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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C3082 it is the complementary color #B3CF7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C3082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C3082 shade: #51307D, #624290, #7354A3, #8466B6 and #9578C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C3082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C3082 shade: #4C3082, #3B1E6F, #2A0C5C, #190049 and #080036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C3082 shade: #4C3082, #623082, #783082, #823075 and #82305F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C3082 shade: #4C3082, #363082 and #303082

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C3082 shade matches the following richer shades: #4C3082, #472190, #43139F and #3E04AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C3082 shade: #4C3082, #503E73, #554D65, #595B56 and #5E6948

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C3082 shade: #304082, #353082, #4B3082, #613082 and #773082

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C3082 shade: #281946, #3A2564, #4C3082, #5D3BA0 and #7049BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C3082 shade: #4C3082, #823056 and #358230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C3082 shade: #4C3082, #824B30 and #30824B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C3082 shade: #4C3082, #823056, #668230 and #30825B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C3082 shade: #4C3082, #82303D, #668230 and #308274

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

Complementary color

CMYK 14 / 0 / 40 / 19

HEX #B3CF7D

RGB 179 207 125

HSL 80.49, 0.46%, 0.65%

LAB 79.44, -22.81, 37.67

 

CMYK 35 / 62 / 0 / 51

HEX #51307D

RGB 81 48 125

HSL 265.71, 0.45%, 0.34%

LAB 27.69, 32.17, -38.36

 

CMYK 32 / 54 / 0 / 44

HEX #624290

RGB 98 66 144

HSL 264.62, 0.37%, 0.41%

LAB 35.02, 31.07, -38.3

 

CMYK 29 / 48 / 0 / 36

HEX #7354A3

RGB 115 84 163

HSL 263.54, 0.32%, 0.48%

LAB 42.2, 30.03, -38.21

 

CMYK 27 / 44 / 0 / 29

HEX #8466B6

RGB 132 102 182

HSL 262.5, 0.35%, 0.56%

LAB 49.24, 29.08, -38.13

 

CMYK 26 / 40 / 0 / 21

HEX #9578C9

RGB 149 120 201

HSL 261.48, 0.43%, 0.63%

LAB 56.13, 28.22, -38.08

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 47 / 73 / 0 / 56

HEX #3B1E6F

RGB 59 30 111

HSL 261.48, 0.57%, 0.28%

LAB 20.07, 33.58, -41.9

 

CMYK 54 / 87 / 0 / 64

HEX #2A0C5C

RGB 42 12 92

HSL 262.5, 0.77%, 0.2%

LAB 12.78, 34.26, -41.39

 

CMYK 66 / 100 / 0 / 71

HEX #190049

RGB 25 0 73

HSL 260.55, 1%, 0.14%

LAB 6.21, 32.5, -39.27

 

CMYK 85 / 100 / 0 / 79

HEX #080036

RGB 8 0 54

HSL 248.89, 1%, 0.11%

LAB 2.87, 19, -31.12

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 25 / 63 / 0 / 49

HEX #623082

RGB 98 48 130

HSL 276.59, 0.46%, 0.35%

LAB 30.21, 37.82, -37.34

 

CMYK 8 / 63 / 0 / 49

HEX #783082

RGB 120 48 130

HSL 292.68, 0.46%, 0.35%

LAB 33.39, 43.61, -32.08

 

CMYK 0 / 63 / 10 / 49

HEX #823075

RGB 130 48 117

HSL 309.51, 0.46%, 0.35%

LAB 34.28, 43.98, -22.44

 

CMYK 0 / 63 / 27 / 49

HEX #82305F

RGB 130 48 95

HSL 325.61, 0.46%, 0.35%

LAB 33.32, 40.51, -9.94

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 58 / 63 / 0 / 49

HEX #363082

RGB 54 48 130

HSL 244.39, 0.46%, 0.35%

LAB 25.29, 27.62, -45.53

 

CMYK 63 / 63 / 0 / 49

HEX #303082

RGB 48 48 130

HSL 240, 0.46%, 0.35%

LAB 24.81, 26.51, -46.33

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 51 / 77 / 0 / 44

HEX #472190

RGB 71 33 144

HSL 260.54, 0.63%, 0.35%

LAB 25.08, 43.66, -54.53

 

CMYK 58 / 88 / 0 / 38

HEX #43139F

RGB 67 19 159

HSL 260.57, 0.79%, 0.35%

LAB 24.2, 52.97, -65.22

 

CMYK 64 / 98 / 0 / 32

HEX #3E04AD

RGB 62 4 173

HSL 260.59, 0.95%, 0.35%

LAB 24.09, 59.83, -73.91

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 30 / 46 / 0 / 55

HEX #503E73

RGB 80 62 115

HSL 260.38, 0.3%, 0.35%

LAB 30.37, 20.38, -27.79

 

