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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BFAD7 it is the complementary color #B40528. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BFAD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BFAD7 shade: #50FAD2, #61FFE5, #72FFF8, #83FFFF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BFAD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BFAD7 shade: #4BFAD7, #3AE8C4, #29D6B1, #18C49E and #07B28B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BFAD7 shade: #4BFAD7, #4BFAA8, #4BFA79, #4DFA4B and #7CFA4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BFAD7 shade: #4BFAD7, #4BEEFA, #4BBFFA, #4B90FA and #4B61FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BFAD7 shade matches the following richer shades: #4BFAD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BFAD7 shade: #4BFAD7, #5AEBCE, #69DCC5, #78CDBC and #87BEB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BFAD7 shade: #4BFA7A, #4BFAA9, #4BFAD7, #4BEEFA and #4BC0FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BFAD7 shade: #06EDBF, #23F9CE, #4BFAD7, #74FBE0 and #9CFCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BFAD7 shade: #4BFAD7, #4B4BFA and #FA914B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BFAD7 shade: #4BFAD7, #D74BFA and #FAD74B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BFAD7 shade: #4BFAD7, #4B4BFA, #FA4B6E and #FAFA4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BFAD7 shade: #4BFAD7, #804BFA, #FA4B6E and #C6FA4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

Complementary color

CMYK 0 / 97 / 78 / 29

HEX #B40528

RGB 180 5 40

HSL 348, 0.95%, 0.36%

LAB 37.78, 61.87, 32.89

 

CMYK 68 / 0 / 16 / 2

HEX #50FAD2

RGB 80 250 210

HSL 165.88, 0.94%, 0.65%

LAB 89.27, -52.47, 6.6

 

CMYK 62 / 0 / 10 / 0

HEX #61FFE5

RGB 97 255 229

HSL 170.13, 1%, 0.69%

LAB 91.56, -47.38, 0.12

 

CMYK 55 / 0 / 3 / 0

HEX #72FFF8

RGB 114 255 248

HSL 177.02, 1%, 0.72%

LAB 92.52, -39.69, -8.25

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 75 / 0 / 16 / 9

HEX #3AE8C4

RGB 58 232 196

HSL 167.59, 0.79%, 0.57%

LAB 83.23, -51.27, 5.17

 

CMYK 81 / 0 / 17 / 16

HEX #29D6B1

RGB 41 214 177

HSL 167.17, 0.68%, 0.5%

LAB 77.12, -50.34, 6.42

 

CMYK 88 / 0 / 19 / 23

HEX #18C49E

RGB 24 196 158

HSL 166.74, 0.78%, 0.43%

LAB 70.97, -49.1, 7.79

 

CMYK 96 / 0 / 22 / 30

HEX #07B28B

RGB 7 178 139

HSL 166.32, 0.92%, 0.36%

LAB 64.76, -47.45, 9.32

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 70 / 0 / 33 / 2

HEX #4BFAA8

RGB 75 250 168

HSL 151.89, 0.95%, 0.64%

LAB 88.3, -62.33, 26.83

 

CMYK 70 / 0 / 52 / 2

HEX #4BFA79

RGB 75 250 121

HSL 135.77, 0.95%, 0.64%

LAB 87.61, -70.21, 48.92

 

CMYK 69 / 0 / 70 / 2

HEX #4DFA4B

RGB 77 250 75

HSL 119.31, 0.95%, 0.64%

LAB 87.22, -74.91, 67.74

 

CMYK 50 / 0 / 70 / 2

HEX #7CFA4B

RGB 124 250 75

HSL 103.2, 0.95%, 0.64%

LAB 88.53, -64.44, 69.5

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 70 / 5 / 0 / 2

HEX #4BEEFA

RGB 75 238 250

HSL 184.11, 0.95%, 0.64%

LAB 86.77, -37.41, -17.98

 

CMYK 70 / 24 / 0 / 2

HEX #4BBFFA

RGB 75 191 250

HSL 200.23, 0.95%, 0.64%

LAB 73.32, -14.15, -38.57

 

CMYK 70 / 42 / 0 / 2

HEX #4B90FA

RGB 75 144 250

HSL 216.34, 0.95%, 0.64%

LAB 60.2, 12.48, -59.28

 

CMYK 70 / 61 / 0 / 2

HEX #4B61FA

RGB 75 97 250

HSL 232.46, 0.95%, 0.64%

LAB 48.19, 41.22, -78.69

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 62 / 0 / 12 / 8

HEX #5AEBCE

RGB 90 235 206

HSL 168, 0.78%, 0.64%

LAB 85.02, -45.55, 2.58

 

