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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BDE6F it is the complementary color #B42190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BDE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BDE6F shade: #50DE6A, #61F07D, #72FF90, #83FFA3 and #94FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BDE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BDE6F shade: #4BDE6F, #3ACC5C, #29BA49, #18A836 and #079623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BDE6F shade: #4ADD6E, #4DDD4A, #75DD4A, #9DDD4A and #C5DD4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BDE6F shade: #4ADD6E, #4ADD96, #4ADDBD, #4AD5DD and #4AADDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BDE6F shade matches the following richer shades: #4ADD6E and #38EF65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BDE6F shade: #4ADD6E, #5BCC77, #6CBB7F, #7DA988 and #8F9891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BDE6F shade: #76DD4A, #4EDD4A, #4ADD6C, #4ADD93 and #4ADDBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BDE6F shade: #21B445, #27D752, #4ADD6E, #6CE48A and #8FEAA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BDE6F shade: #4BDE6F, #4A9DDD and #DD4A62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BDE6F shade: #4BDE6F, #6C4ADD and #DD6C4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BDE6F shade: #4BDE6F, #4A9DDD, #DD4ABB and #DD8A4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BDE6F shade: #4BDE6F, #4A71DD, #DD4ABB and #DDB64A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 50 / 13

HEX #4BDE6F

RGB 75 222 111

HSL 134.69, 0.69%, 0.58%

LAB 78.98, -61.93, 43.02

 

Complementary color

CMYK 0 / 82 / 20 / 29

HEX #B42190

RGB 180 33 144

HSL 314.69, 0.69%, 0.42%

LAB 42.47, 65.76, -25.72

 

CMYK 64 / 0 / 52 / 13

HEX #50DE6A

RGB 80 222 106

HSL 130.99, 0.68%, 0.59%

LAB 79.03, -61.68, 45.5

 

CMYK 60 / 0 / 48 / 6

HEX #61F07D

RGB 97 240 125

HSL 131.75, 0.83%, 0.66%

LAB 85.17, -62.04, 44.13

 

CMYK 55 / 0 / 44 / 0

HEX #72FF90

RGB 114 255 144

HSL 132.77, 1%, 0.72%

LAB 90.37, -61.07, 41.66

 

CMYK 49 / 0 / 36 / 0

HEX #83FFA3

RGB 131 255 163

HSL 135.48, 1%, 0.76%

LAB 91.23, -53.96, 33.55

 

CMYK 42 / 0 / 29 / 0

HEX #94FFB6

RGB 148 255 182

HSL 139.07, 1%, 0.79%

LAB 92.22, -46.25, 25.44

 

CMYK 66 / 0 / 50 / 13

HEX #4BDE6F

RGB 75 222 111

HSL 134.69, 0.69%, 0.58%

LAB 78.98, -61.93, 43.02

 

CMYK 72 / 0 / 55 / 20

HEX #3ACC5C

RGB 58 204 92

HSL 133.97, 0.59%, 0.51%

LAB 72.8, -61.24, 44.46

 

CMYK 78 / 0 / 61 / 27

HEX #29BA49

RGB 41 186 73

HSL 133.24, 0.64%, 0.45%

LAB 66.57, -60.14, 45.87

 

CMYK 86 / 0 / 68 / 34

HEX #18A836

RGB 24 168 54

HSL 132.5, 0.75%, 0.38%

LAB 60.31, -58.44, 47.13

 

CMYK 95 / 0 / 77 / 41

HEX #079623

RGB 7 150 35

HSL 131.75, 0.91%, 0.31%

LAB 54, -55.91, 47.96

 

CMYK 67 / 0 / 50 / 13

HEX #4ADD6E

RGB 74 221 110

HSL 134.69, 0.68%, 0.58%

LAB 78.63, -61.91, 43.07

 

CMYK 65 / 0 / 67 / 13

HEX #4DDD4A

RGB 77 221 74

HSL 118.78, 0.68%, 0.58%

LAB 78.34, -65.61, 58.74

 

