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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE5F1 it is the complementary color #B41A0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE5F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE5F1 shade: #50E5EC, #61F7FF, #72FFFF, #83FFFF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE5F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE5F1 shade: #4BE5F1, #3AD3DE, #29C1CB, #18AFB8 and #079DA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE5F1 shade: #4AE5F1, #4AB8F1, #4A8BF1, #4A5EF1 and #634AF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE5F1 shade: #4AE5F1, #4AB8F1, #4A8BF1, #4A5EF1 and #4A4AF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE5F1 shade matches the following richer shades: #4AE5F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE5F1 shade: #4AE5F1, #5AD7E1, #6ACAD2, #79BDC2 and #89AFB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE5F1 shade: #4AF1A3, #4AF1D0, #4AE6F1, #4AB9F1 and #4A8DF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE5F1 shade: #10CAD9, #24DFEE, #4AE5F1, #71EAF4 and #97F0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE5F1 shade: #4BE5F1, #774AF1 and #F1B94A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE5F1 shade: #4BE5F1, #F14AE6 and #E6F14A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE5F1 shade: #4BE5F1, #774AF1, #F1554A and #C4F14A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE5F1 shade: #4BE5F1, #A94AF1, #F1554A and #92F14A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 5 / 0 / 5

HEX #4BE5F1

RGB 75 229 241

HSL 184.34, 0.86%, 0.62%

LAB 83.91, -35.81, -17.56

 

Complementary color

CMYK 0 / 86 / 92 / 29

HEX #B41A0E

RGB 180 26 14

HSL 4.34, 0.86%, 0.38%

LAB 38.68, 58.05, 47.18

 

CMYK 66 / 3 / 0 / 7

HEX #50E5EC

RGB 80 229 236

HSL 182.69, 0.8%, 0.62%

LAB 83.86, -36.55, -14.98

 

CMYK 62 / 3 / 0 / 0

HEX #61F7FF

RGB 97 247 255

HSL 183.04, 1%, 0.69%

LAB 89.99, -37.09, -15.71

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 69 / 5 / 0 / 5

HEX #4BE5F1

RGB 75 229 241

HSL 184.34, 0.86%, 0.62%

LAB 83.91, -35.81, -17.56

 

CMYK 74 / 5 / 0 / 13

HEX #3AD3DE

RGB 58 211 222

HSL 184.02, 0.71%, 0.55%

LAB 77.73, -34.96, -16.79

 

CMYK 80 / 5 / 0 / 20

HEX #29C1CB

RGB 41 193 203

HSL 183.7, 0.66%, 0.48%

LAB 71.5, -33.87, -15.93

 

CMYK 87 / 5 / 0 / 28

HEX #18AFB8

RGB 24 175 184

HSL 183.38, 0.77%, 0.41%

LAB 65.21, -32.46, -14.98

 

CMYK 96 / 5 / 0 / 35

HEX #079DA5

RGB 7 157 165

HSL 183.04, 0.92%, 0.34%

LAB 58.86, -30.64, -13.92

 

CMYK 69 / 5 / 0 / 5

HEX #4AE5F1

RGB 74 229 241

HSL 184.31, 0.86%, 0.62%

LAB 83.89, -35.94, -17.6

 

CMYK 69 / 24 / 0 / 5

HEX #4AB8F1

RGB 74 184 241

HSL 200.48, 0.86%, 0.62%

LAB 70.93, -13.47, -37.43

 

CMYK 69 / 42 / 0 / 5

HEX #4A8BF1

RGB 74 139 241

HSL 216.65, 0.86%, 0.62%

LAB 58.29, 12.2, -57.36

 

CMYK 69 / 61 / 0 / 5

HEX #4A5EF1

RGB 74 94 241

HSL 232.81, 0.86%, 0.62%

LAB 46.73, 39.86, -76.06

 

CMYK 59 / 69 / 0 / 5

HEX #634AF1

RGB 99 74 241

HSL 248.98, 0.86%, 0.62%

LAB 44.09, 54.68, -80.31

 

CMYK 69 / 5 / 0 / 5

HEX #4AE5F1

RGB 74 229 241

HSL 184.31, 0.86%, 0.62%

LAB 83.89, -35.94, -17.6

 

CMYK 69 / 24 / 0 / 5

HEX #4AB8F1

RGB 74 184 241

HSL 200.48, 0.86%, 0.62%

LAB 70.93, -13.47, -37.43

 

CMYK 69 / 42 / 0 / 5

HEX #4A8BF1

RGB 74 139 241

HSL 216.65, 0.86%, 0.62%

LAB 58.29, 12.2, -57.36

 

CMYK 69 / 61 / 0 / 5

HEX #4A5EF1

RGB 74 94 241

HSL 232.81, 0.86%, 0.62%

LAB 46.73, 39.86, -76.06

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF1

RGB 74 74 241

HSL 240, 0.86%, 0.62%

LAB 42.31, 51.63, -83.29

 

CMYK 69 / 5 / 0 / 5

HEX #4AE5F1

RGB 74 229 241

HSL 184.31, 0.86%, 0.62%

LAB 83.89, -35.94, -17.6

 

CMYK 69 / 5 / 0 / 5

HEX #4AE5F1

RGB 74 229 241

HSL 184.31, 0.86%, 0.62%

LAB 83.89, -35.94, -17.6

 

CMYK 60 / 4 / 0 / 12

HEX #5AD7E1

RGB 90 215 225

HSL 184.44, 0.69%, 0.62%

LAB 79.73, -31.48, -15.31

 

