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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C344C it is the complementary color #B3CBB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C344C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C344C shade: #513447, #62465A, #73586D, #846A80 and #957C93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C344C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C344C shade: #4C344C, #3B2239, #2A1026, #190013 and #080000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C344C shade: #4B334B, #4B3345, #4B333E, #4B3338 and #4B3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C344C shade: #4B334B, #45334B, #3E334B, #38334B and #33334B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C344C shade matches the following richer shades: #4B334B, #562956, #601F60, #6A146A and #750A75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C344C shade: #4B334B, #413D41, #374837, #2C522C and #225C22

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C344C shade: #3E334B, #45334B, #4B334B, #4B3345 and #4B333E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C344C shade: #1A121A, #332233, #4B334B, #644464 and #7C557C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C344C shade: #4C344C, #4B3833 and #334B42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C344C shade: #4C344C, #4B4B33 and #334B4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C344C shade: #4C344C, #4B3833, #334B33 and #33474B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C344C shade: #4C344C, #4B3F33, #334B33 and #333F4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 0 / 70

HEX #4C344C

RGB 76 52 76

HSL 300, 0.19%, 0.25%

LAB 25.3, 15.51, -10.47

 

Complementary color

CMYK 12 / 0 / 12 / 20

HEX #B3CBB3

RGB 179 203 179

HSL 120, 0.19%, 0.75%

LAB 79.36, -12.62, 9.25

 

CMYK 0 / 36 / 12 / 68

HEX #513447

RGB 81 52 71

HSL 320.69, 0.22%, 0.26%

LAB 25.74, 16.45, -6.42

 

CMYK 0 / 29 / 8 / 62

HEX #62465A

RGB 98 70 90

HSL 317.14, 0.17%, 0.33%

LAB 33.38, 15.65, -7.1

 

CMYK 0 / 23 / 5 / 55

HEX #73586D

RGB 115 88 109

HSL 313.33, 0.13%, 0.4%

LAB 40.78, 14.97, -7.71

 

CMYK 0 / 20 / 3 / 48

HEX #846A80

RGB 132 106 128

HSL 309.23, 0.11%, 0.47%

LAB 47.97, 14.37, -8.26

 

CMYK 0 / 17 / 1 / 42

HEX #957C93

RGB 149 124 147

HSL 304.8, 0.11%, 0.54%

LAB 54.98, 13.84, -8.79

 

CMYK 0 / 32 / 0 / 70

HEX #4C344C

RGB 76 52 76

HSL 300, 0.19%, 0.25%

LAB 25.3, 15.51, -10.47

 

CMYK 0 / 42 / 3 / 77

HEX #3B2239

RGB 59 34 57

HSL 304.8, 0.27%, 0.18%

LAB 17.32, 16.39, -9.94

 

CMYK 0 / 62 / 10 / 84

HEX #2A1026

RGB 42 16 38

HSL 309.23, 0.45%, 0.11%

LAB 9.01, 17.32, -9.19

 

CMYK 0 / 100 / 24 / 90

HEX #190013

RGB 25 0 19

HSL 314.4, 1%, 0.05%

LAB 2.29, 11.36, -5.17

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 32 / 0 / 71

HEX #4B334B

RGB 75 51 75

HSL 300, 0.19%, 0.25%

LAB 24.86, 15.55, -10.49

 

CMYK 0 / 32 / 8 / 71

HEX #4B3345

RGB 75 51 69

HSL 315, 0.19%, 0.25%

LAB 24.62, 14.24, -6.86

 

CMYK 0 / 32 / 17 / 71

HEX #4B333E

RGB 75 51 62

HSL 332.5, 0.19%, 0.25%

LAB 24.36, 12.83, -2.55

 

CMYK 0 / 32 / 25 / 71

HEX #4B3338

RGB 75 51 56

HSL 347.5, 0.19%, 0.25%

LAB 24.16, 11.71, 1.19

 

