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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BFB63 it is the complementary color #B4049C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BFB63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BFB63 shade: #50FB5E, #61FF71, #72FF84, #83FF97 and #94FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BFB63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BFB63 shade: #4BFB63, #3AE950, #29D73D, #18C52A and #07B317

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BFB63 shade: #4BFB63, #62FB4B, #92FB4B, #C1FB4B and #F1FB4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BFB63 shade: #4BFB63, #4BFB92, #4BFBC2, #4BFBF1 and #4BD5FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BFB63 shade matches the following richer shades: #4BFB63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BFB63 shade: #4BFB63, #59EC6D, #68DD78, #77CE83 and #86BF8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BFB63 shade: #91FB4B, #62FB4B, #4BFB62, #4BFB91 and #4BFBC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BFB63 shade: #04EF24, #22FA40, #4BFB63, #73FC86 and #9BFCA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BFB63 shade: #4BFB63, #4BC0FB and #FB4B7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BFB63 shade: #4BFB63, #624BFB and #FB624B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BFB63 shade: #4BFB63, #4BC0FB, #FB4BE3 and #FB854B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BFB63 shade: #4BFB63, #4B8BFB, #FB4BE3 and #FBBA4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

Complementary color

CMYK 0 / 98 / 13 / 29

HEX #B4049C

RGB 180 4 156

HSL 308.18, 0.96%, 0.36%

LAB 41.52, 71.87, -34.49

 

CMYK 68 / 0 / 63 / 2

HEX #50FB5E

RGB 80 251 94

HSL 124.91, 0.96%, 0.65%

LAB 87.73, -72.97, 60.97

 

CMYK 62 / 0 / 56 / 0

HEX #61FF71

RGB 97 255 113

HSL 126.08, 1%, 0.69%

LAB 89.51, -68.97, 54.97

 

CMYK 55 / 0 / 48 / 0

HEX #72FF84

RGB 114 255 132

HSL 127.66, 1%, 0.72%

LAB 90.21, -62.81, 47.2

 

CMYK 49 / 0 / 41 / 0

HEX #83FF97

RGB 131 255 151

HSL 129.68, 1%, 0.76%

LAB 91.04, -55.88, 39.23

 

CMYK 42 / 0 / 33 / 0

HEX #94FFAA

RGB 148 255 170

HSL 132.34, 1%, 0.79%

LAB 92.01, -48.31, 31.2

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 75 / 0 / 66 / 9

HEX #3AE950

RGB 58 233 80

HSL 127.54, 0.8%, 0.57%

LAB 81.71, -72.11, 59.89

 

CMYK 81 / 0 / 72 / 16

HEX #29D73D

RGB 41 215 61

HSL 126.9, 0.69%, 0.5%

LAB 75.71, -70.47, 60.71

 

CMYK 88 / 0 / 79 / 23

HEX #18C52A

RGB 24 197 42

HSL 126.24, 0.78%, 0.43%

LAB 69.68, -68.18, 61.01

 

CMYK 96 / 0 / 87 / 30

HEX #07B317

RGB 7 179 23

HSL 125.58, 0.92%, 0.36%

LAB 63.63, -65.08, 60.38

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 61 / 0 / 70 / 2

HEX #62FB4B

RGB 98 251 75

HSL 112.16, 0.96%, 0.64%

LAB 88.02, -71.16, 68.72

 

CMYK 42 / 0 / 70 / 2

HEX #92FB4B

RGB 146 251 75

HSL 95.8, 0.96%, 0.64%

LAB 89.68, -58.39, 70.95

 

CMYK 23 / 0 / 70 / 2

HEX #C1FB4B

RGB 193 251 75

HSL 79.77, 0.96%, 0.64%

LAB 92.06, -42.27, 74.13

 

CMYK 4 / 0 / 70 / 2

HEX #F1FB4B

RGB 241 251 75

HSL 63.41, 0.96%, 0.64%

LAB 95.25, -23.63, 78.33

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 70 / 0 / 42 / 2

HEX #4BFB92

RGB 75 251 146

HSL 144.2, 0.96%, 0.64%

LAB 88.24, -66.71, 37.74

 

CMYK 70 / 0 / 23 / 2

HEX #4BFBC2

RGB 75 251 194

HSL 160.57, 0.96%, 0.64%

LAB 89.1, -57.27, 14.63

 

CMYK 70 / 0 / 4 / 2

HEX #4BFBF1

RGB 75 251 241

HSL 176.59, 0.96%, 0.64%

LAB 90.25, -45.71, -8.09

 

CMYK 70 / 15 / 0 / 2

HEX #4BD5FB

RGB 75 213 251

HSL 192.95, 0.96%, 0.64%

LAB 79.64, -25.14, -29.35

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 62 / 0 / 54 / 7

HEX #59EC6D

RGB 89 236 109

HSL 128.16, 0.79%, 0.64%

LAB 83.56, -64.45, 49.63

 