CMYK 50 / 4 / 0 / 18

HEX #6ACAD2

RGB 106 202 210

HSL 184.62, 0.54%, 0.62%

LAB 76.04, -26.16, -12.74

 

CMYK 38 / 3 / 0 / 24

HEX #79BDC2

RGB 121 189 194

HSL 184.11, 0.37%, 0.62%

LAB 72.47, -20.16, -9.33

 

CMYK 23 / 2 / 0 / 30

HEX #89AFB2

RGB 137 175 178

HSL 184.39, 0.21%, 0.62%

LAB 68.89, -12.08, -5.76

 

CMYK 69 / 0 / 32 / 5

HEX #4AF1A3

RGB 74 241 163

HSL 151.98, 0.86%, 0.62%

LAB 85.51, -60.09, 25.57

 

CMYK 69 / 0 / 14 / 5

HEX #4AF1D0

RGB 74 241 208

HSL 168.14, 0.86%, 0.62%

LAB 86.46, -50.05, 3.58

 

CMYK 69 / 5 / 0 / 5

HEX #4AE6F1

RGB 74 230 241

HSL 183.95, 0.86%, 0.62%

LAB 84.17, -36.4, -17.16

 

CMYK 69 / 23 / 0 / 5

HEX #4AB9F1

RGB 74 185 241

HSL 200.12, 0.86%, 0.62%

LAB 71.22, -14.01, -36.99

 

CMYK 69 / 41 / 0 / 5

HEX #4A8DF1

RGB 74 141 241

HSL 215.93, 0.86%, 0.62%

LAB 58.84, 10.99, -56.49

 

CMYK 93 / 7 / 0 / 15

HEX #10CAD9

RGB 16 202 217

HSL 184.48, 0.86%, 0.46%

LAB 74.42, -35.3, -19.15

 

CMYK 85 / 6 / 0 / 7

HEX #24DFEE

RGB 36 223 238

HSL 184.46, 0.86%, 0.54%

LAB 81.47, -37.64, -19.71

 

CMYK 69 / 5 / 0 / 5

HEX #4AE5F1

RGB 74 229 241

HSL 184.31, 0.86%, 0.62%

LAB 83.89, -35.94, -17.6

 

CMYK 54 / 4 / 0 / 4

HEX #71EAF4

RGB 113 234 244

HSL 184.58, 0.86%, 0.7%

LAB 86.45, -31.18, -15.22

 

CMYK 39 / 3 / 0 / 3

HEX #97F0F7

RGB 151 240 247

HSL 184.38, 0.86%, 0.78%

LAB 89.68, -24.91, -11.8

 

CMYK 69 / 5 / 0 / 5

HEX #4BE5F1

RGB 75 229 241

HSL 184.34, 0.86%, 0.62%

LAB 83.91, -35.81, -17.56

 

CMYK 51 / 69 / 0 / 5

HEX #774AF1

RGB 119 74 241

HSL 256.17, 0.86%, 0.62%

LAB 45.87, 57.63, -77.33

 

CMYK 0 / 23 / 69 / 5

HEX #F1B94A

RGB 241 185 74

HSL 39.88, 0.86%, 0.62%

LAB 78.4, 9.41, 61.84

 

CMYK 69 / 5 / 0 / 5

HEX #4BE5F1

RGB 75 229 241

HSL 184.34, 0.86%, 0.62%

LAB 83.91, -35.81, -17.56

 

CMYK 0 / 69 / 5 / 5

HEX #F14AE6

RGB 241 74 230

HSL 303.95, 0.86%, 0.62%

LAB 61.06, 79.43, -45.89

 

CMYK 5 / 0 / 69 / 5

HEX #E6F14A

RGB 230 241 74

HSL 63.95, 0.86%, 0.62%

LAB 91.79, -23.35, 75.02

 

CMYK 69 / 5 / 0 / 5

HEX #4BE5F1

RGB 75 229 241

HSL 184.34, 0.86%, 0.62%

LAB 83.91, -35.81, -17.56

 

CMYK 51 / 69 / 0 / 5

HEX #774AF1

RGB 119 74 241

HSL 256.17, 0.86%, 0.62%

LAB 45.87, 57.63, -77.33

 

CMYK 0 / 65 / 69 / 5

HEX #F1554A

RGB 241 85 74

HSL 3.95, 0.86%, 0.62%

LAB 57.74, 59.19, 39.1

 

CMYK 19 / 0 / 69 / 5

HEX #C4F14A

RGB 196 241 74

HSL 76.17, 0.86%, 0.62%

LAB 89.46, -36.76, 71.94

 

CMYK 69 / 5 / 0 / 5

HEX #4BE5F1

RGB 75 229 241

HSL 184.34, 0.86%, 0.62%

LAB 83.91, -35.81, -17.56

 

CMYK 30 / 69 / 0 / 5

HEX #A94AF1

RGB 169 74 241

HSL 274.13, 0.86%, 0.62%

LAB 51.48, 66.46, -67.95

 

CMYK 0 / 65 / 69 / 5

HEX #F1554A

RGB 241 85 74

HSL 3.95, 0.86%, 0.62%

LAB 57.74, 59.19, 39.1

 

CMYK 39 / 0 / 69 / 5

HEX #92F14A

RGB 146 241 74

HSL 94.13, 0.86%, 0.62%

LAB 86.76, -54.55, 68.33

 

Description

Color code: HEX #4BE5F1 | qconv.com Color code: HEX #4BE5F1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 229 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 229 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 5 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 5% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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