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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BFDB5 it is the complementary color #B4024A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BFDB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BFDB5 shade: #50FDB0, #61FFC3, #72FFD6, #83FFE9 and #94FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BFDB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BFDB5 shade: #4BFDB5, #3AEBA2, #29D98F, #18C77C and #07B569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BFDB5 shade: #49FDB4, #49FD83, #49FD53, #6FFD49 and #A0FD49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BFDB5 shade: #49FDB4, #49FDE4, #49E4FD, #49B4FD and #4983FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BFDB5 shade matches the following richer shades: #49FDB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BFDB5 shade: #49FDB4, #58EEB1, #66DFAE, #75D0AB and #84C1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BFDB5 shade: #49FD52, #49FD82, #49FDB2, #49FDE2 and #49E8FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BFDB5 shade: #02F190, #20FCA3, #49FDB4, #72FDC5 and #9AFDD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BFDB5 shade: #4BFDB5, #4970FD and #FD6A49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BFDB5 shade: #4BFDB5, #B249FD and #FDB249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BFDB5 shade: #4BFDB5, #4970FD, #FD4994 and #FDD649

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BFDB5 shade: #4BFDB5, #5849FD, #FD4994 and #EEFD49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 28 / 1

HEX #4BFDB5

RGB 75 253 181

HSL 155.73, 0.98%, 0.64%

LAB 89.43, -60.84, 21.76

 

Complementary color

CMYK 0 / 99 / 59 / 29

HEX #B4024A

RGB 180 2 74

HSL 335.73, 0.98%, 0.36%

LAB 38.27, 63.86, 11.96

 

CMYK 68 / 0 / 30 / 1

HEX #50FDB0

RGB 80 253 176

HSL 153.29, 0.98%, 0.65%

LAB 89.44, -61.13, 24.33

 

CMYK 62 / 0 / 24 / 0

HEX #61FFC3

RGB 97 255 195

HSL 157.22, 1%, 0.69%

LAB 90.78, -55.19, 16.55

 

CMYK 55 / 0 / 16 / 0

HEX #72FFD6

RGB 114 255 214

HSL 162.55, 1%, 0.72%

LAB 91.66, -47.82, 8.09

 

CMYK 49 / 0 / 9 / 0

HEX #83FFE9

RGB 131 255 233

HSL 169.35, 1%, 0.76%

LAB 92.68, -39.92, -0.19

 

CMYK 42 / 0 / 1 / 0

HEX #94FFFC

RGB 148 255 252

HSL 178.32, 1%, 0.79%

LAB 93.82, -31.6, -8.27

 

CMYK 70 / 0 / 28 / 1

HEX #4BFDB5

RGB 75 253 181

HSL 155.73, 0.98%, 0.64%

LAB 89.43, -60.84, 21.76

 

CMYK 75 / 0 / 31 / 8

HEX #3AEBA2

RGB 58 235 162

HSL 155.25, 0.82%, 0.57%

LAB 83.4, -60.2, 23.16

 

CMYK 81 / 0 / 34 / 15

HEX #29D98F

RGB 41 217 143

HSL 154.77, 0.7%, 0.51%

LAB 77.33, -59.27, 24.67

 

CMYK 88 / 0 / 38 / 22

HEX #18C77C

RGB 24 199 124

HSL 154.29, 0.78%, 0.44%

LAB 71.21, -57.97, 26.31

 

CMYK 96 / 0 / 42 / 29

HEX #07B569

RGB 7 181 105

HSL 153.79, 0.93%, 0.37%

LAB 65.05, -56.18, 28.1

 

CMYK 71 / 0 / 29 / 1

HEX #49FDB4

RGB 73 253 180

HSL 155.67, 0.98%, 0.64%

LAB 89.38, -61.32, 22.19

 

CMYK 71 / 0 / 48 / 1

HEX #49FD83

RGB 73 253 131

HSL 139.33, 0.98%, 0.64%

LAB 88.59, -70.09, 45.44

 

CMYK 71 / 0 / 67 / 1

HEX #49FD53

RGB 73 253 83

HSL 123.33, 0.98%, 0.64%

LAB 88.11, -75.83, 65.7

 

CMYK 56 / 0 / 71 / 1

HEX #6FFD49

RGB 111 253 73

HSL 107.33, 0.98%, 0.64%

LAB 88.97, -68.99, 70.52

 

CMYK 37 / 0 / 71 / 1

HEX #A0FD49

RGB 160 253 73

HSL 91, 0.98%, 0.64%

LAB 90.87, -54.83, 73.05

 

CMYK 71 / 0 / 29 / 1

HEX #49FDB4

RGB 73 253 180

HSL 155.67, 0.98%, 0.64%

LAB 89.38, -61.32, 22.19

 

CMYK 71 / 0 / 10 / 1

HEX #49FDE4

RGB 73 253 228

HSL 171.67, 0.98%, 0.64%

LAB 90.45, -50.2, -1.05

 

CMYK 71 / 10 / 0 / 1

HEX #49E4FD

RGB 73 228 253

HSL 188.33, 0.98%, 0.64%

LAB 83.96, -32.09, -23.81

 

CMYK 71 / 29 / 0 / 1

HEX #49B4FD

RGB 73 180 253

HSL 204.33, 0.98%, 0.64%

LAB 70.28, -7.48, -44.95

 

CMYK 71 / 48 / 0 / 1

HEX #4983FD

RGB 73 131 253

HSL 220.67, 0.98%, 0.64%

LAB 56.82, 21.14, -66.35

 

CMYK 71 / 0 / 29 / 1

HEX #49FDB4

RGB 73 253 180

HSL 155.67, 0.98%, 0.64%

LAB 89.38, -61.32, 22.19

 

