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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE6C7 it is the complementary color #B41938. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE6C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE6C7 shade: #50E6C2, #61F8D5, #72FFE8, #83FFFB and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE6C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE6C7 shade: #4BE6C7, #3AD4B4, #29C2A1, #18B08E and #079E7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE6C7 shade: #4BE6C7, #4BE69D, #4BE673, #4CE64B and #76E64B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE6C7 shade: #4BE6C7, #4BDBE6, #4BB1E6, #4B88E6 and #4B5EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE6C7 shade matches the following richer shades: #4BE6C7 and #3AF7D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE6C7 shade: #4BE6C7, #5BD6BD, #6CC5B3, #7CB5A9 and #8DA49F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE6C7 shade: #4BE674, #4BE69E, #4BE6C7, #4BDCE6 and #4BB2E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE6C7 shade: #1AC4A2, #27E1BC, #4BE6C7, #6FEBD2 and #94F0DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE6C7 shade: #4BE6C7, #4B4BE6 and #E6894B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE6C7 shade: #4BE6C7, #C74BE6 and #E6C74B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE6C7 shade: #4BE6C7, #4B4BE6, #E64B6A and #E6E64B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE6C7 shade: #4BE6C7, #794BE6, #E64B6A and #B8E64B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

Complementary color

CMYK 0 / 86 / 69 / 29

HEX #B41938

RGB 180 25 56

HSL 348, 0.76%, 0.4%

LAB 39.04, 59.56, 24.47

 

CMYK 65 / 0 / 16 / 10

HEX #50E6C2

RGB 80 230 194

HSL 165.6, 0.75%, 0.61%

LAB 83.02, -47.95, 5.97

 

CMYK 61 / 0 / 14 / 3

HEX #61F8D5

RGB 97 248 213

HSL 166.09, 0.92%, 0.68%

LAB 89.15, -48.24, 4.93

 

CMYK 55 / 0 / 9 / 0

HEX #72FFE8

RGB 114 255 232

HSL 170.21, 1%, 0.72%

LAB 92.1, -43.64, -0.59

 

CMYK 49 / 0 / 2 / 0

HEX #83FFFB

RGB 131 255 251

HSL 178.06, 1%, 0.76%

LAB 93.15, -35.6, -8.81

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 73 / 0 / 15 / 17

HEX #3AD4B4

RGB 58 212 180

HSL 167.53, 0.64%, 0.53%

LAB 76.85, -46.93, 4.45

 

CMYK 79 / 0 / 17 / 24

HEX #29C2A1

RGB 41 194 161

HSL 167.06, 0.65%, 0.46%

LAB 70.61, -46.12, 5.68

 

CMYK 86 / 0 / 19 / 31

HEX #18B08E

RGB 24 176 142

HSL 166.58, 0.76%, 0.39%

LAB 64.32, -44.98, 7.05

 

CMYK 96 / 0 / 22 / 38

HEX #079E7B

RGB 7 158 123

HSL 166.09, 0.92%, 0.32%

LAB 57.97, -43.39, 8.58

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 67 / 0 / 32 / 10

HEX #4BE69D

RGB 75 230 157

HSL 151.74, 0.76%, 0.6%

LAB 82.12, -56.92, 24.03

 

CMYK 67 / 0 / 50 / 10

HEX #4BE673

RGB 75 230 115

HSL 135.48, 0.76%, 0.6%

LAB 81.47, -64.18, 44.19

 

CMYK 67 / 0 / 67 / 10

HEX #4CE64B

RGB 76 230 75

HSL 119.61, 0.76%, 0.6%

LAB 81.09, -68.69, 61.29

 

CMYK 49 / 0 / 67 / 10

HEX #76E64B

RGB 118 230 75

HSL 103.35, 0.76%, 0.6%

LAB 82.35, -58.73, 63.01

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 67 / 5 / 0 / 10

HEX #4BDBE6

RGB 75 219 230

HSL 184.26, 0.76%, 0.6%

LAB 80.67, -34.28, -16.61

 

CMYK 67 / 23 / 0 / 10

HEX #4BB1E6

RGB 75 177 230

HSL 200.52, 0.76%, 0.6%

LAB 68.5, -13.13, -35.22

 

CMYK 67 / 41 / 0 / 10

HEX #4B88E6

RGB 75 136 230

HSL 216.39, 0.76%, 0.6%

LAB 56.9, 10.32, -53.49

 

CMYK 67 / 59 / 0 / 10

HEX #4B5EE6

RGB 75 94 230

HSL 232.65, 0.76%, 0.6%

LAB 45.93, 36.24, -71.17

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 77 / 0 / 15 / 3

HEX #3AF7D1

RGB 58 247 209

HSL 167.94, 0.92%, 0.6%

LAB 87.98, -54.17, 5.22

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 57 / 0 / 12 / 16

HEX #5BD6BD

RGB 91 214 189

HSL 167.8, 0.6%, 0.6%

LAB 78.46, -40.27, 2.06

 