CMYK 16 / 24 / 0 / 60

HEX #554D65

RGB 85 77 101

HSL 260, 0.13%, 0.35%

LAB 34.35, 8.72, -12.74

 

CMYK 2 / 0 / 5 / 64

HEX #595B56

RGB 89 91 86

HSL 84, 0.03%, 0.35%

LAB 38.34, -1.84, 2.6

 

CMYK 10 / 0 / 31 / 59

HEX #5E6948

RGB 94 105 72

HSL 80, 0.19%, 0.35%

LAB 42.69, -10.51, 17.21

 

CMYK 63 / 51 / 0 / 49

HEX #304082

RGB 48 64 130

HSL 228.29, 0.46%, 0.35%

LAB 29.18, 15.67, -39.27

 

CMYK 59 / 63 / 0 / 49

HEX #353082

RGB 53 48 130

HSL 243.66, 0.46%, 0.35%

LAB 25.21, 27.42, -45.67

 

CMYK 42 / 63 / 0 / 49

HEX #4B3082

RGB 75 48 130

HSL 259.76, 0.46%, 0.35%

LAB 27.36, 32.13, -42.08

 

CMYK 25 / 63 / 0 / 49

HEX #613082

RGB 97 48 130

HSL 275.85, 0.46%, 0.35%

LAB 30.08, 37.56, -37.56

 

CMYK 8 / 63 / 0 / 49

HEX #773082

RGB 119 48 130

HSL 291.95, 0.46%, 0.35%

LAB 33.24, 43.35, -32.34

 

CMYK 43 / 64 / 0 / 73

HEX #281946

RGB 40 25 70

HSL 260, 0.47%, 0.19%

LAB 13.16, 19.52, -25.74

 

CMYK 42 / 63 / 0 / 61

HEX #3A2564

RGB 58 37 100

HSL 260, 0.46%, 0.27%

LAB 20.61, 25.82, -33.87

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 42 / 63 / 0 / 37

HEX #5D3BA0

RGB 93 59 160

HSL 260.2, 0.46%, 0.43%

LAB 33.97, 38.37, -49.73

 

CMYK 40 / 61 / 0 / 27

HEX #7049BB

RGB 112 73 187

HSL 260.53, 0.46%, 0.51%

LAB 40.89, 42.09, -54.48

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 0 / 63 / 34 / 49

HEX #823056

RGB 130 48 86

HSL 332.2, 0.46%, 0.35%

LAB 32.99, 39.28, -4.64

 

CMYK 59 / 0 / 63 / 49

HEX #358230

RGB 53 130 48

HSL 116.34, 0.46%, 0.35%

LAB 48.18, -40.71, 36.55

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 0 / 42 / 63 / 49

HEX #824B30

RGB 130 75 48

HSL 19.76, 0.46%, 0.35%

LAB 37.83, 20.59, 25.88

 

CMYK 63 / 0 / 42 / 49

HEX #30824B

RGB 48 130 75

HSL 139.76, 0.46%, 0.35%

LAB 48.39, -37.84, 22.6

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 0 / 63 / 34 / 49

HEX #823056

RGB 130 48 86

HSL 332.2, 0.46%, 0.35%

LAB 32.99, 39.28, -4.64

 

CMYK 22 / 0 / 63 / 49

HEX #668230

RGB 102 130 48

HSL 80.49, 0.46%, 0.35%

LAB 50.69, -23.43, 40.05

 

CMYK 63 / 0 / 30 / 49

HEX #30825B

RGB 48 130 91

HSL 151.46, 0.46%, 0.35%

LAB 48.7, -34.54, 13.93

 

CMYK 42 / 63 / 0 / 49

HEX #4C3082

RGB 76 48 130

HSL 260.49, 0.46%, 0.35%

LAB 27.47, 32.36, -41.89

 

CMYK 0 / 63 / 53 / 49

HEX #82303D

RGB 130 48 61

HSL 350.49, 0.46%, 0.35%

LAB 32.25, 36.46, 10.54

 

CMYK 22 / 0 / 63 / 49

HEX #668230

RGB 102 130 48

HSL 80.49, 0.46%, 0.35%

LAB 50.69, -23.43, 40.05

 

CMYK 63 / 0 / 11 / 49

HEX #308274

RGB 48 130 116

HSL 169.76, 0.46%, 0.35%

LAB 49.32, -28.27, 0.24

 

Description

Color code: HEX #4C3082 | qconv.com Color code: HEX #4C3082 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 48 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 48 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 63 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 63% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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