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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BFF2E it is the complementary color #B400D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BFF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BFF2E shade: #50FF29, #61FF3C, #72FF4F, #83FF62 and #94FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BFF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BFF2E shade: #4BFF2E, #3AED1B, #29DB08, #18C900 and #07B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BFF2E shade: #4AFF2D, #83FF2D, #BBFF2D, #F4FF2D and #FFD12D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BFF2E shade: #4AFF2D, #2DFF49, #2DFF81, #2DFFBA and #2DFFF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BFF2E shade matches the following richer shades: #4AFF2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BFF2E shade: #4AFF2D, #57EE3E, #63DD4F, #6FCC60 and #7BBB71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BFF2E shade: #BCFF2D, #85FF2D, #4DFF2D, #2DFF46 and #2DFF7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BFF2E shade: #1EDA00, #27FF04, #4AFF2D, #6EFF57 and #91FF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BFF2E shade: #4BFF2E, #2DF4FF and #FF2DA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BFF2E shade: #4BFF2E, #2D4DFF and #FF2D4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BFF2E shade: #4BFF2E, #2DF4FF, #DF2DFF and #FF382D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BFF2E shade: #4BFF2E, #2DB5FF, #DF2DFF and #FF772D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 82 / 0

HEX #4BFF2E

RGB 75 255 46

HSL 111.67, 1%, 0.59%

LAB 88.55, -78.61, 77.77

 

Complementary color

CMYK 14 / 100 / 0 / 18

HEX #B400D1

RGB 180 0 209

HSL 291.67, 1%, 0.41%

LAB 44.67, 80.17, -60.71

 

CMYK 69 / 0 / 84 / 0

HEX #50FF29

RGB 80 255 41

HSL 109.07, 1%, 0.58%

LAB 88.63, -77.97, 79.02

 

CMYK 62 / 0 / 76 / 0

HEX #61FF3C

RGB 97 255 60

HSL 108.62, 1%, 0.62%

LAB 89.11, -73.7, 74.71

 

CMYK 55 / 0 / 69 / 0

HEX #72FF4F

RGB 114 255 79

HSL 108.07, 1%, 0.65%

LAB 89.7, -68.5, 69.17

 

CMYK 49 / 0 / 62 / 0

HEX #83FF62

RGB 131 255 98

HSL 107.39, 1%, 0.69%

LAB 90.43, -62.44, 62.74

 

CMYK 42 / 0 / 54 / 0

HEX #94FF75

RGB 148 255 117

HSL 106.52, 1%, 0.73%

LAB 91.28, -55.62, 55.7

 

CMYK 71 / 0 / 82 / 0

HEX #4BFF2E

RGB 75 255 46

HSL 111.67, 1%, 0.59%

LAB 88.55, -78.61, 77.77

 

CMYK 76 / 0 / 89 / 7

HEX #3AED1B

RGB 58 237 27

HSL 111.14, 0.85%, 0.52%

LAB 82.67, -76.65, 76.36

 

CMYK 81 / 0 / 96 / 14

HEX #29DB08

RGB 41 219 8

HSL 110.62, 0.93%, 0.45%

LAB 76.77, -74.1, 73.75

 

CMYK 88 / 0 / 100 / 21

HEX #18C900

RGB 24 201 0

HSL 112.84, 1%, 0.39%

LAB 70.85, -70.82, 69.7

 

CMYK 96 / 0 / 100 / 28

HEX #07B700

RGB 7 183 0

HSL 117.7, 1%, 0.36%

LAB 64.89, -66.85, 64.88

 

CMYK 71 / 0 / 82 / 0

HEX #4AFF2D

RGB 74 255 45

HSL 111.71, 1%, 0.59%

LAB 88.53, -78.82, 77.98

 

CMYK 49 / 0 / 82 / 0

HEX #83FF2D

RGB 131 255 45

HSL 95.43, 1%, 0.59%

LAB 90.11, -65.95, 79.99

 

CMYK 27 / 0 / 82 / 0

HEX #BBFF2D

RGB 187 255 45

HSL 79.43, 1%, 0.59%

LAB 92.7, -47.54, 83.26

 

CMYK 4 / 0 / 82 / 0

HEX #F4FF2D

RGB 244 255 45

HSL 63.14, 1%, 0.59%

LAB 96.39, -25.4, 87.88

 

CMYK 0 / 18 / 82 / 0

HEX #FFD12D

RGB 255 209 45

HSL 46.86, 1%, 0.59%

LAB 85.53, 1.79, 79.1

 

CMYK 71 / 0 / 82 / 0

HEX #4AFF2D

RGB 74 255 45

HSL 111.71, 1%, 0.59%

LAB 88.53, -78.82, 77.98

 

CMYK 82 / 0 / 71 / 0

HEX #2DFF49

RGB 45 255 73

HSL 128, 1%, 0.59%

LAB 88.24, -80.81, 69.34

 

CMYK 82 / 0 / 49 / 0

HEX #2DFF81

RGB 45 255 129

HSL 144, 1%, 0.59%

LAB 88.76, -74.37, 46.5

 

CMYK 82 / 0 / 27 / 0

HEX #2DFFBA

RGB 45 255 186

HSL 160.29, 1%, 0.59%

LAB 89.68, -63.81, 19.49

 

CMYK 82 / 0 / 5 / 0

HEX #2DFFF2

RGB 45 255 242

HSL 176.29, 1%, 0.59%

LAB 91, -50.01, -7.54

 

CMYK 71 / 0 / 82 / 0

HEX #4AFF2D

RGB 74 255 45

HSL 111.71, 1%, 0.59%

LAB 88.53, -78.82, 77.98

 

