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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C1930 it is the complementary color #B3E6CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C1930. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C1930 shade: #51192B, #622B3E, #733D51, #844F64 and #956177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C1930. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C1930 shade: #4C1930, #3B071D, #2A000A, #190000 and #080000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C1930 shade: #4C1930, #4C1922 and #4C1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C1930 shade: #4C1930, #4C193E, #4C194C, #3F194C and #31194C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C1930 shade matches the following richer shades: #4C1930, #54112F, #5D082E and #65002E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C1930 shade: #4C1930, #442131, #3B2A32, #333232 and #2B3A33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C1930 shade: #4C194C, #4C193E, #4C1931, #4C1923 and #4C1C19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C1930 shade: #0E0409, #2D0F1C, #4C1930, #6B2344 and #8A2E57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C1930 shade: #4C1930, #4C3E19 and #19454C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C1930 shade: #4C1930, #314C19 and #19314C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C1930 shade: #4C1930, #4C3E19, #194C34 and #19274C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C1930 shade: #4C1930, #4A4C19, #194C34 and #1B194C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

Complementary color

CMYK 22 / 0 / 10 / 10

HEX #B3E6CF

RGB 179 230 207

HSL 152.94, 0.5%, 0.8%

LAB 87.33, -20.93, 5.86

 

CMYK 0 / 69 / 47 / 68

HEX #51192B

RGB 81 25 43

HSL 340.71, 0.53%, 0.21%

LAB 18.45, 27.96, 2.02

 

CMYK 0 / 56 / 37 / 62

HEX #622B3E

RGB 98 43 62

HSL 339.27, 0.39%, 0.28%

LAB 25.78, 27.18, -0.07

 

CMYK 0 / 47 / 30 / 55

HEX #733D51

RGB 115 61 81

HSL 337.78, 0.31%, 0.35%

LAB 33.08, 26.22, -1.54

 

CMYK 0 / 40 / 24 / 48

HEX #844F64

RGB 132 79 100

HSL 336.23, 0.25%, 0.41%

LAB 40.28, 25.29, -2.68

 

CMYK 0 / 35 / 20 / 42

HEX #956177

RGB 149 97 119

HSL 334.62, 0.21%, 0.48%

LAB 47.33, 24.42, -3.62

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 88 / 51 / 77

HEX #3B071D

RGB 59 7 29

HSL 334.62, 0.79%, 0.13%

LAB 10.34, 26.81, -0.04

 

CMYK 0 / 100 / 76 / 84

HEX #2A000A

RGB 42 0 10

HSL 345.71, 1%, 0.08%

LAB 4.64, 20.93, 3.24

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 67 / 55 / 70

HEX #4C1922

RGB 76 25 34

HSL 349.41, 0.5%, 0.2%

LAB 17.21, 25.02, 6.54

 

CMYK 0 / 67 / 67 / 70

HEX #4C1919

RGB 76 25 25

HSL 0, 0.5%, 0.2%

LAB 17, 24.17, 12.64

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 67 / 18 / 70

HEX #4C193E

RGB 76 25 62

HSL 316.47, 0.5%, 0.2%

LAB 18.27, 29, -11.72

 

CMYK 0 / 67 / 0 / 70

HEX #4C194C

RGB 76 25 76

HSL 300, 0.5%, 0.2%

LAB 19.03, 31.66, -20.2

 

CMYK 17 / 67 / 0 / 70

HEX #3F194C

RGB 63 25 76

HSL 284.71, 0.5%, 0.2%

LAB 16.86, 27.84, -23.77

 

CMYK 36 / 67 / 0 / 70

HEX #31194C

RGB 49 25 76

HSL 268.24, 0.5%, 0.2%

LAB 14.79, 23.86, -27.2

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 80 / 44 / 67

HEX #54112F

RGB 84 17 47

HSL 333.13, 0.66%, 0.2%

LAB 17.88, 33.09, -1.59

 

CMYK 0 / 91 / 51 / 64

HEX #5D082E

RGB 93 8 46

HSL 333.18, 0.84%, 0.2%

LAB 18.79, 38.55, 0.69

 

CMYK 0 / 100 / 54 / 60

HEX #65002E

RGB 101 0 46

HSL 332.67, 1%, 0.2%

LAB 19.9, 42.79, 2.53

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 51 / 28 / 73

HEX #442131

RGB 68 33 49

HSL 332.57, 0.35%, 0.2%

LAB 18.09, 19.12, -3.02

 

