

LAB 67.82, -41.3, 36.24

 

CMYK 27 / 0 / 30 / 36

HEX #78A473

RGB 120 164 115

HSL 113.88, 0.21%, 0.55%

LAB 63.16, -24.68, 20.78

 

CMYK 8 / 0 / 8 / 43

HEX #879286

RGB 135 146 134

HSL 115, 0.05%, 0.55%

LAB 59.37, -6.34, 4.99

 

CMYK 27 / 0 / 73 / 14

HEX #A1DC3B

RGB 161 220 59

HSL 81.99, 0.7%, 0.55%

LAB 81.34, -41.51, 68.4

 

CMYK 46 / 0 / 73 / 14

HEX #76DC3B

RGB 118 220 59

HSL 98.01, 0.7%, 0.55%

LAB 79.24, -56.11, 65.64

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 73 / 0 / 61 / 14

HEX #3BDC56

RGB 59 220 86

HSL 130.06, 0.7%, 0.55%

LAB 77.75, -67.19, 52.98

 

CMYK 73 / 0 / 41 / 14

HEX #3BDC81

RGB 59 220 129

HSL 146.09, 0.7%, 0.55%

LAB 78.29, -60.91, 33.18

 

CMYK 74 / 0 / 83 / 34

HEX #2BA81D

RGB 43 168 29

HSL 113.96, 0.71%, 0.39%

LAB 60.43, -57.94, 56.18

 

CMYK 74 / 0 / 83 / 20

HEX #34CB23

RGB 52 203 35

HSL 113.93, 0.71%, 0.47%

LAB 71.94, -67.11, 65.2

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 52 / 0 / 58 / 11

HEX #6CE25E

RGB 108 226 94

HSL 113.64, 0.69%, 0.63%

LAB 80.95, -58.16, 53.48

 

CMYK 40 / 0 / 44 / 9

HEX #8CE882

RGB 140 232 130

HSL 114.12, 0.69%, 0.71%

LAB 84.43, -46.99, 41.1

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 73 / 7 / 0 / 14

HEX #3BCCDC

RGB 59 204 220

HSL 185.96, 0.7%, 0.55%

LAB 75.63, -32.13, -18.89

 

CMYK 0 / 73 / 36 / 14

HEX #DC3B8C

RGB 220 59 140

HSL 329.81, 0.7%, 0.55%

LAB 52.1, 67.58, -7.96

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 73 / 66 / 0 / 14

HEX #3B4BDC

RGB 59 75 220

HSL 234.04, 0.7%, 0.55%

LAB 39.8, 42.52, -75.54

 

CMYK 0 / 73 / 66 / 14

HEX #DC3B4B

RGB 220 59 75

HSL 354.04, 0.7%, 0.55%

LAB 50.51, 62.4, 28.9

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 73 / 7 / 0 / 14

HEX #3BCCDC

RGB 59 204 220

HSL 185.96, 0.7%, 0.55%

LAB 75.63, -32.13, -18.89

 

CMYK 7 / 73 / 0 / 14

HEX #CC3BDC

RGB 204 59 220

HSL 294.04, 0.7%, 0.55%

LAB 53.09, 74.94, -53.25

 

CMYK 0 / 66 / 73 / 14

HEX #DC4B3B

RGB 220 75 59

HSL 5.96, 0.7%, 0.55%

LAB 52.47, 55.66, 40.38

 

CMYK 66 / 0 / 73 / 14

HEX #4BDC3B

RGB 75 220 59

HSL 114.04, 0.7%, 0.55%

LAB 77.87, -66.93, 63.82

 

CMYK 73 / 29 / 0 / 14

HEX #3B9CDC

RGB 59 156 220

HSL 203.85, 0.7%, 0.55%

LAB 61.55, -7.15, -40.6

 

CMYK 7 / 73 / 0 / 14

HEX #CC3BDC

RGB 204 59 220

HSL 294.04, 0.7%, 0.55%

LAB 53.09, 74.94, -53.25

 

CMYK 0 / 44 / 73 / 14

HEX #DC7C3B

RGB 220 124 59

HSL 24.22, 0.7%, 0.55%

LAB 61.61, 32.24, 50.25

 

Description

Color code: HEX #4BDC3B | qconv.com Color code: HEX #4BDC3B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 220 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 220 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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