CMYK 53 / 0 / 46 / 13

HEX #68DD78

RGB 104 221 120

HSL 128.21, 0.63%, 0.64%

LAB 79.62, -53.93, 39.62

 

CMYK 42 / 0 / 36 / 19

HEX #77CE83

RGB 119 206 131

HSL 128.28, 0.47%, 0.64%

LAB 75.89, -41.91, 29.32

 

CMYK 30 / 0 / 26 / 25

HEX #86BF8E

RGB 134 191 142

HSL 128.42, 0.31%, 0.64%

LAB 72.42, -28.47, 18.95

 

CMYK 42 / 0 / 70 / 2

HEX #91FB4B

RGB 145 251 75

HSL 96.14, 0.96%, 0.64%

LAB 89.64, -58.7, 70.9

 

CMYK 61 / 0 / 70 / 2

HEX #62FB4B

RGB 98 251 75

HSL 112.16, 0.96%, 0.64%

LAB 88.02, -71.16, 68.72

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB62

RGB 75 251 98

HSL 127.84, 0.96%, 0.64%

LAB 87.67, -73.38, 59.2

 

CMYK 70 / 0 / 42 / 2

HEX #4BFB91

RGB 75 251 145

HSL 143.86, 0.96%, 0.64%

LAB 88.23, -66.87, 38.21

 

CMYK 70 / 0 / 24 / 2

HEX #4BFBC0

RGB 75 251 192

HSL 159.89, 0.96%, 0.64%

LAB 89.06, -57.71, 15.61

 

CMYK 98 / 0 / 85 / 6

HEX #04EF24

RGB 4 239 36

HSL 128.17, 0.97%, 0.48%

LAB 82.85, -81.05, 74.63

 

CMYK 86 / 0 / 74 / 2

HEX #22FA40

RGB 34 250 64

HSL 128.33, 0.96%, 0.56%

LAB 86.54, -81.01, 70.61

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 54 / 0 / 47 / 1

HEX #73FC86

RGB 115 252 134

HSL 128.32, 0.96%, 0.72%

LAB 89.39, -61.17, 45.23

 

CMYK 38 / 0 / 33 / 1

HEX #9BFCA9

RGB 155 252 169

HSL 128.66, 0.94%, 0.8%

LAB 91.44, -45.21, 30.99

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 70 / 24 / 0 / 2

HEX #4BC0FB

RGB 75 192 251

HSL 200.11, 0.96%, 0.64%

LAB 73.65, -14.35, -38.61

 

CMYK 0 / 70 / 51 / 2

HEX #FB4B7A

RGB 251 75 122

HSL 343.98, 0.96%, 0.64%

LAB 58.92, 69.08, 13.26

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 61 / 70 / 0 / 2

HEX #624BFB

RGB 98 75 251

HSL 247.84, 0.96%, 0.64%

LAB 45.07, 56.97, -84.3

 

CMYK 0 / 61 / 70 / 2

HEX #FB624B

RGB 251 98 75

HSL 7.84, 0.96%, 0.64%

LAB 61.44, 57.12, 43.27

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 70 / 24 / 0 / 2

HEX #4BC0FB

RGB 75 192 251

HSL 200.11, 0.96%, 0.64%

LAB 73.65, -14.35, -38.61

 

CMYK 0 / 70 / 10 / 2

HEX #FB4BE3

RGB 251 75 227

HSL 308.18, 0.96%, 0.64%

LAB 62.58, 80.86, -41.7

 

CMYK 0 / 47 / 70 / 2

HEX #FB854B

RGB 251 133 75

HSL 19.77, 0.96%, 0.64%

LAB 67.87, 40.62, 50.49

 

CMYK 70 / 0 / 61 / 2

HEX #4BFB63

RGB 75 251 99

HSL 128.18, 0.96%, 0.64%

LAB 87.67, -73.27, 58.79

 

CMYK 70 / 45 / 0 / 2

HEX #4B8BFB

RGB 75 139 251

HSL 218.18, 0.96%, 0.64%

LAB 58.91, 15.84, -61.9

 

CMYK 0 / 70 / 10 / 2

HEX #FB4BE3

RGB 251 75 227

HSL 308.18, 0.96%, 0.64%

LAB 62.58, 80.86, -41.7

 

CMYK 0 / 26 / 70 / 2

HEX #FBBA4B

RGB 251 186 75

HSL 37.84, 0.96%, 0.64%

LAB 79.69, 13.13, 63.08

 

Description

Color code: HEX #4BFB63 | qconv.com Color code: HEX #4BFB63 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 251 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 251 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 61 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 61% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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