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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BFA9D it is the complementary color #B40562. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BFA9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BFA9D shade: #50FA98, #61FFAB, #72FFBE, #83FFD1 and #94FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BFA9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BFA9D shade: #4BFA9D, #3AE88A, #29D677, #18C464 and #07B251

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BFA9D shade: #4BFA9D, #4BFA6E, #58FA4B, #87FA4B and #B6FA4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BFA9D shade: #4BFA9D, #4BFACC, #4BF9FA, #4BCAFA and #4B9AFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BFA9D shade matches the following richer shades: #4BFA9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BFA9D shade: #4BFA9D, #5AEB9E, #69DC9F, #78CDA0 and #87BEA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BFA9D shade: #57FA4B, #4BFA6E, #4BFA9D, #4BFACB and #4BFAFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BFA9D shade: #06ED72, #23F987, #4BFA9D, #74FBB3 and #9CFCC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BFA9D shade: #4BFA9D, #4B86FA and #FA574B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BFA9D shade: #4BFA9D, #9D4BFA and #FA9D4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BFA9D shade: #4BFA9D, #4B86FA, #FA4BA9 and #FAC04B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BFA9D shade: #4BFA9D, #4B51FA, #FA4BA9 and #FAF44B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

Complementary color

CMYK 0 / 97 / 46 / 29

HEX #B40562

RGB 180 5 98

HSL 328.11, 0.95%, 0.36%

LAB 39.06, 65.33, -2.29

 

CMYK 68 / 0 / 39 / 2

HEX #50FA98

RGB 80 250 152

HSL 145.41, 0.94%, 0.65%

LAB 88.13, -64.54, 34.66

 

CMYK 62 / 0 / 33 / 0

HEX #61FFAB

RGB 97 255 171

HSL 148.1, 1%, 0.69%

LAB 90.32, -60, 28.14

 

CMYK 55 / 0 / 25 / 0

HEX #72FFBE

RGB 114 255 190

HSL 152.34, 1%, 0.72%

LAB 91.15, -52.93, 19.7

 

CMYK 49 / 0 / 18 / 0

HEX #83FFD1

RGB 131 255 209

HSL 157.74, 1%, 0.76%

LAB 92.11, -45.26, 11.38

 

CMYK 42 / 0 / 11 / 0

HEX #94FFE4

RGB 148 255 228

HSL 164.86, 1%, 0.79%

LAB 93.2, -37.1, 3.23

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 75 / 0 / 41 / 9

HEX #3AE88A

RGB 58 232 138

HSL 147.59, 0.79%, 0.57%

LAB 82.08, -63.74, 33.61

 

CMYK 81 / 0 / 44 / 16

HEX #29D677

RGB 41 214 119

HSL 147.05, 0.68%, 0.5%

LAB 76.01, -62.74, 35.2

 

CMYK 88 / 0 / 49 / 23

HEX #18C464

RGB 24 196 100

HSL 146.51, 0.78%, 0.43%

LAB 69.89, -61.3, 36.9

 

CMYK 96 / 0 / 54 / 30

HEX #07B251

RGB 7 178 81

HSL 145.96, 0.92%, 0.36%

LAB 63.74, -59.29, 38.66

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 70 / 0 / 56 / 2

HEX #4BFA6E

RGB 75 250 110

HSL 132, 0.95%, 0.64%

LAB 87.48, -71.65, 53.78

 

CMYK 65 / 0 / 70 / 2

HEX #58FA4B

RGB 88 250 75

HSL 115.54, 0.95%, 0.64%

LAB 87.46, -72.9, 68.07

 

CMYK 46 / 0 / 70 / 2

HEX #87FA4B

RGB 135 250 75

HSL 99.43, 0.95%, 0.64%

LAB 88.94, -61.33, 70.05

 

CMYK 27 / 0 / 70 / 2

HEX #B6FA4B

RGB 182 250 75

HSL 83.31, 0.95%, 0.64%

LAB 91.15, -45.86, 73.02

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 70 / 0 / 18 / 2

HEX #4BFACC

RGB 75 250 204

HSL 164.23, 0.95%, 0.64%

LAB 89.03, -54.58, 9.36

 

CMYK 70 / 0 / 0 / 2

HEX #4BF9FA

RGB 75 249 250

HSL 180.34, 0.95%, 0.64%

LAB 89.93, -42.39, -13.25

 

CMYK 70 / 19 / 0 / 2

HEX #4BCAFA

RGB 75 202 250

HSL 196.46, 0.95%, 0.64%

LAB 76.46, -19.89, -33.71

 