CMYK 47 / 0 / 67 / 13

HEX #75DD4A

RGB 117 221 74

HSL 102.45, 0.68%, 0.58%

LAB 79.61, -55.68, 60.48

 

CMYK 29 / 0 / 67 / 13

HEX #9DDD4A

RGB 157 221 74

HSL 86.12, 0.68%, 0.58%

LAB 81.5, -42.47, 63.05

 

CMYK 11 / 0 / 67 / 13

HEX #C5DD4A

RGB 197 221 74

HSL 69.8, 0.68%, 0.58%

LAB 84.01, -27.12, 66.44

 

CMYK 67 / 0 / 50 / 13

HEX #4ADD6E

RGB 74 221 110

HSL 134.69, 0.68%, 0.58%

LAB 78.63, -61.91, 43.07

 

CMYK 67 / 0 / 32 / 13

HEX #4ADD96

RGB 74 221 150

HSL 151.02, 0.68%, 0.58%

LAB 79.25, -55, 23.74

 

CMYK 67 / 0 / 14 / 13

HEX #4ADDBD

RGB 74 221 189

HSL 166.94, 0.68%, 0.58%

LAB 80.09, -46.28, 4.37

 

CMYK 67 / 4 / 0 / 13

HEX #4AD5DD

RGB 74 213 221

HSL 183.27, 0.68%, 0.58%

LAB 78.62, -34.17, -14.89

 

CMYK 67 / 22 / 0 / 13

HEX #4AADDD

RGB 74 173 221

HSL 199.59, 0.68%, 0.58%

LAB 66.95, -14.03, -32.7

 

CMYK 67 / 0 / 50 / 13

HEX #4ADD6E

RGB 74 221 110

HSL 134.69, 0.68%, 0.58%

LAB 78.63, -61.91, 43.07

 

CMYK 77 / 0 / 58 / 6

HEX #38EF65

RGB 56 239 101

HSL 134.75, 0.85%, 0.58%

LAB 83.71, -71.93, 53.27

 

CMYK 67 / 0 / 50 / 13

HEX #4ADD6E

RGB 74 221 110

HSL 134.69, 0.68%, 0.58%

LAB 78.63, -61.91, 43.07

 

CMYK 55 / 0 / 42 / 20

HEX #5BCC77

RGB 91 204 119

HSL 134.87, 0.53%, 0.58%

LAB 74.02, -50.51, 32.85

 

CMYK 42 / 0 / 32 / 27

HEX #6CBB7F

RGB 108 187 127

HSL 134.43, 0.37%, 0.58%

LAB 69.66, -37.36, 22.99

 

CMYK 26 / 0 / 20 / 34

HEX #7DA988

RGB 125 169 136

HSL 135, 0.2%, 0.58%

LAB 65.37, -21.68, 12.31

 

CMYK 6 / 0 / 5 / 40

HEX #8F9891

RGB 143 152 145

HSL 133.33, 0.04%, 0.58%

LAB 61.95, -4.61, 2.56

 

CMYK 47 / 0 / 67 / 13

HEX #76DD4A

RGB 118 221 74

HSL 102.04, 0.68%, 0.58%

LAB 79.65, -55.39, 60.53

 

CMYK 65 / 0 / 67 / 13

HEX #4EDD4A

RGB 78 221 74

HSL 118.37, 0.68%, 0.58%

LAB 78.36, -65.41, 58.77

 

CMYK 67 / 0 / 51 / 13

HEX #4ADD6C

RGB 74 221 108

HSL 133.88, 0.68%, 0.58%

LAB 78.61, -62.19, 44

 

CMYK 67 / 0 / 33 / 13

HEX #4ADD93

RGB 74 221 147

HSL 149.8, 0.68%, 0.58%

LAB 79.2, -55.59, 25.22

 

CMYK 67 / 0 / 15 / 13

HEX #4ADDBB

RGB 74 221 187

HSL 166.12, 0.68%, 0.58%

LAB 80.04, -46.77, 5.36

 

