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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C143F it is the complementary color #B3EBC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C143F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C143F shade: #51143A, #62264D, #733860, #844A73 and #955C86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C143F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C143F shade: #4C143F, #3B022C, #2A0019, #190006 and #080000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C143F shade: #4C143F, #4C1430, #4C1421 and #4C1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C143F shade: #4C143F, #4A144C, #3B144C, #2C144C and #1C144C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C143F shade matches the following richer shades: #4C143F, #540C43 and #5C0447

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C143F shade: #4C143F, #441C3B, #3C2437, #352B32 and #2D332E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C143F shade: #3A144C, #49144C, #4C1440, #4C1431 and #4C1422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C143F shade: #0B0309, #2B0B24, #4C143F, #6D1D5A and #8D2575

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C143F shade: #4C143F, #4C2B14 and #144C42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C143F shade: #4C143F, #404C14 and #14404C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C143F shade: #4C143F, #4C2B14, #144C20 and #14354C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C143F shade: #4C143F, #4C3C14, #144C20 and #14244C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

Complementary color

CMYK 24 / 0 / 18 / 8

HEX #B3EBC0

RGB 179 235 192

HSL 133.93, 0.58%, 0.81%

LAB 88.36, -26.16, 15.16

 

CMYK 0 / 75 / 28 / 68

HEX #51143A

RGB 81 20 58

HSL 322.62, 0.6%, 0.2%

LAB 18.17, 32.36, -9.01

 

CMYK 0 / 61 / 21 / 62

HEX #62264D

RGB 98 38 77

HSL 321, 0.44%, 0.27%

LAB 25.32, 32.19, -10.82

 

CMYK 0 / 51 / 17 / 55

HEX #733860

RGB 115 56 96

HSL 319.32, 0.35%, 0.34%

LAB 32.52, 31.5, -12.02

 

CMYK 0 / 44 / 13 / 48

HEX #844A73

RGB 132 74 115

HSL 317.59, 0.28%, 0.4%

LAB 39.65, 30.69, -12.91

 

CMYK 0 / 38 / 10 / 42

HEX #955C86

RGB 149 92 134

HSL 315.79, 0.24%, 0.47%

LAB 46.66, 29.87, -13.63

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 97 / 25 / 77

HEX #3B022C

RGB 59 2 44

HSL 315.79, 0.93%, 0.12%

LAB 10.22, 31.18, -11.53

 

CMYK 0 / 100 / 40 / 84

HEX #2A0019

RGB 42 0 25

HSL 324.29, 1%, 0.08%

LAB 5.08, 23.26, -5.1

 

CMYK 0 / 100 / 76 / 90

HEX #190006

RGB 25 0 6

HSL 345.6, 1%, 0.05%

LAB 1.99, 9.21, 0.68

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 74 / 37 / 70

HEX #4C1430

RGB 76 20 48

HSL 330, 0.58%, 0.19%

LAB 16.75, 29.27, -4.16

 

CMYK 0 / 74 / 57 / 70

HEX #4C1421

RGB 76 20 33

HSL 346.07, 0.58%, 0.19%

LAB 16.24, 27.47, 5.91

 

CMYK 0 / 74 / 74 / 70

HEX #4C1414

RGB 76 20 20

HSL 0, 0.58%, 0.19%

LAB 15.94, 26.38, 14.78

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 3 / 74 / 0 / 70

HEX #4A144C

RGB 74 20 76

HSL 297.86, 0.58%, 0.19%

LAB 17.82, 33.47, -22.14

 

CMYK 22 / 74 / 0 / 70

HEX #3B144C

RGB 59 20 76

HSL 281.79, 0.58%, 0.19%

LAB 15.23, 29.45, -26.41

 

CMYK 42 / 74 / 0 / 70

HEX #2C144C

RGB 44 20 76

HSL 265.71, 0.58%, 0.19%

LAB 12.97, 25.66, -30.18

 

CMYK 63 / 74 / 0 / 70

HEX #1C144C

RGB 28 20 76

HSL 248.57, 0.58%, 0.19%

LAB 11.06, 22.18, -33.38

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 86 / 20 / 67

HEX #540C43

RGB 84 12 67

HSL 314.17, 0.75%, 0.19%

LAB 18.16, 37.6, -15.26

 

CMYK 0 / 96 / 23 / 64

HEX #5C0447

RGB 92 4 71

HSL 314.32, 0.92%, 0.19%

LAB 19.3, 42.36, -16.13

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 59 / 13 / 73

HEX #441C3B

RGB 68 28 59

HSL 313.5, 0.42%, 0.19%

LAB 17.34, 24.01, -11.18

 