CMYK 0 / 32 / 32 / 71

HEX #4B3333

RGB 75 51 51

HSL 0, 0.19%, 0.25%

LAB 24.01, 10.86, 4.33

 

CMYK 0 / 32 / 0 / 71

HEX #4B334B

RGB 75 51 75

HSL 300, 0.19%, 0.25%

LAB 24.86, 15.55, -10.49

 

CMYK 8 / 32 / 0 / 71

HEX #45334B

RGB 69 51 75

HSL 285, 0.19%, 0.25%

LAB 24.13, 13.21, -11.67

 

CMYK 17 / 32 / 0 / 71

HEX #3E334B

RGB 62 51 75

HSL 267.5, 0.19%, 0.25%

LAB 23.34, 10.52, -12.96

 

CMYK 25 / 32 / 0 / 71

HEX #38334B

RGB 56 51 75

HSL 252.5, 0.19%, 0.25%

LAB 22.71, 8.28, -13.98

 

CMYK 32 / 32 / 0 / 71

HEX #33334B

RGB 51 51 75

HSL 240, 0.19%, 0.25%

LAB 22.23, 6.47, -14.76

 

CMYK 0 / 32 / 0 / 71

HEX #4B334B

RGB 75 51 75

HSL 300, 0.19%, 0.25%

LAB 24.86, 15.55, -10.49

 

CMYK 0 / 52 / 0 / 66

HEX #562956

RGB 86 41 86

HSL 300, 0.35%, 0.25%

LAB 24.44, 28.16, -18.32

 

CMYK 0 / 68 / 0 / 62

HEX #601F60

RGB 96 31 96

HSL 300, 0.51%, 0.25%

LAB 24.67, 38.42, -24.43

 

CMYK 0 / 81 / 0 / 58

HEX #6A146A

RGB 106 20 106

HSL 300, 0.68%, 0.25%

LAB 25.58, 46.94, -29.4

 

CMYK 0 / 91 / 0 / 54

HEX #750A75

RGB 117 10 117

HSL 300, 0.84%, 0.25%

LAB 27.53, 53.47, -33.25

 

CMYK 0 / 32 / 0 / 71

HEX #4B334B

RGB 75 51 75

HSL 300, 0.19%, 0.25%

LAB 24.86, 15.55, -10.49

 

CMYK 0 / 6 / 0 / 75

HEX #413D41

RGB 65 61 65

HSL 300, 0.03%, 0.25%

LAB 26.28, 2.6, -1.84

 

CMYK 24 / 0 / 24 / 72

HEX #374837

RGB 55 72 55

HSL 120, 0.13%, 0.25%

LAB 28.7, -10.7, 8.04

 

CMYK 46 / 0 / 46 / 68

HEX #2C522C

RGB 44 82 44

HSL 120, 0.3%, 0.25%

LAB 31.24, -22.58, 18.16

 

CMYK 63 / 0 / 63 / 64

HEX #225C22

RGB 34 92 34

HSL 120, 0.46%, 0.25%

LAB 34.21, -31.92, 27.35

 

CMYK 17 / 32 / 0 / 71

HEX #3E334B

RGB 62 51 75

HSL 267.5, 0.19%, 0.25%

LAB 23.34, 10.52, -12.96

 

CMYK 8 / 32 / 0 / 71

HEX #45334B

RGB 69 51 75

HSL 285, 0.19%, 0.25%

LAB 24.13, 13.21, -11.67

 

CMYK 0 / 32 / 0 / 71

HEX #4B334B

RGB 75 51 75

HSL 300, 0.19%, 0.25%

LAB 24.86, 15.55, -10.49

 

CMYK 0 / 32 / 8 / 71

HEX #4B3345

RGB 75 51 69

HSL 315, 0.19%, 0.25%

LAB 24.62, 14.24, -6.86

 

