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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C252C it is the complementary color #B3DAD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C252C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C252C shade: #512527, #62373A, #73494D, #845B60 and #956D73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C252C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C252C shade: #4C252C, #3B1319, #2A0106, #190000 and #080000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C252C shade: #4B242B and #4B2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C252C shade: #4B242B, #4B2436, #4B2440, #4B244B and #41244B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C252C shade matches the following richer shades: #4B242B, #541B25, #5D121F, #66091A and #700014

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C252C shade: #4B242B, #422D31, #393637, #303F3C and #274842

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C252C shade: #4B2440, #4B2436, #4B242B, #4B2724 and #4B3224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C252C shade: #14090B, #2F171B, #4B242B, #67313B and #833F4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C252C shade: #4C252C, #4B4B24 and #243B4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C252C shade: #4C252C, #2B4B24 and #242B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C252C shade: #4C252C, #4B4B24, #244B44 and #25244B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C252C shade: #4C252C, #3F4B24, #244B44 and #30244B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 42 / 70

HEX #4C252C

RGB 76 37 44

HSL 349.23, 0.35%, 0.22%

LAB 20.21, 19.23, 3.72

 

Complementary color

CMYK 18 / 0 / 3 / 15

HEX #B3DAD3

RGB 179 218 211

HSL 169.23, 0.35%, 0.78%

LAB 84.19, -14.14, -0.81

 

CMYK 0 / 54 / 52 / 68

HEX #512527

RGB 81 37 39

HSL 357.27, 0.37%, 0.23%

LAB 20.9, 20.77, 8.27

 

CMYK 0 / 44 / 41 / 62

HEX #62373A

RGB 98 55 58

HSL 355.81, 0.28%, 0.3%

LAB 28.47, 19.55, 6.45

 

CMYK 0 / 37 / 33 / 55

HEX #73494D

RGB 115 73 77

HSL 354.29, 0.22%, 0.37%

LAB 35.88, 18.5, 5.06

 

CMYK 0 / 31 / 27 / 48

HEX #845B60

RGB 132 91 96

HSL 352.68, 0.18%, 0.44%

LAB 43.11, 17.6, 3.91

 

CMYK 0 / 27 / 23 / 42

HEX #956D73

RGB 149 109 115

HSL 351, 0.16%, 0.51%

LAB 50.17, 16.84, 2.93

 

CMYK 0 / 51 / 42 / 70

HEX #4C252C

RGB 76 37 44

HSL 349.23, 0.35%, 0.22%

LAB 20.21, 19.23, 3.72

 

CMYK 0 / 68 / 58 / 77

HEX #3B1319

RGB 59 19 25

HSL 351, 0.51%, 0.15%

LAB 12.39, 20.39, 5.89

 

CMYK 0 / 98 / 86 / 84

HEX #2A0106

RGB 42 1 6

HSL 352.68, 0.95%, 0.08%

LAB 4.76, 20.02, 5.04

 

CMYK 0 / 100 / 100 / 90

HEX #190000

RGB 25 0 0

HSL 0, 1%, 0.05%

LAB 1.87, 8.38, 2.95

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 52 / 43 / 71

HEX #4B242B

RGB 75 36 43

HSL 349.23, 0.35%, 0.22%

LAB 19.77, 19.28, 3.77

 

CMYK 0 / 52 / 52 / 71

HEX #4B2424

RGB 75 36 36

HSL 0, 0.35%, 0.22%

LAB 19.58, 18.38, 8.37

 

CMYK 0 / 52 / 43 / 71

HEX #4B242B

RGB 75 36 43

HSL 349.23, 0.35%, 0.22%

LAB 19.77, 19.28, 3.77

 

CMYK 0 / 52 / 28 / 71

HEX #4B2436

RGB 75 36 54

HSL 332.31, 0.35%, 0.22%

LAB 20.14, 20.97, -3.35

 

CMYK 0 / 52 / 15 / 71

HEX #4B2440

RGB 75 36 64

HSL 316.92, 0.35%, 0.22%

LAB 20.55, 22.78, -9.64

 

CMYK 0 / 52 / 0 / 71

HEX #4B244B

RGB 75 36 75

HSL 300, 0.35%, 0.22%

LAB 21.08, 25.03, -16.32

 

CMYK 13 / 52 / 0 / 71

HEX #41244B

RGB 65 36 75

HSL 284.62, 0.35%, 0.22%

LAB 19.61, 21.58, -18.72

 

CMYK 0 / 52 / 43 / 71

HEX #4B242B

RGB 75 36 43

HSL 349.23, 0.35%, 0.22%

LAB 19.77, 19.28, 3.77

 

CMYK 0 / 68 / 56 / 67

HEX #541B25

RGB 84 27 37

HSL 349.47, 0.51%, 0.22%

LAB 19.23, 27.42, 7.45

 

CMYK 0 / 81 / 67 / 64

HEX #5D121F

RGB 93 18 31

HSL 349.6, 0.68%, 0.22%

LAB 19.47, 34.19, 12.31

 

CMYK 0 / 91 / 75 / 60

HEX #66091A

RGB 102 9 26

HSL 349.03, 0.84%, 0.22%

LAB 20.42, 39.46, 17.42

 

CMYK 0 / 100 / 82 / 56

HEX #700014

RGB 112 0 20

HSL 349.29, 1%, 0.22%

LAB 21.93, 44.17, 23.82

 

CMYK 0 / 52 / 43 / 71

HEX #4B242B

RGB 75 36 43

HSL 349.23, 0.35%, 0.22%

LAB 19.77, 19.28, 3.77

 

