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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C2064 it is the complementary color #B3DF9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C2064. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C2064 shade: #51205F, #623272, #734485, #845698 and #9568AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C2064. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C2064 shade: #4C2064, #3B0E51, #2A003E, #19002B and #080018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C2064 shade: #4C1F64, #5F1F64, #641F57, #641F45 and #641F32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C2064 shade: #4C1F64, #391F64, #271F64 and #1F1F64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C2064 shade matches the following richer shades: #4C1F64, #4F156F and #520A7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C2064 shade: #4C1F64, #492A5A, #46354F, #424044 and #3F4A39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C2064 shade: #261F64, #391F64, #4B1F64, #5D1F64 and #641F59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C2064 shade: #1C0C26, #341545, #4C1F64, #642984 and #7C33A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C2064 shade: #4C2064, #641F2B and #1F642F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C2064 shade: #4C2064, #644B1F and #1F644B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C2064 shade: #4C2064, #641F2B, #39641F and #1F6459

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C2064 shade: #4C2064, #64291F, #39641F and #1F5B64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 68 / 0 / 61

HEX #4C2064

RGB 76 32 100

HSL 278.82, 0.52%, 0.26%

LAB 21.91, 33.43, -31.65

 

Complementary color

CMYK 20 / 0 / 30 / 13

HEX #B3DF9B

RGB 179 223 155

HSL 98.82, 0.52%, 0.74%

LAB 84.34, -26.49, 28.79

 

CMYK 15 / 66 / 0 / 63

HEX #51205F

RGB 81 32 95

HSL 286.67, 0.5%, 0.25%

LAB 22.33, 33.59, -27.64

 

CMYK 14 / 56 / 0 / 55

HEX #623272

RGB 98 50 114

HSL 285, 0.39%, 0.32%

LAB 29.65, 32.95, -28.17

 

CMYK 14 / 49 / 0 / 48

HEX #734485

RGB 115 68 133

HSL 283.38, 0.32%, 0.39%

LAB 36.88, 32.12, -28.48

 

CMYK 13 / 43 / 0 / 40

HEX #845698

RGB 132 86 152

HSL 281.82, 0.28%, 0.47%

LAB 43.99, 31.27, -28.71

 

CMYK 13 / 39 / 0 / 33

HEX #9568AB

RGB 149 104 171

HSL 280.3, 0.29%, 0.54%

LAB 50.96, 30.45, -28.91

 

CMYK 24 / 68 / 0 / 61

HEX #4C2064

RGB 76 32 100

HSL 278.82, 0.52%, 0.26%

LAB 21.91, 33.43, -31.65

 

CMYK 27 / 83 / 0 / 68

HEX #3B0E51

RGB 59 14 81

HSL 280.3, 0.71%, 0.19%

LAB 14.61, 33.53, -30.84

 

CMYK 32 / 100 / 0 / 76

HEX #2A003E

RGB 42 0 62

HSL 280.65, 1%, 0.12%

LAB 7.59, 32.2, -29.11

 

CMYK 42 / 100 / 0 / 83

HEX #19002B

RGB 25 0 43

HSL 274.88, 1%, 0.08%

LAB 3.44, 19.45, -21.88

 

CMYK 67 / 100 / 0 / 91

HEX #080018

RGB 8 0 24

HSL 260, 1%, 0.05%

LAB 1.06, 6.28, -10.65

 

CMYK 24 / 69 / 0 / 61

HEX #4C1F64

RGB 76 31 100

HSL 279.13, 0.53%, 0.26%

LAB 21.71, 33.96, -31.96

 

CMYK 5 / 69 / 0 / 61

HEX #5F1F64

RGB 95 31 100

HSL 295.65, 0.53%, 0.26%

LAB 24.74, 38.93, -26.95

 

CMYK 0 / 69 / 13 / 61

HEX #641F57

RGB 100 31 87

HSL 311.3, 0.53%, 0.26%

LAB 24.88, 37.92, -18.12

 

CMYK 0 / 69 / 31 / 61

HEX #641F45

RGB 100 31 69

HSL 326.96, 0.53%, 0.26%

LAB 24.06, 35.09, -7.31

 

CMYK 0 / 69 / 50 / 61

HEX #641F32

RGB 100 31 50

HSL 343.48, 0.53%, 0.26%

LAB 23.4, 32.73, 4.71

 

CMYK 24 / 69 / 0 / 61

HEX #4C1F64

RGB 76 31 100

HSL 279.13, 0.53%, 0.26%

LAB 21.71, 33.96, -31.96

 

CMYK 43 / 69 / 0 / 61

HEX #391F64

RGB 57 31 100

HSL 262.61, 0.53%, 0.26%

LAB 19.1, 29.3, -36.31

 

CMYK 61 / 69 / 0 / 61

HEX #271F64

RGB 39 31 100

HSL 246.96, 0.53%, 0.26%

LAB 17.14, 25.5, -39.59

 

CMYK 69 / 69 / 0 / 61

HEX #1F1F64

RGB 31 31 100

HSL 240, 0.53%, 0.26%

LAB 16.46, 24.1, -40.72

 

CMYK 24 / 69 / 0 / 61

HEX #4C1F64

RGB 76 31 100

HSL 279.13, 0.53%, 0.26%

LAB 21.71, 33.96, -31.96

 

CMYK 29 / 81 / 0 / 56

HEX #4F156F

RGB 79 21 111

HSL 278.67, 0.68%, 0.26%

LAB 21.38, 41.89, -39.64

 

CMYK 33 / 92 / 0 / 52

HEX #520A7A

RGB 82 10 122

HSL 278.57, 0.85%, 0.26%

LAB 21.64, 48.35, -46.27

 

