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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BEB9E it is the complementary color #B41461. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BEB9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BEB9E shade: #50EB99, #61FDAC, #72FFBF, #83FFD2 and #94FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BEB9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BEB9E shade: #4BEB9E, #3AD98B, #29C778, #18B565 and #07A352

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BEB9E shade: #4BEB9E, #4BEB73, #4FEB4B, #7AEB4B and #A5EB4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BEB9E shade: #4BEB9E, #4BEBC9, #4BE1EB, #4BB6EB and #4B8CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BEB9E shade matches the following richer shades: #4BEB9E and #3BFB9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BEB9E shade: #4BEB9E, #5CDB9D, #6CCA9D, #7CBA9C and #8CAA9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BEB9E shade: #4EEB4B, #4BEB73, #4BEB9E, #4BEBC8 and #4BE3EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BEB9E shade: #16CD75, #26E68A, #4BEB9E, #71EFB2 and #96F3C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BEB9E shade: #4BEB9E, #4B79EB and #EB5E4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BEB9E shade: #4BEB9E, #9E4BEB and #EB9E4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BEB9E shade: #4BEB9E, #4B79EB, #EB4B98 and #EBBE4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BEB9E shade: #4BEB9E, #4E4BEB, #EB4B98 and #E8EB4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

Complementary color

CMYK 0 / 89 / 46 / 29

HEX #B41461

RGB 180 20 97

HSL 331.13, 0.8%, 0.39%

LAB 39.69, 63.32, -0.73

 

CMYK 66 / 0 / 35 / 8

HEX #50EB99

RGB 80 235 153

HSL 148.26, 0.79%, 0.62%

LAB 83.66, -58.78, 28.2

 

CMYK 62 / 0 / 32 / 1

HEX #61FDAC

RGB 97 253 172

HSL 148.85, 0.98%, 0.69%

LAB 89.75, -59.04, 26.86

 

CMYK 55 / 0 / 25 / 0

HEX #72FFBF

RGB 114 255 191

HSL 152.77, 1%, 0.72%

LAB 91.17, -52.73, 19.22

 

CMYK 49 / 0 / 18 / 0

HEX #83FFD2

RGB 131 255 210

HSL 158.23, 1%, 0.76%

LAB 92.13, -45.05, 10.9

 

CMYK 42 / 0 / 10 / 0

HEX #94FFE5

RGB 148 255 229

HSL 165.42, 1%, 0.79%

LAB 93.22, -36.88, 2.75

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 73 / 0 / 36 / 15

HEX #3AD98B

RGB 58 217 139

HSL 150.57, 0.68%, 0.54%

LAB 77.51, -58.09, 27.03

 

CMYK 79 / 0 / 40 / 22

HEX #29C778

RGB 41 199 120

HSL 150, 0.66%, 0.47%

LAB 71.33, -57.24, 28.59

 

CMYK 87 / 0 / 44 / 29

HEX #18B565

RGB 24 181 101

HSL 149.43, 0.77%, 0.4%

LAB 65.11, -55.97, 30.29

 

CMYK 96 / 0 / 50 / 36

HEX #07A352

RGB 7 163 82

HSL 148.85, 0.92%, 0.33%

LAB 58.83, -54.13, 32.11

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 68 / 0 / 51 / 8

HEX #4BEB73

RGB 75 235 115

HSL 135, 0.8%, 0.61%

LAB 82.99, -65.92, 46.07

 

CMYK 66 / 0 / 68 / 8

HEX #4FEB4B

RGB 79 235 75

HSL 118.5, 0.8%, 0.61%

LAB 82.69, -69.76, 63.02

 

CMYK 48 / 0 / 68 / 8

HEX #7AEB4B

RGB 122 235 75

HSL 102.38, 0.8%, 0.61%

LAB 84, -59.47, 64.79

 

CMYK 30 / 0 / 68 / 8

HEX #A5EB4B

RGB 165 235 75

HSL 86.25, 0.8%, 0.61%

LAB 85.97, -45.55, 67.45

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 68 / 0 / 14 / 8

HEX #4BEBC9

RGB 75 235 201

HSL 167.25, 0.8%, 0.61%

LAB 84.55, -49.12, 4.48

 

CMYK 68 / 4 / 0 / 8

HEX #4BE1EB

RGB 75 225 235

HSL 183.75, 0.8%, 0.61%

LAB 82.56, -35.66, -16.41

 

CMYK 68 / 23 / 0 / 8

HEX #4BB6EB

RGB 75 182 235

HSL 199.88, 0.8%, 0.61%

LAB 70.14, -14.2, -35.4

 