CMYK 0 / 32 / 26 / 74

HEX #422D31

RGB 66 45 49

HSL 348.57, 0.19%, 0.22%

LAB 21.04, 10.38, 1.28

 

CMYK 0 / 5 / 4 / 78

HEX #393637

RGB 57 54 55

HSL 340, 0.03%, 0.22%

LAB 22.94, 1.53, -0.16

 

CMYK 24 / 0 / 5 / 75

HEX #303F3C

RGB 48 63 60

HSL 168, 0.14%, 0.22%

LAB 25.29, -6.82, -0.17

 

CMYK 46 / 0 / 8 / 72

HEX #274842

RGB 39 72 66

HSL 169.09, 0.3%, 0.22%

LAB 28.01, -13.79, -0.19

 

CMYK 0 / 52 / 15 / 71

HEX #4B2440

RGB 75 36 64

HSL 316.92, 0.35%, 0.22%

LAB 20.55, 22.78, -9.64

 

CMYK 0 / 52 / 28 / 71

HEX #4B2436

RGB 75 36 54

HSL 332.31, 0.35%, 0.22%

LAB 20.14, 20.97, -3.35

 

CMYK 0 / 52 / 43 / 71

HEX #4B242B

RGB 75 36 43

HSL 349.23, 0.35%, 0.22%

LAB 19.77, 19.28, 3.77

 

CMYK 0 / 48 / 52 / 71

HEX #4B2724

RGB 75 39 36

HSL 4.62, 0.35%, 0.22%

LAB 20.34, 16.49, 9.41

 

CMYK 0 / 33 / 52 / 71

HEX #4B3224

RGB 75 50 36

HSL 21.54, 0.35%, 0.22%

LAB 23.35, 9.37, 13.44

 

CMYK 0 / 55 / 45 / 92

HEX #14090B

RGB 20 9 11

HSL 349.09, 0.38%, 0.06%

LAB 3.33, 3.96, 0.53

 

CMYK 0 / 51 / 43 / 82

HEX #2F171B

RGB 47 23 27

HSL 350, 0.34%, 0.14%

LAB 11.25, 12.7, 2.49

 

CMYK 0 / 52 / 43 / 71

HEX #4B242B

RGB 75 36 43

HSL 349.23, 0.35%, 0.22%

LAB 19.77, 19.28, 3.77

 

CMYK 0 / 52 / 43 / 60

HEX #67313B

RGB 103 49 59

HSL 348.89, 0.36%, 0.3%

LAB 27.83, 25.34, 5

 

CMYK 0 / 52 / 43 / 49

HEX #833F4B

RGB 131 63 75

HSL 349.41, 0.35%, 0.38%

LAB 35.77, 30.5, 6.48

 

CMYK 0 / 51 / 42 / 70

HEX #4C252C

RGB 76 37 44

HSL 349.23, 0.35%, 0.22%

LAB 20.21, 19.23, 3.72

 

CMYK 0 / 0 / 52 / 71

HEX #4B4B24

RGB 75 75 36

HSL 60, 0.35%, 0.22%

LAB 31.01, -6.5, 23.08

 

CMYK 52 / 21 / 0 / 71

HEX #243B4B

RGB 36 59 75

HSL 204.62, 0.35%, 0.22%

LAB 23.71, -3.84, -12.58

 

CMYK 0 / 51 / 42 / 70

HEX #4C252C

RGB 76 37 44

HSL 349.23, 0.35%, 0.22%

LAB 20.21, 19.23, 3.72

 

CMYK 43 / 0 / 52 / 71

HEX #2B4B24

RGB 43 75 36

HSL 109.23, 0.35%, 0.22%

LAB 28.57, -20.69, 19.54

 

CMYK 52 / 43 / 0 / 71

HEX #242B4B

RGB 36 43 75

HSL 229.23, 0.35%, 0.22%

LAB 18.41, 7.21, -20.83

 

CMYK 0 / 51 / 42 / 70

HEX #4C252C

RGB 76 37 44

HSL 349.23, 0.35%, 0.22%

LAB 20.21, 19.23, 3.72

 

CMYK 0 / 0 / 52 / 71

HEX #4B4B24

RGB 75 75 36

HSL 60, 0.35%, 0.22%

LAB 31.01, -6.5, 23.08

 

CMYK 52 / 0 / 9 / 71

HEX #244B44

RGB 36 75 68

HSL 169.23, 0.35%, 0.22%

LAB 28.97, -15.83, -0.1

 

CMYK 51 / 52 / 0 / 71

HEX #25244B

RGB 37 36 75

HSL 241.54, 0.35%, 0.22%

LAB 16.32, 12.56, -24.14

 

CMYK 0 / 51 / 42 / 70

HEX #4C252C

RGB 76 37 44

HSL 349.23, 0.35%, 0.22%

LAB 20.21, 19.23, 3.72

 

CMYK 16 / 0 / 52 / 71

HEX #3F4B24

RGB 63 75 36

HSL 78.46, 0.35%, 0.22%

LAB 29.95, -12.18, 21.55

 

CMYK 52 / 0 / 9 / 71

HEX #244B44

RGB 36 75 68

HSL 169.23, 0.35%, 0.22%

LAB 28.97, -15.83, -0.1

 

CMYK 36 / 52 / 0 / 71

HEX #30244B

RGB 48 36 75

HSL 258.46, 0.35%, 0.22%

LAB 17.45, 15.9, -22.27

 

Description

Color code: HEX #4C252C | qconv.com Color code: HEX #4C252C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 37 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 37 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 42 yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 42% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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