CMYK 52 / 0 / 10 / 14

HEX #69DCC5

RGB 105 220 197

HSL 168, 0.62%, 0.64%

LAB 80.86, -38.19, 1.34

 

CMYK 41 / 0 / 8 / 20

HEX #78CDBC

RGB 120 205 188

HSL 168, 0.46%, 0.64%

LAB 76.85, -29.78, 0.39

 

CMYK 29 / 0 / 6 / 25

HEX #87BEB3

RGB 135 190 179

HSL 168, 0.3%, 0.64%

LAB 73.04, -20.24, -0.21

 

CMYK 70 / 0 / 51 / 2

HEX #4BFA7A

RGB 75 250 122

HSL 136.11, 0.95%, 0.64%

LAB 87.62, -70.07, 48.47

 

CMYK 70 / 0 / 32 / 2

HEX #4BFAA9

RGB 75 250 169

HSL 152.23, 0.95%, 0.64%

LAB 88.32, -62.14, 26.34

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 70 / 5 / 0 / 2

HEX #4BEEFA

RGB 75 238 250

HSL 184.11, 0.95%, 0.64%

LAB 86.77, -37.41, -17.98

 

CMYK 70 / 23 / 0 / 2

HEX #4BC0FA

RGB 75 192 250

HSL 199.89, 0.95%, 0.64%

LAB 73.61, -14.68, -38.13

 

CMYK 97 / 0 / 19 / 7

HEX #06EDBF

RGB 6 237 191

HSL 168.05, 0.95%, 0.48%

LAB 84.16, -57.76, 9.06

 

CMYK 86 / 0 / 17 / 2

HEX #23F9CE

RGB 35 249 206

HSL 167.94, 0.95%, 0.56%

LAB 88.24, -57.57, 7.12

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 54 / 0 / 11 / 2

HEX #74FBE0

RGB 116 251 224

HSL 168, 0.94%, 0.72%

LAB 90.82, -43.39, 1.7

 

CMYK 38 / 0 / 8 / 1

HEX #9CFCE9

RGB 156 252 233

HSL 168.13, 0.94%, 0.8%

LAB 92.83, -32.6, 0.15

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFA

RGB 75 75 250

HSL 240, 0.95%, 0.64%

LAB 43.4, 54.04, -86.55

 

CMYK 0 / 42 / 70 / 2

HEX #FA914B

RGB 250 145 75

HSL 24, 0.95%, 0.64%

LAB 70.23, 34.12, 53.04

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 14 / 70 / 0 / 2

HEX #D74BFA

RGB 215 75 250

HSL 288, 0.95%, 0.64%

LAB 58.4, 76.93, -61.5

 

CMYK 0 / 14 / 70 / 2

HEX #FAD74B

RGB 250 215 75

HSL 48, 0.95%, 0.64%

LAB 86.72, -2.25, 70.19

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFA

RGB 75 75 250

HSL 240, 0.95%, 0.64%

LAB 43.4, 54.04, -86.55

 

CMYK 0 / 70 / 56 / 2

HEX #FA4B6E

RGB 250 75 110

HSL 348, 0.95%, 0.64%

LAB 58.49, 67.9, 19.68

 

CMYK 0 / 0 / 70 / 2

HEX #FAFA4B

RGB 250 250 75

HSL 60, 0.95%, 0.64%

LAB 95.67, -19.52, 78.97

 

CMYK 70 / 0 / 14 / 2

HEX #4BFAD7

RGB 75 250 215

HSL 168, 0.95%, 0.64%

LAB 89.29, -51.94, 4.02

 

CMYK 49 / 70 / 0 / 2

HEX #804BFA

RGB 128 75 250

HSL 258.17, 0.95%, 0.64%

LAB 47.65, 60.97, -79.41

 

CMYK 0 / 70 / 56 / 2

HEX #FA4B6E

RGB 250 75 110

HSL 348, 0.95%, 0.64%

LAB 58.49, 67.9, 19.68

 

CMYK 21 / 0 / 70 / 2

HEX #C6FA4B

RGB 198 250 75

HSL 77.83, 0.95%, 0.64%

LAB 92.08, -39.96, 74.25

 

Description

Color code: HEX #4BFAD7 | qconv.com Color code: HEX #4BFAD7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 250 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 250 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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