CMYK 71 / 0 / 29 / 1

HEX #49FDB4

RGB 73 253 180

HSL 155.67, 0.98%, 0.64%

LAB 89.38, -61.32, 22.19

 

CMYK 63 / 0 / 26 / 7

HEX #58EEB1

RGB 88 238 177

HSL 155.6, 0.82%, 0.64%

LAB 85.2, -53.76, 17.98

 

CMYK 54 / 0 / 22 / 13

HEX #66DFAE

RGB 102 223 174

HSL 155.7, 0.65%, 0.64%

LAB 81.1, -45.39, 13.86

 

CMYK 44 / 0 / 18 / 18

HEX #75D0AB

RGB 117 208 171

HSL 155.6, 0.49%, 0.64%

LAB 77.18, -35.77, 9.97

 

CMYK 32 / 0 / 12 / 24

HEX #84C1A9

RGB 132 193 169

HSL 156.39, 0.33%, 0.64%

LAB 73.49, -24.81, 5.85

 

CMYK 71 / 0 / 68 / 1

HEX #49FD52

RGB 73 253 82

HSL 123, 0.98%, 0.64%

LAB 88.1, -75.91, 66.07

 

CMYK 71 / 0 / 49 / 1

HEX #49FD82

RGB 73 253 130

HSL 139, 0.98%, 0.64%

LAB 88.58, -70.24, 45.89

 

CMYK 71 / 0 / 30 / 1

HEX #49FDB2

RGB 73 253 178

HSL 155, 0.98%, 0.64%

LAB 89.34, -61.74, 23.16

 

CMYK 71 / 0 / 11 / 1

HEX #49FDE2

RGB 73 253 226

HSL 171, 0.98%, 0.64%

LAB 90.39, -50.71, -0.08

 

CMYK 71 / 8 / 0 / 1

HEX #49E8FD

RGB 73 232 253

HSL 187, 0.98%, 0.64%

LAB 85.11, -33.99, -22.07

 

CMYK 99 / 0 / 40 / 5

HEX #02F190

RGB 2 241 144

HSL 155.65, 0.98%, 0.48%

LAB 84.45, -69.5, 33.63

 

CMYK 87 / 0 / 35 / 1

HEX #20FCA3

RGB 32 252 163

HSL 155.73, 0.97%, 0.56%

LAB 88.24, -68.44, 29.18

 

CMYK 71 / 0 / 29 / 1

HEX #49FDB4

RGB 73 253 180

HSL 155.67, 0.98%, 0.64%

LAB 89.38, -61.32, 22.19

 

CMYK 55 / 0 / 22 / 1

HEX #72FDC5

RGB 114 253 197

HSL 155.83, 0.97%, 0.72%

LAB 90.72, -50.67, 15.5

 

CMYK 39 / 0 / 16 / 1

HEX #9AFDD5

RGB 154 253 213

HSL 155.76, 0.96%, 0.8%

LAB 92.54, -37.84, 10.06

 

CMYK 70 / 0 / 28 / 1

HEX #4BFDB5

RGB 75 253 181

HSL 155.73, 0.98%, 0.64%

LAB 89.43, -60.84, 21.76

 

CMYK 71 / 56 / 0 / 1

HEX #4970FD

RGB 73 112 253

HSL 227, 0.98%, 0.64%

LAB 51.95, 32.83, -74.24

 

CMYK 0 / 58 / 71 / 1

HEX #FD6A49

RGB 253 106 73

HSL 11, 0.98%, 0.64%

LAB 63.07, 54.19, 46.25

 

CMYK 70 / 0 / 28 / 1

HEX #4BFDB5

RGB 75 253 181

HSL 155.73, 0.98%, 0.64%

LAB 89.43, -60.84, 21.76

 

CMYK 30 / 71 / 0 / 1

HEX #B249FD

RGB 178 73 253

HSL 275, 0.98%, 0.64%

LAB 53.3, 71.16, -71.64

 

CMYK 0 / 30 / 71 / 1

HEX #FDB249

RGB 253 178 73

HSL 35, 0.98%, 0.64%

LAB 78, 18.04, 62.25

 

CMYK 70 / 0 / 28 / 1

HEX #4BFDB5

RGB 75 253 181

HSL 155.73, 0.98%, 0.64%

LAB 89.43, -60.84, 21.76

 

CMYK 71 / 56 / 0 / 1

HEX #4970FD

RGB 73 112 253

HSL 227, 0.98%, 0.64%

LAB 51.95, 32.83, -74.24

 

CMYK 0 / 71 / 42 / 1

HEX #FD4994

RGB 253 73 148

HSL 335, 0.98%, 0.64%

LAB 59.69, 72.55, -0.83

 

CMYK 0 / 15 / 71 / 1

HEX #FDD649

RGB 253 214 73

HSL 47, 0.98%, 0.64%

LAB 86.73, -0.58, 71.05

 

CMYK 70 / 0 / 28 / 1

HEX #4BFDB5

RGB 75 253 181

HSL 155.73, 0.98%, 0.64%

LAB 89.43, -60.84, 21.76

 

CMYK 65 / 71 / 0 / 1

HEX #5849FD

RGB 88 73 253

HSL 245, 0.98%, 0.64%

LAB 44.13, 57.43, -86.99

 

CMYK 0 / 71 / 42 / 1

HEX #FD4994

RGB 253 73 148

HSL 335, 0.98%, 0.64%

LAB 59.69, 72.55, -0.83

 

CMYK 6 / 0 / 71 / 1

HEX #EEFD49

RGB 238 253 73

HSL 65, 0.98%, 0.64%

LAB 95.54, -25.86, 79.21

 

Description

Color code: HEX #4BFDB5 | qconv.com Color code: HEX #4BFDB5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 253 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 253 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 28 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 28% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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