CMYK 45 / 0 / 9 / 23

HEX #6CC5B3

RGB 108 197 179

HSL 167.87, 0.43%, 0.6%

LAB 73.79, -31.09, 0.72

 

CMYK 31 / 0 / 7 / 29

HEX #7CB5A9

RGB 124 181 169

HSL 167.37, 0.28%, 0.6%

LAB 69.61, -21.18, 0.18

 

CMYK 14 / 0 / 3 / 36

HEX #8DA49F

RGB 141 164 159

HSL 166.96, 0.11%, 0.6%

LAB 65.53, -9.03, -0.11

 

CMYK 67 / 0 / 50 / 10

HEX #4BE674

RGB 75 230 116

HSL 135.87, 0.76%, 0.6%

LAB 81.48, -64.04, 43.73

 

CMYK 67 / 0 / 31 / 10

HEX #4BE69E

RGB 75 230 158

HSL 152.13, 0.76%, 0.6%

LAB 82.14, -56.72, 23.54

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 67 / 4 / 0 / 10

HEX #4BDCE6

RGB 75 220 230

HSL 183.87, 0.76%, 0.6%

LAB 80.96, -34.75, -16.17

 

CMYK 67 / 23 / 0 / 10

HEX #4BB2E6

RGB 75 178 230

HSL 200.13, 0.76%, 0.6%

LAB 68.79, -13.67, -34.78

 

CMYK 87 / 0 / 17 / 23

HEX #1AC4A2

RGB 26 196 162

HSL 168, 0.77%, 0.44%

LAB 71.08, -47.95, 5.79

 

CMYK 83 / 0 / 16 / 12

HEX #27E1BC

RGB 39 225 188

HSL 168.06, 0.76%, 0.52%

LAB 80.69, -52.22, 5.69

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 53 / 0 / 11 / 8

HEX #6FEBD2

RGB 111 235 210

HSL 167.9, 0.76%, 0.68%

LAB 85.73, -40.61, 1.59

 

CMYK 38 / 0 / 8 / 6

HEX #94F0DD

RGB 148 240 221

HSL 167.61, 0.75%, 0.76%

LAB 88.85, -31.7, 0.53

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 67 / 67 / 0 / 10

HEX #4B4BE6

RGB 75 75 230

HSL 240, 0.76%, 0.6%

LAB 41.6, 47.64, -78.25

 

CMYK 0 / 40 / 67 / 10

HEX #E6894B

RGB 230 137 75

HSL 24, 0.76%, 0.6%

LAB 65.92, 30.28, 47.54

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 13 / 67 / 0 / 10

HEX #C74BE6

RGB 199 75 230

HSL 288, 0.76%, 0.6%

LAB 54.96, 69.95, -55.97

 

CMYK 0 / 13 / 67 / 10

HEX #E6C74B

RGB 230 199 75

HSL 48, 0.76%, 0.6%

LAB 80.84, -2.45, 63.62

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 67 / 67 / 0 / 10

HEX #4B4BE6

RGB 75 75 230

HSL 240, 0.76%, 0.6%

LAB 41.6, 47.64, -78.25

 

CMYK 0 / 67 / 54 / 10

HEX #E64B6A

RGB 230 75 106

HSL 348, 0.76%, 0.6%

LAB 54.96, 61.65, 16.67

 

CMYK 0 / 0 / 67 / 10

HEX #E6E64B

RGB 230 230 75

HSL 60, 0.76%, 0.6%

LAB 88.89, -18, 71.8

 

CMYK 67 / 0 / 13 / 10

HEX #4BE6C7

RGB 75 230 199

HSL 168, 0.76%, 0.6%

LAB 83.03, -47.5, 3.33

 

CMYK 47 / 67 / 0 / 10

HEX #794BE6

RGB 121 75 230

HSL 257.81, 0.76%, 0.6%

LAB 45.37, 54.46, -71.92

 

CMYK 0 / 67 / 54 / 10

HEX #E64B6A

RGB 230 75 106

HSL 348, 0.76%, 0.6%

LAB 54.96, 61.65, 16.67

 

CMYK 20 / 0 / 67 / 10

HEX #B8E64B

RGB 184 230 75

HSL 77.81, 0.76%, 0.6%

LAB 85.65, -36.32, 67.47

 

Description

Color code: HEX #4BE6C7 | qconv.com Color code: HEX #4BE6C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 230 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 230 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 13 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 13% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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