CMYK 0 / 29 / 15 / 77

HEX #3B2A32

RGB 59 42 50

HSL 331.76, 0.17%, 0.2%

LAB 19.29, 9.46, -2.08

 

CMYK 0 / 2 / 2 / 80

HEX #333232

RGB 51 50 50

HSL 0, 0.01%, 0.2%

LAB 20.89, 0.44, 0.15

 

CMYK 26 / 0 / 12 / 77

HEX #2B3A33

RGB 43 58 51

HSL 152, 0.15%, 0.2%

LAB 22.93, -7.92, 2.35

 

CMYK 0 / 67 / 0 / 70

HEX #4C194C

RGB 76 25 76

HSL 300, 0.5%, 0.2%

LAB 19.03, 31.66, -20.2

 

CMYK 0 / 67 / 18 / 70

HEX #4C193E

RGB 76 25 62

HSL 316.47, 0.5%, 0.2%

LAB 18.27, 29, -11.72

 

CMYK 0 / 67 / 36 / 70

HEX #4C1931

RGB 76 25 49

HSL 331.76, 0.5%, 0.2%

LAB 17.71, 26.91, -3.44

 

CMYK 0 / 67 / 54 / 70

HEX #4C1923

RGB 76 25 35

HSL 348.24, 0.5%, 0.2%

LAB 17.24, 25.12, 5.87

 

CMYK 0 / 63 / 67 / 70

HEX #4C1C19

RGB 76 28 25

HSL 3.53, 0.5%, 0.2%

LAB 17.63, 22.5, 13.46

 

CMYK 0 / 71 / 36 / 95

HEX #0E0409

RGB 14 4 9

HSL 330, 0.56%, 0.04%

LAB 1.81, 3.43, -0.93

 

CMYK 0 / 67 / 38 / 82

HEX #2D0F1C

RGB 45 15 28

HSL 334, 0.5%, 0.12%

LAB 8.85, 17.24, -1.8

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 67 / 36 / 58

HEX #6B2344

RGB 107 35 68

HSL 332.5, 0.51%, 0.28%

LAB 26, 35.4, -3.61

 

CMYK 0 / 67 / 37 / 46

HEX #8A2E57

RGB 138 46 87

HSL 333.26, 0.5%, 0.36%

LAB 34.08, 42.94, -3.52

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 18 / 67 / 70

HEX #4C3E19

RGB 76 62 25

HSL 43.53, 0.5%, 0.2%

LAB 26.88, 0.98, 24.57

 

CMYK 67 / 9 / 0 / 70

HEX #19454C

RGB 25 69 76

HSL 188.24, 0.5%, 0.2%

LAB 26.69, -12.54, -8.73

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 36 / 0 / 67 / 70

HEX #314C19

RGB 49 76 25

HSL 91.76, 0.5%, 0.2%

LAB 29.14, -20.26, 26.46

 

CMYK 67 / 36 / 0 / 70

HEX #19314C

RGB 25 49 76

HSL 211.76, 0.5%, 0.2%

LAB 19.74, 0.43, -19.46

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 0 / 18 / 67 / 70

HEX #4C3E19

RGB 76 62 25

HSL 43.53, 0.5%, 0.2%

LAB 26.88, 0.98, 24.57

 

CMYK 67 / 0 / 32 / 70

HEX #194C34

RGB 25 76 52

HSL 151.76, 0.5%, 0.2%

LAB 28.44, -23.56, 9.35

 

CMYK 67 / 49 / 0 / 70

HEX #19274C

RGB 25 39 76

HSL 223.53, 0.5%, 0.2%

LAB 16.4, 7.65, -24.75

 

CMYK 0 / 67 / 37 / 70

HEX #4C1930

RGB 76 25 48

HSL 332.94, 0.5%, 0.2%

LAB 17.67, 26.76, -2.79

 

CMYK 3 / 0 / 67 / 70

HEX #4A4C19

RGB 74 76 25

HSL 62.35, 0.5%, 0.2%

LAB 31.1, -8.65, 29.17

 

CMYK 67 / 0 / 32 / 70

HEX #194C34

RGB 25 76 52

HSL 151.76, 0.5%, 0.2%

LAB 28.44, -23.56, 9.35

 

CMYK 64 / 67 / 0 / 70

HEX #1B194C

RGB 27 25 76

HSL 242.35, 0.5%, 0.2%

LAB 12.29, 18.47, -31.37

 

Description

Color code: HEX #4C1930 | qconv.com Color code: HEX #4C1930 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 25 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 25 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 37 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 37% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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