CMYK 71 / 0 / 82 / 0

HEX #4AFF2D

RGB 74 255 45

HSL 111.71, 1%, 0.59%

LAB 88.53, -78.82, 77.98

 

CMYK 63 / 0 / 74 / 7

HEX #57EE3E

RGB 87 238 62

HSL 111.48, 0.84%, 0.59%

LAB 83.72, -70.16, 68.74

 

CMYK 55 / 0 / 64 / 13

HEX #63DD4F

RGB 99 221 79

HSL 111.55, 0.68%, 0.59%

LAB 79, -60.16, 57.62

 

CMYK 46 / 0 / 53 / 20

HEX #6FCC60

RGB 111 204 96

HSL 111.67, 0.51%, 0.59%

LAB 74.45, -48.46, 44.93

 

CMYK 34 / 0 / 40 / 27

HEX #7BBB71

RGB 123 187 113

HSL 111.89, 0.35%, 0.59%

LAB 70.14, -34.98, 31.15

 

CMYK 26 / 0 / 82 / 0

HEX #BCFF2D

RGB 188 255 45

HSL 79.14, 1%, 0.59%

LAB 92.75, -47.18, 83.33

 

CMYK 48 / 0 / 82 / 0

HEX #85FF2D

RGB 133 255 45

HSL 94.86, 1%, 0.59%

LAB 90.18, -65.38, 80.08

 

CMYK 70 / 0 / 82 / 0

HEX #4DFF2D

RGB 77 255 45

HSL 110.86, 1%, 0.59%

LAB 88.58, -78.32, 78.05

 

CMYK 82 / 0 / 73 / 0

HEX #2DFF46

RGB 45 255 70

HSL 127.14, 1%, 0.59%

LAB 88.22, -81.04, 70.35

 

CMYK 82 / 0 / 51 / 0

HEX #2DFF7E

RGB 45 255 126

HSL 143.14, 1%, 0.59%

LAB 88.73, -74.82, 47.86

 

CMYK 86 / 0 / 100 / 15

HEX #1EDA00

RGB 30 218 0

HSL 111.74, 1%, 0.43%

LAB 76.33, -75.02, 74.1

 

CMYK 85 / 0 / 98 / 0

HEX #27FF04

RGB 39 255 4

HSL 111.63, 1%, 0.51%

LAB 87.95, -84.23, 83.14

 

CMYK 71 / 0 / 82 / 0

HEX #4AFF2D

RGB 74 255 45

HSL 111.71, 1%, 0.59%

LAB 88.53, -78.82, 77.98

 

CMYK 57 / 0 / 66 / 0

HEX #6EFF57

RGB 110 255 87

HSL 111.79, 1%, 0.67%

LAB 89.64, -68.81, 66.07

 

CMYK 43 / 0 / 50 / 0

HEX #91FF80

RGB 145 255 128

HSL 111.97, 1%, 0.75%

LAB 91.28, -55.22, 50.64

 

CMYK 71 / 0 / 82 / 0

HEX #4BFF2E

RGB 75 255 46

HSL 111.67, 1%, 0.59%

LAB 88.55, -78.61, 77.77

 

CMYK 82 / 4 / 0 / 0

HEX #2DF4FF

RGB 45 244 255

HSL 183.14, 1%, 0.59%

LAB 88.2, -41.55, -18.49

 

CMYK 0 / 82 / 37 / 0

HEX #FF2DA0

RGB 255 45 160

HSL 327.14, 1%, 0.59%

LAB 57.73, 81.83, -10.74

 

CMYK 71 / 0 / 82 / 0

HEX #4BFF2E

RGB 75 255 46

HSL 111.67, 1%, 0.59%

LAB 88.55, -78.61, 77.77

 

CMYK 82 / 70 / 0 / 0

HEX #2D4DFF

RGB 45 77 255

HSL 230.86, 1%, 0.59%

LAB 42.89, 52.15, -90.23

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4D

RGB 255 45 77

HSL 350.86, 1%, 0.59%

LAB 55.76, 76.07, 35.65

 

CMYK 71 / 0 / 82 / 0

HEX #4BFF2E

RGB 75 255 46

HSL 111.67, 1%, 0.59%

LAB 88.55, -78.61, 77.77

 

CMYK 82 / 4 / 0 / 0

HEX #2DF4FF

RGB 45 244 255

HSL 183.14, 1%, 0.59%

LAB 88.2, -41.55, -18.49

 

CMYK 13 / 82 / 0 / 0

HEX #DF2DFF

RGB 223 45 255

HSL 290.86, 1%, 0.59%

LAB 56.87, 87.99, -66.67

 

CMYK 0 / 78 / 82 / 0

HEX #FF382D

RGB 255 56 45

HSL 3.14, 1%, 0.59%

LAB 56.36, 72.3, 53.65

 

CMYK 71 / 0 / 82 / 0

HEX #4BFF2E

RGB 75 255 46

HSL 111.67, 1%, 0.59%

LAB 88.55, -78.61, 77.77

 

CMYK 82 / 29 / 0 / 0

HEX #2DB5FF

RGB 45 181 255

HSL 201.14, 1%, 0.59%

LAB 70.05, -10.31, -46.43

 

CMYK 13 / 82 / 0 / 0

HEX #DF2DFF

RGB 223 45 255

HSL 290.86, 1%, 0.59%

LAB 56.87, 87.99, -66.67

 

CMYK 0 / 53 / 82 / 0

HEX #FF772D

RGB 255 119 45

HSL 21.14, 1%, 0.59%

LAB 65.47, 47.87, 61.81

 

Description

Color code: HEX #4BFF2E | qconv.com Color code: HEX #4BFF2E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 255 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 255 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 82 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 82% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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