CMYK 24 / 69 / 0 / 61

HEX #4C1F64

RGB 76 31 100

HSL 279.13, 0.53%, 0.26%

LAB 21.71, 33.96, -31.96

 

CMYK 19 / 53 / 0 / 65

HEX #492A5A

RGB 73 42 90

HSL 278.75, 0.36%, 0.26%

LAB 23.04, 24.21, -23.3

 

CMYK 11 / 33 / 0 / 69

HEX #46354F

RGB 70 53 79

HSL 279.23, 0.2%, 0.26%

LAB 24.99, 13.25, -13

 

CMYK 3 / 6 / 0 / 73

HEX #424044

RGB 66 64 68

HSL 270, 0.03%, 0.26%

LAB 27.41, 1.75, -2.14

 

CMYK 15 / 0 / 23 / 71

HEX #3F4A39

RGB 63 74 57

HSL 98.82, 0.13%, 0.26%

LAB 30.03, -8.16, 8.71

 

CMYK 62 / 69 / 0 / 61

HEX #261F64

RGB 38 31 100

HSL 246.09, 0.53%, 0.26%

LAB 17.05, 25.31, -39.74

 

CMYK 43 / 69 / 0 / 61

HEX #391F64

RGB 57 31 100

HSL 262.61, 0.53%, 0.26%

LAB 19.1, 29.3, -36.31

 

CMYK 25 / 69 / 0 / 61

HEX #4B1F64

RGB 75 31 100

HSL 278.26, 0.53%, 0.26%

LAB 21.56, 33.7, -32.21

 

CMYK 7 / 69 / 0 / 61

HEX #5D1F64

RGB 93 31 100

HSL 293.91, 0.53%, 0.26%

LAB 24.41, 38.4, -27.5

 

CMYK 0 / 69 / 11 / 61

HEX #641F59

RGB 100 31 89

HSL 309.57, 0.53%, 0.26%

LAB 24.98, 38.26, -19.28

 

CMYK 26 / 68 / 0 / 85

HEX #1C0C26

RGB 28 12 38

HSL 276.92, 0.52%, 0.1%

LAB 5.87, 13.82, -14.25

 

CMYK 25 / 70 / 0 / 73

HEX #341545

RGB 52 21 69

HSL 278.75, 0.53%, 0.18%

LAB 13.8, 25.19, -23.92

 

CMYK 24 / 69 / 0 / 61

HEX #4C1F64

RGB 76 31 100

HSL 279.13, 0.53%, 0.26%

LAB 21.71, 33.96, -31.96

 

CMYK 24 / 69 / 0 / 48

HEX #642984

RGB 100 41 132

HSL 278.9, 0.53%, 0.34%

LAB 29.31, 42.39, -40.01

 

CMYK 24 / 69 / 0 / 36

HEX #7C33A3

RGB 124 51 163

HSL 279.11, 0.52%, 0.42%

LAB 36.55, 50.18, -47.17

 

CMYK 24 / 68 / 0 / 61

HEX #4C2064

RGB 76 32 100

HSL 278.82, 0.52%, 0.26%

LAB 21.91, 33.43, -31.65

 

CMYK 0 / 69 / 57 / 61

HEX #641F2B

RGB 100 31 43

HSL 349.57, 0.53%, 0.26%

LAB 23.22, 32.04, 9.25

 

CMYK 69 / 0 / 53 / 61

HEX #1F642F

RGB 31 100 47

HSL 133.91, 0.53%, 0.26%

LAB 37.13, -34.06, 23.78

 

CMYK 24 / 68 / 0 / 61

HEX #4C2064

RGB 76 32 100

HSL 278.82, 0.52%, 0.26%

LAB 21.91, 33.43, -31.65

 

CMYK 0 / 25 / 69 / 61

HEX #644B1F

RGB 100 75 31

HSL 38.26, 0.53%, 0.26%

LAB 33.65, 5.29, 29.63

 

CMYK 69 / 0 / 25 / 61

HEX #1F644B

RGB 31 100 75

HSL 158.26, 0.53%, 0.26%

LAB 37.69, -28.08, 7.99

 

CMYK 24 / 68 / 0 / 61

HEX #4C2064

RGB 76 32 100

HSL 278.82, 0.52%, 0.26%

LAB 21.91, 33.43, -31.65

 

CMYK 0 / 69 / 57 / 61

HEX #641F2B

RGB 100 31 43

HSL 349.57, 0.53%, 0.26%

LAB 23.22, 32.04, 9.25

 

CMYK 43 / 0 / 69 / 61

HEX #39641F

RGB 57 100 31

HSL 97.39, 0.53%, 0.26%

LAB 37.99, -28.34, 33.36

 

CMYK 69 / 0 / 11 / 61

HEX #1F6459

RGB 31 100 89

HSL 170.43, 0.53%, 0.26%

LAB 38.07, -24.22, -0.04

 

CMYK 24 / 68 / 0 / 61

HEX #4C2064

RGB 76 32 100

HSL 278.82, 0.52%, 0.26%

LAB 21.91, 33.43, -31.65

 

CMYK 0 / 59 / 69 / 61

HEX #64291F

RGB 100 41 31

HSL 8.7, 0.53%, 0.26%

LAB 24.93, 25.87, 19.51

 

CMYK 43 / 0 / 69 / 61

HEX #39641F

RGB 57 100 31

HSL 97.39, 0.53%, 0.26%

LAB 37.99, -28.34, 33.36

 

CMYK 69 / 9 / 0 / 61

HEX #1F5B64

RGB 31 91 100

HSL 187.83, 0.53%, 0.26%

LAB 35.39, -15.92, -10.85

 

Description

Color code: HEX #4C2064 | qconv.com Color code: HEX #4C2064 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 32 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 32 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 68 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 68% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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