CMYK 82 / 0 / 62 / 29

HEX #21B445

RGB 33 180 69

HSL 134.69, 0.69%, 0.42%

LAB 64.48, -59.64, 45.26

 

CMYK 82 / 0 / 62 / 16

HEX #27D752

RGB 39 215 82

HSL 134.66, 0.69%, 0.5%

LAB 75.85, -68.6, 52.47

 

CMYK 67 / 0 / 50 / 13

HEX #4ADD6E

RGB 74 221 110

HSL 134.69, 0.68%, 0.58%

LAB 78.63, -61.91, 43.07

 

CMYK 53 / 0 / 39 / 11

HEX #6CE48A

RGB 108 228 138

HSL 135, 0.69%, 0.66%

LAB 82.11, -52.91, 33.88

 

CMYK 39 / 0 / 29 / 8

HEX #8FEAA5

RGB 143 234 165

HSL 134.51, 0.68%, 0.74%

LAB 85.71, -41.49, 25.18

 

CMYK 66 / 0 / 50 / 13

HEX #4BDE6F

RGB 75 222 111

HSL 134.69, 0.69%, 0.58%

LAB 78.98, -61.93, 43.02

 

CMYK 67 / 29 / 0 / 13

HEX #4A9DDD

RGB 74 157 221

HSL 206.12, 0.68%, 0.58%

LAB 62.33, -5.21, -39.9

 

CMYK 0 / 67 / 56 / 13

HEX #DD4A62

RGB 221 74 98

HSL 350.2, 0.68%, 0.58%

LAB 53.11, 58.66, 18.65

 

CMYK 66 / 0 / 50 / 13

HEX #4BDE6F

RGB 75 222 111

HSL 134.69, 0.69%, 0.58%

LAB 78.98, -61.93, 43.02

 

CMYK 51 / 67 / 0 / 13

HEX #6C4ADD

RGB 108 74 221

HSL 253.88, 0.68%, 0.58%

LAB 43.22, 50.26, -70.37

 

CMYK 0 / 51 / 67 / 13

HEX #DD6C4A

RGB 221 108 74

HSL 13.88, 0.68%, 0.58%

LAB 58.59, 41.63, 39.31

 

CMYK 66 / 0 / 50 / 13

HEX #4BDE6F

RGB 75 222 111

HSL 134.69, 0.69%, 0.58%

LAB 78.98, -61.93, 43.02

 

CMYK 67 / 29 / 0 / 13

HEX #4A9DDD

RGB 74 157 221

HSL 206.12, 0.68%, 0.58%

LAB 62.33, -5.21, -39.9

 

CMYK 0 / 67 / 15 / 13

HEX #DD4ABB

RGB 221 74 187

HSL 313.88, 0.68%, 0.58%

LAB 55.94, 68.41, -29.68

 

CMYK 0 / 38 / 67 / 13

HEX #DD8A4A

RGB 221 138 74

HSL 26.12, 0.68%, 0.58%

LAB 65, 26.02, 46.69

 

CMYK 66 / 0 / 50 / 13

HEX #4BDE6F

RGB 75 222 111

HSL 134.69, 0.69%, 0.58%

LAB 78.98, -61.93, 43.02

 

CMYK 67 / 49 / 0 / 13

HEX #4A71DD

RGB 74 113 221

HSL 224.08, 0.68%, 0.58%

LAB 50.08, 21.14, -59.36

 

CMYK 0 / 67 / 15 / 13

HEX #DD4ABB

RGB 221 74 187

HSL 313.88, 0.68%, 0.58%

LAB 55.94, 68.41, -29.68

 

CMYK 0 / 18 / 67 / 13

HEX #DDB64A

RGB 221 182 74

HSL 44.08, 0.68%, 0.58%

LAB 75.65, 2.52, 58.34

 

Description

Color code: HEX #4BDE6F | qconv.com Color code: HEX #4BDE6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 222 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 222 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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