CMYK 0 / 32 / 17 / 71

HEX #4B333E

RGB 75 51 62

HSL 332.5, 0.19%, 0.25%

LAB 24.36, 12.83, -2.55

 

CMYK 0 / 31 / 0 / 90

HEX #1A121A

RGB 26 18 26

HSL 300, 0.18%, 0.09%

LAB 6.57, 5.65, -3.99

 

CMYK 0 / 33 / 0 / 80

HEX #332233

RGB 51 34 51

HSL 300, 0.2%, 0.17%

LAB 15.94, 11.73, -7.92

 

CMYK 0 / 32 / 0 / 71

HEX #4B334B

RGB 75 51 75

HSL 300, 0.19%, 0.25%

LAB 24.86, 15.55, -10.49

 

CMYK 0 / 32 / 0 / 61

HEX #644464

RGB 100 68 100

HSL 300, 0.19%, 0.33%

LAB 33.49, 19.74, -13.28

 

CMYK 0 / 31 / 0 / 51

HEX #7C557C

RGB 124 85 124

HSL 300, 0.19%, 0.41%

LAB 41.59, 23.15, -15.58

 

CMYK 0 / 32 / 0 / 70

HEX #4C344C

RGB 76 52 76

HSL 300, 0.19%, 0.25%

LAB 25.3, 15.51, -10.47

 

CMYK 0 / 25 / 32 / 71

HEX #4B3833

RGB 75 56 51

HSL 12.5, 0.19%, 0.25%

LAB 25.45, 7.59, 6.38

 

CMYK 32 / 0 / 12 / 71

HEX #334B42

RGB 51 75 66

HSL 157.5, 0.19%, 0.25%

LAB 29.74, -11.5, 2.41

 

CMYK 0 / 32 / 0 / 70

HEX #4C344C

RGB 76 52 76

HSL 300, 0.19%, 0.25%

LAB 25.3, 15.51, -10.47

 

CMYK 0 / 0 / 32 / 71

HEX #4B4B33

RGB 75 75 51

HSL 60, 0.19%, 0.25%

LAB 31.27, -4.5, 14.35

 

CMYK 32 / 0 / 0 / 71

HEX #334B4B

RGB 51 75 75

HSL 180, 0.19%, 0.25%

LAB 30.02, -9.14, -2.97

 

CMYK 0 / 32 / 0 / 70

HEX #4C344C

RGB 76 52 76

HSL 300, 0.19%, 0.25%

LAB 25.3, 15.51, -10.47

 

CMYK 0 / 25 / 32 / 71

HEX #4B3833

RGB 75 56 51

HSL 12.5, 0.19%, 0.25%

LAB 25.45, 7.59, 6.38

 

CMYK 32 / 0 / 32 / 71

HEX #334B33

RGB 51 75 51

HSL 120, 0.19%, 0.25%

LAB 29.35, -14.87, 11.43

 

CMYK 32 / 5 / 0 / 71

HEX #33474B

RGB 51 71 75

HSL 190, 0.19%, 0.25%

LAB 28.69, -6.69, -4.94

 

CMYK 0 / 32 / 0 / 70

HEX #4C344C

RGB 76 52 76

HSL 300, 0.19%, 0.25%

LAB 25.3, 15.51, -10.47

 

CMYK 0 / 16 / 32 / 71

HEX #4B3F33

RGB 75 63 51

HSL 30, 0.19%, 0.25%

LAB 27.55, 3.05, 9.29

 

CMYK 32 / 0 / 32 / 71

HEX #334B33

RGB 51 75 51

HSL 120, 0.19%, 0.25%

LAB 29.35, -14.87, 11.43

 

CMYK 32 / 16 / 0 / 71

HEX #333F4B

RGB 51 63 75

HSL 210, 0.19%, 0.25%

LAB 26.06, -1.59, -8.9

 

Description

Color code: HEX #4C344C | qconv.com Color code: HEX #4C344C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 52 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 52 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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