CMYK 70 / 38 / 0 / 2

HEX #4B9AFA

RGB 75 154 250

HSL 212.91, 0.95%, 0.64%

LAB 62.94, 6.55, -54.92

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 62 / 0 / 33 / 8

HEX #5AEB9E

RGB 90 235 158

HSL 148.14, 0.78%, 0.64%

LAB 84, -56.02, 26.13

 

CMYK 52 / 0 / 28 / 14

HEX #69DC9F

RGB 105 220 159

HSL 148.17, 0.62%, 0.64%

LAB 80.01, -46.53, 20.22

 

CMYK 41 / 0 / 22 / 20

HEX #78CDA0

RGB 120 205 160

HSL 148.24, 0.46%, 0.64%

LAB 76.19, -35.86, 14.46

 

CMYK 29 / 0 / 15 / 25

HEX #87BEA1

RGB 135 190 161

HSL 148.36, 0.3%, 0.64%

LAB 72.6, -24.05, 8.94

 

CMYK 65 / 0 / 70 / 2

HEX #57FA4B

RGB 87 250 75

HSL 115.89, 0.95%, 0.64%

LAB 87.44, -73.09, 68.04

 

CMYK 70 / 0 / 56 / 2

HEX #4BFA6E

RGB 75 250 110

HSL 132, 0.95%, 0.64%

LAB 87.48, -71.65, 53.78

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 70 / 0 / 19 / 2

HEX #4BFACB

RGB 75 250 203

HSL 163.89, 0.95%, 0.64%

LAB 89.01, -54.81, 9.85

 

CMYK 70 / 0 / 0 / 2

HEX #4BFAFA

RGB 75 250 250

HSL 180, 0.95%, 0.64%

LAB 90.22, -42.83, -12.82

 

CMYK 97 / 0 / 52 / 7

HEX #06ED72

RGB 6 237 114

HSL 148.05, 0.95%, 0.48%

LAB 82.82, -73.12, 46.15

 

CMYK 86 / 0 / 46 / 2

HEX #23F987

RGB 35 249 135

HSL 148.04, 0.95%, 0.56%

LAB 86.93, -72.29, 41.31

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 54 / 0 / 29 / 2

HEX #74FBB3

RGB 116 251 179

HSL 148, 0.94%, 0.72%

LAB 89.84, -53.03, 23.51

 

CMYK 38 / 0 / 20 / 1

HEX #9CFCC9

RGB 156 252 201

HSL 148.13, 0.94%, 0.8%

LAB 92.09, -39.23, 15.61

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 70 / 46 / 0 / 2

HEX #4B86FA

RGB 75 134 250

HSL 219.77, 0.95%, 0.64%

LAB 57.51, 18.52, -63.59

 

CMYK 0 / 65 / 70 / 2

HEX #FA574B

RGB 250 87 75

HSL 4.11, 0.95%, 0.64%

LAB 59.57, 61.36, 41.06

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 37 / 70 / 0 / 2

HEX #9D4BFA

RGB 157 75 250

HSL 268.11, 0.95%, 0.64%

LAB 50.81, 65.84, -74.14

 

CMYK 0 / 37 / 70 / 2

HEX #FA9D4B

RGB 250 157 75

HSL 28.11, 0.95%, 0.64%

LAB 72.86, 27.9, 55.86

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 70 / 46 / 0 / 2

HEX #4B86FA

RGB 75 134 250

HSL 219.77, 0.95%, 0.64%

LAB 57.51, 18.52, -63.59

 

CMYK 0 / 70 / 32 / 2

HEX #FA4BA9

RGB 250 75 169

HSL 327.77, 0.95%, 0.64%

LAB 60.09, 73.23, -12.52

 

CMYK 0 / 23 / 70 / 2

HEX #FAC04B

RGB 250 192 75

HSL 40.11, 0.95%, 0.64%

LAB 81.03, 9.58, 64.43

 

CMYK 70 / 0 / 37 / 2

HEX #4BFA9D

RGB 75 250 157

HSL 148.11, 0.95%, 0.64%

LAB 88.11, -64.41, 32.12

 

CMYK 70 / 68 / 0 / 2

HEX #4B51FA

RGB 75 81 250

HSL 237.94, 0.95%, 0.64%

LAB 44.64, 50.66, -84.52

 

CMYK 0 / 70 / 32 / 2

HEX #FA4BA9

RGB 250 75 169

HSL 327.77, 0.95%, 0.64%

LAB 60.09, 73.23, -12.52

 

CMYK 0 / 2 / 70 / 2

HEX #FAF44B

RGB 250 244 75

HSL 57.94, 0.95%, 0.64%

LAB 94.11, -16.63, 77.47

 

Description

Color code: HEX #4BFA9D | qconv.com Color code: HEX #4BFA9D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 250 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 250 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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