CMYK 0 / 40 / 8 / 76

HEX #3C2437

RGB 60 36 55

HSL 312.5, 0.25%, 0.19%

LAB 17.91, 15.01, -7.62

 

CMYK 0 / 19 / 6 / 79

HEX #352B32

RGB 53 43 50

HSL 318, 0.1%, 0.19%

LAB 18.86, 6.1, -2.8

 

CMYK 12 / 0 / 10 / 80

HEX #2D332E

RGB 45 51 46

HSL 130, 0.06%, 0.19%

LAB 20.53, -3.79, 2.29

 

CMYK 24 / 74 / 0 / 70

HEX #3A144C

RGB 58 20 76

HSL 280.71, 0.58%, 0.19%

LAB 15.07, 29.18, -26.68

 

CMYK 4 / 74 / 0 / 70

HEX #49144C

RGB 73 20 76

HSL 296.79, 0.58%, 0.19%

LAB 17.64, 33.2, -22.43

 

CMYK 0 / 74 / 16 / 70

HEX #4C1440

RGB 76 20 64

HSL 312.86, 0.58%, 0.19%

LAB 17.49, 31.79, -14.33

 

CMYK 0 / 74 / 36 / 70

HEX #4C1431

RGB 76 20 49

HSL 328.93, 0.58%, 0.19%

LAB 16.79, 29.41, -4.81

 

CMYK 0 / 74 / 55 / 70

HEX #4C1422

RGB 76 20 34

HSL 345, 0.58%, 0.19%

LAB 16.27, 27.57, 5.22

 

CMYK 0 / 73 / 18 / 96

HEX #0B0309

RGB 11 3 9

HSL 315, 0.57%, 0.03%

LAB 1.41, 2.93, -1.53

 

CMYK 0 / 74 / 16 / 83

HEX #2B0B24

RGB 43 11 36

HSL 313.13, 0.59%, 0.11%

LAB 7.95, 20.32, -9.3

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 73 / 17 / 57

HEX #6D1D5A

RGB 109 29 90

HSL 314.25, 0.58%, 0.27%

LAB 26.36, 41.83, -17.69

 

CMYK 0 / 74 / 17 / 45

HEX #8D2575

RGB 141 37 117

HSL 313.85, 0.58%, 0.35%

LAB 34.54, 51.5, -21.9

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 43 / 74 / 70

HEX #4C2B14

RGB 76 43 20

HSL 24.64, 0.58%, 0.19%

LAB 21.26, 12.88, 21.11

 

CMYK 74 / 0 / 13 / 70

HEX #144C42

RGB 20 76 66

HSL 169.29, 0.58%, 0.19%

LAB 28.67, -20.74, 0.69

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 16 / 0 / 74 / 70

HEX #404C14

RGB 64 76 20

HSL 72.86, 0.58%, 0.19%

LAB 30.18, -13.92, 30.38

 

CMYK 74 / 16 / 0 / 70

HEX #14404C

RGB 20 64 76

HSL 192.86, 0.58%, 0.19%

LAB 24.76, -10.5, -11.69

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 43 / 74 / 70

HEX #4C2B14

RGB 76 43 20

HSL 24.64, 0.58%, 0.19%

LAB 21.26, 12.88, 21.11

 

CMYK 74 / 0 / 58 / 70

HEX #144C20

RGB 20 76 32

HSL 132.86, 0.58%, 0.19%

LAB 27.9, -28.92, 20.83

 

CMYK 74 / 30 / 0 / 70

HEX #14354C

RGB 20 53 76

HSL 204.64, 0.58%, 0.19%

LAB 20.89, -3.39, -17.67

 

CMYK 0 / 74 / 17 / 70

HEX #4C143F

RGB 76 20 63

HSL 313.93, 0.58%, 0.19%

LAB 17.44, 31.61, -13.71

 

CMYK 0 / 21 / 74 / 70

HEX #4C3C14

RGB 76 60 20

HSL 42.86, 0.58%, 0.19%

LAB 26.21, 1.87, 26.57

 

CMYK 74 / 0 / 58 / 70

HEX #144C20

RGB 20 76 32

HSL 132.86, 0.58%, 0.19%

LAB 27.9, -28.92, 20.83

 

CMYK 74 / 53 / 0 / 70

HEX #14244C

RGB 20 36 76

HSL 222.86, 0.58%, 0.19%

LAB 15.13, 8.84, -26.81

 

Description

Color code: HEX #4C143F | qconv.com Color code: HEX #4C143F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 20 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 20 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 17 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 17% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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