CMYK 68 / 40 / 0 / 8

HEX #4B8CEB

RGB 75 140 235

HSL 215.63, 0.8%, 0.61%

LAB 58.27, 9.65, -54.07

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 76 / 0 / 37 / 2

HEX #3BFB9F

RGB 59 251 159

HSL 151.25, 0.96%, 0.61%

LAB 88.17, -66.51, 31.15

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 58 / 0 / 28 / 14

HEX #5CDB9D

RGB 92 219 157

HSL 150.71, 0.64%, 0.61%

LAB 79.26, -49.39, 20.17

 

CMYK 47 / 0 / 22 / 21

HEX #6CCA9D

RGB 108 202 157

HSL 151.28, 0.47%, 0.61%

LAB 74.74, -38.31, 13.95

 

CMYK 33 / 0 / 16 / 27

HEX #7CBA9C

RGB 124 186 156

HSL 150.97, 0.31%, 0.61%

LAB 70.74, -26.49, 8.93

 

CMYK 18 / 0 / 8 / 33

HEX #8CAA9C

RGB 140 170 156

HSL 152, 0.15%, 0.61%

LAB 67.07, -13.18, 3.79

 

CMYK 67 / 0 / 68 / 8

HEX #4EEB4B

RGB 78 235 75

HSL 118.88, 0.8%, 0.61%

LAB 82.67, -69.95, 62.98

 

CMYK 68 / 0 / 51 / 8

HEX #4BEB73

RGB 75 235 115

HSL 135, 0.8%, 0.61%

LAB 82.99, -65.92, 46.07

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 68 / 0 / 15 / 8

HEX #4BEBC8

RGB 75 235 200

HSL 166.88, 0.8%, 0.61%

LAB 84.53, -49.36, 4.97

 

CMYK 68 / 3 / 0 / 8

HEX #4BE3EB

RGB 75 227 235

HSL 183, 0.8%, 0.61%

LAB 83.14, -36.59, -15.54

 

CMYK 89 / 0 / 43 / 20

HEX #16CD75

RGB 22 205 117

HSL 151.15, 0.81%, 0.45%

LAB 72.97, -61.54, 32.25

 

CMYK 83 / 0 / 40 / 10

HEX #26E68A

RGB 38 230 138

HSL 151.25, 0.79%, 0.53%

LAB 81.2, -65.15, 32.4

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 53 / 0 / 26 / 6

HEX #71EFB2

RGB 113 239 178

HSL 150.95, 0.8%, 0.69%

LAB 86.23, -48.92, 19.02

 

CMYK 38 / 0 / 19 / 5

HEX #96F3C6

RGB 150 243 198

HSL 150.97, 0.79%, 0.77%

LAB 89.23, -37.39, 13.08

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 68 / 49 / 0 / 8

HEX #4B79EB

RGB 75 121 235

HSL 222.75, 0.8%, 0.61%

LAB 53.13, 21.23, -62.31

 

CMYK 0 / 60 / 68 / 8

HEX #EB5E4B

RGB 235 94 75

HSL 7.13, 0.8%, 0.61%

LAB 58.2, 53.39, 38.84

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 33 / 68 / 0 / 8

HEX #9E4BEB

RGB 158 75 235

HSL 271.13, 0.8%, 0.61%

LAB 49.86, 62.56, -67.27

 

CMYK 0 / 33 / 68 / 8

HEX #EB9E4B

RGB 235 158 75

HSL 31.13, 0.8%, 0.61%

LAB 71.3, 21.21, 53.66

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 68 / 49 / 0 / 8

HEX #4B79EB

RGB 75 121 235

HSL 222.75, 0.8%, 0.61%

LAB 53.13, 21.23, -62.31

 

CMYK 0 / 68 / 35 / 8

HEX #EB4B98

RGB 235 75 152

HSL 331.13, 0.8%, 0.61%

LAB 57.04, 67.36, -7.44

 

CMYK 0 / 19 / 68 / 8

HEX #EBBE4B

RGB 235 190 75

HSL 43.13, 0.8%, 0.61%

LAB 79.04, 4.32, 61.9

 

CMYK 68 / 0 / 33 / 8

HEX #4BEB9E

RGB 75 235 158

HSL 151.13, 0.8%, 0.61%

LAB 83.64, -58.64, 25.59

 

CMYK 67 / 68 / 0 / 8

HEX #4E4BEB

RGB 78 75 235

HSL 241.13, 0.8%, 0.61%

LAB 42.23, 49.6, -80.03

 

CMYK 0 / 68 / 35 / 8

HEX #EB4B98

RGB 235 75 152

HSL 331.13, 0.8%, 0.61%

LAB 57.04, 67.36, -7.44

 

CMYK 1 / 0 / 68 / 8

HEX #E8EB4B

RGB 232 235 75

HSL 61.13, 0.8%, 0.61%

LAB 90.36, -19.61, 73.31

 

Description

Color code: HEX #4BEB9E | qconv.com Color code: HEX #4BEB9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 235 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 235 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 33% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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